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LSR 010D
29 Apr 13
Played by: Fingerman, Superbreak, Kisk, Alkalino, The Glue, Shota Tanaka (Beaten Space Probe), Joseph Terruel, Grass Green, Vinyladdicted
Review:
The Legendary Sound Orchestra continues his attempt to provide disco edit lovers with something extraordinary, with a third collection of hand picked reworks. Predictably, there's plenty to enjoy, from his own sparse, piano-heavy version of Silvetti's Salsoul classic "Spring Rain", to the rolling, bongo-laden goodness of 78 Edits' sprightly but loopy "Don't You Know". Highlights-wise, it's a toss-up between Alkalino's baggy disco-soul shuffler, "Have A Ball", and Jimmy The Twin's superb, TR-707-enhanced "Party Down". The latter, a horn-heavy chunk of upbeat disco-funk, is arguably the Bristol-based scalpel fiend's best work to date.
082367 0042732
17 May 13
Review:
It's been a while since Freerange boss Jamie Odell (better known, of course, as Jimpster) delivered an album; in fact, his last full-length dropped way back in 2006. Seven years is a long time between drinks, but the rest seems to have done Odell good; Porchlight & Rocking Chairs is arguably his strongest album to date. While deep house remains his focus (see the intricate "Glowing Embers", Detroit influenced "Cracks In The Pavement" and Moodymann-ish "High Wire"), there's a soulful bagginess and barely concealed jazziness throughout. More impressively, many tracks hark back to his pre-house days as a producer of lovingly crafted downtempo gems (see "Jasmine Dragon", "Wanting You" and previous single "These Times".
CCBCD 001
22 Apr 13
Review:
With the imminent return of Daft Punk reminding us all of Paris's vibrant electronic music heritage, local label ClekClekBoom pop-up to provide us with a wide-eyed snapshot of the current Parisian underground. There are hints of familiar French staples - the stomping Ed Banger-ish ravery of The Town's "Dice", the classic house flex of Coni's "Missing You Nire" - but for the most part Paris Club Music Volume 1 dances to a different beat. With label regulars French Fries coming to the fore, much of the album is devoted to the sort of hard-to-pigeonhole bass music that takes its influence as much from B-more, R&B and UK garage as filter funk and electro-house.
MIL 002
20 May 13
Played by: Lee Daley:contentmcr/Beef/Huddtraxx
Review:
Originally released over two 12" singles earlier in the year, Lovebox 001 sees Manchester-based label Music Is Love's setting out its formula for future success. That means delivering warm, endorphin-boosting deep house cuts, garage-influenced tracks and deliciously summery dancefloor tracks from a range of new or little-known artists. Pleasingly, there's plenty of high quality material to enjoy, from the lucid deep garage revivalism of Maxwell's "Need U", and bouncing grooves of New Jack City's "I Believe" (complete with heavy New Jersey organs, of course), to the '89 hip-house funk of Jamie Trench's "Juicy" and Gwen Guthrie-sampling goodness of Mikki Funk's "Deeper Love".
ISM 026X
25 Mar 13
Played by: B-Jam, Dave Lee / Joey Negro, Tronik Youth - No Dice Edits, Sleazy Mcqueen, Yam Who?, Superbreak, Sw, Maurice Aymard, Benny Badge (Freekwency/Nite Class), Peza, Dynamicron (Los Grandes/Our Nights), Willo, Monkey Boots, Thomass Jackson
Review:
ISM Records' two Futurism EPs have proved so popular that label boss Yam Who has decided to use them as the inspiration for an expansive compilation of previously unreleased gems. Unlike the label's other popular strand, Midnight Riot, there's always been a bit more of an open-minded, eclectic feel about the Futurism releases. This is no different. Whilst rooted in nu-disco and deep house, Futurism: Shades of Space also touches on 21st century jazz-funk (Manmademusic), bongo-laden spiritual house (Nu Ak's "Fly Away"), fluid garage (Nega Tiv's excellent "Liquid Call"), woozy Balearica (Ben La Desh and Plan DAqua), block party boogie (Questlife feat Wildstyle, Freekwency) and nu-jazz (Hamish Balfour). More importantly, the quality threshold remains high throughout.
K7 306DTM
29 Apr 13
TSUBACD 019
17 May 13
Review:
Kevin Griffiths is a wag. Having previously decided to press up just 100 copies of his latest Tsuba Limited compilation, he then had the masterstroke of calling it One Per Customer. Now it's available digitally the joke is slightly less amusing, but it's still a bit of a belter. Made up of previously vinyl-only jams (Italo Johnson's rather fine remix of Spencer Parker's "Show Him You're The One" being the most obvious example) and a smattering of new cuts (including a bassy chunk of low-slung basement house from Milton Jackson and a near Balearic rush of eyes-shut goodness from Rio Padice) this compilation comes highly recommended.
NO19 CD003
13 May 13
PERMVAC 089-3
30 Nov 12
Played by: Seth Merlo, Maurice Aymard, Fernando, Martin Brodin, M.a.n.d.y., Sasha, Dirty Mckenzie, Salon Acapulco, Roel Hoogendoorn
Review:
Second time around for John Talabot's brilliant debut album Fin, an expansive exercise in woozy dark-pop, off-kilter dream house and inventive IDM. This time round, the album has been padded out using a mix of previously released remixes, unheard versions and previously unreleased bonus cuts. There are some real gems among the nine additional tracks, from Bullion's breezy, off-kilter pop take on "Destiny" and the shimmering electronica of "Tragedial", to a hitherto unheard 'album version' of Talabot's seminal breakthrough cut, "Matilda's Dream". The droning synth-pop of "I Want Tonight" also impresses, as does the skittering rhythms and bold synths of "Zanzibar (80tapemix)". In truth, it's all pretty hot.
TS 72-4
14 Dec 12
BLKBTR-SLCD02
18 Mar 13
MB 013D
15 Apr 13
Played by: Adam B (Homegrown Music/Palooza), Low Slung, Juno Recommends Deep House, Rony Breaker, Jody Wisternoff, Huxley, Resident Advisor, Manhattan, Timo Maas, Umut Akalin, Ben Pearce
Review:
Since launching early last year, Jaymo and Andy George's Moda Black imprint has forged a reputation for delivering the sort of fluid, action-packed deep house that takes as much influence from synth-laden nu-disco as tech house, '90s garage and Visionquest-ish slickness. Here, the two bossmen curate a second label compilation featuring a mix of unreleased gems and recent hits. There's plenty to enjoy, from the classic late night wooziness of Eats Everything's "Jazz Hands" and Huxley's rolling, UKG-influenced "Diesel", to the Hot Creations-ish flex of Danny Daze/Maxxi Soundsystem collaboration "Karoline" and Medlar & Pedestrian's '90s US garage groover "TR Wilson".
GU 2018
13 May 13
LAR 038
12 Apr 13
KRD 050
12 Mar 13
SPEAKS 009
04 Feb 13
Review:
Born into life kicking and screaming back in 2010, London via North Devon label Shifting Peaks has slowly but surely earned a killer rep in the world of bass and underground house. This is their second compilation and boy is it packed full of goodies. Highlights include the melancholic urban-tropical vibes of Mak & Pasteman's "Do The Same", the psychedelic Chicago vibes of Marshall Jefferson & Noose Heads' "Mushrooms", the heartbroken jukeisms of Cut Off! Cut Off!'s "Second To None" and the sublime King Of Arabs' "The Years Without Art".
826194 216597
16 May 11
RUMP002-3
26 Apr 13
CRMCD 022D
18 Mar 13
HYPEDIGCD 03
14 Jan 13 |
