Bringing a measured kind of juke menace to the 50 Weapons camp, regular attraction Addison Groove this time links up with fellow Bristol bass maven Sam Binga for some short and snappy cuts that explore diverse corners of electronica while all riding that hyped-up tempo. "Rzor" keeps things strictly rhythmic with its rush of 808 beats moving through pitch tweaks and rubbing up against found sound percussion. "Thr3id" gets twisted up in melodic stabs and the kind of gnarly acid spits you might find on Drukqs-era Aphex, bouncing off steady central motifs in order to fire off as many drum machine samples as possible in a three minute time frame. "11th" is even further into deploying intricate melodic darts that zip through the rapid fire beats, delicate chimes offset by dreamy synths and stuttering samples. "Ol Man EK" whips all these feelings up into a perfect summation track, capturing the bittersweet-ness of early jungle and vintage deep house in amongst a positively futuristic flurry of percussion.
With an extensive repertoire that includes breaks, house and techno, Sam Binga's switch to future jungle rhythms has spawned some of his honest, his most exciting and his heaviest tracks to date. Sitting in the same unclassifiable field as Om Unit and Fracture, his productions wobble, writhe and punch sweetly around the 160/80 axis and feature a wealth of killer vocalists such as Warrior Queen, Rider Shafique and Romaine. Part dancehall, part jungle, part mongrel bass, Sam's skills are showcased succinctly across Wasted Days with a consistency that ensures the album experience is just as hard hitting as the individual tracks hit the floor. Get wasted.