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MNQ 034
11 Feb 13
CTIDD 015
DOM 03-L
20 Apr 13
KOMPAKT CD 103
21 Jan 13
Played by: Juno Recommends Leftfield
Review:
Presenting yet another year of the more reflective end of the Kompakt sound world, the Pop Ambient series is reprised to invite both label favourites and new additions to offer a soothing ambience to tickle at your synapses. Wolfgang Voigt is, as ever, unmatchable in his regality both remixing Michael Mayer and offering his own, orchestra-fuelled study in haunting, shapeless dynamics. Mikkel Metal allows the most subtle of pulses in to anchor his own droning arrangement, while the likes of Triola offer up a lighter tone marked out by more plaintive synthesiser tones. If you need a quality-assured selection of refined meditation music, this is the compilation for you.
361015 2827607
20 May 13
MW 043
05 Feb 13
Review:
One of the highlights of Minimal Wave's 2011 release schedule was undoubtedly Cities of Steel and Neon, a compilation of minimal synth tracks from Greek synth outfit In Trance 95, formed in 1988 by Alex Machairas and Nik Vellotis when they were 18 years old. Shapes Of A New Geometry on the other hand is something much more special; an album of entirely new material from the duo originally released on limited cassette. Moving from the gloomy Bowie-esque pop of "Post" through the wall of sound that is "Triangular Square" and the proto-industrial techno of "Continuum", this album is essential listening for fans of classic synth music.
SILK 037
12 Nov 12
SILK 038
11 Dec 12
RGCDL 019
04 Feb 13
Review:
Ruled by Passion, Destroyed by Lust marks the fine debut of The Asphodells, Andrew Weatherall's latest collaboration with close friend and creative foil Timothy J Fairplay. Their compatibility shines through, taking their shared interests and inspirations and playfully tosses them together to create a stylish, coherent whole. The album displays its dark underbelly proudly, but there are more than enough shards of light to inspire those salivating after the bold melodies of Two Lone Swordsmen or the naive, child-like bagginess of Weatherall's Screamadelica era work. At times reminiscent of New Order and others cripplingly paranoia inducing, this ten track set concludes in sublime fashion with the duo's dreamy, cosmic disco-era cover of A.R. Kane's "A Love From Out Of Space".
MR 024
13 May 13
NSM 060
19 Mar 13
OPCMUNEP 12
15 Apr 13
DOM 10-L
15 May 13
WARPCDD 225
04 Feb 13
Played by: Ada
Review:
Coming back for that "difficult second album" hurdle, Darkstar clearly went away and drummed up a fresh approach after the attention the got from their debut album "North". Seemingly heading further into indie song-writing dynamics, the range of sounds in use is far more advanced, embracing more organic elements alongside the penchant for warm, fuzzy electronics. There are bold and brash pieces like "Armonica" and "Amplified Ease", but the tendency is towards a twisted kind of folk balladry drenched in head-spinning production. It's a decisive step on, and it's served Darkstar very well indeed.
ZIQ 327
05 Nov 12
Review:
Not content with releasing one album on Planet Mu this year, the excellent Hive Mind, Ital returns to the label with another. While Hive Mind was a patient listen, filled with deep, leftfield grooves and cosmic undertones, Dream On feels like a more urgent, fragmented affair, like listening to a half-remembered night in a club; opener "Despot" combines chopped up vocals and rattling percussion and feels like several different club tracks playing at once, while "Boi" employs hyperkinetic footwork rhythms with searing dub techno textures, and "Enrique" provides an immersive trip into distant industrial rhythms. "What A Mess" perhaps encapsulates the album best; a cluttered mass of indistinct voices, textures and loose rhythms that somehow come together to make a fantastically listenable whole. Highly recommended.
STH 2223
26 Jan 10
EGLO 23
11 Feb 13
Played by: Juno Recommends Leftfield
Review:
Living up to his most recognised name with every release, LA producer Gifted & Blessed joins the Eglo family with a quite excellent EP under the lesser spotted Abstract Eye moniker. This name was last used by Reyes-Whittaker on the Cool Warm Divine EP for the Valentine Connexion imprint, a release that impressed the Juno review crew despite the fact the Abstract Eye identity was under wraps at the time. The rich analogue techno explorations dipped in glowering warmth and soul that ran through that release are present and correct on Whittaker's Eglo debut, especially the opening track "Analogous". Commencing with a neck snapping percussive flex, it doesn't take long for the track to get consumed by flourishes of rich analogue texture and undercurrents of fuzzed out bass. Alongside this "Grandfather Fire" floats in more pensive strains of machine made funk, gradually unfurling into intricately layered bursts of kaleidoscopic colour that retain a certain restraint throughout. Whittaker reserves the best till last however, with "I Feel It In My Forehead" making for a gloriously paced sojourn through sumptuous electronic soul.
361015 2638531
22 Mar 13
MW 040
05 Jan 13
Review:
"Game & Performance" from Deux remains one of our favourite transmissions in the ever blossoming discography of Minimal Wave, and the duo of Gerard Pelletier and Cati Tete are clearly second only to fellow Lyon act In Aeternam Vale in Veronica Vasicka's affections when it comes to her personal favourite French exponents of 80s minimal synth. Having already released a Deux retrospective in 2010 entitled Decadence, the Brooklyn label now presents Golden Dreams, a four track EP of studio and demo tracks that Pelletier and Tete recorded from 1985 onwards. Typically all four tracks are previously unreleased and have been newly remastered for this release. Final track "Fam Fam" perhaps comes closest to recapturing the magic of "Game & Performances" stripped down minimal synth compositions and hushed vocal duets, but all four tracks will prove temptation personified to Minimal Wave regulars.
