Effects units

Phrase sampler guitar effects pedal, fantastic tape echo effect and performance looper

Review: The Akai Professional E2 Head Rush combines delay, tape echo, and a looping recorder in a single pedal. User-selectable delay options allow for maximum control of output signal. Real-time feedback and gain adjustment as well as echo rate enable sounds to be shaped with precision.

The E2 Head Rush also simulates a 4-head analog-tape machine with control of decay and spacing between virtual-tape heads to create complex multiple delays and repeats. The signal from each virtual head appears on an individual output for multiple returns when used with an external mixing console or multiple amps.

Looping Recorder mode enables you to record and overdub layer after layer of sound in real-time, making the E2 Head Rush an unbelievable live performance tool.

Depending upon which mode is selected, the left footswitch controls the on/off and play/stop functions while the right footswitch sets the tap delay time or recording and overdub options. The LED display indicates which effect in use and blinks in time showing the delay time selected.

The E2 Head Rush empowers you to bring back sounds of yesterday, blend them with the ruggedness and flexibility of today's technology, and add new functionality. Every effect-pedal board needs one.

http://www.youtube.com/watch?v=_jVITuwiw-g

Alesis 3632 Dual Channel Compressor/Limiter/Gate

Review: The Alesis 3632 Compressor is a follow-up to the 3630 Compressor; the most popular dynamics processor ever made.

The Alesis 3632 Compressor builds on the popular design and features of its predecessor. This easy-to-use unit provides two independent full-featured compressor/ limiters in one compact rack space with excellent sonic quality for any application from studio recording to live sound or broadcast.

The 3632's compressor attack and release times can be automatically set dependent on the source material, or full manual control can be exercised. The unit can function as either two separate processors, or stereo linked to provide true stereo compression. An adjustable expander/gate and very low distortion Voltage Control Amplifiers (VCA) deliver smooth sound.

A sidechain function allows the 3632 Compressor to be placed in an external effects loop, while a second, internal sidechain employs a switchable low-cut filter to help control pumping due to heavy low-frequency content. LED meters on each channel display gain reduction and input/output levels.

Universal 2 mode A/B footswitch for guitar amp or instrument output selection

Review: When you need to switch between amps or instruments during a live performance, let the Instrument/ Amp Selector AB100 be your personal light-speed stagehand.

This must-have stomp box features a primary input, a dedicated output and an additional output that can double as a second input. Just flip the Mode switch to determine whether you want to use two instruments through one amp or one instrument through two amps.

With its two dedicated Level dials, you can precisely determine the amount of volume you want to send to each amp, or the level of the signals from your two instruments. A top-quality on/off switch ensures noise-free, instantaneous operation, and dual LED indicators show which inputs or output are activated. You can power the AB100 pedal with either a 9V battery or the Behringer PSU-SB DC power supply (not included).

Stereo delay & echo effects pedal

Review: The DD600 is the ultimate digital delay effects pedal for subtle to substantial echo delays. Compare it to delay boxes costing three times as much and you'll find yourself returning to this remarkable pedal every time. The pedal has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra Pan Out output, a bright blue LED to indicate the power status and battery condition, as well as an electronic bypass footswitch which preserves signal integrity. The DD600 can be powered by either the Behringer PSU-SB DC power supply or a typical 9V battery.

Digital stereo reverb effects pedal

Review: You wouldn't think of using anything less than best reverb you could get in the studio. So why skimp on the 'verb at your live gig? Now you can add studio-grade reverb to any amp with the mind-blowing Digital Reverb DR600.

This 24-bit, high-resolution collection packs six of the most desired reverb types (Spring, Plate, Hall, Room, Gate and Modulate) into the ultimate to-go package. With its dual output jacks, you will dazzle your audience with true stereo reverb.

Just select the reverb type with the Mode control, and then dial in the Level, Tone and Time. It just doesn't get any easier than this. The blue LED tells you when the DR600 is activated, and the top-quality on/off switch maintains incredible signal integrity when in bypass mode. You can power the DR600 with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Feedback Destroyer & Parametric EQ with 40 FBQ filters & 96 kHz sampling rate

Review: The FBQ2496 Feedback Destroyer Pro is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to offer a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.

Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and intelligently locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to eliminate feedback frequencies, leaving the remainder of your signal virtually untouched. And with the Set-and-Forget default setting, plus the Panic button, the Feedback Destroyer can be up and running in a matter of seconds.

The Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.

With the FBQ2496's various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix. And the FBQ2496 is more than just handy, it's affordable!

Ultimate filter modeling effects pedal

Review: Your guitar is designed to deliver a tasty range of tones, from rich lows to warm mids to chiming highs. But when you start pulling certain frequencies out of the equation with the help of the FM600 Filter Machine, cool and unusual things start happening.

From funky wah-like sounds to off-the-wall, vocal-like squall, the FM600 can take your sound to some truly alien territory. This pedal is equipped with Behringer's Real Sound Modeling technology to make your guitar sound like it is in an acoustically perfect environment of its own design. It must be heard to be believed!

Choose from a Band Pass, Low Pass or Twin Pass, then flip the POL switch to determine whether the filter applies to high or low frequencies. Fine-tune this funky sound with the dedicated Sensitivity, Range and Peak dials. The blue LED tells you when it's activated, and the tough On/ Off switch maintains excellent signal integrity in bypass mode. You can power the FM600 with a 9 V battery or a DC power supply (not included).

Noise Reduction Effects Pedal

Review: So you love the bite, twang and snap of single-coil pickups but can't stand the nasty hum that comes along for the ride: plug into the Behringer Noise Reducer NR300 and kiss unwanted noise goodbye for good!

