All

Acoustic correction system in a plug-in, contains 1 x measurement microphone, 1 x meaturement suftware + 1 x correction plug-in

Review: The ARC System 2 (Advanced Room Correction) is the sequel of the first and only acoustic correction system that combines a measurement microphone, measurement software and a correction plug-in to improve the sound reliability and acoustics of your studio in an elegant, low-cost portable solution.

The ARC uses Audyssey MultEQ XT32 patented technology to improve your monitoring system so what you hear is not affected by distortions caused by room acoustics. Near field monitor systems used in studio applications are designed to deliver sound without distortion or coloration. However when they are placed in a room, surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex distortions specific to that room. This ultimately causes them to lose the accuracy they have been designed for, and you end up hearing more of the sound of the room, than the music actually being produced.

Traditionally studio acoustics can be improved using acoustic treatments, but these are generally very expensive and require professional installations, which is often not practical in many of today's home and project studio. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of what you are hearing. The ARC System 2 solves all these problems elegantly, with a unique, innovative DAW-based solution that works both in the frequency/time domain and is not affected by any of the drawbacks of other type of correction systems.

http://www.youtube.com/watch?feature=player_embedded&v=ci1U2uhFqL4

Measurement software upgrade ONLY

Review: The IK Multimedia ARC System 2 Advanced Room Correction System Software is the first acoustic correction system that combines a measurement software and a correction plug-in for most popular DAWs to improve the acoustics and sonic reliability of your studio.

The ARC works by measuring your room using the included measurement microphone and measurement software and then generates an algorithm to provide a correction of your room's acoustic problems that you can apply to your mix using the included plug-in. You can record and mix with confidence knowing that what you hear from your speakers is a faithful representation of how your music will translate to the outside world.

The ARC uses Audyssey MultEQ XT32 patented technology to improve your monitoring system so what you hear is not affected by distortions caused by room acoustics. The ARC 2 can improve the acoustics of any room. An untreated room will experience a dramatic improvement, but also treated rooms will sound better depending on the quality of the existing treatment. Many of the ARC 2 improvements make it more effective in a wide spectrum of applications i from amateur bedroom studios to the most high-end professionally treated studios.

Mix & mastering effects suite, coems with 9 x analog modeled & digital processors

Review: The IK Multimedia T-RackS 3 Deluxe raises the bar in high-end DAW mastering and mixing, with a suite of 9 analog modeled and digital Dynamics/EQ processors, an audio quality that is unmatched in software, and scores of new and unique features.

IK Multimedia T-RackS 3 Deluxe has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters. Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics.

A modular chain gives you full control and easy navigation/compare features and the complete metering section keeps all the most important variables of your sound under control. The selectable 12-processor slot audio chain, arranged in 2 rows of 4 slots for parallel processing plus 4 serial final slots. Modules can be easily switched on/off with a single click, individually or all at once, at any time for quick a/b on the monitored audio, without having to navigate or scroll around.

The T-RackS 3 includes a new high quality, high precision, complete metering section. A precision 3-scale Peak meter with accurate sample indicators and real digital over indication. The Real Perceived Loudness meter is an amazingly useful meter that is not included on most software processors. It shows the real loudness that will be perceived on your masters. Compare your preferred records with your works on this meter, and you'll immediately see where to go with loudness management.

A useful addition, the Phase scope, with options to match the style and indication you're used to, with Phase correlation. Also included is a Spectrum analyzer with Peak, RMS and Averaging indicators, an RMS meter. Loudness and RMS metering with optimal zones indication, selectable by genre and style.

The IK Multimedia T-RackS Deluxe 3 is a truly superior mastering and mixing system that will put a polish on your tracks you may have never thought possible.

The IK Multimedia T-RackS 3 Deluxe includes the following processors:

Vintage Tube Compressor/Limiter model 670: This model is based on the Holy Grail of compressors/limiters, the Fairchild 670. With a faithful reproduction of every control, this is an incredibly accurate model that captures every nuance of one of the best Fairchild units available.
Vintage Tube Program Equalizer: This model is based on what is universally known as one of the best and most musical program EQs ever made, the Pultec EQP-1A.
The Opto compressor has a special sonic character that audiophiles can truly appreciate.
Intelligent, multi-algorithm Brickwall limiter can really make your masters loud without squashing them to a lifeless sound.
High precision, high definition Linear Phase Equalizer, that can be trusted for delicate Mastering tasks with 6 completely identical bands that can be set to all available filter types, and that can span the whole spectrum range.
Classic T-RackS Compressor, a classic tube stereo compressor/leveler designed for mastering.
Classic T-RackS Multi-band Limiter, a multiband master stereo limiter.
Classic T-RackS Clipper, a soft-clipping stage to create warm, saturated mastering effects.
Classic T-RackS Equalizer, a state-of-the-art six band parametric equalizer, modeled on classic top quality analog gear. Can now be used in Stereo or MS modes.

