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Items 151 to 200 of 500 on page 4 of 10
ST 004
06 May 13 Disco/Nu-Disco
DDR 0001
22 Apr 13 Disco/Nu-Disco
Review:
Venice Beach's DJ Moar goes it alone again for the latest in his long line of classy disco re-edit EPs. The Philly in the title betrays his love of those string arrangements best found here in the lazy disco-rock of the title track. "Bass N Key" instead fuses slap bass funk, mellow keys and dreamy synths, but the highlight here is the almost warped deep and spacey loops of "New Star".
502444 1884659
19 May 13 Drum And Bass
Review:
Ram's new golden boy Chords provides the official start to the summer with "Biting Point", a fresh and energising roll through techy D&B influences past and present. Straight up and to the point, it smashes in and maintains that momentum producing what's surely been the most addictive floorfiller of the year so far. "Amygdala" takes a full u-turn from the party vibes and heads down a deeper path. '80s drums herald a sober approach, but are quickly overwhelmed by a darkly destructive bassline and heavy stepping beats. Expect big things from Chords, Ram aren't grinning about their recent signing for nowt.
AKABU feat ALEX MILLS
ZEDD 12185
01 Apr 13 Funky/Club House
Played by: Dave Lee / Joey Negro, Justin Winks (Casio Social Club), Anna Maria X, Juno Recommends Deep House, J&m Brothers, Rony Breaker, 2 Good Souls, Distant People, Joey Negro, Alan De Laniere
Review:
When Joey Negro dons his Akabu guise, you know he's about to lay down a timeless house groove. He did it with "Sax My Bitch Up", he did it with "Life Is So Strange", and, with the help of Alex Mills' dulcet tones, he's doing it with this, too. Rolling with a classic analogue bassline and deep dreamy chords, the "Strip Mix" is an instant hip-wiggler with serious 'zone-out' potential while the "Warehouse Mix" adds more texture and a hollow harmony to the bass a la Robin S. Everybody wants something...and your dancefloor wants to hear this!
DB 087
12 Mar 13 UK Funky/UK Garage
Review:
If dance music was professional sport, the Dirtybird roster would be in the premier league, with Claude Vonstroke the whip cracking manager. Here he rounds up his top players for an exhibition match, allowing them to flex their muscle and strut their stuff. It's all killer, no filler, dirty house music - highlights of which include the nasty funk of Justin Martin & Ardalan's "Wheelgunner", Munnibrotherz's sweet n sour "Drum Machine", the future-booty-bass of "Black Girls White Girls" and the surprisingly techno "Coefficient" by J Phlip.
BBR 004
26 Apr 11 Breakbeat
Played by: Clairvo (Mustbeat), Bmd, Hayz, Turntable Dubbers (Nice Up!), DJ Stex, Chudy, Zamali, Badboe, Nick Hollywood, All Good Funk Alliance, Johnnypluse(Bulabeats Records), Breakbeat Associate, Juno Recommends Breakbeat, DJ Max (Globe By DJ Max & Gabb), Badboe, Big M Productions (Big M Bootie), DJ Twister Aka Vinyl Cat, Morlack, Chris Awesome, Stereo Beatz, D-Funk, Rhythm People, Telephunken, Tosses & Varvez, Hayz
Review:
This is a bit of a treat for funk breaks fans, as leading label Boogie Boutique gathers together a selection of its finest floor-filling bangers. With cheeky mash-ups and bootleg remixes from the likes of Hayz, Ursula 1000 and Nick Fonkyson, there's much to enjoy, not least the sheer silliness of some of the rump-shaking fusions. Check, for example, the anthemic grooves of Nine Lives The Cat's "Let Me In" (a brilliantly executed fusion of "Just Be Good To Me" and "Cross The Tracks") or Badboe's "Show Me Ghetto". None of the cuts will win you brownie points with chin-strokers, but they'll certainly smash up the dance - and that's all that matters.
BLACKBOX 032
08 Apr 13 Deep Dubstep
Played by: Juno Recommends Dubstep, Blind Prophet (South Fork Sound), Alert, Highgrademuzik Aka Don D Selectah
Review:
Chameleonic Bristolian Kahn continues his peerless run of releases with a killer self-titled release for the Blackbox label that's filed alongside his Deep Medi and Hotline transmissions in our affections. The immediate standout track is undoubtedly "Badman City" which features the incomparable vocals of Flowdan, the Bug collaborator who was sampled on Kahn & Neek's superb "Percy". Whilst Flowdan's delivery on that Bandulu cut was lifted roughly from his barrelling live MCing, here he's in notably more menacing form. Rider Shafique and fellow Young Echo acolyte Jabu also provide vocals with the latter's delivery on "Snake Eyes" sounding somewhat akin to Tricky aping Mike Skinner. A bold release from one of the UK's most impressive talents.
