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SIMBLK 002
06 May 13
DB 089
16 Apr 13
Played by: Eric Sharp, Mat Cant, S-File, Diplo, Aka Tell (A.g.trio), Carl Cox, Xpress 2, Trevor Vichas, 2 Good Souls, Caserta, Groove Armada, Resident Advisor, Nice7, Tocacabana, DJ Hell, Sister Bliss, Phuturelabs, Umut Akalin, Ntfo
Review:
Ben Westbeach's Breach alter ego continues to frolic wildly in the lush pastures of low-end house music with "Jack". The bassline swings like an acid house pendulum while the beats shuffle nonchalantly in the background and a sultry staccato vocal delivers concise instructions on how to unleash the sexual potency of the groove. "Let's Get Hot" continues the timeless less-is-more jack magic but does so with much more of a techno twist. Getting hot is not an order... It's a promise.
SOS 027
13 May 13
Review:
Sounds Of Sumo label bosses Kry Wolf return to their home imprint with a bold new sound in the form of Concrete; eschewing their usually lighter take on bass music, the title track is a dark combination of wobble bass and dub atmospherics, held together with some steely techno rhythms which comes across like Objekt's "Cactus", while "Bluffin" combines more abstract beats with ghetto house-inspired vocal samples and dubby stabs. Woz is tapped up to remix the title track, being considerably more sparing with the savage bass and rearranging its rhythms into something altogether more angular; Benton's remix of "Bluffin" is classic SOS, providing a bouncy piece of bass-heavy garage house.
UTTU 028
13 May 13
Played by: Phuturelabs
Review:
Given Unknown To The Unknown's wide ranging remit, including bassline garage, Detroit electro and Chicago house, it was perhaps inevitable that a genuine 90s house record would find its way onto the label at some point. Originally released in 1992, OHM's "Tribal Tone" was supposedly the first tune to use the Korg M1 sound that was later immortalised by Robin S' "Show Me Love", and had considerable impact at the time, being championed The Shamen frontman Mr C, being licensed to R&S sub-label Global Cuts and US label Vibe, and finding itself remixed by the Sabres of Paradise trio. Here it finds itself with three similarly great remixes, a stripped-back, raw groover from Marquis Hawkes, a horn-heavy piece of 90s action from Capracara and a thundering mid-tempo effort from Northern Souls. Essential!
PBR 032
10 May 13
505114 2099341
12 May 13
Played by: Big Dope P
Review:
Bristol's DJ Die has gone one better than signing Addison Groove to his Gutterfunk imprint, he's only gone and collaborated with him on both tracks here as well! The footwork-influenced side project of Headhunter, Addison Groove assumes charge of "Keyhole" - a stripped back excursion into sultry voodoo beats. Meanwhile on "Hydropump", DJ Die takes the lead steering this ship into breaky hip-house waters in the process.
361015 2542227
25 Mar 13
Played by: Thang, Alkalino, Commodore 69 (Hot N Heavy), Jack Fell Down, Cocaine On Her Dress, Benny Kane
Review:
Jay 'Chubba' Richards has been popping up all over the place of late, with recent releases on Sirch and Odea Records. Here, he brings his particular brand of contemporary house and UK funky fusion to Republic. "Moody" - so-called because it features a prominent sample from Kenny Dixon Jnr talking about his MPC - sets the tone, layering tough electronic percussion over a monstrous bassline. "Diamonds" sounds like a fusion of classic UKG and '90s house, while "Broken" feels like the sort of thing that Hypercolour should be signing (think nice chords, tasty vocal stabs and bassline-driven deep house flavour). There's also a tougher, UK funky-flavoured tweak from Vedicis and Vanshift that's well worth a listen.
CHEAP 080
21 Apr 13
Review:
The success of Taiki & Nulight's recent low-key release Late Nights has now seen it expand into a full-blown EP. Again released by Herve's Cheap Thrills, the title track is a dubby, wobbly 4x4 garage roller. "Take Me Up" is a straight up, hands in the air party anthem, "Footwerk" is dark, deep and very late night bassline houser , but it's all about "Offkey" for sheer next level sounds.
