Editorial are back with another mini compilation: hallelujah! It's more on the deeper tip than the disco one this time around, but it's all the same quality you expect from this camp as always! Jus Tadi's dreamy and lush deep house vibes come courtesy of "Peaches", Matt Hughes serves up some deep down and dirty funk on "Do Your Thing", plus there's some chilled-out balearic business covered also by P SOL on "Come On". A Salsoul sounding re-edit by Serge Gamesbourg (!) on "Burning" is a worthy addition and some sexy deep house to close out proceedings courtesy of Long Island Sound and The Owl respectively. All killer no filler!
You have to admire the work ethic of Smart Bar resident Chrissy, whose reputation as a house and disco DJ/producer has recently grown following years championing Juke under the Chrissy Murderbot guise. Here he pops up on Freerange with an EP of perfectly pitched deep house grooves. "Growl", featuring the unfussy vocals of Shaun J Wright, offers a great balance between quiet soulfulness and frayed, analogue-inspired deep house sleaze. The producer's love of wobbly, analogue sounding riffs and classic drum sounds comes to the fore on "Presidential Astrologer" (which is also smartly remixed by Savile), while "Loudness Wars" is a Classic Music-style stomper that's guaranteed to get 'em sweating out on the dancefloor.
Delusions Of Grandeur, easily one of the most consistent deep house labels to come out of the post-minimal era, returns with that guy we all love, Thatmanmonkz. Himself and Chicago's Khalil Anthony are remixed by the equally consistent Jimpster, who delivers the goods by laying down some utter tech house quality on "Take U 2 My House", while Detroit's Ge-ology takes on "Jus Anutha Wunna Deez", and comes out the other end with a murky, beat-heavy house monster that bumps so perfectly along. The originals are sexier, chunkier in the mix, and backed by some killer vocals, particularly "Take U 2 My House" - what a beaut! Recommended and tipped!
Having initially impressed with two fine singles on Lobster Theremin, Jay "Palms Trax" Donaldson joined the growing Dekmantel with 2015's In Gold. Here, he delivers his second EP for the acclaimed Amsterdam imprint. Opener "High Point On Low Ground" is a cheery, life-affirming delight, with layers of glistening, analogue-sounding synthesizer lines riding a rubbery electronic bassline and breezy deep house beats. You'll find nods to Giorgio Moroder, grandiose Italian piano house and spine-tingling Balearica on the notably large "Cloud City", while "Pause" is a punchy electro-meets-acid track with a sunny, melodic twist. He rarely fails, and this is another ear catching three-tracker.
While Moomin may have been one of Smallville's most consistent artists, he's not released that much for the Hamburg imprint in recent times. A Minor Thought is his second full-length, and first since acclaimed 2011 debut The Story About You. Fans of that album will be pleased to discover A Minor Thought picks up where it's predecessor left off, with the producer laying down a series of opaque deep house jams rich with live instrumentation, jazzy samples, delicious musical touches and interesting ideas. Highlights are plentiful, from the loose-limbed grooves, dreamy pads and snaking clarinet lines of "Morning Groove" and effortlessly whimsical "Alone", to the tech-tinged loveliness of "Chemistry" and jazz-flecked bliss of "You Neva Know".
Rekids' first 12" of 2016 comes from a previously untapped talent, Berlin-based producer Peggy Gou. The South Korea-born DJ/producer's sound has been influenced, in part at least, by that of her mentors and piano tutors Nu Guinea (a duo whose releases for Early Sounds have been superb). Certainly, you can hear their tropical take on deep house in opener "Troop", whose Afro-influenced beats combine brilliantly with Gou's humid melodies and beautiful chords. She flips the script slightly on "In Sum", where spacey, Detroit-influenced electronics envelop a snappy deep house rhythm. A fine debut EP is brought to a close by Galcher Lustwerk's remix of "Troop", which takes the track further towards Detroit techno territory via deep space electronics and cymbal-heavy beats.
