It's Joropo dances all round as acclaimed Venezuelan producer Trujillo finally follows up 2012's hugely popular Acapulco Gold with 'Believe In Luv". With a sleeve like this he's already made believers of most of us, but he doesn't stop there; the title track is a seductive electro-houser with gentle chords, ascending guitar licks and soulful male & female vocals - in other words, the music of love. The smoochy vibes continue on his blissed-out, reggae-lite swirly version of Marvin Gaye's "Sexual Healing". Hot!
For their fourth release Apersonal return to South America for more glistening production bumps from the man known as Trujillo. There's an inherent warm late night sensation running through "Fruit Punch" which seems perfectly suited to the tropical climes of Caracas, Venezuela that Trujillo calls his home. A slinky transition from live bass and shimmering keys into the tight drums augmented by delay, intermittent cowbell and subaqueous pads lays down the foundation for the arrival of some delightfully MOR guitar work. Apersonal retain the high calibre of remixers that have distinguished their releases to date with "Fruit Punch" being treated to a tweak from Eddie C that retains the original feel but lays the emphasis on that sultry synth line and swerves the track in the direction of the dancefloor via an intricately layered house groove that occasionally drops into jacking bedlam. Toby Tobias was so enamoured with the track he submitted two mixes, with our favourite version ('V2') adding some throb to the bass and covering it in a gloriously reverberant sheen. To round matters off, Trujillo drops "Am I Looking Up To You", a delightfully dusty sojourn between edit and original production. Quality, as ever, from the Spanish imprint.
This is something of a "bits and pieces" release from Apersonal, featuring as it does previously unreleased cuts from various label regulars. That said, the quality threshold remains impressively high. Venezuelan producer Trujillo continues his fine run of form with "Send Me Away". Easily the stand out, it moves from clav-heavy deep house head-nodder to disco acid wig-out, finally finishing as a disco-soul singalong. Ilya Decado's "Sweet, Sweet Moments" delivers some hustling disco/house fusion with just the right amount of hands-aloft build, before Pablo Sanchez rounds things off with the drifting Balearic disco shuffle of "Our Closing Circle".
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