BOOMT 002DX
17 Mar 13
Review:
It's been a long journey for James Edward Jacob, from young thrash metaller in Leicester to aspiring dubstep producer in college, and now hot future bass property. This EP of his own VIP mixes is premier grade stuff, expertly produced and cleverly tweaked for different moods. "Fade" gets three different interpretations here - a club mix that sees big crescendos drop into totally nasty 4/4 garage basslines, a different club mix that goes deeper with soft pads and a retro Enya-goes-RnB vibe, and finally the Etherwood version, all melancholic DnB, forlorn vocals and piano fused with low bass and urgent beats.
BLKBTR 38
18 Feb 13
Played by: Mat Cant, Redsoul, Alkalino, Juno Recommends Deep House, Utah Saints, Martin Solveig, Kid Kenobi, Kono Vidovic
Review:
This powerhouse duo - a collaboration between none other than Foamo and Rack N Ruin - dropped their killer debut EP last year and since then things have been ominously quiet. Well, now they're back with a stonking great new release that fully explores the pair's interest in all things deep and groovy. "Real" features the vocal talents of rising star Yasmin and manages to be both an exotic pop anthem and a sparse, 4/4 bass head-nodder. "Thor" is nasty dark basement fodder, "Athena" is a lithe, tropical acrobat of a tune and "10 Below" is a sinister house-meets-garage monster.
506500 1989537
02 Apr 13
Played by: Homegroove Project, Mooqee, Sw, B. Jinx, Juno Recommends Uk Funky/Garage, Huxley, Funk And Filth
Review:
The chart-bothering Surrey siblings Disclosure are back with possibly their best offering yet. Released on the Hot Chip-affiliated Greco-Roman label, "Control" is a superb slice of sultry and soulful minimal garage, with short of breath vocals that echo vintage Janet Jackson. Joe Goddard seriously challenges the glory of the original with a mesmerising doomy, acid-tinged electro-disco version. Bonus tune "Lividup" is an ecstatic bleep-garage joy and there's further fun with "Boiling" being given cosmic trance (Dixon) and mega camp house (Medlar) workovers. Plus "Whats In Your Head" gets a boombox house mix by Mak & Pasteman.
NBR 030
10 May 13
SPEAKS 011
06 May 13
Review:
No prizes for getting that it's house o'clock round Odessa towers (it's always house o'clock round there). This EP features five incarnations of the aforementioned house; all different but assertive in their own way. The three originals take in delirious, jackin', frenzied piano house ("Get Right"), filthy warehouse, bassline-y hip-house ("Put You Down") and (best of all) minimal and techy after hours darkness ("Tell Me"). Winning the best remix of the package award is Artefact who delivers a totally out there deep and brooding remix that features some the deepest sub bass we've heard in ages!
HNH 035
06 May 13
Review:
Making their debut on Hot N Heavy, Motif & Ramu show themselves to be more than capable of creating bass heavy yet lightweight music for the floor; "Just You" is an effervescent combination of 90s house stylings and swung garage beats, with the kind of fizzy melodics worthy of a Jacques Greene production, while "See The Future" is a considerably darker number, pitching its vocals right down into a dub infused, bass filled soundscape which is nevertheless primed for maximum dancefloor effect.
EVDEP 017
09 May 13
SSR 040
29 Apr 13
Played by: Mr Brainz / Orpheus:ldn
Review:
Earlier this year Sunday Roast smashed it with the action-packed Space Walk EP. Well, you can't keep a good man down, and now he's back with another six tracks of forward-looking UKG. It's a harder sound than last time, but highlights include the carnival doom-beat of the title track "Intuition", the peak time psychosis of "XTC" and the propulsive yet dreamy bassline house of "Optical".
DM 352
26 Feb 13
Review:
Swedish duo Savage Skulls have been making some serious noise in bass circles since about 2008. Now they've gone stateside, talking Frenchman Douster with them and signing up with Steve Aoki's Dim Mak label. This EP is unrepentantly aimed at the dancefloor: "Bass Kick" is hysterical, peak time madness with heavily compressed tropical beats and ascending synth melodies, "TRT" is tough party-garage with EDM-friendly trance breakdown and finally "Nicole" is total pop-dance euphoria.
CHURCH 002
26 Apr 13
Review:
Although it has only one release to its name - Happa's Beat Of The Drum - London club night turned record label Church is looking to be an imprint to keep close tabs on, especially on the strength of this second EP, from young London producer Rumah. Although his debut from last year demonstrated an atmospheric, syncopated style of bass music, "Stutter" shows a marked progression into swung techno styles, with a weighty track full of concrete rhythms and glassy synths; "Murmur" is similarly powerful, throwing acid flecks and sunken vocals into the mix. Meanwhile, Apes & Seb Wildblood offer their own take on "Stutter", tempering some of the original's more ferocious attributes with some subtle dub techno elements, while James Fox refixes "Murmur" into a slinky, mid-tempo house groover, whose swelling synths offer something considerably deeper.