LIH 002
23 Jun 11 Disco/Nu-Disco
Played by: Dicky Trisco, Low Slung, Justin Miller, Rudy's Midnight Machine, Guy Williams/D.r.w (Dan Williams), Gdr, DJ Friction (Germany), Minimatic, Jayl Funk, Disco Tech, Juno Recommends Disco, Deadly Sins, Pablo Contraband (Disco Deviant), Alessandro Otiz, Freddy Love, M.ono, John Devecchis, Shota Tanaka (Beaten Space Probe), Karim, D-Funk, Dirty Mckenzie, Elly K, Phunktastike, The Legendary 1979 Orchestra, The Unity Agency, Linosaur, Get Down Edits, Dynamicron (Los Grandes/Our Nights), Alberto Sabatini, Psychemagik, Juno Best Sellers 2012, Ramsey Hercules, Cocaine On Her Dress
Review:
Amsterdam dwelling editor par excellence Em Vee took the solo reigns on the inaugural Lumberjacks In Hell - and truly excelled with a great reimagination of "Miss You". The second release on the label sees the German share duties with Spanish edit demon Rayko. First up is an expert rearrangement of Candi Staton's cover of the Bee Gee's standard "Nights On Broadway" which strips the track of its orchestral leanings to focus on the groove! Following this is a meaty take on a classic, with Barbara Keith's cover of "All Along The Watchtower" reinforced with some bottom end bump. Em Vee spreads a special disco version of Alma Lee's late 70s Philly delight "Gimme Your Love" with an extended intro that fully displays his edit talents.
CHEAP 080
21 Apr 13 UK Funky/UK Garage
Review:
The success of Taiki & Nulight's recent low-key release Late Nights has now seen it expand into a full-blown EP. Again released by Herve's Cheap Thrills, the title track is a dubby, wobbly 4x4 garage roller. "Take Me Up" is a straight up, hands in the air party anthem, "Footwerk" is dark, deep and very late night bassline houser , but it's all about "Offkey" for sheer next level sounds.
SYST1006-6
10 May 13 Disco/Nu-Disco
Review:
It appears that Systematic label boss Marc Romboy and his Chicago veteran old pal Blake Baxter have got lost on a road trip. We can just see them now, in a Delorean and struggling with maps and compasses before exiting the vehicle to find themselves in Paris circa 1998. Yep "The Art Of Sound" sees the normally jack-obsessed producers explore the whole French touch sound, and it largely works - the main version being faster, vocal and less retro. Version 2 though is all about looping and filtering those disco samples to within an inch of their lives!
505114 2099549
12 May 13 Drum And Bass
PN 17
10 May 13 Techno
Review:
The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
IMLTD 042
20 May 13 Drum And Bass
DAC 120626
26 Jun 12 Euro Dance/Pop Dance
UY 070
13 May 13 Minimal/Tech House
Review:
KiNK has deservedly won a reputation as one of the finest modern interpreters of Chicago house and on My Space, he takes his understanding a few steps further. In its original format, My Space is a deep, pulsing affair with more of a swinging rhythm than some of his previous releases. However, what it may lack in forcefulness it compensates with its use of ponderous vocals. The 'Hardcore' remix is more psychedelic sounding and sees spacey synths unfolding over broken beats, while the Black 80s Home Studio version sees the collaboration go back to KiNK's more typical, bass-heavy, jacking sound. The Luna City Express remix pares the arrangement back without losing sight of the original's melodies.
NBR 030
10 May 13 Deep House
FLK 055
06 Apr 13 Funky/Club House
Played by: Juno Recommends Funky House
Review:
Ever since Serbian producer Gramophonedzie burst onto the scene with his blends of sturdy house and goodtime swing, the Balkan nation has become a hotbed for electro-swing. The latest Serbian talent to impress is Uros Petkovic, who hear repeats his countryman's formula with a goodtime fusion of parping horns, swinging beats and effortless vocals (from guest chanteuse Sofia Knezevic). The loose and groovy original is joined by a duo of remixes by Nikola Vujicic and Grant Lazlo. It's the latter's low slung, funk-laden swing-rock remix that most impresses. The EP also features "Get Up", another cheeky chunk of hip-wigglin' electro-swing goodness.
