Bristol's DJ Die has gone one better than signing Addison Groove to his Gutterfunk imprint, he's only gone and collaborated with him on both tracks here as well! The footwork-influenced side project of Headhunter, Addison Groove assumes charge of "Keyhole" - a stripped back excursion into sultry voodoo beats. Meanwhile on "Hydropump", DJ Die takes the lead steering this ship into breaky hip-house waters in the process.

Given Unknown To The Unknown's wide ranging remit, including bassline garage, Detroit electro and Chicago house, it was perhaps inevitable that a genuine 90s house record would find its way onto the label at some point. Originally released in 1992, OHM's "Tribal Tone" was supposedly the first tune to use the Korg M1 sound that was later immortalised by Robin S' "Show Me Love", and had considerable impact at the time, being championed The Shamen frontman Mr C, being licensed to R&S sub-label Global Cuts and US label Vibe, and finding itself remixed by the Sabres of Paradise trio. Here it finds itself with three similarly great remixes, a stripped-back, raw groover from Marquis Hawkes, a horn-heavy piece of 90s action from Capracara and a thundering mid-tempo effort from Northern Souls. Essential!

When 123MRK's Noname EP dropped in 2011 creating waves all around the dubstep and bass music scene. Moulding the sound of his generation into a style all his own, the Frenchman suddenly found himself held aloft as an innovator as well as simply a producer of sounds. This remixed release of his seminal EP was a lofty undertaking and the finished item features remixes from some of the future dubstep scene's brightest young stars alongside long-time innovators. From Liar's metalic, lo-fi flavours to Troy Gunner's understated clicks and swirls; ViLLAGE's heart-pounding house remodelling to Heblank's old-school twist, even the likes of Pixelord and ReSketch play their garage-influenced hands to create an all-new modern-day canvas of what exactly bass music is right at this moment. It can never be truly defined, but this is a pretty good encyclopedia.

It's great to see classic UKG label Ice Cream Records back in action of late. Here they've resurrected mid 90s garage pioneers RiP Productions, who even back then were way ahead of the curve in terms of futuristic takes on the formula. This re-issue of "Rush Me" sees the 1998 '10 Below mix' (another alias of RiP) lead the package, with a thumping, bass-heavy new vocal mix being the flake in this particularly tasty 99 cone.

We Are Nuts aren't exactly known for their deep, contemplative musings, but who needs that on a dancefloor at 3am anyway? "Bombaclat" is a blazin' 4x4 wobbly bass banger, and "Daily Dose" is like a housier UKF take on an already pretty eccentric baile funk stomper. Finally DJ Q steps in bringing a whole tonne of flabby wobble to add to the ravey keys. Messy, very messy.

Bringing further evolution in the realm of footwork, one of the scene's heavy hitters DJ Earl drops this self-assured EP which lets a little heart and soul into the manic machinations of his chosen discipline. Opening track "I Feel It" embraces full-bodied vocals and warm melodies, while "I Need You" gets deep into a Rhodes refrain, all the while twitching away at the heightened BPMs of classic footwork. "Alive N' Well" goes as far as to reach for some chunky Detroit chords, while "Ambienttt" somewhat ironically represents the feistiest cut on the release with a more head-nagging refrain that seems more in line with classic Chicago juking.

Tony Tokyo debuts on Roska's Kicks and Snares imprint with "More Than A Fantasy", and rather than the flexing UKF the label is usually known for, his style is more that of the bassy, swung house of the Hypercolour camp, combining swung rhythms, dubby stabs and a cascading vocal sample. RKS regular Tickles provides his own take on the track, delivering a streamlined, techy version of the track which adds screaming synths and bouncing percussive tics.

If techy tropical is your thing, than Mr Eastwood is going make your day, punk. "U Ain't Ready" is a killer example of reggaeton-infused, clean electronic machine funk. Things get trippier with the bleepy electro of Untold's 2010 mix, while the aptly named Spooky remix is dark enough to scare the bejayjus out of even the most hardened bass freak.

Nottingham/Leeds duo, Sergic and Lyka arrive in fine style here with their debut release on their own label Tumble Audio. "Bulletproof" is a pumping, breaky beast that sounds like bullets bouncing off the armour of an angry robot. Meanwhile "Shame' is all skippy beats, housey percussion and dubby bass, while "Glod" ups the tempo for some wobbly 4 x 4 fun.

