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Items 1 to 29 of 29 on page 1 of 1
SWARM 018
13 May 13
GRD 043
17 May 13
ARE 008
13 May 13
Played by: Be-1ne
Review:
To do "Disrepresentation" a disrepresentation would be to call it a happy, feel-good track. To do it further disrepresentation would be to call it a banger. No siree, we're talking moody, cold, subby and dark. The bass drones with a slight hollow timbre, giving all the drama it needs through understated means. "Data Touch" is a little more upbeat thanks to some very nifty double kicks but the vibe is still as icy and unforgiving as you want it to be. Don't do yourself a disrepresentation... Jump on this today.
WHEELYDEALYCD 002
13 May 13
Review:
While the cover artwork may make Benton look like a moody former member of an R&B boy band, the music contained on Reflections is as robustly underground as you'd expect. Moving from Burial-ish paranoid atmospherics to deep dubstep-soul via a series of sparse, moody and emotion-rich soundscapes, it portrays the London-based producer as a man for whom the simple pleasures of form and function are just not enough. Along the way, there are growling, murky floorfillers (check the hissing "Herman's Hideout" and "Defect Mind"), dubwise steppers ("20/20 VIP") and occasional blasts of piano-laden beauty (the intricate "We're Both Lost").
BASSERK 00079
13 May 13
TDP 004
13 May 13
361015 2765442
17 May 13
OON 024
14 May 13
EU 001
17 May 13
001
13 May 13
CRR 107
15 May 13
FSLAB 012
15 May 13
Review:
Russian producer Ishome has been bubbling away for years, checking in on myriad genres from dub to prog to techno. Here we find her in full dub mode, serving up some of her most sensual sonics to date. Flicking with finesse from cut n' paste starlight delight ("Adam") to swampier, more pensive pieces ("Sad Family") via ambient space baroque ("It Exists"), she shows maturity and rich depths throughout the full album. This should appeal to everyone from Trentemoller fans to Kokeshi lovers.
IMLTDDUB 06
13 May 13
MEDI 069
13 May 13
Review:
Making for a matching with hard-to-imagine results, Mala gets the remix treatment from James Blake in his Harmonimix guise and issues it forth on his own Deep Medi imprint. It's a bold treatment from Blake, who teases the track to life on a twee arrangement of music box chimes and tones, while a central vocal coos out the dominant melody. There's a mid-section with the only discernible slither of beat which sounds like familiar Blake territory, not least through the bluesy keys vibe that it carries. However, it's the monolithic brass-aping clarion call which comes steaming in to steal the show, trumping out its orders in a suitably epic fashion which is nothing if not rousing.
OR 001
16 May 13
KFR 022
13 May 13
GAMMA 041
15 May 13
VCR 213
14 May 13
MDRAX 001
13 May 13
LUT 079
15 May 13
BRYTER 005
17 May 13
TEMPA 076D
13 May 13
Played by: Alert
Review:
Some say the Devil's hands are manicured and sport the finest gemstones. Some say the Devil's hands have love/hate tattooed on them. Others - like us - say the "Devils Hands" are the epitome of beautifully deep, dark dubstep. "Devil's Hands" is a slurring, slab of haunted dub-soul while "I Belong" shows the trio at their softest, most emotional state with sexy subs and a purring vocal. Tempa nail it again? Ain't that the Truth!
100570 89
14 May 13
HE000.80
16 May 13
HE 00079
15 May 13
EB 096
17 May 13
Review:
The always onpoint Echo Beach serve up a long overdue second edition of their Reggae Germany Downtown compilation. Some eighteen tracks deep, Echo Beach give a true representation of the Dub scene in Germany, pairing veteran artists like Felix Wolter (Dubvisionist, TVS), Seeed, and the Senior Allstars with rising talents such as Aldubb, Brain Theft, aDUBta, Symbiz sound and Chazzy Wezar (the son of Matthias Arfmann). Reggae Germany Downtown takes dub as it's starting point and veers in various musical directions so expect sub heavy dubstep (the Giotto remix of "Let There Be Dub" from Aldubb" is a highlight) downbeat skank, rude electronics and dancehall torch songs. Germany is Dubland"!
506500 2003621
13 May 13
Played by: Cosby (Car Crash Set)
Review:
Entering what seems like a new phase for Pinch's bastion of forward-thinking dubstep, Tectonic Plates reaches its fourth edition and brings in a raft of fresh producers and new angles on just what the genre might mean in these fractured times. Even the classic standard bearers such as Jakes are bringing curious 4/4 momentum in amidst the sparse, dread filled pressure, while Guido pivots off of the plush musicality of his album to create an utterly broken symphony on "State Of Joy". There are a lot of different ideas floating around the whole compilation, and yet everything holds together with the deep-rooted soundsystem mentality that has always defined Tectonic as a shining example of what dubstep has always meant.
SUB 006
15 May 13
Items 1 to 29 of 29 on page 1 of 1
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