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Half Seas Over
BWOOD 047DD
03 May 10
Broken Beat/Nu Jazz/Nu Soul
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Get Me To The Station - (3:42) 125 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
The New Breed - (3:47) 128 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Sad Mona - (4:17) 136 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Prelude - (1:00) 93 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Evensong - (4:57) 94 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Sunday's Empire - (3:06) 85 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Into The Night - (4:08) 75 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
The Hathaways - (3:32) 117 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Just To Clear My Head - (5:32) 139 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Cypress Grove - (3:47) 101 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Here On The Plains - (3:46) 100 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Rake - (3:21) 124 BPM
Half Seas Over by Half Seas Over on Brownswood UK Cue Track
Long Way Down - (4:56) 119 BPM
from $1.49
Review: Brooklynites Half Seas Over really impress with this self-titled debut on Gilles Peterson's Brownswood imprint. Comprised of singer Adam McBride-Smith and pianist Elen Mehler, this release follows on from Mehler's The After Suite album from last year, which saw the pair join forces on a couple of tracks.

While The After Suite was rooted in jazz, this new fully-fledged collaboration has liberated the pair to create something that will appeal to a great swathe of music fans. Unashamedly mellow and melancholy, the instrumentation is sparse but played to a truly captivating standard. Mehler's piano must take the lion's share of credit ? check out his staccato, nerve-jangling playing on ?Rake? for one example. But there are also drums and the occasional accordion (which nicely evokes the genesis of their name ? a slang term for drunken sailors). The virtuoso double-bass on opener "Get Me To The Station" especially will have your jaw slowly dropping in admiration of the dexterous playing.

While most of the songs are slow and sentimental, a couple of jolly and upbeat songs make the cut. "Sunday's Empire" has a rollicking bar-room vibe, while "Sad Mona" has a pleasing bossa nova lilt to it. They give the album a wider range as McBride-Smith's smooth, Chet Baker-style voice cooing and emoting nicely throughout the album. Combining jazz, folk and blues so effortlessly, this album manages to touch on a lot that has come before - Tom Waits, Talk Talk and Jamie Cullum to name but a few ? but manages to set itself apart nicely from the rest.