|MY CURRENCY: USD | MY COUNTRY: USA|
Features the latest dance music news, interviews, music and tech reviews, podcasts & more...Visit Juno Plus
DJ & STUDIO EQUIPMENT
Massive range of equipment and accessories for DJs and studio use.Visit Juno DJ
VINYL & CDs
The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online.Visit Juno Records
29 Apr 13
09 Apr 13
10 May 13
29 Apr 13
Review: DA10 boast a self-proclaimed 'genius' amongst their ranks and are named after 'a mythological piece of hardware with the power to fuse bouncing beats with powerful electronics'; at least the quality of the music lets them away with some of the pretentions. Recorded entirely on vintage hardware, this EP features five cuts that range from the tough beats and bleeps ("Redshift") to mellow synth-funk ("Respirator") via melancholy synthscapes peppered with light DnB percussion ("Out Of Reach Of Earth").
13 May 13
03 May 13
Played by: Numa Crew
Review: Never one short of a vivid imagination, Italian producer Lorenzo is back with this completely insane club bomb that actually features the trumpeting of an elephant! With nods to his fellow countrymen Crookers and their cut up fidget house sound, "Savana" features throbbing low end, scattered beats and yes, an epic elephant! Clap Clap's remix features a bizarre double -time Bollywood sample and Diplo style melodies. Finally "Vatican House" is deep and proggy with a dash of electro-swing for good measure.
17 May 13
Review: Effortlessly straddling the lines between bright, cheerful electro-indiepop and dark grime-influenced trap, Mieux aren't so much joining a scene as helping it to evolve. Bass music has been looming and lunging through different phases of creation for some time now and each track on this EP offers some insight into where it's heading next. "Greek" is a light-hearted blast of colourful calypso-flavoured future garage where "Guns" steps off into darkness, trap-heavy beats and itchy, hyperactive synths. "Pearl" takes footwork and mashes it with a cutseypie chiptune hook, and star of the show "Risiko" shows restraint and texture in abundance as it builds and swells into your perfect set topper. Girls will dance to this, trust us.
29 Apr 13
Review: Lisbon producer Lake Haze pops his UTTU cherry here with two classy forays into the world of his beloved UK garage. The boy's done good with these new additions to the label's revered catalogue - "Late Night Trip" is a stomping 4 x 4 wobble belter wrapped in typically trippy, bleepy melodies. However, with its laser blasts, epic synthlines and heavy tropical rhythms, "Need For Speed" ain't just Tom Cruise's favourite, it's ours too!
13 May 13
Played by: Phuturelabs
Review: Given Unknown To The Unknown's wide ranging remit, including bassline garage, Detroit electro and Chicago house, it was perhaps inevitable that a genuine 90s house record would find its way onto the label at some point. Originally released in 1992, OHM's "Tribal Tone" was supposedly the first tune to use the Korg M1 sound that was later immortalised by Robin S' "Show Me Love", and had considerable impact at the time, being championed The Shamen frontman Mr C, being licensed to R&S sub-label Global Cuts and US label Vibe, and finding itself remixed by the Sabres of Paradise trio. Here it finds itself with three similarly great remixes, a stripped-back, raw groover from Marquis Hawkes, a horn-heavy piece of 90s action from Capracara and a thundering mid-tempo effort from Northern Souls. Essential!
12 Apr 13
Review: After sturdy appearances on Numbers and Local Action, Slackk returns to one of his earlier outposts in the form of Unknown To The Unknown, throwing down a curious mixture of oriental folk music with grime-inspired beats and the occasional flurry of vintage computer game MIDI business. The beats are slippery and jerky on "Inland" where the synth comes in all side-chained and disjointed, with only gun shots for ballast on the buoyant groove. "Wolf Creek" brings on the aforementioned Monkey Island vibes, using curious keys and harmonies to create a decidedly eerie atmosphere, while "Blue Forest" is arguably the spiciest tune on the EP with its urgent percussion and more involved arrangements of lute action worked into a stomping 140 bpm rhythm.