Complete mastering system in a single integrated plug-in includes 8 essential mastering tools

Review: iZotope's complete mastering system in a single integrated plug-in includes eight essential mastering tools: Maximizer, Equalizer, Multiband Dynamics, Multiband Stereo Imaging, Post Equalizer, Multiband Harmonic Exciter, Reverb, and Dithering.

The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good-sounding mix and a professional-sounding master. With Ozone 5, iZotope've delivered the biggest update ever to our critically-acclaimed software mastering system, making it easier than ever for anyone to master their audio simply and efficiently.

http://www.youtube.com/watch?v=AOp9UWNHPMs

Personal audio editing system

Review: The WaveLab Elements 8 is an affordable and highly powerful production environment, devoted to the needs of home producers and musicians. The Elements 8 delivers uncompromising quality when it comes to editing and restoring audio material alongside creating state-of-the-art podcasts.

Seamlessly integrating into your home studio, the WaveLab Elements personal editing system is based on the approved WaveLab mastering solution, a proven editing and analysis tool with a valuable selection of restoration and mastering plug-ins and much more.

Whether you're into audio editing, mastering, restoration or podcast creation, the WaveLab Elements provides quality tools that let you bring your audio recordings to perfection. Based on the approved WaveLab mastering solution, the Elements version highlights proven editing and analysis tools, a valuable selection of restoration and mastering plug-ins, a CD burning engine and much more, all accessible through an intuitive user interface.

The WaveLab Elements 8 highlights 2 premium plug-ins to push your audio projects to perfection. First, Tube Compressor, known from the Cubase music production system, not only shapes the dynamics of your signals very precisely but also colors them with a beautifully warm and rich compression. Second, the Brickwall Limiter prevents your recordings from unwanted peaks and keeps the audio signal from passing the threshold, perfect for achieving the hottest signal without clipping the recording's maximum level.

For the WaveLab Elements 8 Steinberg focused on improving the overall user experience in order to make things faster and easier. Among the list of new features is the new auto-replay function, which automatically re-triggers the playback right after an edit has been made. And of course there are many other improvements such as a simplified envelope selection to speed up the editing process.

The WaveLab Elements 8 introduces a plug-in chain window that hosts all inserted track or master plug-ins in one easy-to-access area. Now you can switch between different plug-ins in next to no time. Also new in version 8 is the completely redesigned plug-in organization. The newly introduced plug-in settings dialog allows you to group and sort plug-ins by vendor, category and favorites, making it easy to keep track on the ever growing number of plug-ins.

Stereo bar for mounting 2 microphones

Review: The AKG H 50 Stereo bar for mounting 2 microphones 60mm to 170mm apart.

Universal shock mount

Review: The H85 suspension mount fits C2000B/C3000B/C414.

For the new C 414 B-XLS and C 414 B-XL II microphones, AKG designed a new shock mount that differs from the familiar H 100 as follows:

The outside ring has been reduced in diameter from 120mm to 100mm
The color has been changed from black to dark gray
The clamping range has been increased from 22-26mm to 19-26mm to accommodate microphones with cylindrical or conical bodies or connectors including, e.g., the AKG Blue Line and ULS Series.

The H 85 shock mount keeps a lower profile than the H 100 and therefore looks better on the microphone.

The H 85 also matches several other AKG studio microphones, e.g., the C 2000 B, C 3000 B, and C 4000 B.

At present, the only microphones including an H 85 shock mount as a standard accessory are the C 414 B-XLS and C 414 B-XL II.

Microphone stand adapter for AKG HT400, HT4000, HT80, HT81 and C1000 microphones

Review: This rugged microphone stand adapter is designed to mount microphones with straight diameters of 30mm to 39mm, e.g. AKG HT400, HT4000, HT80, HT81 and C1000 microphones. Jaws hinge is on the stand holder at any angle. The stand thread is 5/8" and a 3/8" thread adaptor is included.

Professional table stand

Review: The ST1 is a professional table stand for uneven surfaces, where the ST45 base plate cannot be used. It's easy to fold and due to its small dimensions and its light weight it is ideal to store and transport.

The ST1 perfectly teams up with the SA60 stand adapter, also for use with all Discreet Acoustics Modular Plus series powering modules.

Microphone table stand

Review: The AKG ST 12 Telescopic table microphone stand.

The AKG ST 12 is a rugged telescopic table top stand. This stand will mount all microphones with stand mounts and is suitable for all applications.

Table microphone stand with weighted base

Review: The AKG ST 305 is a rugged table stand, constructed for toughness and durability. At 6.7 inches wide and 3.7 inches tall it is an ideal solution for recording kick drums and amplifiers.