The NR300 actually functions as two pedals in one. In Reduction mode, you can adjust the dedicated Threshold and Decay dials to keep all your tone and dynamics intact, but effectively eliminate hum from the picture. In Mute mode, the NR300 becomes a super-quiet on/off switch for your instrument.

Operation couldn't be easier. The NR300 features two LEDs, one to indicate when it's activated, another to indicate when it's suppressing noise. You can power this pedal with either a 9 V battery or the PSU-SB DC power supply (not included). And the top-quality on/off switch maintains absolutely noise-free operation.

Volume and tone boost foot pedal

Review: No matter what kind of electric instrument you're playing, there are times when you need to push your sound to the next level. Nothing gets you there like the Preamp Booster PB100. Like a dose of sonic steroids, the PB100 can push a tube amp into a beautiful state of natural break-up, make piezo pickups sound punchy and powerful, or give you that extra bit of loudness or tone, to cut through during your solo.

With its dedicated Bass, Treble and Gain dials, the PB100 not only allows you play to louder, it also lets you add enhanced highs and lows to your sound. A super-bright LED tells you when it's activated, and the high-quality on/off switch maintains excellent signal integrity when operating in bypass mode. The PB100 can run on either a 9 V battery or the Behringer PSU-SB DC power supply (not included).

2 Mode Flanger Effects Pedal

Review: From vintage analog flanging to jet-plane thick chorus, vibrato and short delay, the Ultra Flanger UF300 is the flanger pedal that does it all.

The UF300 offers two modes of operation: Mode I with its negative feedback, and Mode II for positive feedback. In Mode I, the signal is inverted before it is mixed with the original. Because Mode II doesn't invert the signal, the resulting sound is more out of tune with the original, making the UF300 ideal for vibrato-style effects.

Tweak either mode with the dedicated Manual, Depth, Rate and Res(onance) controls. The blue LED tells you when it's activated, and the first-rate on/off switch maintains incredible signal integrity in bypass mode. You can power the UF300 flange-of-all-trades with a 9V battery or the PSU-SB DC Power Supply (not included).

Distortion effect pedal which adapts and reacts to the dynamics of its input signal

Review: Powered by Multi-Dimensional Processing technology (MDP), the DA2 Adaptive Distortion delivers ideal distortion tones wherever you play on the guitar neck.

Roland's innovative MDP technology analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

Unlike standard distortion pedals that process the entire guitar signal with one effect, the DA2's Multi-Dimensional Processing employs multiple distortion processors to seamlessly adapt the sound in real time and create the ideal tone for every register. As a result, the pedal delivers a rich, musical distortion that plays well all over the neck, from tight, edgy low-string tones to fat, smooth highs for lead playing. With the power of MDP, the DA2's distortion is dramatically responsive to your playing dynamics, and every note is heard with clarity and definition.

http://www.youtube.com/watch?feature=player_embedded&v=bO8ZkGoljII

Multi effect and amp modeling pedal with USB audio interface functionality

Pitch shifting effects pedal for guitar

Review: Meet the new Boss Harmonist, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. It's easy to create rich, three-voice harmony: choose a major or minor key, and set the Shift knob to 3-Voice, that's it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.

Looping pedal with up to 3 hours of stereo recording time and USB connectivity

Review: The Boss RC-3 Loop Station is a compact looper pedal with up to 3 hours of stereo recording time, storage for 99 loops and a rhythm guide. It even has USB 2.0 connectivity for backing up your files or for importing loops from a computer into the pedal itself. The Boss RC-3 has 2 different looping modes as well as an auto-quantize feature for perfect timing every time you loop! You can use the RC-3 to record and loop a variety of different instruments, from guitars to keyboards to mics and more!

Roland Space Echo RE-201 simulator

Review: One of the most beloved echo effects ever made, the Roland RE-201 Space Echo, has been reborn as the Boss RE-20 Twin Pedal.

Roland and Boss have recreated every sonic detail and nuance of the original. Experience the legendary tape-echo sound of the RE-201, and get lost in space with this retro-modern marvel.

All guitarists should have this amazing twin pedal, most of the pro's already do.

The battery life on the RE20 is fantastic for a compact pedal as running time is around 36 hours on 6 x AA alkaline batteries, but it also accepts an optional Boss PSA power adaptor.

www.youtube.com/watch?v=2xr9P4MSl80

Rotary speaker emulation effects pedal for guitar

Review: From The Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind, Boss proudly presents the RT20 Rotary Sound Processor. Employing COSMr-modeling technology, the RT20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT20 can be used to create unique overdrive and pulsating effects as well. This pedal sounds amazing, and offers a stunning graphical view of the virtual rotors on its built-in display.

Unique delay & echo pedal which reacts and adapts to the dynamics of your playing

Review: Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Analogue chorus effect pedal

Review: A fully analogue chorus effect pedal to give a lush, ringing effect to any guitar line. This process especially lends itself to clean arpeggios and jangly chord sequences, giving the impression of width and spread. The CH-50 provides this across many settings to suit various guitar styles.

Analogue delay effect pedal for guitar

Review: A true analogue delay effect pedal for guitar to produce echo and doubling effects. Vintage delay effects are possible from rockabilly slap-back to multi-repeat echoes.

A distortion pedal for guitar with recessed controls

Review: Chord produced the DS-50 Distortion pedal to meet the needs of people looking for excellent tone on a smaller budget.

The DS-50 will go from subtle warm fuzz right up to full on gain smothered distortion all with a few tweaks of the simple three control parameters. di-cast metal case with rubber treadle.

Single 3-band constant Q graphic EQ, +/-6/+/-12 cut/boost ranges, comes with balanced and unbalanced XLR and TRS I/O, input gain control, 4-segment LED meter

Review: When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, the dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, 12 dB input gain, switchable +/-6 dB or +/-12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.

