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Join The Resistance (Part 1)
PHP 029LTD
11 Jul 08
Minimal/Tech House
Join The Resistance (Part 1) by Tim Toh on Philpot Germany Cue Track
One - (8:11) 115 BPM
Join The Resistance (Part 1) by Tim Toh on Philpot Germany Cue Track
Two - (11:19) 112 BPM
from $1.49
Join The Resistance Part 2
PHP 033
12 Dec 08
Minimal/Tech House
Join The Resistance Part 2 by Tim Toh on Philpot Germany Cue Track
Three - (9:38)
Join The Resistance Part 2 by Tim Toh on Philpot Germany Cue Track
Four - (5:16) 122 BPM
Join The Resistance Part 2 by Tim Toh on Philpot Germany Cue Track
Five - (4:12) 123 BPM
from $1.49
Played by: Atjazz
Join The Resistance Part 3
PHP 037
30 Jul 09
Deep House
Join The Resistance Part 3 by Tim Toh on Philpot Germany Cue Track
Six - (9:00) 117 BPM
Join The Resistance Part 3 by Tim Toh on Philpot Germany Cue Track
Seven - (8:59) 115 BPM
from $1.49
Menage A Trois
MILD 010
15 Jul 11
Minimal/Tech House
Menage A Trois by Tim Toh on Mild Pitch Germany Cue Track
Sexual Campfire - (5:58) 118 BPM
Menage A Trois by Tim Toh on Mild Pitch Germany Cue Track
Abundant - (5:42) 117 BPM
Menage A Trois by Tim Toh on Mild Pitch Germany Cue Track
Abundant (Spirited Away mix) - (5:51) 116 BPM
from $1.49
Played by: Eddie Leader, Cottam, Dplay
Pandemonium
PHP 058
13 Jan 12
Deep House
Pandemonium by Tim Toh on Philpot Germany Cue Track
Pandemonium - (6:58) 117 BPM
Pandemonium by Tim Toh on Philpot Germany Cue Track
Supercalifragilistic - (7:01) 117 BPM
from $1.49
Played by: Kisk, Joseph Terruel
Review: Tim Toh's sound is an overtly confrontational one, taking what should be soft, organic sounds sources and driving them into the red in an approach that sounds like Detroit techno at its most antagonistic, but lashed to a house groove. "Pandemonium" staggers and lurches with ethnic percussion, creating a problem for beat-matchers everywhere. "Supercalifragilistic" is the real treat though, reining things in to create a heavily sliced jam with a jerky key line and nagging vocal chops. It's swung about as wide as possible, but everything is held together by a beautifully meandering line in Rhodes-y blues that belies Toh's musical knack.