The ST 305 is also ideal of course for desktop use in sound reinforcement applications like conferencing, presentations, lectures etc. This stand will mount all microphones with stand mounts and is suitable for all applications.

Low profile table microphone stand

Review: The AKG ST 45 is a low profile microphone stand with off-center mount and rubber shock mount feet. The ST 45 is ideal for desktop use in sound reinforcement applications like conferencing, presentations, lectures etc. This stand will mount all microphones with 3/8" stand mounts.

Mini table microphone stand

Review: The AKG ST 46 is a heavy duty table stand compatible with any stand adapter, making it perfect for recording conferences, interviews, or round-table discussions.

The ST 46 is also good for positioning kick drum mics such as the AKG D 112 or amplifier mics, like the AKG C 3000 B. A microphone clip is not included.

Review: The Anti Pop Screen/Shield/Filter For Microphones is designed to eliminate any unwanted pop from your microphone recordings. It features a double nylon screen for superior performance. It includes a bracket for clamping to your microphone stand. No recording setup should be without one.

Flexible gooseneck microphone clip

Review: The Audix D-Vice is a sturdy percussion clamp that offers you the ability to rim mount your Fusion Series microphones on a drum. It eliminates the need for bulky microphone stands. This unit's gooseneck design makes it practical and incredibly easy to use.

Position your microphone perfectly on your drum with this convenient clip

Mic to line transformer

Review: Adapts low impedance microphones to high impedance 1/4" inputs.

Ideal for uses such as attaching a microphone to a guitar amp.

Nylon bag for microphones, with soft inner lining and solid zip fastener

Review: The IMG Stage Line MT40 is designed for storing and transporting wireless hand-held microphones or standard microphones with connection cable.

Adapter for connecting a dynamic microphone with XLR output to the USB interface of a computer

Review: The IMG Stage Line USB microphone adapter cable is for connecting a dynamic microphone with XLR output to the USB interface of a PC.

Lightweight microphone stand carry bag (black)

Review: High quality Black Fabric Microphone Stand Carry Bag With 2 Strap Handles and Zipper

Black metal microphone stand with boom arm

Review: A metal professional standard floor microphone stand with boom arm that is adjustable for height, angle and extension. The product features tripod style foldaway legs and has a remarkable stability when in use. The Boom arm extends 760mm.

Review: The pop shield eliminates popping sounds when recording. Spring loaded clip fits most mic stands.

Pack of 5 windshields

Review: A pack of 5 foam windshields to fit most sizes of dynamic microphones.

Adaptor converts 3/8" thread to 5/8" thread

Review: Thread adaptor to convert 3/8" thread to 5/8" thread for use with microphone holders.

Rode Blimp suspension and windshield system

Review: The Rode Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm in length. Its adjustable dual-hoop suspension design greatly reduces handling noise, while the acoustically transparent dome provides protection against wind noise. In addition to Rode shotguns, the Blimp also accommodates most shotgun microphones up to 325mm (12 ¾") in length.

The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included.

The added confidence of a full ten year warranty ensures that the Blimp is by far the best microphone windshield system available, further evidenced by a 2009 Red Dot Award and Australian International Design Award for outstanding product design.

*Excludes normal wear and tear of Dead Wombat furry cover or any misuse, modification or improper storage and transportation of the product.

High quality neoprene carry bag for boompole with shock mount and microphone attached

Review: The BoomPole Bag is a high-quality neoprene carry bag designed to accommodate a boompole with shock mount and microphone attached.

Pack of 5 boompole cable clips

Review: The Rode Boompole Clips are designed to quickly and easily mount onto any Rode boompole to secure the microphone lead and minimise any movement.

Supplied in a pack of 5

MiCon cable management clip

Review: The Clip 1 is a cable management clip, designed to allow optimal mounting of MiCon cables on the microphone user.

Windshield for the Rode Blimp for use in high wind situations

Review: The Dead Wombat windshield is designed for minimising wind noise when recording in high wind conditions using the Rode Blimp.

Windshield used in conjuction with the Rode WSVM foam windshield

Review: The DeadCat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

Furry windshield for the VideoMic Pro microphone

Review: The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments.

Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

Desktop microphone stand for interview, dictation or similar applications

Review: The DS1 is a table top desk stand for your Rode microphones. The DS1 gives you the ability to mount your microphone on a desktop for interview, dictation and other related uses.

The stand has a small but heavy bas to securely desk-mount any microphone. It is height adjustable between 11 and 15.74 inches and includes two cable clips and a 3/8 inch to 5/8 inch adapter.

High quality and lightweight boompole with a maximum length of 2.05 meters

Review: The Rode Mini-Boompole is a lightweight, high grade professional boom pole. The Mini-Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source.

