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505114 2099969
20 May 13 Deep Dubstep
Review:
If you judge a producer by their ability to successfully apply a winning formula to a variety of styles, Alix Perez is a master. While drum and bass remains his forte, there's enough on Chroma Chords, his second album, to suggest that he's growing as a producer. This EP discards with the synth-laden head nodders featured on the full album, though the four tracks here do still demonstrate the versatile nature of Chroma Chords. Thus the grimy hip hop of the Metropolis featuring "Blue Print" shares space with the soulful stepping action of "Playing Games" whilst the the excellent vintage Timbaaland does halfstep of "Shadows" (featuring breakout Eglo talent Strange U") joins up with the vicious "Burnout".
SIGCD 009
20 May 13 Drum And Bass
Review:
Given his status as one of drum and bass's true heavyweights; you'd expect this eighth Calibre full-length to be one of the most hotly anticipated jungle sets of the year. Certainly, it's a fine effort, packed with emotion-rich atmospherics, fizzing rhythms and intricate, occasional beautiful, musical touches. He seems to be at his best when concentrating on musicality, as the delightful "Close To Me', soulful "Wilderness" and summery "Do Not Turn On" prove. There are, of course, rawer moments (see the tech-tinged "Simple Things" and dubstep flex of "Start Again"), but these don't hit nearly as hard as his effortlessly soulful compositions.
GDE 004
20 May 13 Disco/Nu-Disco
Review:
It seems that the nu-disco trend of re-edits is one that just keeps growing. Everyone from Siberia to Greece is doing it, and now the fever has spread to Ireland too in the form of the Get Down Edits label. Thankfully these guys don't (usually) pick the obvious stuff - Fingerman samples Luther Vandross' "Never Too Much" on "Too Much" so they lose points for that, but generally it's all good jazzy, funky retro jams.
SPEAKS 013
20 May 13 Bass
Review:
London via North Devon imprint Shifting Peaks are keeping the party pressure on with this bumper-packed EP. It's a label debut from duo De$ignated (Nima Bazrcar and Rory Bowyer) who split their time between London and Hampshire. Having garnered some major hype from a string of remixes, they've managed to secure Kyiki from Crystal Fighters for this, this own single. "Valentine" mixes fuzzy urban funk with old skool 2-step and half time breaks. "Russian Roulette" however is a much harder post-dubstep gurning banger. Best of the remixes is Kaveh's thumping acidic afterhours workout.
NHS 233DDB
20 May 13 Drum And Bass
Review:
Been missing the hyperactive influence of Danny Byrd in your lives? Stop your whining and get your eardrums wrapped around this. The original party starter's latest collection of tunes has been designed to get glowsticks raised across the country. "4th Dimension" powerslams old school rave with high energy drum & bass to create an unmistakeable Hospitality soundtrack. "Bad Boy (Back Again)" adds some serious jungle vibing to proceedings, bubbling over with bassline bounce and a seriously sing-along-able vocal hit. With a hard-hitting remix from 303 as Flux Pavillion bring some swag with their "Bad boy" refix, get hoping for some good weather because these are going to blow the roof off clubs everywhere.
505572 1810624
20 May 13 UK Funky/UK Garage
Review:
They always say that if you are disadvantaged in some way, just accentuate it and make it a badge of honour. So Birmingham's Tom Short has become Tom Shorterz and a glittering career can only but follow suit. Here he has remixed his own tune "Wot U Do", turning in a linear but bassy, seven-minute garage stroller. Onwards and upwards!
EB 096
17 May 13 Dub
Review:
The always onpoint Echo Beach serve up a long overdue second edition of their Reggae Germany Downtown compilation. Some eighteen tracks deep, Echo Beach give a true representation of the Dub scene in Germany, pairing veteran artists like Felix Wolter (Dubvisionist, TVS), Seeed, and the Senior Allstars with rising talents such as Aldubb, Brain Theft, aDUBta, Symbiz sound and Chazzy Wezar (the son of Matthias Arfmann). Reggae Germany Downtown takes dub as it's starting point and veers in various musical directions so expect sub heavy dubstep (the Giotto remix of "Let There Be Dub" from Aldubb" is a highlight) downbeat skank, rude electronics and dancehall torch songs. Germany is Dubland"!
CTFAT 127
20 May 13 Bass
Review:
Originally released spring 2012, Foamo's monstrously heavy bass chugger "Sherlock" gets the treatment from a variety of talented players. Kry Wolf drop the tempo slightly for a resonant UKG strut, Taiki & Nulight continue the garage vibe with a more uptempo, menacing bass motif, Millions Like Us add some cinematic breakbeats and shivering synth washes to the mix, My Nu Leng take a leaf out of Bassbin Twin's booty-bass book while LKid calms us down with a very neat, early 90s house version. A great spread and not a duff rub in sight.
