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Items 51 to 100 of 42,746 on page 2 of 855
WE 010
21 Apr 09
NNR 043
01 Jan 98
AS 4
19 May 08
3138
27 Mar 09
TAM 058
09 Apr 12
LDG 002
28 Oct 10
LDG 001
14 Oct 10
MMBL 001
30 Jun 08
MMBL 001
17 Apr 08
MOOD 032
29 Apr 05
DW 003
22 Jan 07
MAQ 075
22 Oct 12
STD 013
30 Jul 12
DAR 001
24 Sep 12
MANU 108
19 May 09
GRP124
19 Sep 12
BOMB 124
12 Jul 04
AP 005
28 Jan 13
CHOCO 008
05 Dec 05
PURELPCDDV 006D
09 Mar 09
VIS 190
16 Jan 11
BSM 002
21 Nov 06
AA 055
08 Jan 13
NNR 026
01 Jan 96
NNR 008
02 Apr 12
Played by: Juno Recommends Deep House
Review:
Given the current fashion for both UK funky - itself a reinvention of classic speed garage - and new house records inspired by old US garage, it seems a fitting moment to revisit a long-forgotten early British garage 12" from 1994. Partly produced by Grant Nelson and released on his Nice 'N' Ripe label 18 years ago, Dub Essentials Part 1 is something of a time capsule - an early example of US garage being given a distinctly UK twist. While some tracks are typical of USG at the time - see "Feelings Mutual" and the formidably skippy drum track "Gone Tracks" - others feature the deep, wobbling basslines and vocal edits that would later become a UKG trademark (most notably "Deeper" and "Scatter").
NNR 033
02 Apr 12
NNR 045
02 Apr 12
INFINIDI 16
26 Jan 09
425064 4816734
04 Jun 12
DOUBT 001R
19 Sep 11
Played by: Paul Mac, Monkey Beats, Jamie Behan (Bastardo Electrico), Juno Recommends Uk Funky/Garage, Cottam, Bunny On Acid, Mike Hindle - Immersed Audio, Gilus
Review:
This appendix to 2562's recent album Fever takes "Aquatic Family Affair", arguably the biggest track from the LP, and delivers an extended recut. The track itself is a sublime garage-techno hybrid of the highest order, as a deep, bass pulse throbs between a skittering beat, and huge organ chords flow across the surface. There's nothing massively different from the album version, but it does provide a DJ friendly version with slightly extended drums. The B-Side is occupied by an epic Shed remix of "Wasteland", taking the playful tone of the original and turning it into a typical warehouse rattler complete with alien sound effects buried deep within the reverb. Taking the already skeletal original and somehow adding a much greater sense of scale, Shed uses the percussive components as a backbone, straightening out the rhythm with a huge kick drum, and giving the whole thing a much moodier vibe by dropping some huge chords at just the right moment.
2DEEP 001
09 Mar 09
2DEEP 002
16 Mar 09
KRK 041
12 May 13
2HM 005
11 Oct 11
GALVANIC 012-8
13 Jan 09
1005 1963
23 Jan 13 | ||
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