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IGR 007
19 May 13
505548 9271590
19 May 13
100551 47
18 May 13
100552 05
18 May 13
DD 1
18 May 13
MK 01
17 May 13
TWWD 003
17 May 13
CR 041
17 May 13
DBOX 002
17 May 13
DB 14
17 May 13
RR 0082013
17 May 13
Review:
With his previous disco re-edits for German imprint Replay, Frico has usually dug a bit deeper, sourcing more obscure material. This time round though he's going straight for Loose Joints' tried and tested "Is It All Over My Face", and due to his decision to really only make it slightly dubbier, gets away with it. "Together For Ever" re-jigs Exodus' 1979 disco classic and makes the most of its frenetic Latino percussion and hyper elasticized bassline.
PUK 032
17 May 13
CEL 0106
17 May 13
TWWD 002
17 May 13
CR 014
17 May 13
AL 184
17 May 13
EDR 12
17 May 13
MENADL 261
16 May 13
BUR 018
16 May 13
BBR 103
16 May 13
100563 62
16 May 13
ROY 415
16 May 13
380015 2052288
16 May 13
CR 013
16 May 13
UTI 1202
16 May 13
VDT 007
16 May 13
DN 031
16 May 13
ELR 008
15 May 13
Review:
Possibly named after his favourite retro toasted sandwich maker, Brevil is an Australian disco producer currently on his third outing for Kosta Ellis' Superbreak imprint. His sound is low-slung and dirty and any of the four tracks here are guaranteed to get everybody in the mood for some disco love. Highlights include the loopy and hypnotic "Slow N Low", the shimmering female funk of "Never Gonna Stop" and the rumbling bass and delayed drums-fest that is "Turn U On".
VR 011D
15 May 13
Review:
Despite making a name for himself in his hometown of Portland, Oregon, Elliot Thomas has yet to make his mark in electronic music at large. Judging by this first solo single for Voyeurthythm, he could be a name to watch in coming years. Brimming with snappy analogue drums, vintage synths and tear-jerking melodies, "Sirius" is a delightful slab of stargazing deepness with some impressive influences (early Chicago deep house, the Burrell brothers, classic Detroit techno). It sounds like something that could have been made in '88 or '89, right down to the analogue warmth present throughout. "Desert Light" follows a similar template, delivering bubbling electronic arpeggios, yearning synth melodies and subdued analogue drums. Recommended.
ESM 050
15 May 13
MOTHER 012
15 May 13
MOTHER 012
15 May 13
NOVO 0383
15 May 13
LADAL 13092
15 May 13
HOLOG 011
15 May 13
HCM 020
14 May 13
LVN 007
14 May 13
DFA 2386
14 May 13
DFA 2379
14 May 13
IRECEPIREC 566D3TR
14 May 13
091012 259166
14 May 13
BBR 006
14 May 13
KOM 032
14 May 13
DR 15
14 May 13
FOL 003
14 May 13
Review:
American producer Softmore specialises in the sort of twinkly, laidback, partially horizontal fare that sits somewhere in between slo-mo deep house, hazy Balearica and winding downtempo beats. It's a formula, pepped up with the odd sneaky sample (opener "Got The Power" bites an old Bee Gees favourite), which guarantees fine late night fare. There are neat musical touches all over the place (see the subdued jazz guitars on "The Truth", or the muted horns on "Now It's Jazz", a kind of tribute to Boulevard-era St German), which add to the smoky sense of release. In many ways, it's quite a nostalgic release - this kind of gear was once all the rage - but that only adds to the fun.
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