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Reviewed this week
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Sleazy McQueen's Whiskey Disco imprint continues to be one of the more reliable sources of disco and boogie re-edits. Rather predictably, this latest installment in the series is bristling with high-grade dancefloor material. There's some riotous, party-minded disco-funk from newcomer Scott M, who delivers a killer touch-up of Vernon Burnch's "Get Up", and a thrillingly low-slung chunk of rolling disco-house from VinylAddicted and SMQ. While Pontcharain also provides a tightened-up, filter-heavy tweak of France Joli's Prelude classic "Gonna Get Over You" - heavy on the delay, and with the urgent hustle of house - it's the contribution from Canadian stalwart Eddie C that stands out. A smooth, midtempo cut-up of a lesser-known rollerboogie jam, it rises and falls in all the right places.
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V Recordings sister label Chronic steps up to give us volume 2 of their Rollers series, featuring 16 exclusive tracks from the freshest talent and the most exciting names currently holding down the underground scene. The label was reborn in 2013 with the mantra of presenting the world with no frills dance floor Drum and Bass and judging from this latest offering they certainly seem to be fulfilling their mission. From the rolling jungle sounds of Bladerunner's epic "Lock Off VIP" to the distorted growls of Command Strange's "Riots" if you are looking to get the dance floor bouncing, then Chronic have you covered.

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Leading London funk enthusiasts Jalapeno bring the heat with another annual collection. Uniting recent highlights with killer exclusives, it's a detailed document that sheds light on the spicy imprint's many directions... Flexing from the gutsy soul of Aldo Vanucci's instant 60s "What Happened" and Ephemerals' emotional white-flag-waving "You Made Us Change" to booty-shaking boogie such as Basement Freaks' "Ain't Got Nobody" and Supasoul's "Funky Hot Grits" via Kraak & Smaak's lush, lolloping synth-laden cruiser "Drunken Master", it's a fitting testament to one of UK dance music's most authentic, dedicated imprints. Get funky.
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Macky Gee has earned respect all the way probably thanks to his dramatic and modern take on drum and bass. In the 11th Liondub $treet $eries release, Macky quickly gets down to business, as the RnB flavas of "Be The One" gets crushed under a massive bassline. Title tune "Black Widow" takes a similar approach but switches the bass into filthy overdrive. "Seduction" keeps things on a minimal tip with nothing to dress its rude, battering bass and drum styles. He shows a more supple side on "Anxious" with rattling breaks and experiments in texture and drama. Final tune "The Hood" takes ghetto hip hop into jump up, hitting it hard right to the end. Macky Gee, we salute you.
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The long-standing Editorial stable have welcomed many choice boogie and disco heads to do the honours in reviving classic gems from the seemingly endless mine of 70s and 80s wares, and they're at it once again with the Good Fot Get Down collection. Regular contributors Ed Wizard and Disco Double Dee keep things lightly shuffling and laid back on "Let U Go" while The Owl gets into a more stripped and stiff floor-focused funk. The Funk District have more clear intentions in getting the party started with "Disco Dynamite", while Spankie Hazard gets a little jazzy on "Party". Whatever your funky needs, Editorial have it all and more.
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Johan Cederberg, or otherwise known as HNNY (and strictly pronounced "honey"!), is Sweden's new house don and he's been at the forefront of Local Talk's impressive run of form as of late. For this latest release, Local Talk has put together nine edits by the man himself, all loosely based around the old-school Chicago house sound. You got slick, modernised edits of none other than Dj Steak, DJ Duke, Purple Velvet and Lee Webster, among others. In a nutshell, this is simply a bundle of great dance floor tracks, effective as either DJ tools or as stand-alone songs. Large up!
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Strahil Velchev has been a lot of places in his prolific career thus far, but he's never been to Running Back before. With the title track the Hungarian production power house steps up to the plate with a surefire peak time rocker, piling on thick electro synth lines and plenty of techno tension built for the large-scale experience. "Diversion" is no less catchy even if its temperament is far sunnier, working that playful edge that has always accompanied Kink tracks, but then "Pocket Piano (Breakbeat Mix)" throws a curveball in the shape of an old-skool breakbeat groove colliding with warm and fluffy arpeggios before opening up into a joyous piano rave experience.