CIAUK 005
20 May 13 Drum And Bass
Played by: S Man
Review:
Newcastle-based trio of drum & bass production masterminds Sato, Phobia and Tyrone have booted a spring up the bad parts with "Intermission", an immediately arresting delve into the murky jungle pasts of all three chaps. Bassy in all the right places and filled with the classic jangle of vintage amens, it's a star in its own right. "Knock Knock" is a more contemporary affair, in so much as it uses all the futuristic Carl Sagan-esque sound effects in its power to create the sensation of being hurtled through space to an ice cool jungle break soundtrack. Raw and heavy these tracks hopefully herald a new future of decent jungle-inspired D&B. We can only hope.
RINSE 024D2
20 May 13 Bass
Played by: King
Review:
Rinse's own Royal T has been listening to UKG for as long as he started stealing bootlegs from his brother. With the advent of online mixtape technology and the worlds of grime, bassline and UK funky at his feet, the Southampton-based producer's latest offering is a filthy culmination of sticky dancefloors, hastily-printed rave flyers, pirate radio and the dawning of crisply ironed trap. There's a feeling of nostalgia about the whole EP for times when listening to grime at the back of the bus really was the pinnacle. Nostalgia too often comes with negative connotations - rather than stale Royal T brings his own modern edge to the retrospective bubbles he creates with each track. It's a celebration rather than a museum piece. Long live the spirit of the underground.
082367 0042732
17 May 13 Deep House
Review:
It's been a while since Freerange boss Jamie Odell (better known, of course, as Jimpster) delivered an album; in fact, his last full-length dropped way back in 2006. Seven years is a long time between drinks, but the rest seems to have done Odell good; Porchlight & Rocking Chairs is arguably his strongest album to date. While deep house remains his focus (see the intricate "Glowing Embers", Detroit influenced "Cracks In The Pavement" and Moodymann-ish "High Wire"), there's a soulful bagginess and barely concealed jazziness throughout. More impressively, many tracks hark back to his pre-house days as a producer of lovingly crafted downtempo gems (see "Jasmine Dragon", "Wanting You" and previous single "These Times".
RSR 029
23 May 13 Scouse House
MIL 002
20 May 13 Deep House
Review:
Originally released over two 12" singles earlier in the year, Lovebox 001 sees Manchester-based label Music Is Love's setting out its formula for future success. That means delivering warm, endorphin-boosting deep house cuts, garage-influenced tracks and deliciously summery dancefloor tracks from a range of new or little-known artists. Pleasingly, there's plenty of high quality material to enjoy, from the lucid deep garage revivalism of Maxwell's "Need U", and bouncing grooves of New Jack City's "I Believe" (complete with heavy New Jersey organs, of course), to the '89 hip-house funk of Jamie Trench's "Juicy" and Gwen Guthrie-sampling goodness of Mikki Funk's "Deeper Love".
HF 040D
20 May 13 Deep House
Review:
It's been some two years since Shackled, George Fitzgerald's last outing on Hotflush and it's fair to say the landscape both occupy has shifted some in that period. Both artist and label are fully entrenched in the current UK house explosion and Fitzgerald's return to Paul Rose's label with Thinking Of You seems primed to reverberate across festivals, Croatian beaches and warehouse spaces as the summer months roll on. A prominent track in Fitzgerald's recent Essential Mix, "Thinking Of You" sees the producer continue to refine an approach to forthright house music shown on recent dalliances with Aus Music and Hypercolour and feels almost proto fidget in execution. The techier accompaniment "Nighttide Lover" is drawn from a similar fist pumping palette and features rolling vocal manipulation reminiscent of Switch in his heyday.
CHST 027
20 May 13 Deep Dubstep
MODULE 014
20 May 13 Drum And Bass
CJFD 18
17 May 13 Deep House
Played by: S-File
Review:
Turning tricks with ever more prolificacy, Roman Flugel is back in business once again with some decidedly rough stylings for Clone's Jack For Daze series. "Even More" is a taut and responsive floor worker shot through with that quintessential Flugel quirk, in this case defined by a funky guitar lick over the booming machine drums. "More & More & More" gets even wilder, bringing in a loony lead synth that calls to mind the primal production style of UK Funky over a rugged box-jam jack. With some classic Dance Mania flavoured vocal samples flown in for good measure, a crowd-busting belter is born.
