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VINYL & CDs
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SWITCH GENRE
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100581 93
18 Jun 13
808391 569010
18 Jun 13
ODEA 002
17 Jun 13
FOF 009
17 Jun 13
UDZ 039
17 Jun 13
BASSERK 00083
17 Jun 13
LOB 008D
17 Jun 13
BLAQ 083
17 Jun 13
RAMP 055BLOODSUGAR
15 Jun 13
APEX 001
14 Jun 13
HUSSYCD 5325
13 Jun 13 640 MB of swing out drum loops, modern basslines, stabby organ loops and more
AD 015
10 Jun 13
UTR 0123
10 Jun 13
FRM 005
10 Jun 13
BONG 012
10 Jun 13
UTTU_SINDEN!
10 Jun 13
Review:
Despite often playing second fiddle to his original partner The Count aka Herve, Graeme Sinden is still doing alright for himself. Having recently relocated to LA, his relentless productivity is beginning to bear fruit with this, his first solo release of 2013. Despite being the other side of the Atlantic both tracks here display distinct UK influences: "Bad Boy" fuses choppy, fidgety loops, a ragga MC sample and some seriously wobbly UKF. The best track though, is the more linear "Tempest Storm" which features long deep house loops and some absolutely lovely garage-inspired melodies.
SR 0040
10 Jun 13
BLKBTR 44
09 Jun 13
Review:
After successfully remixing some very popular dance tunes to widespread approving nods from the likes of Loadstar, Clean Bandit and Naughty Boy, the Bristol duo have returned to the studio to furnish the bass music community with a second EP released on cutting edge label Black Butter. Bringing together house, garage and bassline for that oh-so-now deep house feel with a characteristically twisted outlook, each track is a swarming mass of influences and irresistible experimentation. "Scatter" in particular has that perfect MNL combo of hip-swinging dancefloor compatibility and relentless hard-hitting beats and you've almost definitely already heard the badness of "Levels" on your travels. A definite buy on sight.
LFS 007
08 Jun 13
Review:
This er, young kid (Tom Guerriero-Davies) from Nottingham, is tearing it up with this tune, getting plays on Rinse FM and more. Although he describes his sound as a variant of 2-step, it really doesn't do this tune justice. In fact it's a pretty hard record to categorise, other than it's a brilliant slice of haunting future tropical in which Della just rinses all the sounds, samples and riffs at his disposal to sound like, well, nothing else around. Remix-wise we also get quirky garage from Nomi and some seriously haunted house courtesy of AtsuBox.
RDM 13081-6
07 Jun 13
CRAB 804
07 Jun 13 Stacks of syncopated 2-step grooves, fat bouncing basslines, cut & pitched vox, sharp synth hooks, classic M1-style chords, vinyl-style music loops, drum hits & FX
6508
07 Jun 13
AW 5075635
05 Jun 13
DM 430
04 Jun 13
Review:
Now firmly entrenched in the Dim Mak roster, these rising electro-house producers see their collaboration with Felix Cartal - the anthemic "The Alarm" - get reworked by a host of other acts. Keys N Krates take things in a commercial trap direction while retaining the high-pitched escalations, Charlie Darker is pure maximal, with everything (the Mad Decent beats, the ott trance synths from the chorus, the Ed Banger-style noisiness) turned up to 11. Finally Eric Rincon's '3Ball Bootleg' version takes us on a funky Latin excursion.
078
04 Jun 13
COY 004
03 Jun 13
AR 019
03 Jun 13
L2S 096
03 Jun 13
Review:
The kind of EP you wouldn't want meet down a dark alley at night, this also marks Mokujin's first release for someone other than Blaq (maybe they were too scared?). Anyway, it's their loss as we get four tracks of menacing post-dubstep - "Confessions" features stunningly haunting synths welded to a UKF frame, "I Can't Take It" is the sound of distorted discord, aka serial killer garage, "Oh Baby" is 2-step with issues and "What The" gets all heavy on the wobble. Killer stuff.
361015 2887625
03 Jun 13
DAX 0003
03 Jun 13
HDB 073
03 Jun 13
Played by: Cosby (Car Crash Set)
Review:
It's grime o'clock at Hyperdub HQ as Terror Danjah and Champion square-off with some midrange baiting badness as cheeky and rude as you would expect from two masters of the art. Danjah's "Glide" actually struts on a peppy 4/4 rhythm, but the synths keep things dutty whilst there are plenty of quirks stitched into the beat. Champion's template on "Bowser's Castle" is broader, with fulsome melodies and a dextrous switch between ring modulating bassline throw downs and glossy synth refrains. In both instances the collaborations between the two bring a more hectic style full of clattering percussion and urgent tempos, clearly fed on the energy of shared studio time.
DC 009
03 Jun 13
CRAB 804
01 Jun 13
FUCDKS 031
01 Jun 13
LC:004
31 May 13
505548 9271057
30 May 13
100576 05
29 May 13
3
28 May 13
PHRECS 054
27 May 13
Played by: Mr Brainz / Orpheus:ldn
Review:
For his debut on Phucked Recordings, 1Point5 has delivered a very impressively produced offering indeed. Intricate, 2-step infused beats jostle for supremacy with bouncy dubby bass notes and a slick vocal from Al Rolfe, before they conclude that basically they all win. Remix wise, Moxix opts for a synth heavy post dubstep reworking replete with crying baby sampling whilst Nu-Direction offers up a futuristic doomy D&B revision.
FLAKE 035
27 May 13
Played by: Mr Brainz / Orpheus:ldn
Review:
Andy Jay and S-Tee are keeping up the good work with another new production that keeps them a fresh prospect despite having been around for ages. For this key tune they've left no stone unturned, supplying no less than six versions, all covering a different dance genre. Of the six our picks are the dark and bassy 2-step mix, the party-startin' dub house mix and best of all, the sultry edge of the tech mix.
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