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Serious edit heat from the young Parisian who's always on the Pulse: Three well known funk soul classics, Rhyze's "Relax & Enjoy" gets an upbeat, roof-raising treatment with full emphasis on the instantly distinctive groove. Spinners' "It's A Shame" enjoys a sun-splashed Brazilian treatment while GQ's "Shake" gets a turbo-charged shake-up that makes it more floor friendly than a thick shag carpet. And that's friendly. Get to know.
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San Sebastian-based twosome Jaime Sagastibeltza and Borja Campion have been doing the rounds for sometime, though their releases have been limited (a single on Is It Balearic, and a collection of edits for Los Grandes). Here they attempt to step up to the next level via an excellent, coldwave and Italo influenced chunk of atmospheric, darkroom nu-disco for Nein. The excellent original version - think Brian Ferry style vocals, relentless low register guitars and murky synthesizer arpeggios - is joined by a quartet of remixes. Arguably most impressive is Factory Floor's revision, which blackens the track further via woozy analogue electronics, bongo-laden rhythms and psychedelic melodies. Elsewhere, Rodion goes all macabre acid house, and Reverso 68 turn the track into a surprisingly cheery Balearic disco chugger.
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Ondule Records begins life with a clear intent on dropping a minimal kind of disco-edit groove for the contemporary dancefloor, and they're made the right move in asking Joss Moog to contribute. With many a release notched up for Robsoul and more, the Paris resident knows just how to simmer a good lick down its fundamentals as string it out over a mean house groove. "Tous Azimut" is the more heads-down of his two offerings, while "Menage A 3" gets a little feistier in its own insistent roll. Around7 meanwhile keeps the tension up to a maximum on "Super Spectacle" before offering up a more laid-back consideration on "M'as Tu Vu".
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Long-term collaborators Pete Herbert and Dicky Trisco once again join forces, this time for a trio of cuts that mark the first instalment of the Paradise Row series. There's naturally much to admire, from the breezy, Latin-influenced keys, Balearic disco grooves and killer vocal samples of "Hanging Out" (think T-Coy meets Reverso 68), to the eyes-closed warmth, tumbling acoustic guitars and chugging groove of closer "Aperol Sunset". Arguably best of all, though, is "Machine 16", a thrillingly upbeat cut that peppers a chunky Balearic disco groove with killer pianos and sweet, life-affirming guitar licks. If cheery, feelgood disco is your thing, you need Paradise Row Volume 1 in your life.
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Bristol bassman Bromley steps up to 877 with two originals that purr with understated, techy menace. Spacious and just the right amount of twisted, fans of Mak & Pasteman, Wen and My Nu Leng will instantly connect:. "Related" is a two-step hummer that ploughs through the low end soundcape with a well-oiled mechanical flow, while "Check" comes complete with pads so icy they could reverse global warming. Remix-wise Hostage adds a steppy, militant swing and additional bass gurgles while Sly-One adds a whole new line of synth textures before stripping the vibe right back to its bare rhythmic bones. This will relate with a lot of dancefloors and DJs right now.
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Freerange Records kick off the first part of their Double Century vinyl edition with four finely honed cuts of prime contemporary deep house that reflect the ever evolving tastes of the label. Boss man Jimpster takes the lead spot with the cyclical and spiritual "Head Spin" while by way of contrast Matt Masters and Pippo Ceretti bring a much more minimal approach to their tribal-flavoured "Xenophilia". Andy Hart has a more classic, smooth deep house approach on "MYLNY" which comes on rousing and romantic with its heartfelt string lines, and then Shur-I-Khan throws down a moody beat track to get you loose and limbered up.
