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SWITCH GENRE
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1449 DW
29 Jul 11
TAR 012
27 Oct 09
DO 015D
10 Dec 09
DO 022D
19 Mar 10
SILX 011D
20 Feb 12
100386 93
10 Mar 12
BTRL 31
17 Mar 13
Played by: Gilus
Review:
The latest release from Marco Del Horno's Bullet Train comes courtesy of London duo N55, aka producer Luke Oldham and Marco Giuliani (Last Japan). "My High" is a knockout double hitter comprising a warbly 'you are my high' vocal sample and tongue twisting rap from Rtkal. "Eclipse" is utterly different, being blissed out digital Balearica with hip-hop beats, "Lego" is quirky RnB and finally "Who Knew" is so well polished, it could almost be US top ten material.
MBK 004
31 Jan 11
Played by: DJ Quime (Meanbucket)
Review:
NYC-born but now based in Berlin, Naifian steps up to helm this fourth release from Czech label Meanbucket. With tropical UKF and garage very much an influence, the title tune wields a deft and slinky clap-led rhythm and some anthemic organ chords. Former Bmore party rocker DJ Donna Summer works out a powerful 4/4 mix that's loaded with abrasive, feedback-like sounds while DJ Tuco rearranges the distinctive organ riff into a ghetto house weapon.
DXP 006
19 Mar 07
GDP 57
21 Sep 12
SM 0015
20 Jul 09
WEAR 010
07 Oct 08
BSL 003
19 May 09
BSL 002
18 May 09
BSL 001
14 May 09
BSL 006
04 Jun 09
TRNC 001
13 May 09
FUNKY 001
16 Feb 09
ICU 008
11 Mar 13
Review:
At seven tracks NDread is treating us to a project of near-album proportions here. And with a sound that's becoming as distinctive as it is deep, it's got the alluring flow of an LP, too. The title track ignites proceedings with a skippy two-step and a weave of dreamy washes and textures. Authentically classic yet forward thinking, it sets the scene for the rest of this memorable release. Other highlights include the late 90s four-to-the-floor UKG pump of "Time To Go" and fang-sharp two-step sexiness of "Bad Habit". Timeless vibes; a must for all garage and bass heads.
ICU 003
22 Oct 12
Played by: J Courage
Review:
The 2-step garage revival shows no signs of abating and, with tunes like this, why on earth should it? "Everything" recalls the days of SFA's 'Flowers': rockin' trilby hats and leather slip-ons on the dancefloor of The End, circa '99. "Apologies" is a deeper affair where classy sax, fretless bass and gentle chords nestle with expensive beats in the back of MJ Cole's BMW. One for the club and one for the afterparty, job done.
BALUT 005
29 Oct 09
NNR 023
02 Apr 12
AZR 040
27 Dec 10
MAGIC 04
27 Feb 12
Review:
After last year's 10" for Lone's Magic Wire, Neon Jung returns with another slab of bass-toting badness for the ballsier side of the dance. "Delirium Tremens" takes the principles of early breakbeat and matches it to some menacing bass stabs, starry-eyed synths and sublime soul hooks. It's nailed perfectly for a floor-smashing winner, and paves the way perfectly for Nathan Fake to freak everything out on the remix. The beat is a surprisingly focused garage swinger for experimentally minded Mr. Fake, but the synths more than make up for that as they swirl around in a maelstrom of detuned magnificence.
MAGIC 03
23 May 11
TMG 045
18 Sep 12
SILX 003D
04 Oct 10
SILX 006D
07 Mar 11
CVR 004
20 Jan 13
OCR 010
05 Nov 12
ELIMDIG 001
26 Dec 11
Review:
Any Seinfeld reference always raises a few smiles here at the Juno office, and this latest EP from Nightwave has already earned a special place in our hearts with its name and artwork. The music itself may not have anything to do with the sitcom, but the music is as good as it's ever been from the producer, showing her production skills and ideas to be coming on in leaps and bounds with every release. The title track combines fluttering melodies over booming bass and solid 808 kicks, whilst "Jeff The Dolphin" takes a rapid arpeggiated synth line, gloopy bass, delicate organ notes and woodblock percussion to create the perfect fusion of Detroit and London bass sounds. "Jazz312" meanwhile combines Rhodes and trumpet samples with drawn out vocals and a fast juke flex, while the EP closes with "Heart Bit", a slower machine-funk number with rough, glitchy textures that recall Drexciya. This is undoubtedly Nightwave's most consistent EP to date, and comes highly recommended.
UTTU 013
26 Dec 11
366158 5176923
07 Oct 09
AW 8499629
30 Jul 12
FORE 002
11 Jul 11
SQ 1004
28 Nov 11
Review:
London producers Ryan Ellis and Lewis Wright have garnered solid support for their previous EPs "Welcome To The Jungle" and "Street Knowledge" from the likes of Maya Jane Coles and Jamie Jones, and with new single "Love Box", they're owed a lot more love from fans of deep, affecting and jacking house. With a stripped down and slightly grimey sheen, and at an easy 120-ish bpm, the pair craft a classic house moment via some cut-up vocals and crafty reverb work. Highly recommended stuff.
LGN 006
20 Sep 05
505550 6381646
21 May 12
505550 6381646
20 Jun 12
GRD 010
12 Jun 06
GDP 20
17 Sep 11 | ||
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