Tornado Wallace At Juno Download

Review: More discerning discotheque cuts for the cowbell connoisseur from the Delusion of Grandeur imprint, this time calling on Australian playboy Tornado Wallace. The Melbourne resident has impressed with previous pitched down mutant discoid cuts for the Sleazy Beats and Murmur imprints, but the Paddlin' EP sees Tornado Wallace go deep. The title track has a main groove that throbs away underneath fizzling Detroit pads whilst funk grunts fight for your attention with soaring synth washes. "Swimmin" reworks proceedings, switching down the tempo slightly but bringing the groove topside for a splendid sun kissed chugger. Firecracker/Prime Numbers don Linkwood jumps on board to deliver a soaring seven minute remix that brings to mind the Pepe Bradock classic "Deep Burnt".

Review: Camberwell's finest returns with another finely crafted lesson in disco-tinged house. "Rainbow Road" sees Tornado Wallace making his debut on the Instruments Of Rapture imprint, following memorable cuts for Delusions Of Grandeur and Sleazy Beats. The title track boasts a throbbing arpeggio augmented by sumptuous strings - an altogether more discofied effort than his DoG tackle. Flip over for the bumpin' "Don't Hold Back" - our pick of the bunch here at Juno HQ, if you're asking - with a horizontal groove and stunning vocal snippet. It's so good it even outshines a remix from Instruments main man Graeme The Revenge Clark, whose Strings Of Fife mix, apart from having a title that will make many a techno loving Scotsman chortle, transforms "Rainbow Road" into a sleazy bottom-heavy chugger. Highly recommended.

Review: Underground Sugar Caves marks a triumphant third waddle through the deepest recesses of rhythmic programming on Delusions of Grandeur for Tornado Wallace. The Australian is a man whose grasp of The Simpson's trivia is more than matched by his rise in the public's estimations since he debuted with Paddlin'. Lead track "Underground Sugar Caves" sees the erstwhile Wallace leave the sanctity of chugging disco for something altogether more thrilling - warehouse ready raw house music. The ease with which Wallace flips the script from the kick drum heavy compressed sound of the opening moments to the stabs and energising strings that dominate the track in full flow will transcend excellently in a small basement space. "Insect Overlords" is a more familiar mid tempo saunter, though there are enough production nuances to separate it from the chaff, whilst the venerable Idjut Boys turn in an excellently dubby transition of "Underground Sugar Caves" which is indelibly stamped with moodiness. Highly recommended.