Session Victim At Juno Download

Review: Session Victim's 2012 debut full-length The Haunted House of House was arguably one of the best deep house albums of the year. Here, they return with their first new material since. Opener "Yes I Know" features their trademark loose, swinging drums, warm chords and classic deep house sheen, alongside a healthy amount of what sounds like organic instrumentation. With the addition of a delicious disco vocal sample, it makes for wonderful listening. Max Graef remixes, turning in a version that sounds like a deeper take on 6th Borough Project. "Glow In The Dark", meanwhile, is wholeheartedly Balearic - a blindingly sunny slice of semi-live disco-house bagginess that should get maximum rotations in warmer climes this summer.

Review: New on the Delusions of Grandeur label (a sub label of Jimpster's excellent Freerange imprint), Berlin based duo Session Victim have made a gem of an EP that would find a good home in the racks of any nu-disco fans. "The Keyboarder" sounds like something Treasure Fingers would drop, as it's both full of groove and heavy on the silky string stabs. The clean, live sounding drums on "Tomorrow Night" alone are worth getting excited about, underpinning a corking deep rhythm that becomes infectious. Well worth checking out.

Review: Having already treated us to a trio of samplers, the German deep house duo Session Victim finally deliver their debut full-length for Delusions of Grandeur. Given their impressive credentials, it's no surprise to find that The Haunted House Of House is a bit good. Almost overflowing with ideas, it serves up 11 slabs of deep house that do their best to sidestep the genre's many pitfalls. Sure, there's plenty of comfy, melodic goodness (see "Push Comes To Shove" and "Zoinks"), but also forays into disco-flecked jazz-funk-house ("Alpine Glow"), slick disco-house ("The Haunted House"), groovy slo-mo electronica ("Bilson"), dewy-eyed Balearica ("The Light Scent of Decay") and even Clyde-ish broken hip-hop ("Fine"). Impeccable, and this ultra special Juno edition includes an exclusive bonus track in the shape of "Spellbound"!

Review: Comprising the second half of their hotly anticipated album, this latest slab of wax from the widely celebrated house duo Session Victim showcases just why their groove is so well liked. Far from trying to be cool in their music, instead the kind of funk the German duo conjure up in their sample-heavy sound is pure and addictive, not least on "Push Come To Shove". It's not all party rockers mind you, as well demonstrated in the low slung hip-hop leaning of "Fine". With the summer looming this is a strongly advised addition to your sun-compatible arsenal.

Review: If you missed out on Session Victim's excellent 2011 debut album The Haunted House of House, this third sampler EP gives a tantalising glimpse of what you've been missing. As with the album itself, there are various flavours on show, from the shuffling, string-laden, eyes-wide-shut loveliness of "Zoinks", to the Hammond-laden jazz shuffle of the irrepressibly groovy "Good Intentions" (check out that brilliant walking bassline). Best of all, though, is "Light Scent of Decay", a majestic builder that morphs from a lazy Balearic shuffler into a touchy-feely deep house gem over 10 majestic minutes. Thrilling stuff.

Review: Comprising the second half of their hotly anticipated album, this latest release from the widely celebrated house duo Session Victim showcases just why their groove is so well liked. Far from trying to be cool in their music, instead the kind of funk the German duo conjure up in their sample-heavy sound is pure and addictive, not least on "Push Come To Shove". It's not all party rockers mind you, as well demonstrated in the low slung hip-hop leaning of "Fine". With the summer looming this is a strongly advised addition to your sun-compatible arsenal.