Dual channel dual compressor/limiter/gate with Overeasy & Hard Knee compression, expander and XLR connectors

Review: The DBX 166XS is an affordable studio or live sound dual channel dual compressor/limiter/gate with Overeasy & Hard Knee compression, expander and XLR connectors.

The DBX 166XS brings a completely new level of compressor/gate performance within everyones reach. It uses advanced gate circuitry to yield ultrasmooth release characteristics, no matter how complex the signals. The stereo couple mode with True RMS power summing produces a solid image, even with high compression. Full sidechain functionality. With Hard Knee or OverEasy compression algorithms.

2 channel stereo or dual mono compressor/ gate

Review: Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments.

The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Over-easy compression technology provides smooth and musical performance while the Auto-Dynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The compressor can operate in either stereo or dual mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. Gain reduction metering and easy to read backlit switches are also included, to provide you with all the visual feedback you need to see what the compressor is doing.

Tube overdrive effects pedal for guitar

Review: The HardWire CM-2 Tube Overdrive adds a new dimension to your tone. Overdrive should be transparent and responsive to your touch and the CM-2 Tube Overdrive offers this with two modes of operation: Classic and Modified. Classic is transparent and articulate while Modified adds more gain and a bigger low end. As with all HardWire pedals, the CM-2 is crafted from premium all-metal components to perform night after night, tour after tour.

Tube overdrive effects pedal

Review: The Bad Monkey Tube Overdrive gives your amp a boost just when you need it. It has been compared to the TS-808 but with having the unique ability to smooth out the distortion by use of the low and high EQ controls.

Most overdrive pedals give you one tone control knob thus limiting your tonal options. You asked for a pedal that will maintain your guitar's distinct tone and DigiTech delivered! With its rugged design, separate mixer and amp outputs, and amazing tonal options, this pedal truly is a Bad Monkey. From Blues to Rock to everything in between, it will give you that amazing overdriven tube amp sound that will keep begging you to crank it up.

www.youtube.com/watch?v=OTzfu4Sczr4

Digital guitar effects pedal

Review: The Screamin' Blues Overdrive/Distortion pedal was designed for guitarists who want a pedal that responds to their unique playing dynamics while retaining the tone of their guitar and amp. Play lightly and you get a subtle overdrive, dial up the gain and dig in to get rich harmonics and killer sustain.

Instead of the one knob does it all tone adjustment, you get low and high EQ adjustments to dial in that perfect sound you are looking for. If you want subtle you got it; you want your guitar to scream; you can have that too. Get it all in one rough rugged designed stomp box that gives you more output and tonal options than the other guys.

www.youtube.com/watch?v=N00yr6BzCkA

Stereo chorus pedal for guitar

Review: With its stereo input and output, the DigiTech HardWire CR-7 is a chorus pedal offering you 7 chorus effects, ranging from Multivoice and Studio to Boutique, Vintage, and more. Precision control knobs include speed, depth, level, and type. True bypass and high-voltage operation are standard features on the DigiTech CR-7 pedal.

The DigiTech HardWire pedals series represents DigiTech's commitment to quality and attention to subtle details. In addition to technical enhancements like true bypass and high voltage operation, all HardWire pedals feature rugged, all-metal construction; a wide, stage-stable footprint; durable, custom-machined metal knobs for a sure grip; and precision potentiometers that guarantee knob positions will stay intact.

The rugged, durable construction of DigiTech Extreme Performance Pedals is just the beginning. Inside each DigiTech HardWire pedal are technological features that serious players requireiall updated and improved to their utmost. True bypass preserves the purity of your original tone as signal passes through the pedal, and high voltage operation further protects your sound by eliminating clipping and other signal degradation caused by power drain.

With the high-output pickups found on some electric guitars, it's not unusual to hear clipping when playing through an effects pedal. This occurs when the voltage range produced by a guitar's pickup is greater than the operating voltage of the effects pedalinormally limited to the voltage supplied by the effect's battery or power supply. HardWire pedals incorporate circuitry that increases the operating voltage headroom above that of the typical pedal. As such, HardWire pedals benefit a wider range of guitars and are also at home in an amplifier's effects loop.

Metal distortion guitar effects pedal with 2 high-gain amp tone circuits

Review: The TL-2 Metal Distortion has 2 high-gain amp tone circuits at your disposal. Tight Mode gives you a responsive, percussive low end with smooth high frequencies. Loose Mode features a low EQ that best suits detuned guitars and produces a massive amount of low end grind. As with all HardWire pedals, the TL-2 is crafted from premium all-metal components to perform night after night, tour after tour.

http://www.youtube.com/watch?v=Fzgxc62ZWSk&feature=player_embedded

Guitar stompbox pedal with iOS connectivity for downloading new sounds and effects

Review: The iStomp is an entirely new concept in guitar stompboxes that allows musicians to program the effect pedal with any sound they want.

The iStomp pedal connects to an Apple iOS device using the DigiTech Smart Cable allowing the user to download their effect of choice to the pedal via the Stomp Shop app. The Redline overdrive and Total Recall delay are offered free with the pedal, with around 24 other effects available to download, each with a free 10 minute demo. The iStomp ships with the Smart Cable, power supply, resuable labels and two authorisations.

http://www.youtube.com/watch?v=y5NCAOzJj94&feature=player_embedded

Stereo looping pedal with 35 minutes of looping (expandable up to 16 hours) and USB connectivity

Review: DigiTech has raised the bar with the new JamMan Stereo Looper, which has the ability to store 35 minutes of CD-quality loops in 99 internal memories, as well as having an SD memory card expansion slot with the ability to store over 16 hours of material in an additional 99 slots.

