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VHR 18
14 May 13
Review:
Russian producer Valique is back with the latest installment of his successful disco edit series. He specialises in toughened, quanitised beats, lending old stuff a modern electro-house groove. Highlights here include his highly danceable take on The Smiths' "Barbarism Begins At Home", the skippy, cut up house shuffle of "Angry Brides" and the infectious electro-funk anthem "Like Dancing".
ELR 008
15 May 13
Played by: Alessandro Otiz
Review:
Possibly named after his favourite retro toasted sandwich maker, Brevil is an Australian disco producer currently on his third outing for Kosta Ellis' Superbreak imprint. His sound is low-slung and dirty and any of the four tracks here are guaranteed to get everybody in the mood for some disco love. Highlights include the loopy and hypnotic "Slow N Low", the shimmering female funk of "Never Gonna Stop" and the rumbling bass and delayed drums-fest that is "Turn U On".
GRIME 006
13 May 13
Review:
The highly anticipated release of Grimy Edits Vol. 6 is here with the type of monster edits you'd expect from GRIMY! On this sixth volume of the popular edit series you have Veteran Chicago DJs Zernell & Rahaan bringing the heat with Rahaan's supercharged version of Rebound as the 1st track, coupled with the Zernell - Rahaan collaboration of an obscure B-side Latin Disco / Break Beat Jam perfectly titled WHAT! Joined on the flip side of the release is veteran edit master Tim McAllister of M.I.L.C. Music fame who takes a lesser known JB 7" and transforms it into the dance foor killer titled "I Need Help!".
DFA 2386
14 May 13
BFKLP 025
13 May 13
GU 2018
13 May 13
TWWD 002
17 May 13
HBR 021
13 May 13
Review:
Canada's Homebreakin' label, so often a home to P-funk and electro influenced party-starters, welcomes a new name to its roster, Laberge. "Falling Away" is a little different to their usual fare, with the title track delivering a deep, shimmering chunk of R&B-influenced nu-disco. Chris James' remix brings out the garage elements of the original (think pitched-up, messed around with vocals) and adds some shuffling beats, while Terrence Pearce's version is a wide-eyed chunk of UK garage nostalgia. As for the bonus tracks, "At Night" is a soaring slice of slo-mo electrofunk (think big synths and big vocals), while "Yesterday" is a near perfect example of how to execute slo-mo nu-disco.
RR 0082013
17 May 13
Review:
With his previous disco re-edits for German imprint Replay, Frico has usually dug a bit deeper, sourcing more obscure material. This time round though he's going straight for Loose Joints' tried and tested "Is It All Over My Face", and due to his decision to really only make it slightly dubbier, gets away with it. "Together For Ever" re-jigs Exodus' 1979 disco classic and makes the most of its frenetic Latino percussion and hyper elasticized bassline.
MULLET 072
13 May 13
Review:
Hats off to 80s-obssesed Mullet Records man Casio Social Club; he's been releasing synth-pop influenced electro-house at a tireless rate for a few years now. This album collects the best of his remixes of other acts and it's an impressive selection: from the pulsating electro-soul of "Can You Feel It", to the Thin White Duke-ish, bass-driven new wave of "Right Off", the italo-disco pop of "Thinking Of You" and the Jam & Lewis vibes of "Forever Lasting". In short, packed full of retro dynamite.
HOLOG 011
15 May 13
091012 259166
14 May 13
VENDREC 0028
13 May 13
FUTURESLEAZE 003
13 May 13
IRECEPIREC 566D3TR
14 May 13
LOVIN 044
13 May 13
361015 2856270
13 May 13
NANG 104
13 May 13
43421
13 May 13
NO19 CD003
13 May 13
AREADV 015
13 May 13
MK 01
17 May 13
DFA 2379
14 May 13
FOL 003
14 May 13
Review:
American producer Softmore specialises in the sort of twinkly, laidback, partially horizontal fare that sits somewhere in between slo-mo deep house, hazy Balearica and winding downtempo beats. It's a formula, pepped up with the odd sneaky sample (opener "Got The Power" bites an old Bee Gees favourite), which guarantees fine late night fare. There are neat musical touches all over the place (see the subdued jazz guitars on "The Truth", or the muted horns on "Now It's Jazz", a kind of tribute to Boulevard-era St German), which add to the smoky sense of release. In many ways, it's quite a nostalgic release - this kind of gear was once all the rage - but that only adds to the fun.
ALD 007
13 May 13
DATO 001
13 May 13
HCM 020
14 May 13
BRILL 011
13 May 13
DN 031
16 May 13
UTI 1202
16 May 13
BUR 018
16 May 13
TWWD 003
17 May 13
PUK 032
17 May 13
VR 011D
15 May 13
Review:
Despite making a name for himself in his hometown of Portland, Oregon, Elliot Thomas has yet to make his mark in electronic music at large. Judging by this first solo single for Voyeurthythm, he could be a name to watch in coming years. Brimming with snappy analogue drums, vintage synths and tear-jerking melodies, "Sirius" is a delightful slab of stargazing deepness with some impressive influences (early Chicago deep house, the Burrell brothers, classic Detroit techno). It sounds like something that could have been made in '88 or '89, right down to the analogue warmth present throughout. "Desert Light" follows a similar template, delivering bubbling electronic arpeggios, yearning synth melodies and subdued analogue drums. Recommended.
CR 041
17 May 13
MOTHER 012
15 May 13
EDR 12
17 May 13
100563 62
16 May 13
CEL 0106
17 May 13
MSHA 1016
13 May 13
CITY 1098
13 May 13 | ||
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