505572 1807662
20 May 13 Drum And Bass
CKM 008RX
20 May 13 Deep House
Review:
Toyboy and Robin's rather large recent bass-house smash "Jaded" gets the remix treatment here, with hyped up producers Amtrac and Village shuffling the parts and adding their own twist. Village's version builds impressively, layering up elements - tipsy chords, the original's woozy vocal, tasty pads - over a shuffling groove that's deceptively heavy. Amtrac makes more of the vocal, beginning with a dash of cut-up acapella action before giving it pride of place over a touchy-feely, stripped back deep house-meets-garage groove. If anything, it's even more instantly addictive than the original version, and that takes some doing.
MK 01
17 May 13 Disco/Nu-Disco
826194 258788
22 May 13 Funky/Club House
Review:
Belgium's FCL, the grand coalition between Red D and San Soda, two incredibly giften DJs if we may add, head back to their "It's You" single on the Defected imprint for a healthy dosage of remix action. No originals in sight here and the doors open with a bang thanks to MK's aptly garage-slanted version, followed swiftly by a slice of David Morales injecting some of his funky vibes into the mix, topped with a Flashmob special - a grinding, sub-driven, lo-fi kinda cut! Mr Fingers' "Acid Jam" take care of the 303 action with his vocal, bleep-driven edit, and San Soda gives us a Panorama Bar acappella version - a simply essential tool in the booth!
JMANCD 053
19 Feb 13 Funk
Review:
Here's a challenge to all you crate diggers out there, according to Jazzman's DJ Fryer they always dig deeper! The results show in this excellent double LPs-worth of vintage prime cuts that sound surprisingly dance-floor friendly rather than quaint. Highlights include the intense funk assault of "Wake Up", the classy, shimmering "Teacherman", the emotional "Lost In The Crowd", the puny "Rollercoaster" and Ashley Beedle's re-edit of "Keep Her Happy".
VHR 015
29 May 12 Disco/Nu-Disco
Played by: Dicky Trisco, Homegroove Project, Timewarp, Valique, Superbreak, Voodoocuts, Jayl Funk, O De Lanzac, Disco Tech, Richard Rossa, B-Dub, Dastardly Kuts, DJ Axe, Alessandro Otiz, The Funk Hunters, Hero Records, Dirty Mckenzie, Tosses & Varvez, Mr Brazil Aka Lono Brazil, Get Down Edits, Juno Best Sellers 2012, Miles Reverse
Review:
The mysterious V has got some balls. You see, it's common practice in re-edit circles to steer clear of certain big tunes and artists. V clearly didn't get the memo, because this second volume of party-hearty, floor-filling reworks contains sneaky dubs of tracks by Steve Miller (a smile-inducing version of "Fly Like An Eagle"), the Sex Pistols (a filter-heavy tweak of "Anarchy In The UK"), The Lovin' Spoonful ("Summer In The City") and The Beach Boys ("Good Vibrations", which gets a weirdly breaksy Balearic rework). Better, though, are the versions of the more disco and funk-inclined material. His Betty Wright rework ("Slip & Do It") is particularly magical.
CARNIBAL 003
16 May 12 Broken Beat/Nu Jazz/Nu Soul
CLS 053
20 May 13 Drum And Bass
Review:
This EP is a collaboration of work by some of Europe's finest intelligent liquid producers. A strange sub-genre term it might be, but Intelligent Manners' Intelligent Recordings has searched far and wide over the past couple of years to find music that fits the niche. Celsius have done much the same here, showcasing some of the finest intelligent drum & bass around that still holds the soul and emotive qualities of liquid. Featuring the likes of Intelligent Manners, Command Strange and Mage, it's a breezy look at what the future holds for one of the longest standing sub-genres in dance music. If you like Calibre, DJ Marky, S.P.Y or Bukem, you'll want to check this out pronto.
PN 20
17 May 13 Techno
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
DIRT 070
06 May 13 Deep House
Played by: Adam B (Homegrown Music/Palooza), Sccucci Manucci, Tom (Shur-I-Kan) Szirtes, Scuola Furano
Review:
Having previously impressed with seriously hyped releases on Throne of Blood, Disco Bloodbath, Southern Fried and Madtech, Waze & Odyssey bring their particular brand of retro-futurist fodder to Dirt Crew. There's naturally plenty of bounce to the ounce, with the decidedly garage-influenced title track offering just the right balance between sub-heavy ravery and sinewy deep house shuffle. The brighter, less intense "All For Me" offers similar thrills, albeit with a sunnier disposition. The ever-reliable Detroit Swindle remixes "Please Don't Dance", offering a typically bouncy, anthemic rework that bears all the hallmarks of classic, mid-90s Danny Tenaglia.
