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Surreal EP
VIS 232D
17 Mar 13
Deep House
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal - (7:50) 125 BPM
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal (instrumental) - (7:50) 125 BPM
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal (Sebo K main mix) - (6:32) 122 BPM Biggest-selling track on this release
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal (Sebo K dub mix) - (6:41) 125 BPM
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal (Dario Zenker Bavarian Pump mix) - (6:07) 125 BPM
Surreal EP by Freak Seven on 20:20 Vision Cue Track
Surreal (Dario Zenker Bavarian Jack mix) - (6:47) 125 BPM
from $1.49
Review: This latest missive from comeback kid Freak Seven (AKA producer Naveed Akthar) is not so much surreal, but utterly bonkers. "Surreal" is a wildly imaginative chunk of dancefloor madness that somehow manages to fuse the low-end, acid-era bounce of Adonis, the slick electro/techno of Random Factor and the verbal nonsense of Foremost Poets. It's borderline insane, but fantastic to boot. Remixes come from Sebo K, who provides a bumpin' vocal version and a brilliantly sparse dub, and Dario Zenker. His sparkling, futurist mixes - part techno, part deep house, part electro - are arguably the highlight of an excellent EP.
We Bring The Music
VIS 217D
27 Feb 12
Deep House
We Bring The Music by Freak Seven on 20:20 Vision Cue Track
We Bring The Music (original mix) - (5:18) 124 BPM
We Bring The Music by Freak Seven on 20:20 Vision Cue Track
We Bring The Music (Jimspter dub) - (6:47) 124 BPM
We Bring The Music by Freak Seven on 20:20 Vision Cue Track
We Bring The Music (Jimpster remix) - (7:50) 124 BPM Biggest-selling track on this release
We Bring The Music by Freak Seven on 20:20 Vision Cue Track
We Bring The Dub (Jack To Front re-up) - (7:00) 124 BPM
We Bring The Music by Freak Seven on 20:20 Vision Cue Track
We Bring The Music (Jack To Front dub) - (7:03) 124 BPM
from $1.49
We Bring The Music
SSM 012
09 Jun 08
Minimal/Tech House
We Bring The Music by Freak Seven on Sing Sing Cue Track
We Bring The Music - (5:18) 124 BPM Biggest-selling track on this release
We Bring The Music by Freak Seven on Sing Sing Cue Track
Acid Triffid - (5:10) 122 BPM
We Bring The Music by Freak Seven on Sing Sing Cue Track
My 8-bit Bitch - (9:26) 126 BPM
We Bring The Music by Freak Seven on Sing Sing Cue Track
Curtis Chips - (4:34) 114 BPM
from $1.49
Played by: Shadow Dancer
Nano Kids
RH 032
08 Feb 11
Minimal/Tech House
Nano Kids by Freak Seven feat Aniff on Rush Hour Holland Cue Track
Nano Kids (vocal mix) - (8:08) 125 BPM Biggest-selling track on this release
Nano Kids by Freak Seven feat Aniff on Rush Hour Holland Cue Track
Nano Kids (instrumental) - (7:52) 125 BPM
Nano Kids by Freak Seven feat Aniff on Rush Hour Holland Cue Track
Feel The Soul (vocal) - (7:30) 126 BPM
Nano Kids by Freak Seven feat Aniff on Rush Hour Holland Cue Track
Feel The Soul (instrumental) - (7:27) 126 BPM
from $1.49
Review: Readers with long memories and DJs with a taste for something slightly different are likely to nod in appreciation at the prospect of new Freak Seven material. The alter ego of producer Naveed Akhtar, Freak Seven released a short catalogue of work on the major label-affiliated New Religion label at the start of the last decade. While a good deal of that imprint's output focused on showcasing Detroit artists like Stacey Pullen and Juan Atkins, or producers influenced by the techno from that city - Kirk Degiorgio, Newworldaquarium - Akhtar nurtured no such connections. Instead, his EPs were dense, dark and dubby, characterised by electronic basslines and looser arranging. Despite the fact that it has been seven years since his last release, fans of Freak Seven will be glad to hear that little has changed. Akhtar still pushes a raw, grainy sound, and happily, the only difference is that it sounds even sharper, more defined. "Nano Kids" is a rasping techno track, its beats murky, which provides a contrast with the resonating bleep sequence and razor-sharp, tight percussive elements. However, it's "Feel the Soul" that provides the real reminder of his talents: over a grungy bass and coruscating drums, he lays down disco tinged brassy stabs, adds in a wayward sax squall and the kind of ominous vocal - intoning here 'this is the sound that comes from the machines.... feel the pressure, feel the soul' - that cropped up on late 90s/early 00s prog classics like Halo Varga's "Future". The overall feeling, despite this last reference is futuristic and almost punky, and pretty much unlike any other record of 2011 so far.
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