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Waterworx EP
NS 011
12 Jul 11
UK Garage
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Aqua Box - (5:21) 126 BPM
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Countess - (4:47) 126 BPM
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Island - (3:53) 129 BPM
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Barely A Trak - (6:54) 129 BPM Biggest-selling track on this release
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Waterfalls - (4:20) 126 BPM
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Review: Lesser spotted Night Slugs alumni Jam City offers an auspicious insight into what we might expect from his often hinted at debut album on the startling Waterworx EP. It's likely you will already have a taste for the three tracks here after snippets appeared unannounced on the NS Soundcloud, however those 90 second samples don't fully hint at the magic on display here! "Aquabox" shoots muscular stabs of bass and neon flourishes skywards over a stumbling steppahs rhythm, pausing briefly to let the crystalline jah infused undercurrents shine. Up next, "Countess" sits alongside the recent John Roberts remix of George Fitzgerald in the "what do we even call it" stakes - if there ever was a track to definitely silence the wanton genre givers it would be this - with a tight strutting bruk riddim subjected to a schizophrenic array of snaking arpeggios and vocal squeals. "Barely A Trak" is really where those snippets don't reveal Jam City's brilliance, combining the rising pressure of the synth ripples with simmering stop start grime patterns before a genius left turn lends the track a utopian finish.
Classical Club Mixes
NSLP 002C
22 Oct 12
Bass
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Her (extended dub) - (4:47)
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The Courts (12" mix) - (5:56)
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How We Relate To The Body (12" mix) - (5:22) Biggest-selling track on this release
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Club Thanz (dub) - (4:03)
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Now We Relate - (9:12)
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The Nite Life (instrumental) - (5:21)
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Review: Jam City's Classical Curves remains one of the 2012's most unique albums, but some may have been upset at the slightly DJ-unfriendly nature of the album edits. This EP addresses those issues and then some with a raft of unreleased cuts. Featuring 12" versions of standout tracks "The Courts" and "How We Relate To The Body", dub versions of "Her" and "Club Thanz", and an instrumental version of "The Nite Life", the real gem is nevertheless the all new track "Now We Relate". A 9 minute epic which stretches out Jam City's hyperreal house like a piece of elastic, it constantly hovers on the edge of mayhem for what seems like an eternity. Keeping the kick drum back until halfway through, its peak time stabs skipping maniacally like a broken record before dropping in with all the force of some lost Underground Resistance production. Essential.
Dream A Garden
NSLP 004DL
23 Mar 15
Coldwave/Synth
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The Garden Thrives - (2:34) 156 BPM
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A Walk Down Chapel - (5:33) 93 BPM
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Unhappy - (3:37) 84 BPM
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Good Lads, Bad Lads - (2:32) 83 BPM
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Today - (4:07) 50 BPM
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Damage - (4:00) 111 BPM
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Crisis - (4:15) 58 BPM Biggest-selling track on this release
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Black Friday - (4:55) 140 BPM
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Proud - (5:00) 80 BPM
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Review: There can be few curves in artistic development between albums as the one Jam City has undertaken here with Dream A Garden. His 2012 debut album Classical Curves has had a seismic influence on the structure of much UK club music since then, but instead of further developing and finessing those sonic ideas Jack Latham has gone a whole other route into fully fledged song writing. Or perhaps not, Night Slugs suggest the nine track album is not a total break from the hyper-realised world Latham explored on Classical Curves, it should be seen as an inversion, asking "what becomes of the people struggling to live and love beneath the chrome-plated, vacuous and superficial machinery that we must fight to see beyond?" A bold move by artist and label that demands further investigation!
