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SWITCH GENRE
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599988 5533794
26 Apr 13
SR 011
03 Jun 13
SDIR 038
16 May 13
LATENIGH 0132
02 May 13
LATENIGH 0160
19 May 13
BSM 077
06 Jun 13
THDH 004
30 May 13
SBR 890513
03 Jun 13
TRR 004
10 May 13
STPH 008
28 May 13
CM 005
17 Jun 13
FOMP 00018
03 Jun 13
NDP 013
08 May 13
TRRDS 0026
12 Jun 13
100561 81
30 Apr 13
RPM 001
27 May 13
FOUR 032
17 Jun 13
826194 259297
13 May 13
UTDO 5
10 Jun 13
AMREC 0081
18 Jun 13
YAMYAM 014
27 May 13
100579 21
07 Jun 13
CLB 023
20 May 13
RINSE 021D1
03 Jun 13
RINSE 021D1
03 Jun 13
Review:
Taken from XXXY's debut EP of the same name back in February, the title track has had clubs in raptures for months now. Fusing the melodic and highly danceable flavas of UKG while maintaining that deep house drive, it holds together retro synths and big, bouncing bass in a perfect balance. The crisp claps and dancefloor stomp of "Studio 9 (Just Like That)" gets an 808 rhythm to move things along. Add an infectiously simple vocal that progresses into classic deep house territory, is it any wonder XXXY is turning so many heads right now? If you don't already own the EP this is an ideal stepping stone into his world.
RHM 002
27 May 13
CCD 099
06 May 13
DT 033
17 May 13
245
13 Jun 13
VPRGEG 224
13 May 13
CALM 001
10 Jun 13
DER 039
17 Jun 13
SDR 031
03 Jun 13
SDR 026
22 Apr 13
SEN 04
05 May 13
WMM-007-0613
04 Jun 13
100559 44
08 May 13
CREME 12-64
27 May 13
Review:
After a killer run of releases for The Trilogy Tapes, L.I.E.S. and Rush Hour under his many monikers, William Burnett returns to DJ TLR's Creme Organization with Run From The Sunset EP. Be it crafting lo-fi power house for L.I.E.S and Creme Organization, dreamy synth sessions for NYC label Sequencias or unlikely club anthems like "The Overlord" for Will Bankhead's Trilogy Tapes imprint, William Burnett ranks alongside Legowelt in his ability to produce frazzled house music weighted toward the not-so serious end of club techno. His return to Creme sees the multi-faceted DJ and label boss canvass an array of sounds, ranging from deep, chord driven Chicago-style house to playful electronica and traversable worm-holing techno.
PGR 26
01 May 13
PGR 27
20 May 13
K7 309EP3
10 Jun 13
Review:
The second single from Will Saul's more organic side project, Close, benefits greatly from the effortlessly soulful, melancholic vocals from Fat Freddy's Drop vocalist Joe Dukie. They sound majestic over Saul's sparse, shuffling production, all loose, live drums, subtle guitars and hissing cymbals. The remix package is impressive, too, with Dusky offering a perfectly-pitched version that manages to keep the fragility of the original whilst adding some stomping, garage-influenced drums. Midland's murky deep house tweak is pretty tasty, too, while Tanner Ross & Slow Hands go all Balearic on their beatless version. If anything, it's even more spine-tingling than the superb original.
K 7309CD
10 Jun 13
100581 42
07 Jun 13
SE 175
10 Jun 13
UTS 039
03 Jun 13
Played by: Disco Doubles
Review:
Rather than plunder the early 80s electro end of synth pop, Wichniowski seem to be more influenced by the glossy productions of the end of that decade. Specifically on "Every Second" by um, Johnny Hates Jazz. Wait! Don't leave! Give it a chance and you'll find yourself seduced by the shimmering synth work and impossibly catchy effete vocal melody. Or maybe the surprisingly authentic sounding Balearica of "Ain't You" will grab you. If you're really looking for club action though, we guarantee that if Bronx's euphonic piano house mix doesn't do it for you, DPN's filthy house growler totally will.
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