James Ruskin At Juno Download

Review: Given that two of UK techno's most experienced techno producers feature on "Night Nurse" you could be forgiven for thinking that it might turn into a lesson in dance floor intensity. However, while "Pigeon" is based on a solidly jacking rhythm augmented by firing hats and insistent, stabbing riffs, that only tells half the story. Midway through, it veers into a Chain Reaction-style chord sequence that subsequently morphs into a dreamy outro. It's the musical elements that Norman Nodge's remix centres on - the stomping backing helps too - while the title track isn't all sturm und drang either, its broken beats providing the basis for chilling strings and mysterious pads.

Review: James Ruskin and Mark Broom are known as doyens of UK techno, but a closer look at their catalogues suggests that there is a less well-documented side to their work. Ruskin's last album for Tresor skirted around the edges of IDM and abstract electronics, while Broom was responsible for the excellent downbeat project, Midnight Funk Association. Light Box however is the first time that they have given full vent to their love of techno's abstract side. Drawing heavily on the intelligent techno sound of Warp's 90s catalogue, on "Pinhead" the heavy, recoiling bass and foreboding synths are reminiscent of LFO or Nightmares on Wax in bleep techno mode. "Antirac" recalls a more austere sound from this period, its icy synth lines and distended, fractured rhythms coming across like an update of Amber-era Autechre. That's not to suggest that Broom and Ruskin are engaged in revisiting old glories. "Bronik" is a wild combination of glitchy percussion and oppressive jungle sub-bass, while "Mas" integrates swirling synths with house beats and thundering claps for the only straight dance floor track on Box. Meanwhile, "Guv 3" and "The Quick & The Dead" re-imagine the sensuous electronic melodies of vintage Plaid and Black Dog in a contemporary setting, against a backdrop of splurging basslines and stepping rhythms, and "Morning Blues" provides the album highlight, its rumbling, Shed-like break beats wrapped around a melody line that recalls a more wide-eyed time.