08 Apr 13
Played by: Shadow Dancer
Review: Bay area analogue fetishist Vin Sol pops up on Unknown To The Unknown with a stargazing chunk of retro-futurist party acid. "Edges of a Vortex" packs the ghetto-inspired drum funk of Dance Mania and the low-end bounce of Virgo Four into a bass music-inspired slab of stab-laden euphoria (think snaking synth sax, stomping rhythms and rumbling Chi-town bass). "Voice Chip Activ8", meanwhile, sounds like the bastard offspring of Luke Vibert, Jeff Mills and DJ Rashad. Matrixxman remixes, turning the relentless original into a slack-jawed acid groover.
14 May 13
06 May 13
Played by: Paradisiaca Recordings
06 May 13
Review: Ahead of a multitude of new ventures and projects, Hyetal makes a welcome return to hint at where his sound might be heading with this new track. It's a bold move that fuses rasping electro drum patterns with reverbed vocal and trademark plush, detuning melodies that comes on like a dramatic, windswept version of synth-pop built for craggy coastlines. Vessel steps up for the first remix, shearing away the niceties to create some industrial flavoured dread complete with yowling, nebulous wraiths of the original vocal and insistent bass. Factory Floor meanwhile bring their own brand of looping sample revisions that work up to a peppy, disco-fuelled burner with a catchy bassline to anchor the more wayward samples in the background.
23 Apr 13
Review: This is Damn Kids second release for Drop The Lime's Trouble & Bass imprint, so they must be doing something right! As you might expect this EP is all about the bass action: "Worthless" being a prime example of slow building urban tropical with extra claustrophobic atmospherics for good luck. The VIP mix sees footwork frenzy meet a chilled RnB breakdown and "Tyledon" mixes 4x4 with a bit of wobble bass for some nasty dancefloor business.
20 Apr 13
Played by: Juno Recommends Uk Funky/Garage
THOUGHT RENDER 004
30 Apr 13
Review: With his NYC label Thought Render, DJ DGGZ is intent on presenting bass-heavy sounds irrespective of genre. It's a good thing too because there's quite a lot of genres that fall under the bass label. Here he's rounded up some blinders from every corner of the globe, starting with himself (the slammin house of "Babe" and the staccato rhythms of "Swerve On") but also including Salem-esque goth-trap from London (Filter Dread & Luke B "Blurred Vision"), deliciously multi-layered electro-house from New Jersey (DJ Scratchin "Late Hours"), and haunting, 808-flecked RnB from San Diego (Ethernt "Are You For Real"). The future looks bright!
22 Apr 13
Played by: Commodore 69 (Hot N Heavy)
Review: XXXY can do no wrong right now. Hot on the heels of his Rinse release comes this wonderfully understate double header that sits comfortably somewhere between 2020 Soundsystem and Damu. "Progression" is tech-laced, steppy and textured with twinkling arpeggios while "Thinking 'Bout" nods more towards a housier soundset while maintaining a lucid, skippy funk the breakbeat rhythm.
12 Apr 13
Review: After pairing up for the "Paranormal Activity" release back in 2011, the Tectonic main man and one of the most dynamic producers to come out of the UK funky scene team up for another round. "Shoulda Rolla" is an impeccable, unfussy dubstep groover with classic icy textures, snappy percussion and an anchoring bass wobble that was born to work the dance without any showboating tactics. Roska goes it alone on "Asbestos" with an equally moody slice of rhythmic function that cruises at 140 while the synths come in blasts of robotic weirdness. Like so many of the great Tectonic 12"s, you're presented with a pair of club-focused stompers that keep the dubstep dream alive.
13 May 13
Played by: Cosby (Car Crash Set)
Review: Entering what seems like a new phase for Pinch's bastion of forward-thinking dubstep, Tectonic Plates reaches its fourth edition and brings in a raft of fresh producers and new angles on just what the genre might mean in these fractured times. Even the classic standard bearers such as Jakes are bringing curious 4/4 momentum in amidst the sparse, dread filled pressure, while Guido pivots off of the plush musicality of his album to create an utterly broken symphony on "State Of Joy". There are a lot of different ideas floating around the whole compilation, and yet everything holds together with the deep-rooted soundsystem mentality that has always defined Tectonic as a shining example of what dubstep has always meant.