The JamMan Stereo also features true stereo looping, reverse playback, and a mic input making it perfect for backing tracks or DJ applications.

Other features include USB connectivity which allows the pedal to be synced to DigiTech's free JamManager software, enabling you to to organize and save your JamMan Stereo loops to PC or Mac. JamManager also lets you quickly create custom JamLists to take to your gig.

Modeling guitar processor with AudioDNA2 DSP

Review: This guitar modeling processor is hot-rodded from the engine out. Powered by the new AudioDNA2 processor, the RP70 features your favorite boutique models including wah, stompboxes, amplifiers, cabinets, modulation effects, delays, reverbs, and special effects like DigiTech's Whammy. Aside from an arsenal of models to choose from, the RP70 features tone and effect libraries allowing you to quickly program sounds with ease. Completing the RP70 are 100 aggressive sounding presets that appeal to today's modern players.

Distortion guitar effects pedal

Review: The Digitech XHR Hot Rod is a guitar effect stompbox pedal. Select and morph between different rock distortion types.

The Digitech XHR Hot Rod distortion stompbox features a huge range of different distortion types that can be morphed into different combinations as you rotate the Distortion Morph knob. This gives you a near unlimited supply of combinations. Now, you are no longer stuck with only one distortion type in a pedal. But that's not all. There are 2 outputs, 1 for normal signal out, and 1 that features advanced cabinet modeling for live and recording direct-to-board applications. And instead of the standard stompbox tone controls, Digitech have incorporated their innovative spectral-contouring EQ, which delivers a far greater tone range than other distortion stompboxes.

www.youtube.com/watch?v=jlf4NSIjdw8

An analog envelope filter pedal, runs in 3 x modes: Hi-Q, Up and Down

Review: The EBS BassIQ is an analog envelope filter pedal that is triggered by the notes you play. The results are the funkiest and most responsive sounds in a stomp box.

The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or Funkadelic sound. It features controls for threshold and attack, and runs in 3 different modes, Hi-Q, Up and Down.

http://www.youtube.com/watch?v=B5gV8KEJItk&feature=player_embedded

Phase shifter with 3 x phaser effects modes: Short, Long, and Wide

Review: With the EBS DPhaser, you get a choice of 3 very distinct and different phaser effects. Explore classical 70's sounds up to hyper modern swarling phasing effects.

So what are these choices? There's Short, which is the classic phaser effects recognised from the 70's, Long, which emphasises the effects a bit more, and Wide which gives you extreme swarling flanger-like effects.

Use the hi, lo and off modes to change the resonance of the effect and the 2 x controls change the width and rate. Furthermore, you can set a lot of parameters inside the box for fine tuning your sound.

Built with highest quality components, the EBS DPhaser uses 24-bit digital processing circuitry for fantastic performance for the stage and the recording studio. The pedal provides juicy analog sound, but the use of digital technique allows it to be compact just like the other pedals in the Black Label Pedals series.

www.youtube.com/watch?v=8yubOUUYb6w

High dynamics stereo reverb

Review: With the EBS DynaVerb, your choice ranges from 8 different true stereo digital reverb effects, from Rooms, to Plates, to Halls.

The EBS DynaVerb use a 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It has stereo input as well as stereo out and is just as good for guitar as it is for bass, or keyboard.

http://www.youtube.com/watch?feature=player_embedded&v=hb0z_IcRB24

Modulation effects stompbox with 29 x effects

Review: Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, the ModFactor fits on your pedalboard or in your gigbag.

Premier recording studios worldwide use Eventide on hit after hit. The ModFactor features Eventide's 29 best modulation effects without compromising quality or flexibility.

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.

Easy to upgrade; download new software from the Internet and install via USB.

29 of Eventide's signature stereo or mono effects:
Liquid chorus
Shimmer chorus
Organic chorus
Classic chorus
Negative phaser
Postive phaser
BiPhase phaser
Feedback phaser
PhaseX0 phaser
WahWah Q-Wah
Voc-Wah Q-Wah
Positive flanger
Negative flanger
Jet flanger
Thru-o flanger
Lowpass modfilter
HiPass modfilter
BandPass modfilter
Standard rotary
Giant rotary
Bias tremolo
Opto tremolo
Modern vibrato
Vintage vibrato
Retro vibrato
Pitch undulator.
Feedback Undulator
Ring (DC) Ringmod
String (AC) Ringmod
Studio quality sound

Twin delay stompbox

Review: Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, TimeFactor fits on your pedalboard or in your gigbag.

Top recording studios worldwide use Eventide effects on hit after hit. The TimeFactor includes Eventide's best delay effects from the last 39 years without compromising quality or flexibility.

Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.

Easy to upgrade; download new software from the Internet and install via USB.

www.youtube.com/watch?v=5JOLnTT0mh0

Personal multi-effects processor with 400 x guitar, bass, and song presents, 100 x rhythm programs

Review: The first-generation Pandora appeared in 1995. This revolutionary product dramatically changed the concept of a multi-effect unit, placing great sound and unheard of versatility into a compact body. Constantly evolving, the Pandora Series became a long-selling favorite for guitarists and bassists around the world.

As its mini name implies, the 2011 Pandora mini is an ultra-compact unit. Korg's proprietary Rems Resonant structure and Electronic circuit Modeling System delivers 158 x sophisticated effects; 200 x preset programs provide stage-ready sounds for numerous genres and playing styles. Of those, 115 are song presets; each one ready to accurately recreate the specific sound used by a famous guitarist on one of their signature songs. The rhythm function lets you enjoy playing to a beat, and is bound to make your practicing even more fun. The Pandora mini is the single product that excels in any situation, practicing at home, recording, even warming up backstage or on tour.