FBSD 004
14 Mar 13 Breakbeat
Played by: Spinforth, Roast Beatz, Voodoocuts, Mr Bird, Juno Recommends Brokenbeat/Nu Jazz, Leo Leonardi Aka Funky Brothers
Review:
Mr Bird follows up his Bird Bird Bird album from last month with a fresh quad of nu-funk/hip-hop hybrids. "Monkey Funk" clicks some serious Cuban heels over an obese breakbeat, "Don't Say Nothing" gets all LL Cool J over an early Fatboy style guitar swing, "Glad To Be Free" goes on a more whimsical 60s jam with added flute and glockenspiel twists and "Ufo" sees Bird adding a deeper, more cosmic feather to his bow. Not a monkey in sight, but very very funky. The Bird is indeed the word.
UM 012
20 May 13 Drum And Bass
TERR 014
13 May 13 Dirty/Heavy Dubstep/Grime
Played by: Highgrademuzik Aka Don D Selectah
Review:
A large serving of aggression with plates of euphoria and filth on the side, sir? Coming right up... The mysterious AWE has cooked up a five track menu that reveals, as EP title suggests, his most free-spirited fusions of funk and fire. From rifle-like trap grooves ("Rust Lung") to concentrated star-gazing halfstep euphoria ("YYY") via utter bass chaos ("Jurassic"), every meal is as tasty as the last.
FLR 04
16 May 13 Breakbeat
Review:
It's another booty and funk bonanza from the Funkosol crew! "Perfect Combination" rubs Led Zep up against Cypress Hill and Wyclef Jean. "The Man From DelMonty" shoves the Spin Doctors into the smoochy cupboard with a barrel of bass. "Move Your Feet" and "Right On Everybody" take us directly into funky town while "Discogirls" ups the tempo for a super sexy disco fun finale with Donna Summer. Perfect summer party nuggets, the lot of them.
IM 018
06 May 13 Bass
Played by: Commodore 69 (Hot N Heavy)
Review:
When 123MRK's Noname EP dropped in 2011 creating waves all around the dubstep and bass music scene. Moulding the sound of his generation into a style all his own, the Frenchman suddenly found himself held aloft as an innovator as well as simply a producer of sounds. This remixed release of his seminal EP was a lofty undertaking and the finished item features remixes from some of the future dubstep scene's brightest young stars alongside long-time innovators. From Liar's metalic, lo-fi flavours to Troy Gunner's understated clicks and swirls; ViLLAGE's heart-pounding house remodelling to Heblank's old-school twist, even the likes of Pixelord and ReSketch play their garage-influenced hands to create an all-new modern-day canvas of what exactly bass music is right at this moment. It can never be truly defined, but this is a pretty good encyclopedia.
RADIUS 017
13 May 13 Drum And Bass
Review:
Think of DJ Hazard and what do you see in your mind's eye? Put that hectic mayhem and those sweaty dancefloor shenanigans together into a two track release and you've got a good idea as to what BassBrothers are all about. "Royal Rumble" is a knockout blow from the very start, punching well above those jump up expectations and delivering some serious originality and a seriously stinking bassline to boot. "Jamaican Thug" puts dancehall vibes to work, smashing dancefloors and convincing crowds they can all do an adequate dutty wine, where destructively deep bass gives in to a ridiculous build up.
BBB 007
13 May 13 Deep House
Review:
Despite the irreverent moniker, we reckon this Brighton act are just being coy - they probably spend ages perfecting their sounds really. Besides history is littered with warnings about what letting the machine do the work, haven't they seen Terminator? Anyway "One Love" is a big bear hug of a house record featuring a gruff voiced man spreading the love over some deep grooves and woozy key stabs. "Brighter Day" is a hazy, melancholic slice of early Chicago-style house and is a joy to behold.
DKMV 002
06 May 13 Drum And Bass
Played by: S Man
Review:
A solid member of the D&B scene in the UK for almost a decade yet never seeming to pause above the surface for long, this latest release from Bladerunner could see him gain some well-deserved notoriety. Featuring the biggest, bounciest bass this side of summer and rolling vibes interspersed with soulful sampling, all three tracks offer something a little different. Whether it's the techy nuances of "Dragonfly", the deep growl of underwater bass in "Biological Mutations" or the swagger of perfect dancefloor stepper "The Vision", this is a perfect jump-off point into Bladerunner's solid solo back catalogue. Enjoy.