MW 039
30 Jan 13
MW 038
16 Jan 13
Review:
"Hello. My name is Ohama, and I live on a potato farm in Western Canada" went the memorably deadpan opening to "The Drum", Ohama's contribution to Minimal Wave Tapes Vol 2, and it's also the opening track on this full length exploration of the Canadian producer's work from Minimal Wave. What's most striking about The Potato Farm Tapes however is the sense of paranoia and detachment that Ohama clearly felt recording these tracks from his studio basement beneath his parents' potato farm in Rainier, Alberta, during the latter stages of The Cold War. Intriguingly, Ohama's lyrics are heavily focused on technophobia and the subversive power of television and mass media which stands in stark contrast to the techno centric nature - with keyboards, drum machines, vocoders and analogue reel tape all utilised to create complex productions that blended found sounds with audio lifted from TV. Some of Ohama's earliest recordings from his first cassette only release Midnite News form the basis of The Potato Farm Tapes along with rare tracks that previously appeared on compilations.
MW 036
10 Jul 12
Review:
Minimal Wave return to their self-professed "First French love" In Aeternam Vale with a second LP-shaped trawl through the bands sizeable archive of cassette only releases. The Brooklyn imprint first introduced us to the work of the hugely prolific Lyon band with an eponymous LP of remastered material in 2009, and Dub Under Brightness proves to be just as important a release. The label points to an article on the band originally published by the Douche Froide magazine in 2002, where the journalist nails their appeal in the opening gambit - "There are bands that have been acting ruthlessly in the shadow for years, in a completely confidential manner, then one day chance (but does chance exist?) makes you find one of their recordings, listen to it, and at that moment you could kick yourself for not having discovered these soundscapes earlier and you try to find all of them". If you haven't indulged in the sounds of In Aeternam Vale yet, this eight track selection makes for a perfect introductory primer.
MW 037
17 Oct 12
Review:
On the basis of this Minimal Wave release, the hugely prolific output of German artist Felix Kubin and his undoubted eccentric nature is swamped by his musical precocity. Teenage Tapes collates some twelve tracks Kubin recorded in his adolescent years after acquiring a Korg MS-20 synthesizer as an 11 year old, with six of them exclusive to this release. Regular collectors of Minimal Wave output will recognise Kubin - a self styled messenger of exploding lungs who rules the "syndicate of counter-noise" - from "Japan, Japan" his contribution to the Minimal Wave Tapes Vol 2 compilation released earlier this year, and that short burst of furiously uptempo, whacked out electro punk opens this compilation, setting the tone for what to expect. As with most Minimal Wave releases, the way Kubin's nascent musical ideas are indelibly tied to the musical motifs of contemporary electronic sounds proves to be enduringly fascinating, more so given how young he was when these recordings were made!
RU 18853
12 Apr 13
RU 19286
13 May 13
MW 026
26 Jun 11
MW 027
27 Jun 11
MW 028
30 Jun 11
MW 032
07 Dec 11
MW 029
01 Dec 11
MW 031
05 Dec 11
MW 035
01 May 12
Played by: Juno Recommends Electro
Review:
The unwritten rule with any release from the Minimal Wave camp is that the illuminating nature of the music and the delightful way it's presented will almost always be matched by the story behind it - something that is undeniably true of their latest release, a collection of tracks from mid 80s UK synth act Hard Corps. Fronted by towering vocalist Regine Fetet, the band surfaced in 1984 with the two track single Dirty (the title track is included here) gained the studious attentions of John Peel (RIP) before signing with a major label and granted the chance to work with two 80s production titans in Martin Rushent and Daniel Miller. Hard Corps disbanded in 1989, having only released the one single Je Suis Passee amidst malcontent at their lack of support from Polydor. Clean Tables Have To Be Burnt collates six tracks from the Hard Corps canon, with the aforementioned "hits" accompanied by unheard archival material that will pique the fancy of any self regarding Minimal Wave fan.
MW036-12
02 Jul 12
Review:
The Minimal Wave label present this two track accompaniment to Dub Under Brightness, the soon to be digitally released trawl through the cassette-only archives of their favourite French act of the 1980s, In Aeternam Vale. The full unedited 12-minute version of the title track is presented here and is complemented by "Highway Dark Veins", a brilliant example of proto industrial techno. If you are not familiar with the A Side, it presents the Lyon group led by Laurent Prot at their lolloping finest, a hypnotic sideways Minimal Wave throbber replete with cavernous and near indecipherable vocals and industrially charged synth waves. It's the second track that makes this release all the more special, sounding every bit like the paranoid Martian techno opus that inspired the Mills series Something In The Sky and was a definite highlight of Ron Morelli's descent into Industrial Nihilism on a recent Beats In Space show.
MW 034
02 Jul 12
Review:
The 34th release from Brooklyn's Minimal Wave imprint digs deeper into the musical brain of Danny Bosten. Most commonly known for his Das Ding project, the Dutch synth pioneer also dabbled in a totally un-sequenced, freeform approach as Schedelvreter (which loosely translates as "Skull Gobbler") releasing Hunter, a cassette of this material via his own Tear Apart Tapes label in 1985. Minimal Wave has now fully remastered the seven tracks from that cassette for your digital consumption. Intriguingly, the music on this release was apparently composed on a steadily malfunctioning Crumar synth Bosten was using which would sporadically throw out sounds that were eerily human, whilst drums were created by layering noise. At a time when laptops offer almost infinite possibilities, it's interesting to hear how musicians from previous ages managed to create with such limitations imposed on them.
MW 025
16 Feb 11
MW 023
16 Feb 11
MW 018
01 Jun 10
MW 020
01 Jun 10
MW 021
01 Jun 10
MW 015
03 Feb 10
MW 008
27 Jan 10
MW 017
23 Jan 10 |