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SWITCH GENRE
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505548 9273112
16 May 13
380015 2052561
21 May 13
EHZEP 090
16 May 13
123REC 053
22 Apr 13
123REC 055
01 May 13
123CUTS 004
10 Apr 13
124BPMR 18
24 Apr 13
124BPMR 17
24 Apr 13
124BPMR 19
01 Apr 13
124BPMR 24
17 May 13
124BPMR 23
14 May 13
124BPMR 22
14 May 13
124BPMR 20
07 May 13
1642R 009
01 May 13
1642R 010
13 May 13
1642R 007
24 Apr 13
1642 R004
25 Mar 13
1642R 011
14 May 13
1642R 008
28 Apr 13
1642R 012
15 May 13
MVIS 229D
04 Apr 13
MVIS 234
03 Apr 13
Played by: Sasha
Review:
Established last year with killer releases from the likes of Photomachine and Presk, 2020's Midnight Visions brand continues to spread the good word house gospel. And who better to continue the sonic sermons than 10 Thousand Yen man Doc Daneeka? Across the four tracks we run the gamut of nocturnal grooves. From soulful filtered house ("Everyday") to subtle n' slinky, sexy electro ("Sunset To Neath"), Doc's prescribed a fine line of midnight tonics. You'll be hard-pushed which one to play first.
VIS 235D
14 Apr 13
Review:
Ah, the delights of the 'mystery' alter ego. Brazilian Roscoe Sledge is, by all accounts, rather well known as a techno producer under his real name, but has decided to keep people guessing with a new alter-ego. Oh, and a different sound. You see, these four tracks for 20:20 Vision combine a myriad of influences - Visionquest-inspired house, acid, tech-house, twinkling deepness, the fluid synths of nu-disco, the old darkroom style of Roach Motel and the robust pulse of techno - to create wonky dancefloor cuts that defy easy categorization. Our pick is probably the wide-eyed intergalactic funk of "Mis En Scene", but they're all pretty tasty.
100543 91
01 Apr 13
29R 013
03 May 13
303L 1301
28 Mar 13
TVQ 003
13 May 13
TQV 002
15 Apr 13
TAM 076
01 Apr 13
TAM 077
06 May 13
100555 16
29 Apr 13
4LUX 013-02
12 Apr 13
Review:
It would be fair to describe Italian producer Enrico Mantini as a "veteran", given that he put out his first 12" way back in 1992. In fact, one of the highlights of that EP - "What You Like" - is featured here, alongside another superb chunk of Italian deep house/garage fusion, "I'll Be There", from 1993. Both tracks have stood the test of time well, and their original '90s flex is the perfect antidote to today's retro-futurist house culture. The undisputed quality of these tracks is put into sharp focus by the EP's two new Mantini cuts, which while solid and playable don't quite have the same unpolished appeal as his original '90s work.
4LUX 016B
03 May 13
FOUR 030
03 Apr 13
FOUR 031
08 Apr 13
FOUR 029
30 Mar 13
45006
18 Apr 13
45003
17 Apr 13
45 011
06 May 13
45001
15 Apr 13
5D 020
14 May 13
5D 019
27 Mar 13
FFR 027
18 Apr 13 Soundbank containing 64 presets spanning deep, tech, progressive & electro house genres complete with 64 matching MIDI files
SFN 037
10 May 13
666R 033
01 Apr 13 | ||
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