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25 Mar 13
Played by: Thang, Alkalino, Commodore 69 (Hot N Heavy), Jack Fell Down, Cocaine On Her Dress, Benny Kane
Review: Jay 'Chubba' Richards has been popping up all over the place of late, with recent releases on Sirch and Odea Records. Here, he brings his particular brand of contemporary house and UK funky fusion to Republic. "Moody" - so-called because it features a prominent sample from Kenny Dixon Jnr talking about his MPC - sets the tone, layering tough electronic percussion over a monstrous bassline. "Diamonds" sounds like a fusion of classic UKG and '90s house, while "Broken" feels like the sort of thing that Hypercolour should be signing (think nice chords, tasty vocal stabs and bassline-driven deep house flavour). There's also a tougher, UK funky-flavoured tweak from Vedicis and Vanshift that's well worth a listen.
16 Apr 13
Played by: Eric Sharp, Mat Cant, S-File, Diplo, Aka Tell (A.g.trio), Carl Cox, Xpress 2, Trevor Vichas, 2 Good Souls, Caserta, Groove Armada, Resident Advisor, Nice7, Tocacabana, DJ Hell, Sister Bliss, Phuturelabs, Umut Akalin, Ntfo
Review: Ben Westbeach's Breach alter ego continues to frolic wildly in the lush pastures of low-end house music with "Jack". The bassline swings like an acid house pendulum while the beats shuffle nonchalantly in the background and a sultry staccato vocal delivers concise instructions on how to unleash the sexual potency of the groove. "Let's Get Hot" continues the timeless less-is-more jack magic but does so with much more of a techno twist. Getting hot is not an order... It's a promise.
22 Apr 13
Review: With the imminent return of Daft Punk reminding us all of Paris's vibrant electronic music heritage, local label ClekClekBoom pop-up to provide us with a wide-eyed snapshot of the current Parisian underground. There are hints of familiar French staples - the stomping Ed Banger-ish ravery of The Town's "Dice", the classic house flex of Coni's "Missing You Nire" - but for the most part Paris Club Music Volume 1 dances to a different beat. With label regulars French Fries coming to the fore, much of the album is devoted to the sort of hard-to-pigeonhole bass music that takes its influence as much from B-more, R&B and UK garage as filter funk and electro-house.
18 Feb 13
Played by: Mat Cant, Redsoul, Alkalino, Juno Recommends Deep House, Utah Saints, Martin Solveig, Kid Kenobi, Kono Vidovic
Review: This powerhouse duo - a collaboration between none other than Foamo and Rack N Ruin - dropped their killer debut EP last year and since then things have been ominously quiet. Well, now they're back with a stonking great new release that fully explores the pair's interest in all things deep and groovy. "Real" features the vocal talents of rising star Yasmin and manages to be both an exotic pop anthem and a sparse, 4/4 bass head-nodder. "Thor" is nasty dark basement fodder, "Athena" is a lithe, tropical acrobat of a tune and "10 Below" is a sinister house-meets-garage monster.
17 Mar 13
Review: It's been a long journey for James Edward Jacob, from young thrash metaller in Leicester to aspiring dubstep producer in college, and now hot future bass property. This EP of his own VIP mixes is premier grade stuff, expertly produced and cleverly tweaked for different moods. "Fade" gets three different interpretations here - a club mix that sees big crescendos drop into totally nasty 4/4 garage basslines, a different club mix that goes deeper with soft pads and a retro Enya-goes-RnB vibe, and finally the Etherwood version, all melancholic DnB, forlorn vocals and piano fused with low bass and urgent beats.
25 Mar 13
Review: When Peggy Lee slinked around in the 50s to the sultry strains of "Fever", could she ever have imagined that half a century later, people like Romare would be turning her tune into a weed smokin', love makin' slo-mo RnB jam? Unlikely to say the least, but "Your Love (You Give Me Fever") is on the money and respectful, if different to the original's mood. Elsewhere, "Jimi & Faye" is a warped take on blues, "Taste Of Honey" recalls the days of daisy age hip-hop and "Hey Now" is a weary and haunting piano lament.