KRL's latest release - his first since 2013, coincidentally - is not so much an EP as a mini-album. Featuring a trio of hazy, quick fix interludes and a quartet of dancefloor-friendly house jams, WOLFEP032 sees the Wolf Music regular in fine form. "Manchester Beat" is a loose, oven-fresh groover built around looped, warehouse-friendly riffs, Lone style electronics and cut-up hip-hop vocal samples, while "You Roll Me" continues the late night, old skool vibe by way of gospel vocal snatches, bold chords and Balearic synthesizer flourishes. KRL joins forces with vocalist Janine Small on the tactile, groovy and luscious "So Far", but it's the retro-futurist pianos and classic US garage bump of "Tell Me Why" that really steals the show.
The first Let's Play House single of 2016 comes from 20-something producer Klaves, a Polish starlet whose previous releases have doffed a cap to classic UK garage, '90s US house, and contemporary bass music. "Say It", the title track from this EP, boasts all the ingredients of classic US garage, including rolling organ riffs, skipping beats, soulful vocal samples and occasional jazzy flourishes. Studio Barnhus regular Baba Stiltz emphasizes Klaves' jazzier stylings on his dusty, warm deep house revision, which makes great use of vintage vinyl crackle and some new piano motifs. Finally, Klaves delivers one more chunk of well-lit USG revivalism, offering up the looser and more organic sounding "Awake".
Last year, Benoit Gagnon sent some tunes to Massimilano Pagliara in order to receive critical feedback. However, the Live At Robert Johnson regular was so inspired by what he heard, though, that he decided to add his own "personal analogue touch". Here, the unusual collaborations get an airing on Jennifer Cardini's Correspondant [sic] label. First up is "In Spirals", a trippy, slowly building groover built around snappy analogue drum hits and a rolling dub disco bassline. The duo reaches for the winding acid lines and drawn-out chords on the hissing "Agamous", before Pagliara's Italo-disco/John Carpenter inspired synthesizer lines come to the fore on the brilliant "Go South" and standout "Don't Push Me".
According to ESP Institute, Damien Lynch is "a gentleman you've met in a past life". That's certainly true for those who checked his previous productions under the obscure Sarsparilla [sic] and Diamond Dagger aliases. Unlike those, which were inspired by classic electro and Italo-disco, the two tracks that make up this ESP Institute debut are deep, woozy, atmospheric and sensory. First up is "The Heights", where fluttering riffs, horizontal chords and luscious melodic flourishes ride a gradually building - and eventually pulsating - groove. "Safe House" is a more melancholic affair, despite the presence of some particularly bold and heavy percussion, with lilting marimba melodies, undulating arpeggio lines and tear-jerking pads catching the ear.
Bass veterans Fat! recently introduced us to Taim via the anthemic single Blackout Blinds. Here it gets a second wind courtesy of a string of killer remixes - Niko the Kid goes electro-house with added wobble, whilst Dosage mixes escalating synth build ups and breaky beats and Litek reinvents classic south London garage vibes for a new era.
Antoine Harispuru, otherwise known as Golden Bug, has been delivering consistently excellent levels of disco-tinged house and electro over the last eight or so years, and it was only a matter of time before he's pop up on Ivan Smagghe and Leon Oakey's eclectic Les Disques De La Mort. The original mix of "Wild Boys" features Yan Wagner drooling over the beats in his familiarly lamenting, 80's reminiscent style, and there's a Lord Tusk mix on the back of it; the Londoner adds a subtle EBM flavour to the song, making harder and more penetrating on the dancefloor. "Ik Voel Je" is the weirdo in the crew, a magnificent piece of lo-fi psychedelia that stutters its guitar riffs amid heavy distortions and delays, while "L'Horloge" enters Kraftwerk territories thanks to its broken chops of mechanical voices and robotic beats. A little tip, indeed!
For rising star James Dexter it's business as usual, this time for long running Hamburg institution Dessous. First up is "Have It Like That", which fits right in with Steve Bug's label's modus operandi just fine with this sexy late night deep house journey for sophisticated crowds. He dives deeper on "No time", which is more reminiscent of late '90s U.S. house: think Guidance or Nite Grooves. Finally "Get On To This" ups the ante proper on this sleazy tribal tech house killer equally indebted to the late 90's in a way that Hipp E & Halo would appreciate.
