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SWITCH GENRE
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KRK 041
12 May 13
AREADV 015
13 May 13
GCR 35
14 May 13
UTS 040
09 May 13
Played by: Mark Knight, Jkriv (Deep And Disco/Razor-N-Tape), P A U L I E, Fredeverything, Shota Tanaka (Beaten Space Probe), 2 Good Souls, Lesale, Disco Doubles
Review:
The fantastically named A/Jus/Ted - veteran producers Justin Strauss and Eddie Mars on a collaborative tip - make their debut on Under The Shade. "A Brighter Light", featuring the treacle-thick soul vocals of Jeremy Glenn, sits somewhere between electro-soul, early Chicago house and Balearic nu-disco. As you'd probably expect from the soul-minded Strauss, the resultant track is effortlessly soulful, quietly uplifting and brilliantly produced. The same could be said of the more instrumental Re A/Jus/Ted remix, which blends skittering proto-house rhythms and electrofunk dub elements with woozy modern deep house. Like the original, it's excellent.
DOJO 039
12 May 13
QBR 1301
22 May 13
DSD 073
08 May 13
EKV 014
20 May 13
ELV 491
18 May 13
APOLLO 1314
16 May 13
PN 20
17 May 13
Played by: Sccucci Manucci
Review:
Having made his debut on Prime Numbers earlier this year with his titular contribution to a split release alongside Truss and Massimo De Lena, Adesse is granted a full release with this all killer no filler Untitled Love EP. For someone who came to the fore with a version of Theo Parrish's "Sky Walking, it's unsurprising that the title track here has a rugged charm reminiscent of the outspoken Sound Signature boss - it's all about that thumping snare son! Meanwhile "Supernal" veers into deep steppers territory and contains some ingenious looping of a Laurie Anderson standard, whilst "Metachemistry" highlights Adesse's talent for loose, freeform arrangements.
PN 17
10 May 13
Review:
The ever-correct Prime Numbers series is still going strong, this time bringing together a thoroughly eclectic range of producers to lay down some solid club fodder. Adesse adopts the tenderest approach, bringing a soft African lilt to a subtle arrangement of light drums and poignant chords. Truss is certainly in no mood to chill on "Redbrook", going for a big room techno flavour that favours rigid beats, acid parps and epic swathes of organ. Massimo Di Lena is on a far more twitchy tip, with a snagging assortment of percussion and some woozy synths that leave one feeling wonderfully dizzy.
UU 004
17 May 13
0002
16 May 13
BED 0010
09 May 13
100564 28
10 May 13
MAD 002
10 May 13
ONE 022
13 May 13
REUNION 1EP
20 May 13
QMD 018
17 May 13
DH006
09 May 13
SNTP 062
20 May 13
MR 023
13 May 13
824833 005496
14 May 13
DLM 025
16 May 13
PBL 024
21 May 13
100571 31
21 May 13
ETREE 036
22 May 13
OBLACK 006
15 May 13
IS 060
10 May 13
VER 006
12 May 13
LSR 002
15 May 13
VLR 002
20 May 13
SFM 050
20 May 13
900879 8119301
11 May 13
PR 012
22 May 13
TUR 052
18 May 13
TIEFRECORDS 06
14 May 13
DWR 0023
08 May 13
505545 3686283
13 May 13
Played by: Mr Brainz / Orpheus:ldn
Review:
Given their history of flitting between funk-tinged grooves, downtempo beats and rousing, party-starting fodder, it's a little surprising to see Jalepeno diving headfirst into the world of US garage-influenced deep house with an EP from Nottingham-based producer Animist. There's much to enjoy, from the summery liquidity of admirably melodic bonus cut "Neutral Bay", to the chopped-up yelps, woozy chords and classic house grooves of lead track "Tin Head Bump". Best of all, though, is Marcus Jakes' remix of "Tin Head", which beefs up the bottom end and adds some irresistible shuffle to Animist's garage-influenced groove.
DPM 005
13 May 13
SPT 003
13 May 13
UNQTZ 003
20 May 13 | ||
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