16 Apr 13
Review: US producer (Spank Rock, Kid Sister etc) XXXChange clearly believes in the old maxim of quality not quantity, as his releases are relatively few and far between. Last heard on his Backbeat single for Kitsune, he's now back at home on T&A with a brand new two-tracker. "PWNY" is a killer fusion of old skool electro and future bass music featuring trancey synths, stop-start rhythms and chants. "Penguin Party" sees him enlist the help of Ghostdad for a rousing, M.I.A-esque peak-time scorcher.
07 May 13
Played by: Cosby (Car Crash Set)
Review: Utilising drum & bass siren Riya's silken vocals on a bass release might be this year's best idea yet. Weaving in and out of that house and dubstep and garage and footwork sound we're all so keen on right now, technical beats and lush atmospherics keep harsh synth stabs in check in the title track, while "Absense" and "Ruff" shake off their Mr Whippy soft sweetness and launch into an icy world of techy house and cool sampling perfect for late night dancefloors filled with long-haired girls and pastel strobes. For extra pop-quiz cool points, Kiri's remix of "Mindgames" was recently played in a Disclosure mix for Rinse FM. You're in with the Eton Messy crowd now, guys.
23 Apr 13
Review: The long-awaited solo LP from US-based soulful bass music producer Kastle has been the talk of music blogs around the world for months. Now its finally made it to a full release , there's something of a feeling of satisfaction that can be heard in each track. Whether that's projected by the listener or not might be hard to prove, but there's a definite positive energy that flows through everything Kastle produces. From the garage beats of "Been A While" and "Red Light" to the irresistibly hip house groove of "Insatiable" and trap-hop crush of "Death From Above", it's clear that versatility is what this album is all about. Clean, crisp production matched to soulful, blissed-out dance music that's unashamedly fashionable yet different enough to be taken seriously. An album of 2013 no doubt.
09 Apr 13
Review: The Symbol Recordings head honcho, Kastle, continues his string of one-off treats with this newie featuring JMSN (aka Christian Berishaj). It's a catchy, low-slung leftfield RnB track boasting smooth Timberlake-esque vocals from the rising singer/producer/fashion designer that's almost guaranteed to increase your chances in getting jiggy with da ladieez (almost).
02 May 13
05 Apr 13
Review: Destination "Afrika" via LA... Here we find Sub Slayer Skanx delving deep into jungle heritage with a muddy roller that packs the same foggy, radar-ridden breakbeat punch as the Meat Beat Manifesto's "Radio Babylon". For a more contemporary dub twist head for 6BLOCC's remix; stripping things back to a nagging 4/4 sub thump, it's the perfect blend of trad dub and stark future-minded bass music. Elsewhere we don the white gloves for the rave-tastic "Boom" while Eek-A-Mouse goes under the sample scalpel on the swashbuckling "Dub War". The junglist massive are on fine form right here.
03 May 13
Played by: Benny Kane
Review: Benny Kane and Dr Specs hook up with one of dancehall's most distinctive vocalists Daddy Freddy. The result? A dark, near-menacing stepper with a heavy, ominous vibe. Remix-wise every bass base is covered: Benny Kane adds a tropical hollow-bass stomp, 6BLOCC cause 808 meltdown on their Trapped Out rub, Skanx sharpens his rave breaks so much they can cut your ears from 50 paces, Black & White up the tempo for a hectic laser-puncher of "Tarantula" proportions and Rebel Sonix outlays two different versions; one laden with bleeps, the other laden with jaunty skanks and high end screams. Immense.
06 May 13
Review: This is a South Fork's first official spilt single and they're frankly rubbing their hands with glee over the artists they sourced to appear. Sclist is up first, delivering the remarkably weird and wonderful "Round One" which features hypnotic deep tribal and voodoo rhythms. Subcorr's "Ghost Charmer" is stark and menacing electro with a killer synth top line and is basically just amazing.
12 Apr 13
Played by: Blind Prophet (South Fork Sound)
Review: Volatil is a mysterious producer hailing from Barcelona. For his latest trick, he's conjured two pretty out-there, hard to define monsters: the title track, "Chaos Does Not Exist" is a remarkable combination of tribal techno, weird electronica and even the odd jazzy interlude. "This Is Music From The Past" is like a spaced out 90s rave track, with extra 808s and frenetic footwork rhythms.