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DJ Muggs producer and self-styled woofer cooker, LA's 6Blocc enjoys an illustrious heritage, and a very exciting future. Fusing the best elements of jungle, ragga, bass music and dubstep, "Serious" flexes around a very well known horn sample and some guttural lyrics flows from Junior Demus. Four-version heavy, it ranges from the full-bodied, breakbeat-heavy original to the thugged-out Miami bass style 808 twist. "Give Love" takes the skank factor further to the fore as Demus gets sexy over a groove that teases with so much digidub pleasure it's likely to stick in your brain. Finally we hit "Jungle Stabbin." All rusty amens and mangled horns, it lives up to its title in every possible way. Lighter!
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In the wake of all this grime business blowing up at the moment, it seems an apt time be delving into this compilation of early Plastician jams from a time before Mr Hawtin forced him to change his name. Coming at the emergence of dubstep when it was also called sublow or sometimes just grime, it's a thrilling reminder of the possibilities that were opening up in gritty urban electronic music at the time. With a primal approach and that icy minimalism that made the early material so exciting, there's not a duff moment in earshot across the whopping 21 tracks included here, and they've all been remastered for maximum contemporary impact. What more could a bass lover ask for?
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Jay Cunning's Sub Slayers imprint has been developing a seriously strong repertoire across all discerning bass genres over the last four years. With a roll-call that ranges from Aswad to Ellis Dee, it's a repertoire with real roots and heritage, too. Here we find the label's third official mix collection. Dedicated to dubstep and curated by Schema, it's an investigative tour of every creative corner the genre has to offer; from the rolling, breakbeaty grooves of Jinx In Dub's "Shaka Sonics" to the muddy modern jungle nastiness of ID's "Tell Ya" and Serial Killaz "Man A Talk" via the more conventional savage midrange riff drop of Rack N Ruin's "Selecta Dub", all shades and styles of the scene are repped in full colour. Naturally, each one is guaranteed to slay all floors...
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Ready for some serious ragga beats? Here we go...One track, three versions, one message. Audioheed and Skilf are badmen. Producing some of the most nuts hybrid dubstep out there, coming direct from the centre of everywhere (okay, Bedford, UK). Set to tear down venues across the country, "Bad Man" is the type of track that makes a night.
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Columbian singer/songwriter and firm friend NoMad friend Estel Luz lays down a heartfelt story of seasonal sweetness on this release while emerging engineer Epi lays down a respectfully sparse and melancholic halfstep beneath. With a finish that will fit festivals and daytime airwaves alike, it's as catchy as it is weighty. Looking for more dancefloor pump? Jump on Graziano's UK funky style 4/4 blend. Retaining all the elements of the original while giving it go-faster groove stripes, Graziano has created the perfect counter-solution. Sweet as.
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A lazer-bending fusion of big room and grime, Deckajam make their mission statement loud and clear: they've come to devastate the largest of crowds. With soul-stirring vocals from Laura Bayston and demonstrative rhymes from Voodoo Browne, "We Don't Care" is a heady blend that melts down genres as quickly as it hypes crowds. Remix-wise there are some really nice twists. Ice Cream legends Light Work and DJD both turn in UKG gold; the former gets rugged and raffish with a chunky 4/4 and time-stretched vocals while the latter weaves a spell-binding web of organs and lolloping two-steps. Prefer your bass of a more contemporary nature? Jump on NJC's spacious and steppy remix. Trust us, you will care about this one!
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