505572 1810440
20 May 13 Drum And Bass
361015 1907317
12 Nov 12 Disco/Nu-Disco
CIRCLP 002
13 May 13 Dirty/Heavy Dubstep/Grime
Review:
Doctor P and Flux Pavilion hand over the selection duties to familiar label faces Funtcase and Cookie Monsta for the second Circus set. A 25-strong banger compendium balanced between classics and exclusives, it oozes the perfect blend of bare-faced bass attitude and tongue-in-cheek humour. From Roksonix string-soaked jig jamboree "Music In Me" to Brown & Gammon's emotional audio rainbow "Dark Matter", the Circus sound is represented at its boldest, most characterful and, above all, fun. Not a dull moment in sight - check this and remember why we all got into dubstep in the first place.
426008 8859617
20 May 13 Drum And Bass
100572 22
08 May 13 Hip Hop/R&B
MEDI 069
13 May 13 Experimental/Electronic
Review:
Making for a matching with hard-to-imagine results, Mala gets the remix treatment from James Blake in his Harmonimix guise and issues it forth on his own Deep Medi imprint. It's a bold treatment from Blake, who teases the track to life on a twee arrangement of music box chimes and tones, while a central vocal coos out the dominant melody. There's a mid-section with the only discernible slither of beat which sounds like familiar Blake territory, not least through the bluesy keys vibe that it carries. However, it's the monolithic brass-aping clarion call which comes steaming in to steal the show, trumping out its orders in a suitably epic fashion which is nothing if not rousing.
FOKUZ 13038
06 May 13 Drum And Bass
Played by: Slam Mode
Review:
Seattle might be a city famous for grunge, rain and coffee, but Quadrant, Kid Hops and Iris are hoping to place it firmly on the map for chilling, glacial liquid funk too. Forgoing the usual sun 'n' sea atmospherics for an altogether more Baltic feel, "Solar Wind" tweaks electronic chimes and cirrus-light sampling into an icy cold roller Enei would be proud of. Newcomers Lukeino and Homemade Weapons collab with Quadrant on "Mayday", as light synths circle above a crevasse of deep, cavernous bass. Cinematic and fresh with unique elements of crisp production and breakbeat influences, its got our seal of approval.
HZN 064
20 May 13 Drum And Bass
Review:
Renowned for their consistently dark, stark production power Amoss never cease to deliver. "Bumbaclart" pulverises from the off with its industrial strength kick drums and droning, warped riff. Rising with uncompromised menace, it's like an orchestra of steam-powered machines, slamming and drilling in perfect harmony. "Dilate" is a much more brooding affair. Lolloping on a slimy halfstep laced with a series of processed croaks and slurs, if you're looking to prang out your floor, this guarantees chaos.
CARNIBAL 006
26 Nov 12 Broken Beat/Nu Jazz/Nu Soul
Played by: Clairvo (Mustbeat), Voodoocuts, DJ Oli Garch, The Funk Hunters, Basement Freaks, Miles Reverse, Manjah, DJ Oli Garch
Review:
The electro-swing bug has caught on in Greece judging by this fledgling Hellenic label's sixth release. Palov is a veteran DJ from Athens, and here he flexes his production muscles over four tracks. "Moving Next Door" takes an old Louis Prima-style trumpet sample and teases it out over four and a half minutes to great effect. "Bandido" is more upbeat and features sassy vocals from Monique Maion, "Captain Pandelis" displays a more hip-hop groove and features the voice of an old-skool crooner. Lastly "Waste Of The Time" manages to successfully fuse vintage swing band sounds with reggae!
AR 031CD
20 May 13 Broken Beat/Nu Jazz/Nu Soul
FBR 017
19 May 13 Deep House
Review:
Having previously appeared on similarly hyped house label Wolf Music, South African producer Terrence Pearce is an excellent addition to the Futureboogie roster. Here, he supplies the Bristol-based label with a quartet of decidedly positive tracks. There's something for everyone, from the rumbling low-end pulse and saucer-eyed rave riffage of "Kings N Queens" and sparkling, hip-hop sampling deepness of "Up and Down", to the rush-inducing, sax-laden powdered deep house of "Halcyon". "Poise", a blossoming exercise in the simple joys of melody, is also pretty tasty.
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