Personal multi-effects processor with 400 x guitar, bass, and song presents, 100 x rhythm programs

Review: The first-generation Pandora appeared in 1995. This revolutionary product dramatically changed the concept of a multi-effect unit, placing great sound and unheard of versatility into a compact body. Constantly evolving, the Pandora Series became a long-selling favorite for guitarists and bassists around the world.

As its mini name implies, the 2011 Pandora mini is an ultra-compact unit. Korg's proprietary Rems Resonant structure and Electronic circuit Modeling System delivers 158 x sophisticated effects; 200 x preset programs provide stage-ready sounds for numerous genres and playing styles. Of those, 115 are song presets; each one ready to accurately recreate the specific sound used by a famous guitarist on one of their signature songs. The rhythm function lets you enjoy playing to a beat, and is bound to make your practicing even more fun. The Pandora mini is the single product that excels in any situation, practicing at home, recording, even warming up backstage or on tour.

Stereo reverb/effects processor with USB hardware plug-in capability

Review: Whether you're looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon bring the best of both worlds together in the MX200 Dual Reverb/Effects Processor. Designed with both live sound reinforcement and home recording in mind, the MX200 features the deep, rich reverb and effects algorithms that built the Lexicon legend, and adds increased versatility with specialty effects and DBX dynamics. Each of the 32 stunning reverbs and effects, and their parameters, are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor/Librarian and VST/Audio Units software, and bring 35 years of Lexicon heritage to your desktop.

In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in effects, but many still yearn for the rich, complex sound found in a dedicated hardware processor. Lexicon provide a USB interface with intuitive cross-platform VST and Audio Unit plug-in windows, allowing the MX200 to function as a hardware plug-in, recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in effect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio, the application window of their recording software. A powerful cross-platform Editor/Librarian software package is included as well. The MX-Edit lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Macr or Windowsr XP computer.

Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb/Effects Matrix that constantly displays which 2 of the 32 available effects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Effects Select, Tempo, Bypass and 3 parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from 5 digitally-recorded audio samples to Audition the selected effects.

Either way you choose to use the MX200, live or in the studio, you can choose 2 legendary Lexicon reverbs and effects at once in one of four flexible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary effects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected effect) and Store button.

www.youtube.com/watch?v=Sefauu4OyJU

4-in/4-out reverb/effects processor with USB hardware plug-in capability

Review: Plug-in programming and recall with the power of Lexicon hardware.

You want the rich, luscious sound that's defined studio reverb for three decades: a genuine Lexicon hardware processor. But you also want the flexibility of programming high-quality effects right inside your DAW program...without bogging down your CPU or resorting to expensive processing cards.

Have it all with the MX400. All parameters of every reverb, delay and dynamic effect in this powerhouse quad processor are available inside any AU compatible DAW program. Just link your computer to the MX400 with a USB cable and control all automation and recall parameters exactly as you would with any software plug-in i while enjoying the sonic benefits only Lexicon hardware can provide.

Along with Lexicon's unique hardware plug-ins for PC and Macr, they have also included MX-Edit Librarian software so you can store and recall custom programs or pull up your choice of 223 genuine Lexicon settings including 25 dedicated Surround Programs. At its heart, the MX400 is everything you would expect from the company that invented digital reverberation. Seventeen Lexicon reverbs, delays and modulation effects plus dbxr compression and de-essing. A generous LCD display and big comfy knobs you can get your hands around.

Get a demo at your Lexicon dealer. And then get on the road to creating a hit.

Meet the most Lexicon power ever offered in a super-affordable 1RU effects processor. Perfect for band PAs, churches and clubs.

Lexicon know you need to be able to make changes quickly, so they designed the MX400's intuitive front panel to be a bare minimum of knob tweaks away from any adjustment or effects change. For example, 3 individual, assignable parameter controls mean you don't have to page through menus to fine tune a reverb tail. Because you can use its built-in DBX compression and de-essing in tandem with reverb, the MX400 is the perfect tool for taming problem vocalists. Finally, you can rely on the MX400 for years to come, through countless load-ins and loadouts, although its sound is A-studio-quality, Lexicon designed the MX400 to withstand dust, moisture, shock, power surges and all the other rigors of live sound use.

http://www.youtube.com/watch?v=dosnzfcRjvg

Control processor for use with Minimoog Voyager or any similar voltage-conrolled equipment

Review: The CP251 Control Processor can be used in connection with one or more Moogerfooger analog effects modules, the Minimoog Voyager, or other voltage-controlled gear, adding the same kind of power and versatility of the classic Moog modular synthesizers.

There are two kinds of signals in a modular analog synthesizer: audio and control. As audio signals go through a system of synthesizer modules, they get shaped into the sounds that you hear. Control signals, on the other hand, correspond to the variations in the sound that are imparted by the synthesizer modules, like invisible hands that turn the knobs of the modules.

The CP251 provides a dual waveform LFO, Noise Generator, Sample-and-Hold circuit, as well as two attenuators, a lag processor, a CV mixer and a 4-way mult. This gives you ways to modify, mix, and distribute control voltages to produce the incredible variety of sounds and effects that analog synthesizers are famous for.

Limited edition, updated reissue of the classic Bob Moog design

Review: Originally designed by Bob Moog and released in 2000, the Classic MF-104 Analog Delay was manufactured as a limited edition release of 1000 units. A special Bucket Brigade delay chip was employed allowing the effect to remain completely analog. Unfortunately, the supply of these chips was limited and the final MF-104 sold in 2001. Since then there have been two reissues of the Classic MF-104, the MF-104Z and the MF-104SD. In that time, each has been added to a short list of the most sought after analog delays in history.

