Following a thread started up with his Africa HiTech project with Steve Spacek, Mark Pritchard shifts shape once again but keeps that hyped-up flow going strong with this five-strong EP for Warp. There's plenty of juke flavour in the snapping beats of "Manabadman", bolstered by the patois delivery of Spikey Tee, while "Ghosts" channels a more trap-oriented beat through which to run rambunctious synths. "Duppies" makes for one of the centerpieces with its intense UK rave signifiers, from hoover bass to gruesome D&B stabs before deftly leaping into a jungle tear-out. "Get Wyld" mops up the mess with a sopping sponge of electro synth work hanging from a restrained drum track.
Never an easy artist to pin down for long, Mark Pritchard is back on his regular stomping ground of Warp Records after recent success with the likes of his Africa HiTech project. Following on from the leftfield madness of his Ghosts single, all manner of bass-led tropes get fed into a masher and twisted up with a fearsome level of sound design and party starting nouse. "1234" features the vocal delights of The Ragga Twins over a garage shuffle both addictive and futuristic in its finish while inspiring all manner of hype in the process, whether you want the original or the instrumental version. "Ghetto Blast" meanwhile gets stuck into a mean trap roll with plenty of wild sample hooks, and then "Lock Off" darts off the map with a cheeky uptempo cut of minimal percussion, primal samples and scattered flecks of jungle. "Soundboy Fuck Off" is more explicit in its use of old-skool rave tricks, from the nightmare stabs to the wild snare rushes, triggered without a shred of mercy for maximum floor damage.