Synthetic fur windshield for outdoor or high wind use of Lavalier microphones

Review: The Minifur-Lav is a synthetic fur cover for the lavalier microphone, designed for use in outdoor or high-wind conditions.

3 supplied in pack.

Suspension mount for Rode NT2-A, NT1000, NT2000, NTK, K2 and Classic II microphones

Review: The Rode NTSM2 Suspension Mount is a high qualiity shock mount for your microphone, providing near-perfect shock isolation, performance after performance amd reducing ambient and low-frequency noise.

It can be used with the Rode NT2-A, NT1000, NT2000, NTK, K2, Classic II and other similar sized condenser microphones.

Threaded attachment (microphone stand or boom pole) suspension mount for Rode NT3, NT4, NT5 and NTG series microphones

Review: The Rode SM4 suspension shock mount gives you the ability to isolate the microphone from external physical factors that may cause unwanted rumble and vibrations in the microphone. The SM4 attaches to any 3/8" or 5/8" threaded microphone stand or boom pole.

Camera mount suspension system for Rode NT3, NT4, NT5 and NTG series microphones

Review: The Rode NTSM5 is a suspension shock mount with ring clamp adaptor for Rode Microphones to be used with high end cameras. The design of the suspension shock mount means the microphone is physically isolated from the stand ensuring that there is no unwanted rumble or vibrations in your recording.

Pistol grip for use with Rode VideoMic and Stereo VideoMic

Review: The Rode PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your Rode VideoMic, Stereo VideoMic, or any other cold-shoe device independently of your video camera. A convenient 3/8" thread on the base allows connection to a boom pole or microphone stand, while the spine features handy cable management.

Shock mount designed to reduce handling noise, for microphone with a diameter of 19-20mm or 21-22.5mm

Review: The RODE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.

It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.

Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.

The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base.

Professional studio boom arm

Review: The PSA1 is a studio boom arm for radio, broadcast, studio and home use. It provides full 360 degree rotation.

The PSA1 has a horizontal reach of 820mm, and a vertical reach of 840mm. It is supplied with velcro cable wraps and both desk-clamp and desk-insert style attachments for versatile mounting in desks up to 55mm thick (clamp) or 70mm (insert).

Designed for the Rode Procaster and Podcaster, the PSA1 supports most microphones weighing between 700g (1.5lb) and 1.1kg (2.4lb) when combined with shock mount.

Please note that the PSM1 shock mount is sold separately.

http://www.youtube.com/watch?v=u-11XA_YXME

Carry bag designed for the Stereo VideoMic and accessories

Review: The SMV Bag is designed to carry the Stereo VideoMic along with spare batteries, shock mount bands and other small accessories.

Collapsible mini tripod stand

Review: A collapsible mini tripod designedfor mounting lightweight microphones that support 1/4" mounting. The tripod allows you to mount the microphone on any surface that will give you a concentrated and centralized location for picking up sound.

Clip designed for mounting Lavalier microphones on violins or similar stringed instruments

Review: The Violin-Clip suspension mount is designed to easily clamp onto the strings of a violin in the bridge area behind the top plate, allowing for the precise mounting of a Rode Lavalier microphone.

Pack of 3 lavalier microphone pop filters

Review: The WS-LAV is a high quality pop filter, designed to fit the Lavelier microphone. A pop filter should be fitted in the majority of applications to prevent any hard plosive sounds overloading the microphone capsule. The WS-LAV is supplied as a pack of three.

Microphone windshield

Review: The WS2 windshield provides additional protection for the microphone capsule against any wind noise or plosives.

Pop filter and wind shield designed for the Rode NT3

Review: The WS3 windshield provides additional protection for the microphone capsule against any wind noise or plosives.

Pop filter and wind shield designed for the Rode NT4

Pop filter and wind shield designed for the Rode NT5

Review: The WS5 windshield provides additional protection for the microphone capsule against any wind noise or plosives.

Deluxe windshield for use with NTG1 and NTG2 shotgun microphones

Review: The Rode WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions. It is suitable for the Rode NTG1 and NTG2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.

Deluxe shockmount suitable for Rode NTG-3 or any shotgun microphone with maximum slot length of 186.5mm and diameter of 19-20mm.

Review: The Rode WS7 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones.

Designed to reduce wind noise when recording in adverse environmental conditions, the WS7 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area.

Suitable for the Rode NTG-3 and any shotgun microphone with a maximum slot length of 186.5mm (7 1/4") and a diameter of 19-20mm.

Pop filter & windshield designed for the Rode VideoMic, NTG-1 and NTG-2

Review: The WSVM windshield provides additional protection for the microphone capsule against any wind noise or plosives.