02 Apr 13
Played by: Homegroove Project, Mooqee, Sw, B. Jinx, Juno Recommends Uk Funky/Garage, Huxley, Funk And Filth
Review: The chart-bothering Surrey siblings Disclosure are back with possibly their best offering yet. Released on the Hot Chip-affiliated Greco-Roman label, "Control" is a superb slice of sultry and soulful minimal garage, with short of breath vocals that echo vintage Janet Jackson. Joe Goddard seriously challenges the glory of the original with a mesmerising doomy, acid-tinged electro-disco version. Bonus tune "Lividup" is an ecstatic bleep-garage joy and there's further fun with "Boiling" being given cosmic trance (Dixon) and mega camp house (Medlar) workovers. Plus "Whats In Your Head" gets a boombox house mix by Mak & Pasteman.
15 Apr 13
Review: A cursory listen to this EP would easily lead the listener to believe it was made by some underground British bass guy who wears his baseball caps sideways. But they'd be wrong; Klaves is actually 21 year old producer Mikolaj Gramowski from Poland who has pretty much beaten the British producers at their own game: "You" is an awesome blend of late 90s garage and house. "Hope It Gets To Love" is sassy future garage, and our fave is the Fault Lines remix - a slamming house scorcher featuring the kind of thumping kick not head since "Da Funk"!
18 Mar 13
25 Feb 13
Review: Wow! Are people looking back with rose-tinted glasses to 1995 already? Well at least this 'musical magpie' is only borrowing ideas and sounds rather than copying wholesale! Possibly a bit darker than his previous releases this EP features dubby UKG ("1995"), glitchy, post-dubstep ("Hypno", "Fallen") and even a bit of wobble-heavy UKF ("Roots").
26 Feb 13
Review: Swedish duo Savage Skulls have been making some serious noise in bass circles since about 2008. Now they've gone stateside, talking Frenchman Douster with them and signing up with Steve Aoki's Dim Mak label. This EP is unrepentantly aimed at the dancefloor: "Bass Kick" is hysterical, peak time madness with heavily compressed tropical beats and ascending synth melodies, "TRT" is tough party-garage with EDM-friendly trance breakdown and finally "Nicole" is total pop-dance euphoria.
01 Apr 13
Played by: Cosby (Car Crash Set)
Review: It's bashment o'clock round Decibel towers judging by the sound of his new bomb, and the currently on fire Newcastle producer doesn't appear to be mellowing any time soon. It's all about the party here on "Skanks", mercilessly so, especially with the legendary grime MC Flowdan on vocal duties - there won't be a dancefloor left alive after this incendiary fusion of footwork, tropical and hysterical rave is dropped. Just in the (unlikely) case it doesn't rock your world, there are two extra mixes supplied - Hybrid Theory deliver a slower, wobble-heavy housey version, while the Enigma Dubz mix defiantly keeps the classic dubstep sound alive!
10 Mar 13
Review: Not content with having risen on the tides of their Sound of Sumo label's success, label bosses Kry Wolf have elected to start a new label in the form of Food Music. Debuting last year with a release from Shadow Child, the pair now take centre stage for the label's second release. Entitled The Flood, the lead track combines sharp tech-house beats with buzzsaw bass and slick vocal samples, all coated in deep strings, while "Workin Hard" takes things up a notch with its crisp flurry of claps and synth bubbles driven along by some peak-time rave piano. "Together" meanwhile combines techno and bass in equal measure with its dark, tunnelling acidic bassline and dubbed out piano chords; it's a stark contrast to Makes No Sense's remix of the track which gives it into a light UKG-inspired rework.