TEC 069
15 Mar 13
Review:
With the ripples emanating from their bass music concoctions spreading ever wider, dynamic trio Dark Sky make the move to Tectonic to nudge that very label's remit into new territory. With their previous form on 50 Weapons and Black Acre amongst others, "Confunktion" sounds like a logical next step in limber but deadly accurate electro stylings. They don't lean on obvious tropes of the genre, bringing a more modern bass music slant to the synths and fully employing studio skills to make for an addictive, head-snapping beast of a track. "Double U" heads into a freakier domain defined by globulous synth drops and a tribal groove as fruity as it is funky.
PN 20
17 May 13
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
FF 036
01 Apr 13
Played by: Cosby (Car Crash Set)
Review:
It's bashment o'clock round Decibel towers judging by the sound of his new bomb, and the currently on fire Newcastle producer doesn't appear to be mellowing any time soon. It's all about the party here on "Skanks", mercilessly so, especially with the legendary grime MC Flowdan on vocal duties - there won't be a dancefloor left alive after this incendiary fusion of footwork, tropical and hysterical rave is dropped. Just in the (unlikely) case it doesn't rock your world, there are two extra mixes supplied - Hybrid Theory deliver a slower, wobble-heavy housey version, while the Enigma Dubz mix defiantly keeps the classic dubstep sound alive!
ACRE 033
26 Mar 12
Played by: Odiggity, Flash Atkins, Shadow Dancer, Hxdb, Commodore 69 (Hot N Heavy), Bunny On Acid, Simon/Off, Mike Hindle - Immersed Audio, Breakbeat.is, Djs: Most Charted - Dubstep, Paradisiaca Recordings, Konnekt - Hot N Heavy, Mak & Pasteman, Rocky Horror
Review:
Having made waves with their 50Weapons EP last year, the Black Rainbows EP sees the trio's triumphant return to Black Acre. Opening with the sparse, stripped back rhythms of "F-Technology", razor sharp snare hits dovetail between cavernous bass hits to create the kind of dread-inducing atmospheres one associates with the label. "Tremor", meanwhile is all about those rough and tumble drums, while the sub bass groans of "Zoom" and neon-tinged roughness of "Totum" round off an unsurprisingly excellent package. There's nobody hitting that sweet spot between classic dubstep and contemporary garage styles quite like Dark Sky, and this is as excellent an example of their productions as you'll hear.
BBB 007
13 May 13
Review:
Despite the irreverent moniker, we reckon this Brighton act are just being coy - they probably spend ages perfecting their sounds really. Besides history is littered with warnings about what letting the machine do the work, haven't they seen Terminator? Anyway "One Love" is a big bear hug of a house record featuring a gruff voiced man spreading the love over some deep grooves and woozy key stabs. "Brighter Day" is a hazy, melancholic slice of early Chicago-style house and is a joy to behold.
LOOSE 711
13 May 13
UL 4049
14 May 13
HYPE 30
17 Dec 12
Played by: Homegroove Project, Alkalino, Juno Recommends Deep House, Nic Fanciulli, Sean Danke, DJ Cure (Aufect Recordings), Anja Schneider, Hermanez, Shox, Gullfisk, Resident Advisor, Tom Taylor, Jack Fell Down, Tulioxi, Flashmob, Eats Everything, Donka, Agoria, DJ Hell, Hot Since 82
Review:
The techy and bass-ready label Hypercolour has always had some pretty leftfield tendencies, ranging from its releases with Groove Armada and Neil Landstrumm, to cheeky Aprils fools day pranks all part of the package. However George Fitzgerald's Needs You EP typifies the Hypercolour sound minus any tomfoolery. "Needs You" in particular plays "oh baby" vocals, sucking percussion and melodic keys against vast-monoliths of low end sonics. On the flip is "Every Inch" again by Fitzgerald. Fluted synth spooks and successive clap-tambourine combos swing to a groove that has a moderately lighter mood. Deetron writes a love note to rave and garage in his remix to "Every Inch" by the way of squelchy electronics and nerdy percussion.