Limited edition, updated reissue of the classic Bob Moog design

Review: Originally designed by Bob Moog and released in 2000, the Classic MF-104 Analog Delay was manufactured as a limited edition release of 1000 units. A special Bucket Brigade delay chip was employed allowing the effect to remain completely analog. Unfortunately, the supply of these chips was limited and the final MF-104 sold in 2001. Since then there have been two reissues of the Classic MF-104, the MF-104Z and the MF-104SD. In that time, each has been added to a short list of the most sought after analog delays in history.

Unique pedal featuring 8 resonant filters with extensive onboard, expression pedal, or MIDI control capabilities

Review: Murf stands for "Multiple Resonance Filter Array". What this means is the Murf has 8 filters, with each ones level controlled by a slider. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or a footswitch via the tap tempo input, to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

Murf shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The Murf is housed in the classic Moogerfooger double-wedge enclosure that may be used on a table or on the floor. For all players, the Murf will open up new sonic worlds for you!

Unique pedal featuring 8 resonant filters with extensive onboard, expression pedal, or MIDI control capabilities

Review: Murf stands for "Multiple Resonance Filter Array". What this means is the Murf has 8 filters, with each ones level controlled by a slider. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant.

What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or a footswitch via the tap tempo input, to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix.

Murf shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The Murf is housed in the classic Moogerfooger double-wedge enclosure that may be used on a table or on the floor. For all players, the Murf will open up new sonic worlds for you!

Unique oscillator pedal with modulation controlled by its input signal

Review: The Moog Moogerfooger MF-107 FreqBox is quite different from other effects, in that the effected sound is not a processed version of your input, but rather the sound of your input signal modulating the FreqBox's internal oscillator. The FreqBox sports a VCO with a continuously variable waveshape, as well as the ability to modulate the oscillator hard synced by the input signal, frequency modulated by the input signal, modulated by an envelope follower that tracks the dynamics of the input signal, or even with the VCO amplitude also tracking the dynamics of the input signal. With so many options, you can begin to see how versatile the MF-107 FreqBox is!

The FreqBox does Hard Sync, a classic analog synthesis technique whereby the start of an oscillator's cycle gets reset by another. The oscillator being synced takes on the frequency characteristics of the effecting oscillator, and when its frequency is swept, it emphasizes the harmonics of the fundamental frequency. In the FreqBox, the input signal is used to reset the FreqBox's VCO. FM (Frequency Modulation - commonly associated with early digital synthesizers) is a technique that gives you rich sounds from simple waveforms. The FreqBox uses linear FM, generating sounds ranging from bell- or gong-like tones to sizzling sweeps.

Unique oscillator pedal with modulation controlled by its input signal

Review: The Moog Moogerfooger MF-107 FreqBox is quite different from other effects, in that the effected sound is not a processed version of your input, but rather the sound of your input signal modulating the FreqBox's internal oscillator. The FreqBox sports a VCO with a continuously variable waveshape, as well as the ability to modulate the oscillator hard synced by the input signal, frequency modulated by the input signal, modulated by an envelope follower that tracks the dynamics of the input signal, or even with the VCO amplitude also tracking the dynamics of the input signal. With so many options, you can begin to see how versatile the MF-107 FreqBox is!

The FreqBox does Hard Sync, a classic analog synthesis technique whereby the start of an oscillator's cycle gets reset by another. The oscillator being synced takes on the frequency characteristics of the effecting oscillator, and when its frequency is swept, it emphasizes the harmonics of the fundamental frequency. In the FreqBox, the input signal is used to reset the FreqBox's VCO. FM (Frequency Modulation - commonly associated with early digital synthesizers) is a technique that gives you rich sounds from simple waveforms. The FreqBox uses linear FM, generating sounds ranging from bell- or gong-like tones to sizzling sweeps.

Moogerfooger series chorus, flange and vibrato effects pedal with MIDI & CV control

Review: The Moog Cluster Flux is an ultra-powerful and flexible, sound-sculpting tool for use live or in the studio.

Expansive functionality combined with warm and analog sound come from the state-of-the-art all-analog audio signal path. Musical, flexible, playable and durable, the Moog Cluster Flux is capable of providing classic flanging, chorusing and vibrato effects, but is also capable of a much wider range of modulated delay line effects than traditional stomp boxes in this class due to the wide range of the front panel controls, the multi-waveform LFO, as well as CV and MIDI Control.

The Moog MF-108M Cluster Flux is more powerful than traditional chorus/flange effects offering musicians the added modulation of multiple LFO waveforms: sine, triangle, square, saw, ramp and random, to create many kinds of new modulated BBD delay effects. Furthermore, MIDI inputs allows control of delay time, range, feedback, output level, LFO waveform, LFO rate, LFO amount and mix.

www.youtube.com/watch?v=jlb4anEONKE

Moogerfooger series chorus, flange and vibrato effects pedal with MIDI & CV control

Review: The Moog Cluster Flux is an ultra-powerful and flexible, sound-sculpting tool for use live or in the studio.

Expansive functionality combined with warm and analog sound come from the state-of-the-art all-analog audio signal path. Musical, flexible, playable and durable, the Moog Cluster Flux is capable of providing classic flanging, chorusing and vibrato effects, but is also capable of a much wider range of modulated delay line effects than traditional stomp boxes in this class due to the wide range of the front panel controls, the multi-waveform LFO, as well as CV and MIDI Control.