Space soul superstar Deft defies the assumption that all Croydon boys are gnarly dubstep champions with this startling exercise in genre defying. "Let's Hook Up" is a warped and weirded out love song with spooky processed vocals and a well textured, off-beat groove. "Lucid/Overline" is a dreamy, sludgy 4/4 slug-out while "Loqux & Past" rides roughshod on some very trippy drum works. Going through the motions? Then cheer yourself up and go through "The Motions".

It's not every day we come across underground bass artists named after an actress in a 1980s soap, Dynasty, but it takes all sorts as they say. Musically this is seriously next level stuff: "I Can't Hide" is twisted and contorted tribal house with half time breaks and a killer cowbell. "No Way Back" is similarly bonkers but drowns everything is neon synths. Remixers include The Druid Cloak (sounds like a Brazilian carnival stumbling into a rave), Kresy (slow, emotional house) and Rohan (even deeper still; adding melancholic keyboards and cut up vocals for what's possibly the stand-out track).

Although hailing from Russia, this young producer's heart defiantly resides in the UK. All aspects of UK underground, from The Chemicals to UKF, are his chief musical influences and it really shows in his productions. "Love 4 U" is all UK garage swing and perky house stabs. "My Baby" takes those stabs even further and mixes in some 2-step for a back in the day Ayia Napa feel. Remix-wise it's all about the cheap drum machine assault of Lojt's 4x4 version.

The unprecedented rush that's met each upcoming funky-house-garage-bassline producer in recent months has plastered the pillars of the bass music spectrum with the tags and new sounds of a scene that's forging itself before our very eyes. Debian Blak has already caught the attention of BBC Radio 6 and has created a stir with previous remixes and bootlegs. This, his first ever full length release, chronicles his musical journeys on his very rapid ascent to bass music stardom. From the lush soundscapes and retro bleeps of "Dive" to the deep, contemplative tones of "Where You", Blak is a man intent on building his own structure on the never-ending tower that is modern bass music. God speed, Debian.

Ahead of a multitude of new ventures and projects, Hyetal makes a welcome return to hint at where his sound might be heading with this new track. It's a bold move that fuses rasping electro drum patterns with reverbed vocal and trademark plush, detuning melodies that comes on like a dramatic, windswept version of synth-pop built for craggy coastlines. Vessel steps up for the first remix, shearing away the niceties to create some industrial flavoured dread complete with yowling, nebulous wraiths of the original vocal and insistent bass. Factory Floor meanwhile bring their own brand of looping sample revisions that work up to a peppy, disco-fuelled burner with a catchy bassline to anchor the more wayward samples in the background.

With plenty of heat and hype building from the underground and streets, the talented singer/rapper Zee Musiq gets the full club remix treatment for her latest single 'High'. With support across Radio 1xtra and Rinse she looks set for big things and these cool and classy remixes from the likes of DJ SKT make for a really nice soulful house moment, bringing plenty of summer vibes. Her songwriting and smooth vocals flow effortlessly with the housey flavours, and there's also a very of-the-moment UKG mix from Crezza, as well as a big room cut from Tucka. All bases covered on this solid release, and we are tipping Zee Musiq for big things this year. Lock in and get to know!!

UK producer Latcha tells it like it is: he simply produces 'anything club music based: house, tech, garage, bass ...plus anything in between'. We couldn't have put it better ourselves, and this EP, his first for Slime, contains a smidgeon of all these flavours. "Viable" is a remarkable voodoo percussion odyssey complimented by what sounds like reversed panpipes. "Call It That" on the other hand, is deep house with a garage drum kit and Orbital-style echoey synth pad melodies. Inventive stuff!

As far from the quaint old Beatle as you can get (unless you believe that weird old rumour about him discovering SL2's 'On A Ragga Tip'), this Macca is a hotly rising member of Wolverhampton's StayFresh crew. Here he goes solo in an inventive 2-step homage that features slick orchestral flourishes and eccentric keyboard melodies. Oh, and some killer rhymes that name check the likes of G-Star and er, Primark. Elsewhere "I Do Me" is assertive grimey hip-hop.