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SWITCH GENRE
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ZS 009
13 May 13
YPE 009
13 May 13
YAYO 001
13 May 13
846624 018508
15 May 13
WTF 066
13 May 13
WOW!41
13 May 13
WOT 009
13 May 13
WR 22
13 May 13
WDM 006
15 May 13
W 007
13 May 13
091012 270062
14 May 13
091012 274862
14 May 13
091012 261367
14 May 13
091012 268663
14 May 13
WWF 0013
13 May 13
WWF 0014
17 May 13
100567 46
14 May 13
VNR 069
15 May 13
VR 011D
15 May 13
Review:
Despite making a name for himself in his hometown of Portland, Oregon, Elliot Thomas has yet to make his mark in electronic music at large. Judging by this first solo single for Voyeurthythm, he could be a name to watch in coming years. Brimming with snappy analogue drums, vintage synths and tear-jerking melodies, "Sirius" is a delightful slab of stargazing deepness with some impressive influences (early Chicago deep house, the Burrell brothers, classic Detroit techno). It sounds like something that could have been made in '88 or '89, right down to the analogue warmth present throughout. "Desert Light" follows a similar template, delivering bubbling electronic arpeggios, yearning synth melodies and subdued analogue drums. Recommended.
VOLTCOMP 45
17 May 13
VDT 007
16 May 13
VQ 027
13 May 13
Review:
More from Visionquest regulars and rising stars Footprintz, whose decidedly touchy-feely approach epitomises the label's vision. "Uncertain Change" actually sounds like a Benoit & Sergio track, all woozy vocals, atmospheric pads, new wave-influenced grooves and casual synth-pop charm. Maceo Plex provides the first remix, upping the energy levels thanks to some bolder beats, big builds and lovingly played chords. The real standout, though, is the Audio rework - Matthew Dear's first under the guise for sometime. Wonky, strange, atmospheric and eerie, it turns the shuffling original into a stunning chunk of afterparty oddness.
0002
16 May 13
UTTU 028
13 May 13
Played by: Phuturelabs
Review:
Given Unknown To The Unknown's wide ranging remit, including bassline garage, Detroit electro and Chicago house, it was perhaps inevitable that a genuine 90s house record would find its way onto the label at some point. Originally released in 1992, OHM's "Tribal Tone" was supposedly the first tune to use the Korg M1 sound that was later immortalised by Robin S' "Show Me Love", and had considerable impact at the time, being championed The Shamen frontman Mr C, being licensed to R&S sub-label Global Cuts and US label Vibe, and finding itself remixed by the Sabres of Paradise trio. Here it finds itself with three similarly great remixes, a stripped-back, raw groover from Marquis Hawkes, a horn-heavy piece of 90s action from Capracara and a thundering mid-tempo effort from Northern Souls. Essential!
UU 004
17 May 13
USR 023
17 May 13
ULR 336
15 May 13
UKY 004
17 May 13
TZR 003
13 May 13
TB 153
13 May 13
TULIPAA 002
13 May 13
TSUBACD 019
17 May 13
Review:
Kevin Griffiths is a wag. Having previously decided to press up just 100 copies of his latest Tsuba Limited compilation, he then had the masterstroke of calling it One Per Customer. Now it's available digitally the joke is slightly less amusing, but it's still a bit of a belter. Made up of previously vinyl-only jams (Italo Johnson's rather fine remix of Spencer Parker's "Show Him You're The One" being the most obvious example) and a smattering of new cuts (including a bassy chunk of low-slung basement house from Milton Jackson and a near Balearic rush of eyes-shut goodness from Rio Padice) this compilation comes highly recommended.
T.A.M 019
16 May 13
TNCL 014D
13 May 13
Review:
The solo project of Tone Control's Marcus Harris, Suitdancer is supposedly his attempt to distill the "electronic music, inherited soul records and cult VHS films I consumed as a kid". On listening to Wireworld, his debut release under the name, its easy to see the influence they've had; the title track is a hazy collection of wonky acid gurgles and radiophonic chords that recall Com Truise and Aphex Twin, while "Copshow" takes shows him to have some melodic techno prowess. "The Complex" takes things in a totally different direction with its kosmische, Tangerine Dream-inspired soundscape, and "Nightsights" throws a hip hop tempo beat underneath some crystalline synth melodies. Finishing up, Don't Be Afraid's Mr Beatnick remixes the title track into a spongy house jam worth of his recent material.
TMF 013
14 May 13
TIEFRECORDS 06
14 May 13
TIEFRECORDS 05
17 May 13
THES 0100
15 May 13
TNV 074
17 May 13
TS 020
14 May 13
TUR 052
18 May 13
SYNK 028
15 May 13
SST 010
14 May 13
SUBCD 3039-2
13 May 13
Review:
A finer schooling in contemporary Detroit soul you will not find; Mr De - AKA ghettotech legend Ade Manior - digs deep and curates another fine collection from his label's back cat. Each track is a highlight, from De's own electroboogie theme tune to his deeper, more emotion-rich house projects as Renaissance. Naturally Underground Resistance's Galaxy 2 Galaxy joints are a major drawer; if the proto-anthem "Jupiter Jazz" and the more meandering robo cloud jazz of "Inspiration" aren't in your collection now is the time to get up to speed.
SK 202
14 May 13
SSR 009
17 May 13
STRE 008
13 May 13
100564 69
15 May 13 | ||
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