Spectrasonics At Juno Download

Review: With its comprehensive design, Trilian brings many different types of bass together into one extraordinary-sounding virtual instrument.

The Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality. The Trilian is the successor to Spectrasonics' award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. The Trilian's 34 GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses.

Powered by next generation STEAM Engine technology, the Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere synth allowing Trilian's sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.

The acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software's intuitive, automatic selection of legato and release articulations as the user plays and the extensive Round-Robin variations introduced for natural sounding bass lines with repeated notes, create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the basses features multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.

Review: Spectrasonics Trilogy is the Ultimate Electric, Acoustic and Synth Bass instrument. When you're ready to get serious about Bass, this is the instrument! Trilogy is a programmable, sample-based sound module plug-in, that integrates a massive 3 gigabyte core library of hundreds of brand new, remarkable Bass sounds, with a powerful user interface for creating your own unique patches. Trilogy works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo, and Pro Tools. The real power of Trilogy lies within its layering concept. Beyond the core library hundreds of incredible new Basses, every patch in Trilogy has two layers that you can tweak individually. You can also immediately mix and match any of the layers in the core library together, and edit each one independently. Imagine the power of combining the sound of a real Minimoog with a Fretless bass, or a Access Virus, with a TB-303, or even adding a Juno sub-oscillator to an Upright Bass! There are thousands of earthshaking combinations, and you'll never run out of options. The highly detailed Acoustic Upright Bass is one of the highlights of this instrument. Because of Trilogy's unique interface, you can get a wide variety of gorgeous tones from this Bass. This is made possible because the interface has separate control of the Neumann U-47 Tube Microphone signal and the Direct Pickup signal, which was sampled through a vintage Neve 1083 Console. The huge selection of Electric Basses are from all new, painstakingly recorded sessions, and features classic 4, 5 and 6 string models, performed in Fingered, Picked, Muted, Rock & Roll, Slapping, Ballad, Fretless and R&B techniques through rare, custom-made tube preamps. Trilogy is one of the most awesome Bass Synthesizers ever made! Have you ever struggled with trying to fit your synth bass sounds to sit in a track properly? The sound of Trilogy is not only ultra-fat, but it sits great in a mix. That's because we've created high-resolution core samples from legendary Analog Bass Synths like the Minimoo, Roland Juno 60, Roland TB-303, Roland SH-101, Oberheim SEM, Moog Taurus, OSCar, Access Virus, Yamaha CS-80, Arp Odyssey and 2600, Studio Electronics SE-1, Omega and ATC, Tone Chameleon, Sequential Circuits Pro One, the mighty Moog Voyager and many others!
FEATURES:
The world's only dedicated Acoustic, Electric and Synth Bass instrument Earthshaking, Cone-blowing, Subsonic sound Massive 3 gig core library and all new sounds developed by award-winning sound designer Eric Persing.
Hundreds of brand new Electric, Acoustic and Synth Basses, each with dual layers. Mix and match layers for thousands of dynamic combinations.
There are highly-detailed, multi-velocity multisample articulations for ultimate expression. Innovative 'True Staccato' sample-mapping, for natural sounding repeated notes.
Finger Noise release layer for ultimate realism.
Analog synth-style Legato triggering with Glide.
Easy to use built-in patch management system.
Fully programmable Operates as a virtual instrument software plug-in in all major hosts like Logic, Digital Performer, Pro Tools, Cubase SX, Ableton LIVE, Nuendo, Acid Pro, Sonar and many other VST hosts.
System recommendations:
512 MB RAM, 3.9 GB free hard disc space
MAC: G3/G4/G5 compatible only, OSX 10.2.6 or higher, Audio Unit, VST or RTAS host
PC: Windows Vista, XP, 98, 98SE, ME, 2000, Pentium III or better CPU, 32- and 64-bit systems, sound card, VST or RTAS host
CPU load: LOW
Multimode resonant filters for each layer, plus master filters
Three envelopes per layer for Pitch, Filter and Amplitude
Matrix-style modulation routing, four syncable LFOs
Total recall with your sequence
Powered by custom 32 bit UVI engine

Review: Stylus RMX is a completely new groove-based virtual instrument plug-in for Macintosh and Windows. Stylus RMX is the first product to offer the combined power of Groove Control with Spectrasonics Advanced Groove Engine (S.A.G.E) technology, giving users dramatic new control over groove production and performance. Spectrasonics’ in-house development team created the new instrument from the ground up, with dozens of new features including the ground-breaking Chaos Designer, a completely redesigned multi-page user interface, a new core library of sounds, all with a focus on real-time groove creation and performance. The massive new 7.4 gigabyte core-library in Stylus RMX has thousands of cutting-edge grooves and sounds that were created by Spectrasonics’ international sound design team, and produced by Eric Persing. The new core library contains nearly triple the amount of sounds originally offered in the original Stylus, and contains all the original material as well. The new sounds and grooves in Stylus RMX offer a much wider range of modern musical genres than the original Stylus. Mixes of grooves are broken down into individual tracks called Elements for flexibility and infinite combinations. Also new in Stylus RMX are thousands of new Kit modules, as well as user Kit construction. The new sound menus have over 10,000 new single hits, all arranged in organized categories. Users can create their own customized multitrack remix grooves and kits, save them into the plug-in, and even share them with other Stylus RMX users on different platforms and hosts. It’s the ultimate Remix-oriented sound module for building grooves. RTAS, VSTi and AU formats.