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06 May 13
Review: When 123MRK's Noname EP dropped in 2011 creating waves all around the dubstep and bass music scene. Moulding the sound of his generation into a style all his own, the Frenchman suddenly found himself held aloft as an innovator as well as simply a producer of sounds. This remixed release of his seminal EP was a lofty undertaking and the finished item features remixes from some of the future dubstep scene's brightest young stars alongside long-time innovators. From Liar's metalic, lo-fi flavours to Troy Gunner's understated clicks and swirls; ViLLAGE's heart-pounding house remodelling to Heblank's old-school twist, even the likes of Pixelord and ReSketch play their garage-influenced hands to create an all-new modern-day canvas of what exactly bass music is right at this moment. It can never be truly defined, but this is a pretty good encyclopedia.
1.29 GB of footworks & juke sounds inspired by artist & labels such as Traxman, DJ Rashad, DJ Roc, Planet-U. Lit City, Trax and Hyperdub
10 May 13
12 May 13
Review: Bristol's DJ Die has gone one better than signing Addison Groove to his Gutterfunk imprint, he's only gone and collaborated with him on both tracks here as well! The footwork-influenced side project of Headhunter, Addison Groove assumes charge of "Keyhole" - a stripped back excursion into sultry voodoo beats. Meanwhile on "Hydropump", DJ Die takes the lead steering this ship into breaky hip-house waters in the process.
17 May 13
Review: Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
20 May 13
Review: Alex Barck has achieved a lot over the last two decades - pioneering nu-jazz blends with Jazzanova, helping set up Sonar Kollektiv, a fine album with Christian Prommer - but he's not released many solo records. In fact, his debut solo album, Reunion, is due later in the year. This taster gives a glimpse as to what to expect, a dewy-eyed blend of electronic soul, bruk-influenced deep house and unbridled positivity. The EP's two original tracks are predictably sublime, with Pete Josef collaboration "Re-Set" - an exercise in effortlessly soulful, heavily electronic deep house - just edging out the more obviously anthemic Jonathan Backelie hook-up "Don't Hold Back". Elsewhere, Marlow's deep acid rework of "Re-Set" is also superb.
20 May 13
Review: If you judge a producer by their ability to successfully apply a winning formula to a variety of styles, Alix Perez is a master. While drum and bass remains his forte, there's enough on Chroma Chords, his second album, to suggest that he's growing as a producer. This EP discards with the synth-laden head nodders featured on the full album, though the four tracks here do still demonstrate the versatile nature of Chroma Chords. Thus the grimy hip hop of the Metropolis featuring "Blue Print" shares space with the soulful stepping action of "Playing Games" whilst the the excellent vintage Timbaaland does halfstep of "Shadows" (featuring breakout Eglo talent Strange U") joins up with the vicious "Burnout".
27 May 13
Review: Andy Jay and S-Tee are keeping up the good work with another new production that keeps them a fresh prospect despite having been around for ages. For this key tune they've left no stone unturned, supplying no less than six versions, all covering a different dance genre. Of the six our picks are the dark and bassy 2-step mix, the party-startin' dub house mix and best of all, the sultry edge of the tech mix.
04 Jun 13
Review: Now firmly entrenched in the Dim Mak roster, these rising electro-house producers see their collaboration with Felix Cartal - the anthemic "The Alarm" - get reworked by a host of other acts. Keys N Krates take things in a commercial trap direction while retaining the high-pitched escalations, Charlie Darker is pure maximal, with everything (the Mad Decent beats, the ott trance synths from the chorus, the Ed Banger-style noisiness) turned up to 11. Finally Eric Rincon's '3Ball Bootleg' version takes us on a funky Latin excursion.
Exhaustive 1.5GB collection of trap & bass sounds includinog 808 one shots, 808 bass loops, complextro bass loops, synth loops, drum loops, top loops, drum edits and fills, drum kits, FX loops & one shots