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Items 20,551 to 20,600 of 31,222 on page 412 of 625
MJUZIEEK 120
03 May 13 Funky/Club House
885012 017556
13 May 13 Progressive House
100547 83
10 May 13 Progressive House
HFS 1321
14 Jun 13 Minimal/Tech House
100532 85
03 May 13 Minimal/Tech House
RSDR 0133
01 May 13 Progressive House
SORRYSHOES 084
17 May 13 Progressive House
HFS 1315
17 May 13 Funky/Club House
KILLTL 51
27 May 13 Uplifting Trance
SINUZ 039
07 May 13 Progressive House
PSR 021
24 Apr 13 Progressive House
TDP 073
21 May 13 Deep House
TDP 073B
04 Jun 13 Deep House
YAYO 001
13 May 13 Deep House
361015 2757232
03 May 13 Downtempo
AJR 641
10 Jun 13 Funky/Club House
PROFR 004
10 Jun 13 Uplifting Trance
900879 8118922
06 May 13 Funky/Club House
MOVD 067
13 May 13 Minimal/Tech House
361015 2819497
20 May 13 Minimal/Tech House
RSTR 070B
31 May 13 Techno
361015 2902748
27 May 13 Minimal/Tech House
FAS 022
14 May 13 Minimal/Tech House
FAS 023
22 May 13 Minimal/Tech House
BFR 002
22 Apr 13 Techno
100571 82
22 May 13 Minimal/Tech House
VR 015
29 Apr 13 Disco/Nu-Disco
Q 90
11 May 13 Minimal/Tech House
FWORLD 054
27 May 13 Dirty/Heavy Dubstep/Grime
DJ 006
26 Apr 13 Deep House
VNL 015
12 Jun 13 Funky/Club House
REF 7
25 Apr 13 Minimal/Tech House
PRS 025
10 Jun 13 Techno
DRUNK 031
13 May 13 Bass
Review:
It's been three years since Peverelist released anything on his own Punch Drunk label; of late his productions have come out primarily on the Livity Sound imprint he runs with Kowton and Asusu, or on Hessle Audio. Here he returns to Punch Drunk in triumphant form, using the truncated Pev name to drop two versions with fellow Bristolian Jacob Martin, best known for his solo productions as Hodge, and his work as one half of Idle Hands house duo Outboxx. Entitled Bells, the single sees two takes on the same track; given both Martin's house credentials and Ford's dubstep past and recent forays into slower rhythmic terrain it's no surprise that both tracks are steady, mid-tempo house imbued with Bristol's bass-weight heritage. "Bells (System Mix)" employs syncopated kicks and dub chords over its tunnelling bass, while "Bells (Dream Sequence)" is a more linear Chicago-inspired house cut with distant chimes and abstract synth textures, sounding not unlike some of the dreamier fare released on MOS Recordings.
MAKIN 005
03 Jun 13 Disco/Nu-Disco
VRD 007
27 Apr 13 Minimal/Tech House
NU 052
01 May 13 Techno
MT-03
21 May 13 Techno
Review:
The Stroboscopic Artefacts-affiliated artist drops a functional but memorable techno release. The title track is based on rasping drums, crashing snares and a siren riff that ploughs through the arrangement, getting more intense as it progresses. It sounds like an update of Luke Slater's remix of Joey Beltram's "Forklift", re-imagined at a less frenetic pace. By contrast, the Jonas Kopp and Dimi Angelis & Jeroen Search are less intense and are based on bleepy tones and pulsing basslines. Indeed, the only track that is comparable in intensity is the Developer remix of "The Fall Of The Empire Is Imminent", where the US producer copper-fastens atmospheric textures to stomping beats.
GENGHIS 081
10 Jun 13 Deep House
CRAB 794
26 Apr 13 Dirty/Heavy Dubstep/Grime
NRR 033
12 Jun 13 Hard Trance
RGR#5
27 May 13 Dirty/Heavy Dubstep/Grime
MNQ 036
09 May 13 Coldwave/Synth
SRBEDIGI 020
13 Jun 13 Drum And Bass
100576 59
14 Jun 13 Techno
PIMUS 006
29 Apr 13 Progressive House
PRMT 04
04 Jun 13 Electro House
DMND 019
03 Jun 13 Drum And Bass
LDR 077
14 Jun 13 Techno | ||
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