For all the theories about field recordings and dub techniques, it's the title on Stefan Betke's latest release that best sums up where his sonic approach is at. "Lurch" does exactly what its name suggests, throwing down a mid-tempo rhythm that's slightly off-beat. Combined with a looped chord and a sample of what sounds like a cat's miaow - or it could have just been the late hour that this reviewer listened to the release - and "Lurch" shows why Betke remains one of electronic music's most idiosyncratic producers. The fact that its tempo slows to a crawl before it ends can only endear the listener to Pole's machinations. By contrast, "Moos" is austere, with a menacing sub-bass and metallic whirrs and clicks showing Pole's more introspective side.
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