The Moog MF-108M Cluster Flux is more powerful than traditional chorus/flange effects offering musicians the added modulation of multiple LFO waveforms: sine, triangle, square, saw, ramp and random, to create many kinds of new modulated BBD delay effects. Furthermore, MIDI inputs allows control of delay time, range, feedback, output level, LFO waveform, LFO rate, LFO amount and mix.

www.youtube.com/watch?v=jlb4anEONKE

Linear wave sampler with 29 onboard effects and 90 minutes of stereo sampling time

Review: Powerful, on-the-go sampler! The SP404SX puts you in touch with unbelievable sound quality in a compact format. The fun really begins with the enhanced pattern sequencer, complete with quantize mode for in-the-pocket grooving. The SP404SX has 29 built-in DSP effects, so you can get creative with filter, delay, and more. Don't worry about running out of space, you get a 1GB SD card for 90 minutes of stereo sampling time. And with support for up to 32GB SD cards, you can sample up to 48 hours (stereo!) with your Roland SP-404SX.

Desktop spring reverb

Review: Today's digital effects and plug-ins can create almost perfect room simulations. However, when it comes to characteristic and charismatic reverb, analogue effect-processors are yet to beat. The reverberating sound of a spring is so lively and unique that its sound is almost impossible to recreate in the digital domain. In addition to this, Retroverb Lancet is not just a spring reverberation system - it is an analogue multi-effects-processor. It offers overdrive, filtering, VCA, envelope and LFO to manipulate the spring sound and create different sounds like auto-wah, tremolo, distortion, delay, gater and of course reverb.

The typical spring reverb sound is generated by a Belton/Accutronics type 4 spring tank with 3 individual springs. It can be placed pre or post the VCF/VCA section and equalized by the Tone parameter.

The Crash function generates the popular thunder effect that occurs when kicking an amplifier with spring tank. You don't have to kick Retroverb Lancet you simply can achieve this effect by pressing the Crash button. It also can be triggered by a Gate voltage.

The multimode filter works as lowpass or highpass with a slope of 24 dB per octave or as bandpass with 12 dB per octave. It is followed by a voltage controlled amplifier. The filter and amplifier can be modulated individually by different sources.

The Retroverb Lancet offers 3 internal modulation sources:

Envelope follower: the envelope follower converts the amplitude characteristic of the audio input signal into a control voltage.
Envelope generator: the envelope generator can be triggered by the input signal itself, a second audio signal or a gate voltage. Depending on the trigger source it works as Attack-Decay or as Attack-Sustain-Release envelope.
LFO: the LFO offers saw up and saw down, square, sine as well as sample&hold. Additionally it can use the envelope generators settings as waveform. It can oscillate freely or reset by different trigger sources.

The Retroverb Lancet also offers a CV/Pedal input which can be feed by external control voltages or can be used with expression pedals.

www.youtube.com/watch?v=3aL7LrtsWsE

1U spring reverb unit using a spring tank from Accutronics, good for any kind of audio signal

Review: The VSR-3 is a spring reverb device with focus on simplicity and excellent sound.

More than 70 years ago spring reverbs were used for bringing the large reverberated cathedral sounds to the homes of Hammond organ players. Meanwhile the sound became classic and you will find spring reverb devices in most studios around the world and even today it is kinda standard in guitar amplifiers.

The imperfectness is what makes the VSR-3 perfect for any kind of audio signal: organs, synthesizers, acoustic and electric guitars, vocals, (electronic) drums, whatever you like, it always adds that clashing and resonant but always musically and warm reverb sound.

Like the ReTubeVerb, the VSR-3 uses a spring tank made by specialist Accutronics. The reverb signal can be refined by a well-adjusted tone controller and seamlessly added to the unaffected original signal. Simple but effective.

Thanks to the well-shielded, internal switching power supply the VSR-3 works smoothly on any place in the world. In its 1U rack-housing it not even takes much physical space but will create much acoustic space.

Multi-delay & looper pedal

Review: The Vox DelayLab effects pedal features a range of 30 diverse delay effects, as well as a stereo looper function that can capture up to 28 seconds, 30 stage-ready programs and a wealth of extras, all packed into a sturdy diecast body. The DelayLab delivers infinite potential from its easy-to-use front panel, offering satisfying hands-on control over its sounds.

The DelayLab has perfect model recreations for a carefully selected set of historically significant delay units that have fascinated guitarists over the years. Along with this, you can change the panning and reverse: parameters that are not found on the original models, offering unique expressive possibilities. The DelayLab also contains numerous practical and original delay effects that will inspire any guitarist, including Dual Delay, Distortion Delay, Reverse Delay and Space Delay. Any of these effects are capable of creating aggressive and radical sounds, as well as being used to add a subtle sense of depth.

The DelayLab provides extensive looper capabilities that can be combined with the delay effects to surpass the abilities of the numerous dedicated units that have been in the spotlight of guitar performance in recent years. All of the delay effects can be controlled simply using five knobs, ensuring that creating complex delay sounds is easy and intuitive. All parameters can also be assigned to an optional expression pedal for realtime control as you play, allowing the creation of even more creative performances.

The DelayLab boasts studio-quality specifications to guarantee flawless audio fidelity, including 24-bit/48 kHz processing. Innovative Seamless Bypass and Seamless Program Change features ensure a smooth transition in sound when you bypass the unit or switch between programs.

Battery powered looper multi-effect pedal with effects & mic input

Review: The only looper in its class and price range to feature effects & mic input.

Combining 2 independent loops with a dozen onboard effects, the Vox Lil' Looper shares many of the winning features of the Vox Dynamic Looper. The easy-to-use design, solid footswitches, versatile effects, and layering loops are ideal for guitarists who want to break new ground in looped performances or who seeks new expressive power. The Lil' Looper offers the additional convenience of being compact, lightweight, and battery operated. A balanced mic input allows any mic'ed instrument, or even a vocalist, to enjoy the sonic power of the Lil' Looper right away.