ACRE 040
25 Mar 13
Review:
When Peggy Lee slinked around in the 50s to the sultry strains of "Fever", could she ever have imagined that half a century later, people like Romare would be turning her tune into a weed smokin', love makin' slo-mo RnB jam? Unlikely to say the least, but "Your Love (You Give Me Fever") is on the money and respectful, if different to the original's mood. Elsewhere, "Jimi & Faye" is a warped take on blues, "Taste Of Honey" recalls the days of daisy age hip-hop and "Hey Now" is a weary and haunting piano lament.
SLAYER 022
03 May 13
Played by: Benny Kane
Review:
Benny Kane and Dr Specs hook up with one of dancehall's most distinctive vocalists Daddy Freddy. The result? A dark, near-menacing stepper with a heavy, ominous vibe. Remix-wise every bass base is covered: Benny Kane adds a tropical hollow-bass stomp, 6BLOCC cause 808 meltdown on their Trapped Out rub, Skanx sharpens his rave breaks so much they can cut your ears from 50 paces, Black & White up the tempo for a hectic laser-puncher of "Tarantula" proportions and Rebel Sonix outlays two different versions; one laden with bleeps, the other laden with jaunty skanks and high end screams. Immense.
SUKI 011
25 Feb 13
Review:
Wow! Are people looking back with rose-tinted glasses to 1995 already? Well at least this 'musical magpie' is only borrowing ideas and sounds rather than copying wholesale! Possibly a bit darker than his previous releases this EP features dubby UKG ("1995"), glitchy, post-dubstep ("Hypno", "Fallen") and even a bit of wobble-heavy UKF ("Roots").
SMBL 019
07 May 13
Played by: Cosby (Car Crash Set)
Review:
Utilising drum & bass siren Riya's silken vocals on a bass release might be this year's best idea yet. Weaving in and out of that house and dubstep and garage and footwork sound we're all so keen on right now, technical beats and lush atmospherics keep harsh synth stabs in check in the title track, while "Absense" and "Ruff" shake off their Mr Whippy soft sweetness and launch into an icy world of techy house and cool sampling perfect for late night dancefloors filled with long-haired girls and pastel strobes. For extra pop-quiz cool points, Kiri's remix of "Mindgames" was recently played in a Disclosure mix for Rinse FM. You're in with the Eton Messy crowd now, guys.
505578 1514173
11 May 13
PRC 005
22 Apr 13
Review:
Deftly exploring the creative possibilities in the endless badlands of a post-dubstep landscape, Krueger references everything from juke to techno across his two originals. "Giggles" is a paranoid, minimal masterpiece that refuses to be pigeonholed, while "Can You" is basically acid house if it arrived twenty-five years later. Complex yet stark and simplistic both are the epitome of electronic music's earliest, most essential ingredients. And the remixes are all pretty special, too...
YUM 002
10 Mar 13
Review:
Not content with having risen on the tides of their Sound of Sumo label's success, label bosses Kry Wolf have elected to start a new label in the form of Food Music. Debuting last year with a release from Shadow Child, the pair now take centre stage for the label's second release. Entitled The Flood, the lead track combines sharp tech-house beats with buzzsaw bass and slick vocal samples, all coated in deep strings, while "Workin Hard" takes things up a notch with its crisp flurry of claps and synth bubbles driven along by some peak-time rave piano. "Together" meanwhile combines techno and bass in equal measure with its dark, tunnelling acidic bassline and dubbed out piano chords; it's a stark contrast to Makes No Sense's remix of the track which gives it into a light UKG-inspired rework.
GR 028
07 May 13
VOODOO 005
03 May 13
Played by: Numa Crew
Review:
Never one short of a vivid imagination, Italian producer Lorenzo is back with this completely insane club bomb that actually features the trumpeting of an elephant! With nods to his fellow countrymen Crookers and their cut up fidget house sound, "Savana" features throbbing low end, scattered beats and yes, an epic elephant! Clap Clap's remix features a bizarre double -time Bollywood sample and Diplo style melodies. Finally "Vatican House" is deep and proggy with a dash of electro-swing for good measure.