18 Mar 13
Review: Tessela has been one of the multi-headed UK bass scene's most interesting talents since he first appeared in 2011; following in the footsteps of many of his peers he's started a new label entitled as Poly Kicks, and this first release comes from the producer himself, featuring a track that shows a clear development of his signature sub-heavy sound that references classic breakbeat and jungle. "Hackney Parrot" has been much anticipated since it appeared via a Jackmaster and Loefah Boiler Room session last November, and is characterised by its stuttering vocal and tunnelling subs, guaranteed to cause dancefloor confusion and mayhem in equal measure.
15 Mar 13
Review: With the ripples emanating from their bass music concoctions spreading ever wider, dynamic trio Dark Sky make the move to Tectonic to nudge that very label's remit into new territory. With their previous form on 50 Weapons and Black Acre amongst others, "Confunktion" sounds like a logical next step in limber but deadly accurate electro stylings. They don't lean on obvious tropes of the genre, bringing a more modern bass music slant to the synths and fully employing studio skills to make for an addictive, head-snapping beast of a track. "Double U" heads into a freakier domain defined by globulous synth drops and a tribal groove as fruity as it is funky.
13 May 13
Review: Sounds Of Sumo label bosses Kry Wolf return to their home imprint with a bold new sound in the form of Concrete; eschewing their usually lighter take on bass music, the title track is a dark combination of wobble bass and dub atmospherics, held together with some steely techno rhythms which comes across like Objekt's "Cactus", while "Bluffin" combines more abstract beats with ghetto house-inspired vocal samples and dubby stabs. Woz is tapped up to remix the title track, being considerably more sparing with the savage bass and rearranging its rhythms into something altogether more angular; Benton's remix of "Bluffin" is classic SOS, providing a bouncy piece of bass-heavy garage house.
21 Apr 13
Review: The success of Taiki & Nulight's recent low-key release Late Nights has now seen it expand into a full-blown EP. Again released by Herve's Cheap Thrills, the title track is a dubby, wobbly 4x4 garage roller. "Take Me Up" is a straight up, hands in the air party anthem, "Footwerk" is dark, deep and very late night bassline houser , but it's all about "Offkey" for sheer next level sounds.
05 Feb 13
18 Mar 13
Played by: Paul Mac, Scott Fell, Earl Grey, Nowakowski, Dusty / Jazz & Milk, Alkalino, Dairmount (Room With A View Recs), Roberto Rodriguez, Juno Recommends Techno, Tom (Shur-I-Kan) Szirtes, Commodore 69 (Hot N Heavy), Posthuman, Tom (Shur-I-Kan) Szirtes, Blind Prophet (South Fork Sound), Simonlebon, Resident Advisor, Tom Taylor, Ben Pearce
Review: Ahead of a forthcoming new album for Brainfeeder, Martyn drops this killer induction into Steffi's recently established Dolly Dubs imprint. The offshoot launched in relatively low key fashion late last year, with Swedish producer Staffan Lindberg at the helm. The addition of Steffi's compatriot Martyn is however big news, with the three track Newspeak EP the Dutchman's first proper release since Hello Darkness, the single that bookended his album for Brainfeeder in March of last year. Long term devotees of the 3024 boss's output should be familiar with the sub heavy snap of the title track which featured on his Essential Mix for Radio 1 last Spring, whilst lead track "Oceania" is a rolling, broken treat.
12 Apr 13
Review: After pairing up for the "Paranormal Activity" release back in 2011, the Tectonic main man and one of the most dynamic producers to come out of the UK funky scene team up for another round. "Shoulda Rolla" is an impeccable, unfussy dubstep groover with classic icy textures, snappy percussion and an anchoring bass wobble that was born to work the dance without any showboating tactics. Roska goes it alone on "Asbestos" with an equally moody slice of rhythmic function that cruises at 140 while the synths come in blasts of robotic weirdness. Like so many of the great Tectonic 12"s, you're presented with a pair of club-focused stompers that keep the dubstep dream alive.