502444 1884659
19 May 13 Drum And Bass
Review:
Ram's new golden boy Chords provides the official start to the summer with "Biting Point", a fresh and energising roll through techy D&B influences past and present. Straight up and to the point, it smashes in and maintains that momentum producing what's surely been the most addictive floorfiller of the year so far. "Amygdala" takes a full u-turn from the party vibes and heads down a deeper path. '80s drums herald a sober approach, but are quickly overwhelmed by a darkly destructive bassline and heavy stepping beats. Expect big things from Chords, Ram aren't grinning about their recent signing for nowt.
PLAYAZ 037
20 May 13 Drum And Bass
Played by: Good News Boppers
Review:
Picked up swiftly last year by Playaz to release thoughtful stomper "Particles" alongside "Invasion", big bass duo Placid return to the fold with their second big ticket release on the label and it really was worth the wait. Old school vibes are crammed into every inch of this ambitious EP, piling techy soundscapes with hard driven basslines and fat, punchy percussion. Tracks like "Perception" show off the duo's talent for creating darker, techier tracks laden with atmospherics and even haunting musicality and "Light Year" takes them to the dancefloor. A seriously accomplished EP from two very exciting new producers.
880319 610714
20 May 13 Bass
ARXLP 003
20 May 13 Drum And Bass
SCHOOL 002D
20 May 13 Bass
Review:
Crisp, on point production meets lo-fi aesthetics in "Half Out", the first track on this two sider by Manchester-based techno/house rising star Paleman. Simple and emotive, his influences clearly come from the garage and deep house section of the record store, and for that there's a real depth to his sound. "Etch" is a slightly more flamboyant affair - if there ever was such a word in Paleman's vocabulary - with bruising techno kicks underpinning a series of percussive sections and a seriously addictive bassline. If this tune isn't gracing the pinnacle of the night in your local discotheque, you're going to the wrong places, mate.
FOKUZ 13040
21 May 13 Drum And Bass
Played by: Good News Boppers
Review:
Releasing on Focuz for some time now, UK-based Malaky has been bringing his own blend of harmonious liquid and breakbeat-inspired rhythms to the worldwide D&B scene. This two track EP explores his deeper side, starting with the lush textures and widescreen sound of "Vibrate", a true liquid stepper that should sit high on any D&B setlist. "Own World" features soulful vocals from Lyndsey Murray and launches straight into whimsical string sampling and hard stepping beats. Warm rolling bass smothers the low end in a deep, resonant glow, leaving a barely heard sax to echo into the sunset. A gorgeous way to finish your evening.
LENGCD 005DD
20 May 13 Funk
Review:
Time get out the 'shrooms out as Claremont 56's dancefloor offshoot Leng present this psychedelic DJ mix from Psychemagik. Yes these nu-disco freakazoids have been granted the right to take us on an hour-long journey that takes in their beloved afro-beat, disco, funk and psychedelia. High-lights of this trip include the flower power vibes of "Catching A Wave", the saucy Euro-funk of "Gozame Ya!" and the west coast Manilow-isms of ""House Of The Rock".
CREME LP-10
20 May 13 Funky/Club House
G 13016
20 May 13 Drum And Bass
Review:
Big bad bass? Cockney gangster samples? Upfront riddims? "Take What You've Got" blasts every jump up construct going into their D&B hadron collider and the end result comes off sounding nastier than Vinnie Jones wielding a desert eagle down some local East-End boozer. Rowney doesn't make things any easier in b-side "Sludge" as he ditches the thuggery and heads lower into bassbin warrior territory. With Thunda Banton taking up the mic amongst blistering percussion this is one dancefloor smasher you won't be able to avoid thanks to its home on G13, one of the Playaz crew's sister labels. Hold on to your drinks, things are gonna get messy.
T3RDM 0206
16 May 13 Gabba
CLS 053
20 May 13 Drum And Bass
Review:
This EP is a collaboration of work by some of Europe's finest intelligent liquid producers. A strange sub-genre term it might be, but Intelligent Manners' Intelligent Recordings has searched far and wide over the past couple of years to find music that fits the niche. Celsius have done much the same here, showcasing some of the finest intelligent drum & bass around that still holds the soul and emotive qualities of liquid. Featuring the likes of Intelligent Manners, Command Strange and Mage, it's a breezy look at what the future holds for one of the longest standing sub-genres in dance music. If you like Calibre, DJ Marky, S.P.Y or Bukem, you'll want to check this out pronto.
