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Bad Apple/Last Mistake
HENCH 003
03 Oct 11
Dirty/Heavy Dubstep/Grime
Bad Apple/Last Mistake by Komonazmuk on Hench Cue Track
Bad Apple - (5:56) 140 BPM Biggest-selling track on this release
Bad Apple/Last Mistake by Komonazmuk on Hench Cue Track
Last Mistake - (6:32) 140 BPM
from $1.49
Dance Too
PIPS 011
21 Jun 10
Dirty/Heavy Dubstep/Grime
Dance Too by Komonazmuk on Apple Pips Cue Track
Dance Too - (5:21) 140 BPM Biggest-selling track on this release
Dance Too by Komonazmuk on Apple Pips Cue Track
Dance Too (Lee Jones remix) - (8:32)
from $1.49
Review: A key lynchpin in Bristol's ever-burgeoning dubstep scene, ex-D&B producer Komonazmuk gets down to business with Dance Too, the latest release on Appleblim's Apple Pips print. A strong, weighty bassline predominates with chiming stabs and plenty of slow-burning, ganja hazed appeal. It's nicely crafted, with a glowering hum and subtle, driving current beneath it. There's no sense of dubstep's big, bad "bro-step" doppelganger in here, friends. In fact, it lends itself incredibly well - almost too well - to the deep house re-fix which Lee Jones gives it on the flip; it's stripped back grooves all the way here, with a nice use of spaciousness and vocal snatches amongst the woodpecker beats, which almost surpass the original in fact. Perfect chill out material.
For Real
TD 012
27 Feb 07
Dirty/Heavy Dubstep/Grime
For Real by Komonazmuk on Terminal Dusk US Cue Track
For Real - (5:29) 140 BPM
For Real by Komonazmuk on Terminal Dusk US Cue Track
Love - (5:31) 140 BPM Biggest-selling track on this release
from $1.49
For Real
TD 012
27 Feb 07
Dirty/Heavy Dubstep/Grime
For Real by Komonazmuk on Terminal Dusk US Cue Track
For Real - (5:31) 140 BPM
For Real by Komonazmuk on Terminal Dusk US Cue Track
Love - (5:31) 140 BPM Biggest-selling track on this release
from $1.49
Komonazmuk
HENCHLP 004DA
07 May 12
Bass
Komonazmuk by Komonazmuk on Hench Cue Track
Intro - (8:36)
Komonazmuk by Komonazmuk on Hench Cue Track
Chameleon - (6:03)
Komonazmuk by Komonazmuk on Hench Cue Track
Centimental - (5:05)
Komonazmuk by Komonazmuk on Hench Cue Track
So Crazy - (5:43)
Komonazmuk by Komonazmuk on Hench Cue Track
Underground - (5:14)
Komonazmuk by Komonazmuk on Hench Cue Track
Time Line - (7:38)
Komonazmuk by Komonazmuk on Hench Cue Track
No Soul - (5:07)
Komonazmuk by Komonazmuk on Hench Cue Track
Side Effect - (5:01) Biggest-selling track on this release
Komonazmuk by Komonazmuk on Hench Cue Track
Down For - (5:27)
Komonazmuk by Komonazmuk on Hench Cue Track
Theorem - (4:45)
from $1.49
Light
TD 014
22 May 08
Dirty/Heavy Dubstep/Grime
Light by Komonazmuk on Terminal Dusk US Cue Track
Light - (5:39) Biggest-selling track on this release
Light by Komonazmuk on Terminal Dusk US Cue Track
Shadows - (5:39) 140 BPM
from $1.49
Light
TD 014
23 Nov 08
Dirty/Heavy Dubstep/Grime
Light by Komonazmuk on Terminal Dusk US Cue Track
Light - (5:41) Biggest-selling track on this release
Light by Komonazmuk on Terminal Dusk US Cue Track
Shadows - (5:39) 140 BPM
from $1.49
Night At Deluxe/Miss Her
HENCH 005
03 Oct 11
Dirty/Heavy Dubstep/Grime
Night At Deluxe/Miss Her by Komonazmuk on Hench Cue Track
Night At Deluxe - (5:43) 140 BPM
Night At Deluxe/Miss Her by Komonazmuk on Hench Cue Track
Miss Her - (5:20) 140 BPM Biggest-selling track on this release
from $1.49
Underground
HENCH 034DA
30 Mar 12
Bass
Underground by Komonazmuk on Hench Cue Track
Underground - (5:14) Biggest-selling track on this release
Underground by Komonazmuk on Hench Cue Track
Underground (Paul Woolford remix) - (6:09)
from $1.49
Review: With its theme framed by spoken word samples in the intro, "Underground" is Bristol born Komonazmuk's love letter to his younger days listening to and playing on pirate radio. The track itself, taken from his forthcoming album, sees him leave behind his moodier rollers for a bright, funk infused house number that could only come from Bristol, with a killer vocal hook that nonetheless maintains all the bass weight of his earlier material. On the flipside a renewed Paul Woolford takes some time off from his Special Request project to rework the track into a dark, bass-heavy hybrid form with hints of the Autonomic sound in its fast rhythmic cuts and moody synths. Awesome stuff.