06 May 13
05 Apr 13
Review: Destination "Afrika" via LA... Here we find Sub Slayer Skanx delving deep into jungle heritage with a muddy roller that packs the same foggy, radar-ridden breakbeat punch as the Meat Beat Manifesto's "Radio Babylon". For a more contemporary dub twist head for 6BLOCC's remix; stripping things back to a nagging 4/4 sub thump, it's the perfect blend of trad dub and stark future-minded bass music. Elsewhere we don the white gloves for the rave-tastic "Boom" while Eek-A-Mouse goes under the sample scalpel on the swashbuckling "Dub War". The junglist massive are on fine form right here.
26 Apr 13
Review: Although it has only one release to its name - Happa's Beat Of The Drum - London club night turned record label Church is looking to be an imprint to keep close tabs on, especially on the strength of this second EP, from young London producer Rumah. Although his debut from last year demonstrated an atmospheric, syncopated style of bass music, "Stutter" shows a marked progression into swung techno styles, with a weighty track full of concrete rhythms and glassy synths; "Murmur" is similarly powerful, throwing acid flecks and sunken vocals into the mix. Meanwhile, Apes & Seb Wildblood offer their own take on "Stutter", tempering some of the original's more ferocious attributes with some subtle dub techno elements, while James Fox refixes "Murmur" into a slinky, mid-tempo house groover, whose swelling synths offer something considerably deeper.
17 Dec 12
Played by: Homegroove Project, Alkalino, Juno Recommends Deep House, Nic Fanciulli, Sean Danke, DJ Cure (Aufect Recordings), Anja Schneider, Hermanez, Shox, Gullfisk, Resident Advisor, Tom Taylor, Jack Fell Down, Tulioxi, Flashmob, Eats Everything, Donka, Agoria, DJ Hell, Hot Since 82
Review: The techy and bass-ready label Hypercolour has always had some pretty leftfield tendencies, ranging from its releases with Groove Armada and Neil Landstrumm, to cheeky Aprils fools day pranks all part of the package. However George Fitzgerald's Needs You EP typifies the Hypercolour sound minus any tomfoolery. "Needs You" in particular plays "oh baby" vocals, sucking percussion and melodic keys against vast-monoliths of low end sonics. On the flip is "Every Inch" again by Fitzgerald. Fluted synth spooks and successive clap-tambourine combos swing to a groove that has a moderately lighter mood. Deetron writes a love note to rave and garage in his remix to "Every Inch" by the way of squelchy electronics and nerdy percussion.
10 Feb 13
22 Apr 13
Review: Deftly exploring the creative possibilities in the endless badlands of a post-dubstep landscape, Krueger references everything from juke to techno across his two originals. "Giggles" is a paranoid, minimal masterpiece that refuses to be pigeonholed, while "Can You" is basically acid house if it arrived twenty-five years later. Complex yet stark and simplistic both are the epitome of electronic music's earliest, most essential ingredients. And the remixes are all pretty special, too...
29 Apr 13
Review: It's a meeting of minds on this long player with rootsy German label Root Down releasing this much-anticipated album from Korean-German 'future dancehall' act Symbiz Sound. There's plenty of tunes, 15 in total here, many of which featuring either the talents of ZHI MC or Feral Is Kinky. Highlights include the sweet sounding lovers rock of opener "Soundboy Dead", the bassy, ghetto-hop of "Ruff Ride", the digital dancehall of "Down Under" and the sheer tribalism of "Bad So".
11 Mar 13
13 Jan 13
Played by: Homegroove Project, Fort Knox Five, Mat Cant, Nic Fanciulli, Matta, Tee Circus, Rack N Ruin, Lucent
Review: Despite only unveiling themselves to the public in 2010, Black Butter Records have already ascended to some impressive heights with a string of hugely popular bass/UKF releases. This first 'proper' label comp features five names from their roster, remixed by many more. It's literally fizzing and popping with retro-futuristic ideas and sounds: from the B-more drum machine orgy of "Be More (3hrs & Woz mix), to Matta's accelerated electro version of Kidnap Kid's classic "Vehl" and Vince Clarke's elasticated tech-house version of "Lazarus Taxon", to the scuzzy, rave-inflected house of Codec's "What You Need", the thoroughly ominous bass tones of "Hackney Heat" by Racknruin via the eccentric end-of the world beats of "Trick Green" by Hostage.