POLY 001D
18 Mar 13
Review:
Tessela has been one of the multi-headed UK bass scene's most interesting talents since he first appeared in 2011; following in the footsteps of many of his peers he's started a new label entitled as Poly Kicks, and this first release comes from the producer himself, featuring a track that shows a clear development of his signature sub-heavy sound that references classic breakbeat and jungle. "Hackney Parrot" has been much anticipated since it appeared via a Jackmaster and Loefah Boiler Room session last November, and is characterised by its stuttering vocal and tunnelling subs, guaranteed to cause dancefloor confusion and mayhem in equal measure.
PCRD 004
22 Apr 13
Review:
Paradise Club regulars Juno Sutton, MTD and Dutty Dan are back with a new split EP. Firstly all three join forces for the driving UKF anthem "Block 123", which features a rolling bassline that destroys everything in its path. Sutton goes solo for the melodic and dreamy electro-house of "Get You" and the other two opt for the slammin' diva house-meets post dubstep of "Seeing Thoughts".
100564 80
06 May 13
Review:
Bringing further evolution in the realm of footwork, one of the scene's heavy hitters DJ Earl drops this self-assured EP which lets a little heart and soul into the manic machinations of his chosen discipline. Opening track "I Feel It" embraces full-bodied vocals and warm melodies, while "I Need You" gets deep into a Rhodes refrain, all the while twitching away at the heightened BPMs of classic footwork. "Alive N' Well" goes as far as to reach for some chunky Detroit chords, while "Ambienttt" somewhat ironically represents the feistiest cut on the release with a more head-nagging refrain that seems more in line with classic Chicago juking.
FGX 005
01 Apr 13
CHIP 005
17 May 13
HWT 001
10 May 13
TEC 070
12 Apr 13
Review:
After pairing up for the "Paranormal Activity" release back in 2011, the Tectonic main man and one of the most dynamic producers to come out of the UK funky scene team up for another round. "Shoulda Rolla" is an impeccable, unfussy dubstep groover with classic icy textures, snappy percussion and an anchoring bass wobble that was born to work the dance without any showboating tactics. Roska goes it alone on "Asbestos" with an equally moody slice of rhythmic function that cruises at 140 while the synths come in blasts of robotic weirdness. Like so many of the great Tectonic 12"s, you're presented with a pair of club-focused stompers that keep the dubstep dream alive.
MR 029
06 May 13
Played by: Mat Cant
Review:
Tony Tokyo debuts on Roska's Kicks and Snares imprint with "More Than A Fantasy", and rather than the flexing UKF the label is usually known for, his style is more that of the bassy, swung house of the Hypercolour camp, combining swung rhythms, dubby stabs and a cascading vocal sample. RKS regular Tickles provides his own take on the track, delivering a streamlined, techy version of the track which adds screaming synths and bouncing percussive tics.
TBMP 3120
08 May 13
DRUNK 031
13 May 13
Played by: Cosby (Car Crash Set)
Review:
It's been three years since Peverelist released anything on his own Punch Drunk label; of late his productions have come out primarily on the Livity Sound imprint he runs with Kowton and Asusu, or on Hessle Audio. Here he returns to Punch Drunk in triumphant form, using the truncated Pev name to drop two versions with fellow Bristolian Jacob Martin, best known for his solo productions as Hodge, and his work as one half of Idle Hands house duo Outboxx. Entitled Bells, the single sees two takes on the same track; given both Martin's house credentials and Ford's dubstep past and recent forays into slower rhythmic terrain it's no surprise that both tracks are steady, mid-tempo house imbued with Bristol's bass-weight heritage. "Bells (System Mix)" employs syncopated kicks and dub chords over its tunnelling bass, while "Bells (Dream Sequence)" is a more linear Chicago-inspired house cut with distant chimes and abstract synth textures, sounding not unlike some of the dreamier fare released on MOS Recordings.
BMKLTSCH 034
07 May 13
CVR 006
08 May 13
BLKBTR 41
21 Apr 13
Played by: Juno Recommends Techno
Review:
From the label who gave us Gorgon City and Rudimental comes another exciting new act, DVWLX (or David Wilcox as he's known to the taxman). Taking the bass flavours of labels such as Pets and Dirtybird but dropping the tempo down a notch or two, "Not Another Love Song" oozes a classy sense of timelessness. "Get Out" is darker and deeper again with a lovely succession of reverberating, dubbed out textures; think 2020 Vision's early output and you're not far off. "Just Like That" takes us deeper again, nodding at formative progressive sounds while maintaining a slight cheekiness with cool VonStroke style diced vocal hits. As far as debut records go, this is near-on faultless.
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