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Items 1 to 11 of 11 on page 1 of 1
NONPLUS 022
11 Feb 13 Techno
Played by: Paul Mac, Nowakowski, Diplo, Juno Recommends Techno, Aka Tell (A.g.trio), Rivet, Trevor Benz, Cosby (Car Crash Set)
Review:
The first of two samplers heralding the forthcoming Nonplus label compilation Think and Change arrives bearing two heavy hitting tracks not to be found on the compilation proper. First up, Boddika & Joy Orbison's Sunklo hit "Mercy" gets the VIP treatment from Boddika; the result is a peak time tool which strips the original down to its barest components but still maintains the juggernaut-like quality of the original. It's joined by a fresh Kassem Mosse track in the form of "Broken Patterns", a typically tough production from the Bosse which combines and endlessly stomping 4/4 rhythm with cascading string plucks and rattling synth textures.
M1
09 Jun 06 Minimal/Tech House
M 5
01 Dec 08 Minimal/Tech House
NONPLUS 016
26 Sep 11 Minimal/Tech House
Review:
It seems like every time Kassem Mosse puts out a record it contains a surprise. Just when fans of his Workshop releases thought that they had found the creator of the ultimate raw and creaky house groove, Mosse goes and releases wiry acid on Omar S' FXHE as Gunnar Wendel or hooks up with Instra:mental's Nonplus label to become the latest darling of UK bass. Unsurprisingly then, this latest release for Nonplus shows yet another side to the maverick German producer. The title track is the most conventional arrangement here, its acid line droning over heavy claps and a tracky rhythm. "GS02" shows a darker side to Mosse's house work, its stripped back arrangement belching forth malevolent bass licks and eerie synth lines that mysteriously disappear as quickly as they appear, while '"Inswanna" comes across as a middle ground between his house and bass productions. A repetitive stab rides over a bassline that weaves its way in and out of stepping drums, creating one of the most haunting pieces Mosse has made to date. The real surprise however is left until last. "Sleepworking" is so unlike anything he has made that this writer had to double take. Essentially an electro track, the heavy, oppressive bass and shuffling 808s provide the basis for the kind of creeping, niggling acid line last heard on Wagon Christ's Phat Lab Nightmare.
KSR 005
28 Jan 11 Deep House
M2
01 Apr 07 Minimal/Tech House
NONPLUS 008
23 Aug 10 Deep House
08
01 Jan 13 Deep House
12
01 Jan 13 Deep House
MULEELECTRONIC 079
01 Aug 11 Minimal/Tech House
Items 1 to 11 of 11 on page 1 of 1
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