25 Mar 13
Review: Under the control of Martin Clark, Keysound has been one of the more reliable imprints mapping the slow mutation of dubstep, garage and grime. Though its early years saw appearances from the likes of Kowton, Skream, Burial and Zomby, recent releases have seen the label develop its catalogue with a range of under the radar artists, maintaining a critical distance from flash in the pan trends with albums from Sully, LV and LHF, and singles from the likes of Beneath and Logos. Now the label delivers their first compilation; some 14 tracks deep, it's the perfect encapsulation of the fresh music Clark regularly represents on his Rinse FM residency with Dusk. Featuring a host of unheralded talent in the form of Rabit, E.m.m.a., and Samrai alongside established producers such as Beneath, Visionist and Gremino, the compilation's material is representative of the forward-thinking material Clark has been particularly vocal about of late, united by what he describes as a "130bpm heartbeat".
11 Mar 13
Played by: Dev79, Doshy, Top Billin DJ Team, Cosby (Car Crash Set), Highgrademuzik Aka Don D Selectah
Review: Have you ever seen a policeman on acid? No, neither have we thankfully! If the country's protectors turn to psychedelic drugs there really is no hope. No, we're much happier hearing "Police On Acid", a rasping series of warping bass licks over a vicious Radioactive Man style breakbeat, it's much more fun than seeing men of the law lose their minds. Elsewhere on the release we're taught to count badly with the help of a staccato trap-style bass workout ("123789") and taken on a mesmerisingly scenic sinewave journey ("Q"). Oozing variety and creatively, all law-abiding bass lovers should check this.
22 Apr 13
Review: We don't usually condone lying here at Juno, but when you tell seven of them across a beautiful nine track debut album, it's absolutely acceptable. Applaudable, even. Highlights across this deep, tightly woven bass adventure include the Portishead-style trippy dubtronica of "Comos Los Cerdos", the somnambulant drones and breathy washes of "Lies", the nagging techno loopery of "Dam" and the trembling graveyard soul of "Arcana".
18 Mar 13
Review: Although ClekClekBoom's first label compilation is imminent, the Parisian imprint has still found time to put out this fine EP from label mainstay French Fries, with three tracks of the kind of dark, rhythmic heads-down club gear the imprint have become increasingly good at unearthing. It's an EP of contrasting dark and light elements; "Everything" is an atmospheric piece of precision bass techno, with forceful kicks interspersed with laser-cut synths, while "White Screen" is a more rolling number whose fierce toms are joined by cascading sheets of neon. "D'Angelo" on the other hand is a stylistic about turn, dropping the tempo for a murky, late-night house track filled will shimmering dub chords and a particularly funky bassline.
01 Apr 13
Played by: Roberto Rodriguez
Review: Recently announced as the latest artist to trade Planet Mu for Ninja Tune, Machinedrum celebrates a four LP deal with the venerable UK label with a fresh drop for Fracture's Astrophonica label. One of the leading lights in 150bpm+ excursions, Astrophonica has been dominated by Fracture's own output - last year's The Limit VIP being a label highlight - though appearances from the likes of Om Unit demonstrate they do broaden their remit occasionally. Clissold VIP expertly shifts from the fidgety drum edits of its opening minutes to a jungle riffing midsection with the kind of aplomb the Berlin-based Travis Stewart is renowned for, whilst the BoC style synths on display throughout ensure the track remains finely balanced between accessible and aggressive. This release in a word? Essential!
18 Mar 13
Review: NTS affiliates 92 Points secure some Alex Coulton heat and back it with remixes from Tessela and Beneath - this is how you put together an EP. With his releases for Idle Hands and Livity Sound last year, Coulton proved himself to be one of British techno's most interesting propositions, wrapping Shackleton-style atmospherics with sparing rhythmic structures. This continues with "Too Much Talk", its UKF inspired snares and deep subs sound very much like the recent work of Beneath - who himself contributes a remix which outdoes Coulton in its tense atmospherics. The most striking rework however comes from Tessela, whose breakbeat jungle reinterpretation has the expected amount of compression-induced grit and rhythmic swagger.
