Those who had Gary Beck down as a big room-minimal artist will probably get a shock when they hear Rascal. The title track is a slamming rhythmic affair, pounding and streamlined but also welling up to take in a series of churning chord sequences. It's a reminder that Beck is a diverse artist, something that becomes more apparent on "Video Siren"; there, a driving rhythm and stomping beats underpin a pitched down vocal loop that intones the track title, getting more and more hypnotic as it progresses. It's a million miles away from the fx-laden white noise bombast of big room mnml.
Taken from Gary Beck's recent album, the "Algoreal" traces his progression as an artist. On the title track, the white noise led builds of yore are gone, replaced by eerie, Sandwell-esque pulses, hissing percussion and a throbbing, pulsing groove. The end result is ethereal and haunting but also hugely impactful. It's in stark contrast to "Naptha". There are some traces of Beck's minimal past, audible in the shredded, splintered percussion, but the most exciting element is the menacing, acid-soaked bassline that rears and surges like a Hydra with a bad dose of the flu. Angry techno rarely sounded so articulate.