Trouble
NSJC 001
14 Sep 16
Bass
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Send - (2:21) 114 BPM
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Cowboy - (2:52) 86 BPM
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Wet GT - (2:24) 137 BPM
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Boundry - (2:56) 58 BPM Biggest-selling track on this release
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Sky - (3:05) 93 BPM
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City Hummingbird - (2:55) 62 BPM
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Break - (1:27) 148 BPM
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Curtains - (3:46) 95 BPM
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Inha - (3:14) 159 BPM
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Review: Last time Jam City released an album on Night Slugs we left it on repeat for a few months here on the Juno HQ stereo, and we've been waiting for a new one with plenty of anticipation. We have to be honest here and say that Jam City might well be our favourite Night Slugs member, mainly because tunes like the opening "Send", or even "Cowboy", and pretty much every other tune on here just sound so fresh and compelling. No other artist can mash up house, techno, bass and R&B with the same style or elegance as this producer, and even more leftfield jams such as "Wet GT", which verges onto ambient corners, are so full and rich in movement. "Boundry" the sort of house-not-house track that could be enjoyed by anyone depending on their tastes of sounds, and this is a recurring pattern throughout this whole album. Jam City, we love ya. Warmly recommended.
Cowboy
NS 020
17 Nov 16
Bass
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Cowboy - (2:52) 86 BPM
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City Hummingbird (Club mix) - (4:39) 62 BPM
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Air (instrumental) - (4:31) 86 BPM Biggest-selling track on this release
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Magic Drops
NS 009
06 Dec 10
Dirty Dubstep/Trap/Grime
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Magic Drops - (4:55) Biggest-selling track on this release
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Scene Girl - (5:03) 140 BPM
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2 Hot - (3:58)
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Review: Keen observers of the Night Slugs movement will have noticed a consistent stream of Jam City tracks featuring in the DJ sets, charts, mixes and weekly Rinse FM shows performed by Messrs Bok Bok and L-Vis 1990 which even predate NS as a label entity. As Night Slugs draws close to a near perfect first year of business, they quit with the teasing and finally unveil the debut proper EP from Jam City. "Magic Drops" has been a staple of the extended NS family DJ set for yonks now so anyone with a semblance of club going in them will be more than familiar with the pressurised crunk grind meets blissed out keys and sludge drunk synths Eski riddim tribute. What really impresses is the richness in sonic detail throughout - you can listen to "Magic Drops" ten times in a row and find something different to captivate you. "Scene Girl" retains the industrial pressure style percussion, but lays down A saw tooth synth wash that positively bullies its way to the forefront, whilst "2 Hot" drops some half step menace courtesy of the massive cloud of outergalactic synth tension. This release combined with the preceding Refixes EP proves to be an auspicious portent of things to come in 2011!
Earthly Versions
NS 019DL
09 Oct 15
Bass
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A Walk Down Chapel (dub mix) - (5:27) 93 BPM
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Dream '15 - (4:28) 93 BPM
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Played by: Chaams
Review: It's been over two years and the wait is finally over, we can now enjoy a new Jam City EP on Night Slugs! The London producer was at the top of his game when he released 2012's Classical Curves LP, and since then he's only released a limited amount of music, always for Bok-Bok's mythical imprint - and who could blame him? "Walk Down Chapel (dub mix)" is pure Jam City, where a sluggish house tempo is distorted and broken down into a lo-fi jam with plenty of FX trickery, while "Crisis (Special Mix)" is a soulful hip-hop kinda lick, and "Dream '15" takes slow moving breaks and drops them over a grizzly plate of bubbly industrial mechanics.
Classical Curves
NSLP 002
28 May 12
Bass
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Backseat Becomes A Zone While We Glide - (1:33)
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Her - (2:28)
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The Courts - (4:24) Biggest-selling track on this release
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BAD - (4:14)
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How We Relate To The Body - (5:20)
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Club Thanz - (3:44)
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Hyatt Park Nights part 1 - (5:02)
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Hyatt Park Nights part 2 - (2:07)
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Strawberries - (4:04)
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Love Is Real - (6:55)
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The Nite Life (feat Main Attrakionz) - (4:33)
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Review: For all of the genre bending insanity of his early singles on Night Slugs, it's unlikely that anyone could have foreseen Jam City coming out with an album like this. Across ten tracks the producer delivers music that runs the gauntlet between Prince influenced funk that flickers like a burnt out neon sign, Chicago house that sounds like it was made in an echo chamber and Philly club that sounds like it was made for an athletics commercial. Despite its air of detached ADD hyperreality it's an album that's never cold, and never once looks down on the listener ... in short, absolutely essential.
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