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There are few house producers as innovative or adventurous as Maurice Fulton and on his latest Boof album, he shows just how far-out he can get. "Tomoko's O" is an easy-listening affair with searing guitars and cosmic keys, while in contrast, "Just On The Swings" sees Fulton experiment with Cameo-style electro funk. These are just two of the many different moods that Boof embraces. On the title track, Fulton veers into white noise ambience and "Cat Soulcat Strut" is a tasty boogie / jazz-funk affair. There are also a few nods to Fulton's dance floor approach, especially on the deep techno "Backlash", but as the mellow "Birgit Boogie" and the jittery pianos of "Emi's M" demonstrate, this is as cosmic as a trip to Mars and back.

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On a label that was created to give a platform to the up-and-comers of this world, Vacuum is thriving. Putting his own brand of dark-edged, jump-up flavoured sound to the test, this EP is filled with forays into the darker end of the scene. Striving for the underground, he hits the mark in sleek stepper "Confusion" and strange experiment "Scissors". The rest of the EP flexes his jump-up muscles, offering a grisly insight into a hyperactive, nocturnal mind. Expect to be making some moves towards the dancefloor to quite a few of these bad 'uns.
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Kiko Navarro has dropped his signature style of funky, soulful house on pretty much any label worth releasing on - Nite Grooves, Third Ear and even King Street Sounds to name a few! He returns on Local Talk with two new cuts, both of them ripe and ready for hip-swaying vibes. "Dope High" is an itchy, Kenny Dope kinda tune boasting a totally swung-out percussion and a militant groove for the DJ's. You've also got "Nea Kameni", a gorgeous house number with old-school synth keys, and it's remixed by none other than Chicago house don Glenn Underground who strips it back, jacks it down and transforms it into a funky and laid-back kinda tune. Local Talk delivering the goods!



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On the back of two well received releases on Dirt Crew amd Detroit Swindle's Heist Recordings, Dutch native Nachtbraker drops a beauty on Hudd Traxx. Zachtjes kicks things off in fine melodical style with live drums, lush keys and a smooth sax lick for good measure. Borrowed Identity mixes things up on the remix tip with a more upbeat dubby tool which is likley to find its way into the hands of DJs like Derrick Carter and Prosumer. The title track 'You Is What You Aint' is a moody groover with slick keys and sleezy beats perfect for warm ups or end of the night vibes. Nachtbraker rounds off the EP nicely with Overstappen last, but by no means least. Skippy beats and a killer bassline ensure that this EP is another 'must have' for the Hudd faithful as they near 50 releases and 10 Years in the business.
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CIA are bringing out the big guns with this intense selection of stone cold classics and fresh new sounds. Not content with already leading one of the finest talent-led subgenre revolutions, Computer Integrated Audio have brought together some of the biggest names around to lay out the future of drum and bass for all to see. From Smyla & Script's massive floor destroyer "Stockpile" to the unforgettable "Soul Patrol" from the men themselves Total Science and featuring acts like Enei, Spy and Riya, Serum, Break, Digital and Nymfo along the way, it's a thing of wonder to behold. Don't get caught out.
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If you're after a slice of dubby rolling drum and bass perfection, Mark System has just made your day. Set to release his debut LP on legendary cult label Exit Records this pair of devastatingly dark tracks come as a warning of what's to come. "Optix" has the presence and swagger of old school Photek, and "Pursuit" picks up a dangerous urgency from knife-sharp percussion that screams on-point production. This man is on fire. Get yourself acquainted.
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The Jam Thieves return with an absolute blaster in the form of "Bomber Man", a steroid-injected muscle pumper with just the right level of old school vibes to keep the vibes feelings flowing good circulation. This EP blends all that's good about this pair of Brazilian beatmakers: style, precision and bone-shaking, life-altering bass. Tracks like "Vacation" use minimal melody to hammer home solid percussion and hard-stepping attitude, and just you wait for "Real Killer's" hurter of a bassline. This is a collection of showstoppers - keep them in your bag and whip 'em out when the crowd looks hungry. Devastation everywhere.