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RINSECD 021DIGI
26 Sep 11
FLAKE 033
01 Apr 13
Review:
Here we have a battle of the heavyweights as classic big beat/electro-house label Skint goes head to head with established garage imprint Ice Cream. Featured are two DJ mixes in which DJ Omar and Sonny Wharton mix up the back catalogue of each (including some exclusive versions), boasting names such as Fatboy Slim, X-Press 2, Tim Deluxe, Andy Jay and S-Tee and R.I.P. Productions.
RINSECD 022D
21 Nov 11
FABRIC 118DX
19 Sep 11
Review:
The Fabriclive series maintains its fine run of form with Four Tet's eagerly anticipated inclusion into the canon. Stitching together field recordings of the club itself, ambient tracks from Michel Redolfi and David Borden, a selection of lost, dusty UK garage from the likes of Persian and Crazy Bald Heads and recent productions from Burial and Floating Points, it's not so much a DJ set as an impressionistic rendition of Hebden's own memories of clubbing itself. Considering the fact that Hebden's own productions are usually so saturated in melody, it's a relatively dark mix, dominated by murky bass tones and sharp, brittle beats, with a constantly shifting sense of urgency that encourages rapt attention throughout. The stellar mix is capped off with two brand new Four Tet tracks, "Pyramid" and "Locked", which only seek to highlight his growing ability to produce devastating club tracks.
EJCD 27/28/29
19 Oct 09
FABRIC 112DX
21 Mar 11
Review:
David Kennedy, aka Ramadanman/Pearson Sound - one of the most talked about electronic artists of recent times - steps up with his highly anticipated mix, marking the 56th instalment of the fabriclive series. Amongst the almost exorbitant 30 track selection are 10 of Kennedy's own, signposted by explorations into dubstep, post-dubstep, house, funky, techno, grime, juke and all the unmapped areas in between which blend so perfectly to colour the Pearson Sound. Despite the brevity of time allowed for each track, the overall effect is not hurried. Essential!
NEEDCD 011
25 Mar 13
Review:
Given the ubiquity of classic garage-inspired house records over the last 18 months, it was probably inevitable that some bright spark would eventually decide to put together a themed compilation. To be fair to Needwant, they've done a pretty good job. While there are plenty of big, scene-defining records present - HNNY's "For The Very First Time", Dusky's "Flo Jam", Medlar's mix of Disclosure's "Boiling" and George Fitzgerald's "Child" - there are also of plenty of admirable cuts from lesser-known names and relative newcomers (see the excellent contributions from Ben Pearce and Purple Velvet). Job done.
DI 1792
01 Jan 01
EJCD 30/31
19 Oct 09
EJVOL 36/37
19 Oct 09
DI 0902
01 Jan 98
EJCD 43
02 Jul 10
EJCD 44
02 Jul 10
EJCD 15
07 Jul 10
EJCD 16
07 Jul 10
EJCD 21
19 Jul 06
EJCD 22
03 Jul 06
EJCD 023
27 Jul 06
EJCD 24
04 Jul 06
EJCD 25
05 Jul 06
EJCD 26
18 Jul 06
EJCD 1
01 Mar 06
H2M 06
09 Sep 12
AALP 002
21 Oct 11
EJCD 7
01 Sep 06
EJCD 10
05 Jan 07
EJCD 11
16 Feb 07
EJCD 12
05 Apr 07
EJCD 13
15 May 07
EJCD 14
26 Jul 07
EJCD 2
01 Apr 04
EJCD 3
01 Jun 06
EJCD 4
01 Jul 06
EJCD 5
01 Aug 06
EJCD 6
01 Aug 06
EJCD 8
23 Oct 06
SOLACED 002
13 Aug 12
RINSE 008DIGI
12 Sep 11
Review:
Rinse FM regular Brackles takes his relationship with the station a step further with this, his first release for Rinse's own label, following releases on Planet Mu and Apple Pips over the years. Both tracks showcase Brackles' ear for brittle yet driving rhythmic shapes; "Spider" is a stripped back slice of rolling garage-infused funky. Utilising bright yet minimal melodies it skips through a myriad of African inspired melodies and rhythms, whilst a strained pad sound gives the whole thing an alien mood. "Take Me Home" meanwhile takes a soulful female vocal and puts it over a backdrop of deep, searching pitch-bent chords and deep spongy bassline, before breaking out into a rhythmic jam of snares and kwaito-inspired melody.
FGX 005
01 Apr 13
WRND 009
25 Feb 11
Review:
On the Interplanetary EP, Littlefoot skilfully combines seemingly disparate elements of rave, garage, funky and house on this dope four tracker for the Well Rounded imprint. "Tuesday Club" sits somewhere between Roska and DJ Mujava, with some classic chord stabs thrown in for good measure. Equally impressive is DJ Dom's remix of "Sell My Soul", probably the EP's most euphoric moment, with more rave chords, this time supplemented by a clipped female vocal some delicious low frequencies. Up next you'll find two (relaitively) sedate james, namely the early morning shuffle of "Great Dark Spot" and oven warm Detroitisms of "Planet October".
IM 005
06 Oct 11
APO-1003
13 Dec 11
TWX-004
24 Oct 11
CITY SOUNDZ 001
05 Nov 12 | ||
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