SMOKEDIGI 008
20 May 13 Drum And Bass
Review:
Dark, dangerous jump up doesn't come more destructive than 19 year old newcomer Konichi's brand of noisemaking. Already fully supported by the likes of Hype, Friction, Dillinja and Hazard, he's been busy building up his repertoire to run with the big names at this summer's big events. As you'd expect, "What Can We Do" is a firestorm of bass, tearing up speakers with worrying ferocity. "Don't Start" picks up a more tech-stepper vibe as it gears up to launch yet another patented Konichi bassline. Definitely one to watch, Konichi is already one of the Real Playaz favourites for this year.
CKM 008RX
20 May 13 Deep House
Review:
Toyboy and Robin's rather large recent bass-house smash "Jaded" gets the remix treatment here, with hyped up producers Amtrac and Village shuffling the parts and adding their own twist. Village's version builds impressively, layering up elements - tipsy chords, the original's woozy vocal, tasty pads - over a shuffling groove that's deceptively heavy. Amtrac makes more of the vocal, beginning with a dash of cut-up acapella action before giving it pride of place over a touchy-feely, stripped back deep house-meets-garage groove. If anything, it's even more instantly addictive than the original version, and that takes some doing.
TWWD 002
17 May 13 Disco/Nu-Disco
MTXLT 130
20 May 13 Bass
50WEAPONS 027
17 May 13 Minimal/Tech House
Review:
In the shift from minimal to deep house there were always going to be winners and losers, and it sounds like Carsten Aermes aka Phon O ended up on the right side. On Schn33, there are echoes of his minimal past, as loose drums form the basis for the title track, but the German producer is in a different place thanks to the use of building chords, icy synth lines and the sweetest strings this side of Derrick May. "Go" is also indicative of his shift towards deeper climes, but the repetitive vocal sample intoning the track title, coupled with billowing chords mean it is a more tracky, toolish affair
505572 1807662
20 May 13 Drum And Bass
MK 01
17 May 13 Disco/Nu-Disco
426008 8859617
20 May 13 Drum And Bass
HZN 064
20 May 13 Drum And Bass
Review:
Renowned for their consistently dark, stark production power Amoss never cease to deliver. "Bumbaclart" pulverises from the off with its industrial strength kick drums and droning, warped riff. Rising with uncompromised menace, it's like an orchestra of steam-powered machines, slamming and drilling in perfect harmony. "Dilate" is a much more brooding affair. Lolloping on a slimy halfstep laced with a series of processed croaks and slurs, if you're looking to prang out your floor, this guarantees chaos.
FBR 017
19 May 13 Deep House
Review:
Having previously appeared on similarly hyped house label Wolf Music, South African producer Terrence Pearce is an excellent addition to the Futureboogie roster. Here, he supplies the Bristol-based label with a quartet of decidedly positive tracks. There's something for everyone, from the rumbling low-end pulse and saucer-eyed rave riffage of "Kings N Queens" and sparkling, hip-hop sampling deepness of "Up and Down", to the rush-inducing, sax-laden powdered deep house of "Halcyon". "Poise", a blossoming exercise in the simple joys of melody, is also pretty tasty.
IMLTD 042
20 May 13 Drum And Bass
UM 012
20 May 13 Drum And Bass
AR 031CD
20 May 13 Broken Beat/Nu Jazz/Nu Soul
DARDIGEX 008
20 May 13 Drum And Bass
CR 004
22 May 13 Disco/Nu-Disco
Played by: Vinyladdicted
Review:
On a retro TV show, Imagination singer Leee John discussed how everybody thought they were an impossibly glamourous an beautifully produced American soul act...until they learnt that they were from Brixton. After that they were just dismissed as a camp joke. Thankfully the passing of time has proved them to be the former, resulting in many respectful tributes, if maybe one too many unnecessary re-edits. Also included are retweaks of Alphonse Mouzon's wonderful "Everybody Get Down" and the electro-squiggles/funk of Stephanie Mills' "You Can Get Over".
505572 1810440
20 May 13 Drum And Bass
TSUBACD 019
17 May 13 Deep House
Review:
Kevin Griffiths is a wag. Having previously decided to press up just 100 copies of his latest Tsuba Limited compilation, he then had the masterstroke of calling it One Per Customer. Now it's available digitally the joke is slightly less amusing, but it's still a bit of a belter. Made up of previously vinyl-only jams (Italo Johnson's rather fine remix of Spencer Parker's "Show Him You're The One" being the most obvious example) and a smattering of new cuts (including a bassy chunk of low-slung basement house from Milton Jackson and a near Balearic rush of eyes-shut goodness from Rio Padice) this compilation comes highly recommended.
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