18 Mar 13
Played by: Cosby (Car Crash Set)
Review: Getting stuck into a single for Hyperdub as juke and footwork continue to blend into the wider electronic music landscape, DJ Rashad keeps his style true to his roots with rapid fire samples, manic drum patterns and an otherworldly atmosphere. "Rollin" is a bittersweet jam that emotionally pivots on a heartbreak R&B centrepoint, but "Let It Go" soon puts paid to such melancholia with a nod to jungle that finds snappy slices of breakbeat hammering out in a vibe reminiscent of the early days of rave. "Drums Please" builds on that theme with a thrilling jaunt through a moody landscape powered by intricate snare rolls, entering a more adventurous and thought provoking headspace where footwork can show its true potential. Coming full circle, "Broken Hearted" works back into the chopped up balladry of the first track.
29 Apr 13
Played by: Mr Brainz / Orpheus:ldn
Review: Earlier this year Sunday Roast smashed it with the action-packed Space Walk EP. Well, you can't keep a good man down, and now he's back with another six tracks of forward-looking UKG. It's a harder sound than last time, but highlights include the carnival doom-beat of the title track "Intuition", the peak time psychosis of "XTC" and the propulsive yet dreamy bassline house of "Optical".
20 Apr 13
Played by: Juno Recommends Uk Funky/Garage
15 Apr 13
Review: For his latest signing, Gilles Peterson looks closer to home - Brighton to be precise - where he found the Anushka duo of Max Wheeler & Victoria Port. Not particularly exotic, but the music, which they describe as 'bass music from the future', covers that requirement. Theirs is a blend of deep bass, glistening synths and breaky urban beats flavoured with digital riddims ("Wired"), deep tropical ("Yes Guess") and soulful house ("I Have Love 4 You"). Definitely going places.
24 Apr 13
Played by: Juno Recommends Downtempo
Review: Following on from their first instalment, the guys at Parisian soul/funk/jazz label Heavenly Sweetness are back with a follow up. Having spent months scouring the net for the best new sounds, they proudly present the cream of their findings - 15 in total. Highlights include the future bass/jazzy trapisms of "Down Brandy" which takes the eponymous RnB singer and warps her into another dimension, the drunk cat on a keyboard-isms of "Muscles", the cool retro hip-hop of "Boomboxin" and the 80s freestyle pop of "The Followers".
04 Mar 13
Played by: Mr Brainz / Orpheus:ldn, Juno Recommends Uk Funky/Garage, Highgrademuzik Aka Don D Selectah, J69
Review: All aboard the remix express! Four40 follow up last month's b-boy two-stepper from IKK and Slick Don with four sparkling reversions. Pedro 123's re-imagination strips the original back into a plinky plonky trap attack that comes in both vocal and instrumental forms while KSH add much more of a bashy grime riddim. Then there's the obligatory VIP for added rewind pleasure. Get to the "Crux" of the matter... It's a vibes ting.
15 Apr 13
Played by: Juno Recommends Electro House
Review: Originally released last December, Zinc's Sasha Keable-fronted electro wriggler "Only For Tonight" gets the remix treatment from TEED (low-swung, sludgy bass jack session) and the up-and-coming Maison Sky (warped garage with trippy pitched down vocals, oddball percussion and waspish bass). In case you and the original aren't familiar yet, it's here in both its soul-coated vocal glory and naked bouncy instrumental state.
15 Apr 13
Played by: Tommy Largo
18 Mar 13
Review: Not to be confused with the Parisian indie band of the same name, this Panda is a hotly-tipped bass trio from the UK. Not much is known about them other than their few releases have already garnered support from the likes of Groove Armada and MJ Cole. Not a bad start indeed, so with the music left to do the talking let's hear what it has to say: "Foolish" is cool and crystalline house music disguised as warped 90s RnB with a catchy pitched (up, down and sideways!) vocal. "All That I Can Give" keeps the soulful vocals but is a more straight up garagey house number that boasts plenty of swishes and light key stabs.
