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Items 1 to 45 of 45 on page 1 of 1
505114 2099341
12 May 13
Review:
Bristol's DJ Die has gone one better than signing Addison Groove to his Gutterfunk imprint, he's only gone and collaborated with him on both tracks here as well! The footwork-influenced side project of Headhunter, Addison Groove assumes charge of "Keyhole" - a stripped back excursion into sultry voodoo beats. Meanwhile on "Hydropump", DJ Die takes the lead steering this ship into breaky hip-house waters in the process.
KK 09045
11 May 13
505578 1514173
11 May 13
PBR 032
10 May 13
NBR 030
10 May 13
LQD 002
10 May 13
081159 478360
10 May 13
HWT 001
10 May 13
505548 9272429
10 May 13
DN 0394
10 May 13
ASR 001
10 May 13
SHNK 007
09 May 13
NOIZE 172
09 May 13
EVDEP 017
09 May 13
505578 1514265
09 May 13
FTRP 003
08 May 13
TBMP 3120
08 May 13
BB 001
08 May 13
AUB 15
08 May 13
CVR 006
08 May 13
425069 3286960
07 May 13
SMBL 019
07 May 13
Played by: Cosby (Car Crash Set)
Review:
Utilising drum & bass siren Riya's silken vocals on a bass release might be this year's best idea yet. Weaving in and out of that house and dubstep and garage and footwork sound we're all so keen on right now, technical beats and lush atmospherics keep harsh synth stabs in check in the title track, while "Absense" and "Ruff" shake off their Mr Whippy soft sweetness and launch into an icy world of techy house and cool sampling perfect for late night dancefloors filled with long-haired girls and pastel strobes. For extra pop-quiz cool points, Kiri's remix of "Mindgames" was recently played in a Disclosure mix for Rinse FM. You're in with the Eton Messy crowd now, guys.
CPR-002
07 May 13
816769 016318
07 May 13
Review:
Luckybeard is both the artist and label name of Italian producer Francesco Barbaglia. Proudly 'devoted to electro, house, dubstep and bass music', it's no surprise then to hear his latest release comprises elements of virtually all of these genres. Production-wise, Barbaglia deals in controlled chaos, and he does so to totally bonkers effect on the frankly incendiary "Descending Love", the apocalyptic crescendo of which has to be heard to be believed.
BRAPD 019
07 May 13
10056335
07 May 13
BMKLTSCH 034
07 May 13
GR 028
07 May 13
UL 3961
07 May 13
THOUGHTRENDER 005
07 May 13
IM 018
06 May 13
Played by: Commodore 69 (Hot N Heavy)
Review:
When 123MRK's Noname EP dropped in 2011 creating waves all around the dubstep and bass music scene. Moulding the sound of his generation into a style all his own, the Frenchman suddenly found himself held aloft as an innovator as well as simply a producer of sounds. This remixed release of his seminal EP was a lofty undertaking and the finished item features remixes from some of the future dubstep scene's brightest young stars alongside long-time innovators. From Liar's metalic, lo-fi flavours to Troy Gunner's understated clicks and swirls; ViLLAGE's heart-pounding house remodelling to Heblank's old-school twist, even the likes of Pixelord and ReSketch play their garage-influenced hands to create an all-new modern-day canvas of what exactly bass music is right at this moment. It can never be truly defined, but this is a pretty good encyclopedia.
007
06 May 13
SHADES 009
06 May 13
100564 80
06 May 13
Review:
Bringing further evolution in the realm of footwork, one of the scene's heavy hitters DJ Earl drops this self-assured EP which lets a little heart and soul into the manic machinations of his chosen discipline. Opening track "I Feel It" embraces full-bodied vocals and warm melodies, while "I Need You" gets deep into a Rhodes refrain, all the while twitching away at the heightened BPMs of classic footwork. "Alive N' Well" goes as far as to reach for some chunky Detroit chords, while "Ambienttt" somewhat ironically represents the feistiest cut on the release with a more head-nagging refrain that seems more in line with classic Chicago juking.
744861 608066
06 May 13
Review:
Ahead of a multitude of new ventures and projects, Hyetal makes a welcome return to hint at where his sound might be heading with this new track. It's a bold move that fuses rasping electro drum patterns with reverbed vocal and trademark plush, detuning melodies that comes on like a dramatic, windswept version of synth-pop built for craggy coastlines. Vessel steps up for the first remix, shearing away the niceties to create some industrial flavoured dread complete with yowling, nebulous wraiths of the original vocal and insistent bass. Factory Floor meanwhile bring their own brand of looping sample revisions that work up to a peppy, disco-fuelled burner with a catchy bassline to anchor the more wayward samples in the background.
DCM 028
06 May 13
SIMBLK 002
06 May 13
STUDR 020
06 May 13
HNH 035
06 May 13
Review:
Making their debut on Hot N Heavy, Motif & Ramu show themselves to be more than capable of creating bass heavy yet lightweight music for the floor; "Just You" is an effervescent combination of 90s house stylings and swung garage beats, with the kind of fizzy melodics worthy of a Jacques Greene production, while "See The Future" is a considerably darker number, pitching its vocals right down into a dub infused, bass filled soundscape which is nevertheless primed for maximum dancefloor effect.
SPEAKS 011
06 May 13
Review:
No prizes for getting that it's house o'clock round Odessa towers (it's always house o'clock round there). This EP features five incarnations of the aforementioned house; all different but assertive in their own way. The three originals take in delirious, jackin', frenzied piano house ("Get Right"), filthy warehouse, bassline-y hip-house ("Put You Down") and (best of all) minimal and techy after hours darkness ("Tell Me"). Winning the best remix of the package award is Artefact who delivers a totally out there deep and brooding remix that features some the deepest sub bass we've heard in ages!
GME 006
06 May 13
SFS 0006
06 May 13
Review:
This is a South Fork's first official spilt single and they're frankly rubbing their hands with glee over the artists they sourced to appear. Sclist is up first, delivering the remarkably weird and wonderful "Round One" which features hypnotic deep tribal and voodoo rhythms. Subcorr's "Ghost Charmer" is stark and menacing electro with a killer synth top line and is basically just amazing.
MR 029
06 May 13
Played by: Mat Cant
Review:
Tony Tokyo debuts on Roska's Kicks and Snares imprint with "More Than A Fantasy", and rather than the flexing UKF the label is usually known for, his style is more that of the bassy, swung house of the Hypercolour camp, combining swung rhythms, dubby stabs and a cascading vocal sample. RKS regular Tickles provides his own take on the track, delivering a streamlined, techy version of the track which adds screaming synths and bouncing percussive tics.
AD 012
06 May 13
Review:
They say that Tuesday's child is full grace. It's certainly true of the productions of Tuesday Born, aka multi-instrumentalist Gabriel Benn. This release sees him leave behind his previous fascinations with Africa and South America to a slightly more traditional North American sound. The quality doesn't suffer though, as "Wake" is a strong take on the Stateside RnB ballad and is successful thanks to a deep and jazzy female vocal. Remixes come from One Inch Punch (shuffle-step) and Pale (broken micro-garage).
Items 1 to 45 of 45 on page 1 of 1
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