You can record each of the 2 loops separately, and instantly create complex and original performances by switching between different chord patterns or phrases of differing length. The loop quantize feature lets you create phrases that precisely match the same time signature and tempo.

In addition to familiar effects such as distortion, compressor, phaser, and chorus, the Lil' Looper also offers effects that simulate an acoustic guitar or bass, for a total of 12 types. These include not only effects designed for guitar, but also some designed for use with a microphone, allowing you use to the Lil' Looper for any mic performance as well.

The Lil' Looper is compact, battery operated, and provides a handy headphone output, so it's simple to create and enjoy loop performances anywhere. Easy to transport, it's ideal not only on stage but also for having fun playing loops at home, or even for practicing.

Using the optional VFS2 footswitch offers extended hands-free control of the Lil' Looper; use it to switch effects, play or stop loops, or erase phrases.

http://www.youtube.com/watch?feature=player_embedded&v=-u1DUPNBVHg

Multi-effect stompbox for bass

Review: Sporting classic Vox styling and an easy to use preset-based interface, the Vox Stomplab IB is a guitar effects pedal with an emphasis on usable sounds that are perfect for the genre you choose.

The Stomplab is designed so that someone new to the world of guitar effects could use the multi effects unit and get some great results. The preset driven interface lets you choose a genre and gives you sounds based upon that style. With some of the effects technology handed down from the VT+ range of amplifiers and the ToneLab multi-effects units, you can be sure that the Stomplab IB will sound great.

If you like creating your own sounds this unit might just be perfect too: Up to 20 user presets can be created and stored alongside the 100 presets that are already installed. You can run up to 8 effects at the same time (including a noise reduction effect) so you'll always have the resource to create any guitar sound you want. A built-in chromatic tuner and the ability to run the Vox Stomplab IB on either batteries or with a separate AC adaptor, you can be ready for any situation.

Modeling guitar effects processor and tuner

Review: The Vox StompLab IG is a multi-effects pedal featuring Vox's VT+ amp modelling technology and effects.

The VOX StompLab is a breath of fresh air in the multi-effects pedal market, offering a simple user interface as easily approachable for beginners as it is for professionals. The pedal features 103 effects, split into categories such as Pop, Blues, Hard Rock and Metal among others, with ten variations on each style. Effects are categorised as pedal, amp, drive, cabinet, modulation, delay and reverb and can be used, mixed and matched to create user-made presets.

The simple interface of the StompLab features three chicken-knob dials, for choosing effect categories, controlling gain or effect parameters and the pedal's overall volume.

There's also a built-in chromatic tuner and two pedals for switching between presets.

Hand wired wah guitar pedal

Review: Roaring into the music scene in 1967 to thunderous applause and saliva a-plenty, the original Vox V846 Wah Wah Pedal was quickly picked up by rock aficionados, for its amazing Vox sound, which was used with the instruments of legends. One of the Vox V846 Wah Wah Pedal's credits is its use by Jimi Hendrix on the track Voodoo Chile at Woodstock 1969!

Now after an absence of over forty years the pedal is back, in hand-wired form, to become the Vox V846-HW hand-wired Wah Wah pedal. More than just a mere recreation of a legend past and not wanting to rest on the laurels of past success, Vox have built upon this original concept.

By giving the most efficient signal path the Vox V846-HW's hand-wired turret board construction ensures the most accurate response possible. Carefully selected premium components have also been used to get the very best fidelity and tone possible. With specially selected magnetic core material and windings, this is as close as you can get to the original this side of the '60s! The potentiometer has also has also been given a facelift to offer unparalleled control and super-sensitive response.

Other component boasts of the Vox V846-HW Pedal include carbon composite resistors (made in Japan by Kamaya) utilised for their low-noise and uncoloured sound, and high-spec polyester film capacitors, as used in Vox hand-wired amps. A true bypass has also been added to preserve tone, and avoid any unwanted colouration when the Vox V846-HW Pedal is not in use.

The Vox V846-HW is also typically hardwearing, with a robust die-cast body and a sandblasted exterior and crepe finish, housing a reliable and great-feeling Carling Technologies footswitch.

High-quality reissue of the classic wah pedal

Review: There's only one way to get the real sound and feel of the classic Wah-Wah pedal that changed electric guitars in the '60s - the reissue Vox V847.

Built to the exact specifications of the original pedal used by the most influential guitarists of the late '60s and '70s, this Wah-Wah is totally authentic right from its classy chrome top to its legendary growl. An original-style, vinyl carrying case is also included.

Dynamic looper and effects pedal

Review: More than a typical looper pedal, the Vox VDL1 Dynamic Looper pedal gives you a complete tone workshop you can use to create, play, and control loops in real time. The Dynamic Looper comes loaded with quality effects and armed with the tools you need in order to record and play with loops live. Unlike most looper pedals, the Vox VDL1 Dynamic Looper gives you two independent loops. Intuitive foot controls make recording and playing loops simple. Using the Loop Quantize function, you can lay down specific beat-length loops.

Thanks to the VDL1 its sound-on-sound recording functions, you can add infinite layers to each loop. If you make a mistake, a simple undo functions erases the bad pass. The VDL1 Dynamic Looper also features 11 effects, including bass and acoustic guitar simulations that you can use while recording loops. An additional 11 Loop Effects let you dramatically transform your loops during playback. A microphone input also lets you loop other sound sources, including vocals and acoustic instruments. Three stop modes, including clean, delay, and fade, make coming out of loops smooth.

http://www.youtube.com/watch?feature=player_embedded&v=KptOzggx4DQ
http://www.youtube.com/watch?feature=player_embedded&v=UHQ3Pz_Y7Ac