01 Oct 12
Played by: Hybu, Pete Dafeet, Lee Daley:contentmcr/Beef/Huddtraxx, Homegroove Project, Boris Dlugosch, Ya Dun Know, Dirty Channels, Gazeebo, Mike Millrain (Soul Revolution ), Andrew Allsgood (Free Association), Sw, Mike O'mara(Development Music), Dopefish, Chris Deepak, Juno Recommends Deep House, DJ Cure (Aufect Recordings), Commodore 69 (Hot N Heavy), Shouts!, Karim, Sccucci Manucci, G-Blaster (Rotarydisco76), Raw Club Radio, Dublin Aunts, Homero Espinosa, Sounds Of Sumo, Mario Basanov, Willo, Jack Fell Down, Embryo, Derek Avari, Young Hand, Cosby (Car Crash Set)
Review: With an excellent release on Tusk Wax in his armoury and a notable collaboration with Bicep on their recent Aus EP, Norn Irish lad Ejeca seems primed to follow the trajectory set by the aforementioned burger loving duo. The Horizons EP, his debut for the Needwant imprint sees Ejeca throwing down three tracks that are very much steeped in the same vocal lead New Jersey garage sound that Bicep are currently plundering to great effect, not least on the thickly infectious title track that demonstrates Ejeca's ease for crafting a killer breakdown. "Dazed" eschews the reliance on vocals for some deft chord usage and excellent drum programming, while "See Through You" shimmers with garage indebted warmth.
02 Apr 13
Review: Pelican Fly teams up with the infamous Ed Banger institution to deliver a tight little remix package of Cahmere Cat's "Mirror Maru" EP! Only "Mirror Maru" and "Kiss Kiss" are chosen as part of the project but judging from the diversity of the remixing team, this can only mean one thing: DOPE! Canblaster takes the first shot at the former, transforming the original into a sexy and seductive R&B anthem, whilst Busy P goes for a straight-up hip-hop flex with a touch of electro-tinged balearica, and LidoLido takes us on a soothing journey through sparse vocal-chops and grinding, booty-shaking basslines. As for the latter, G Vump takes a startling broken beat flex, reducing the original to a stuttering mass of kicks, snares and ominous harmonics; but the real surprise comes from Feadz & Kito, who create an all-out monster half-step belter - fresh!
18 Mar 13
12 Nov 12
Played by: Mr Brainz / Orpheus:ldn, Ya Dun Know, Hxdb, DJ Cure (Aufect Recordings), Commodore 69 (Hot N Heavy), Mike Hindle - Immersed Audio, D3adl1ne, Konnekt - Hot N Heavy, Major Notes
Review: It seems that Julio Bashmore was not a one-off: there must be something in the water down Bristol way and it's resulting in a serious bass epidemic. My Nu Leng are a duo with an amazing futuristic take on house music. "The Grid" is just relentless groove, dark and twitchy with all kinds of sinister effects drifting in and out. "Hips N Thighs" is even more next level, like a weird, twisted booty cut on downers and stranded in a graveyard rave. Under a full moon.
15 Apr 13
Review: Underground garage upstart DJ Blakey - sadly not a big fan of the infamous character from 'On The Buses', as far as we know - returns to spiritual home Slime with a decidedly summery chunk of deep garage. Those who like their 4/4 garage a little more subdued will enjoy its loose and fluid mix of skippy beats, bold melodies, atmospheric chords and Todd Edwards-inspired vocal cut-ups. Given the ubiquity of sillier garage-influenced jams at present, it makes a refreshing change from the norm. The obligatory remix comes from D&B type Basher, whose raw junglist onslaught - all warped bass, scattergun beats and old skool flava - is in stark contrast to the comfy original.