One modest man known as Das Komplex has been steadily producing music for almost a decade now in his quiet hometown of Koszalin in Western Pomerania region of Poland. It could have stayed like this if not for Maciek Sienkiewicz (veteran DJ and promoter, one of the pioneers of Polish electronic music scene), who picked some tunes for his new label FASRAT. As the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven "Like A Fish" (remixes coming from some key players in modern disco/Balearic scene), through futuristic disco of "Narkoleptyczni Troche" and hazy deepness of "Nowadays", towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic "Siren". Elegant, original, infectious grooves for club play and home listening alike. Limited edition with cover art by acclaimed contemporary painter Aleksandra Waliszewska.
Los Angeles based Eagles & Butterflies serves up some sweet pop music (and gosh the guy has got some lungs on him: what a voice!) on the emotional "We Get High" but this EP focuses more on the club than MTV. First his own remix gets on the Life & Death dark journey tip which is so in right now, Florian Kruse's remix follows in suit, but gets far more advanced and high tech with layers of immaculately programmed pads and arpeggios going head to head with the wonkiest synth leads and white noise build ups: this is how it's done people! Finally progressive house don from Spain Henry Saiz delivers and deep, floating and heavenly rework that shows off his typical midas touch ever so well.
D.KO records boss Mad Rey is a Paris based producer with further affiliations with Red Lebanese and Babylon Rockers. He inaugurates new label VERTV, imagined by the three Parisian producers and DJs: Neue Grafik, Hybu and EVANS. Opening with "JaJa Californien" which is a dusty, smoked out and sampledelic deep house jam in the vein of Glenn Astro or Max Graef. The same goes for "Song 741" with its playground samples and deep house keys a recurring theme throughout, it sounds great. "Commune (Les Pigeons)" however gets on a much tougher tip and could easily mix/ transition into techno in a DJ set, with its furious drums and sharp saw wave stabs. We're likin' it!
London producer Apes is back and showing off his ever evolving style, this time exploring the deep house vibe and impressively so, just like his last release on Skint in 2015. The dreamy Larry Heard influence of "Horizon" is bittersweet, melancholic and just the way we like it! "Equinox" experiments a bit more with a broken beat, ethereal atmosphere and rich synth tapestries on this talented effort while finally the title track closes things out with a bit of a stomp on this gorgeous U.S. influenced jam with a dusty edge for added character.
Swiss deep house hero Ripperton leads the way on this split 12" from Character. "I'm Gonna Make You Love" is trippy, dreamy and epic deep house smothered in layers of mesmerising strings and pads and some soulful male house vocals. Detroit legend Niko Marks is back too it seems; he's teamed up with Carlos Nillmns on "The Night Not To End" featuring the the thought provoking spoken word poetry of Keter Darker (the new Gil Scott Heron some Chicagoans say!) over a seriously dusty deep house jam. They also offer us "Dark Ages" which goes for the classic, late nineties filtered disco house vibe.. and done damn well!
"Street Lessons" is the new release by Berlin dwelling Aussie Isaac Tichauer. Bumping and sexy deep house with a razor sharp bassline and tightly programmed rhythms supported by smooth male vocals by Jean Nonchalant. Oh and a wonky Life & Death style synth lead. All you need right? There's also the dreamy yet adrenalised journey track "Higher Level" which is the kind of open air rooftop business you could imagine Lee Burridge and Matthew Dekay pumping out.
UK's Steve Cook has previously done stuff on Nein, Kodhu and Clouded Vision. "Space Case" is intergalactic nu-disco navigating through the cosmos assisted by some sweet 303 acid, we're likin' it! Duncan Gray's remix gives it a good reshape with some live drums and cowbells and makes the riffs a bit gutsier! Second track "Wonderwheel" is a cute serving of space funk with more rich and compelling synth work that's to be admired while Iron Blu's dub remix is pure afterhours drugginess: trippy, minimal and one seriously mental bassline that works a treat.