Microphones

Review: The versatility of the C 1000 S makes this an extremely popular model and one ideally suited for all kinds of recording and live sound applications.

If no phantom power is available, the mic can be powered by a standard 9V battery, making it perfect for mobile use. With its battery monitoring electronics, the AKG C 1000 S features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the PPC 1000 polar pattern converter provided to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz,
The AKG C1000 S condenser microphone improves clarity of speech and adding definition to instrument sounds.

Recording microphone

Recording microphone

Review: Since its introduction in 1993 our C 3000 has become a standard for a wide range of both studio and onstage applications. The new redesigned C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKGs new corporate design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have.

The new C 3000 features a cardioid pickup pattern, a 20Hz to 20kHz frequency response, low noise electronics, high SPL capability and an internal shock mount, which drastically reduces handling noise from mic stands or cables. The switchable 10dB preattenuation pad increases the SPL capability by 10 dB and accommodates loud instruments like brass instruments or guitar amplifiers with ease. The switchable first-order 500Hz low frequency filter eliminates the proximity effect for close-miking. Included accessories are a metal carrying case and a spider-type shock mount.

Proven for more than 15 years and affordably priced, the C 3000 is an excellent choice for every high quality recording or demanding live sound application.

Instrument condenser microphone

Vocal condenser microphone

Review: This professional condenser vocal microphone will make your voice cut through the loudest mix on any stage. Its cardioid polar pattern ensures maximum gain before feedback and has been optimized for use with in-ear monitor systems. The gold plated transducer case does not only give the microphone a sophisticated esthetic touch but also makes the transducer extremely resistant to corrosion and humidity. The result is superior audio performance.

Instrument dynamic microphone

Review: The D40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use. The Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease.

An integrated stand adapter and standard H440 mounting bracket for snare drums, tom-toms, etc. make the D40 a highly versatile tool for use on drums, percussions, wind instruments, and guitar amps.

Vocal dynamic microphone

Review: AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The new laminated varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators. This leads to a quantum leap in audio performance under each surrounding conditions and sound volume. The D7 creates that subtle and opened sound in all frequency ranges condenser mics are famous for, but it also has the powerful resonance from a dynamic microphone. The integrated high-pass filter eliminates permanent all handling noises and the new acoustical designed inner windscreen makes you feel more secure in live use. The precision metal dust filter provides a consistent objection to the diaphragm.

The original inner windscreen can be replaced with the extra windscreen supplied with the microphone, this offers a clear sound for a long time.

Side-address back electret stage & recording microphone

Review: The Perception 120 is a 2/3" diaphragm true condenser microphone that offers solid build quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail. A switchable 20 dB preattenuation pad and bass cut filter makes the Perception 120 an excellent choice for a wide range of recording and live sound applications.

Backed by AKG's six decades of experience in making microphones and input from sound engineers around the world, the Perception 120 now brings AKG studio quality to musicians and project studio applications.

http://www.youtube.com/watch?v=pvcE4kjvZOc

Gerneral purpose USB recording microphone

Review: The Perception 120 USB is the very first USB equipped microphone from AKG, offering studio-quality sound performance without requiring any installation or drivers. With the widespread USB standard and its ease of use, this new model allows users without any recording experience to make professional-quality recordings from their home. It is a real plug-and-play device enabling customers to do podcasts, voiceovers and studio-quality rehearsal-recordings quickly and easily.

The USB is a widely known interface for audio equipment like sound cards, active monitors and outboard equipment, which makes the Perception 120 USB one of the most versatile microphones available.

Small diaphragm true condenser microphone

Review: The Perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. The lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for AKG recording products. The Perception 170 design is based on AKG's six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

Its 1/2-inch small-diaphragm true condenser transducer brings AKG studio quality to the project studio and all other areas of recording. A switchable preattenuation pad enables the Perception 170 to be used close to sound sources delivering up to 155 dB SPL. The heavy-duty, all-metal chassis and reliable gold-plated XLR-type output make the Perception 170 an excellent choice for a variety of live sound applications too.

Large diaphragm true condenser microphone

Review: The Perception 220 is a large-diaphragm true condenser microphone offering outstanding build quality and excellent value. Its many useful features and included accessories make this microphone uncommonly versatile. It delivers a classic warm, clear sound and conforms to the stringent standards defined for AKG recording products. These standards are based on AKG's six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.

Its 1-inch large-diaphragm true condenser transducer brings AKG studio quality to the project studio as well as all other areas of recording and live sound applications. A switchable bass cut filter and preattenuation pad make it perfectly suited even for use on loud sound sources producing sound pressure levels up to 155 dB SPL. The rugged and roadworthy design makes it also a perfect choice for on-stage applications. The Perception 220 comes with a spider-type shock mount and a rugged metal case.

Dual capsule large diaphragm stage & recording condenser microphone

Review: Perception 420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. Offering high sensitivity and 155 dB maximum SPL, the Perception 420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. In addition, three selectable polar patterns cardioid, omnidirectional or figure-eight allow a wide range of stereo miking techniques and ambient recording.

A switchable bass cut filter and preattenuation pad enable the Perception 420 to be used close to sound sources in sound fields as high as 155 dB. The microphone's chassis is made of precision-tooled zinc/aluminium alloy and boasts a dent resistant stainless-steel wire-mesh front grille. It comes complete with a spider-type shock mount in an aluminium carrying case.

2-channel tube microphone preamplifier

Review: Add warm, vintage tone to any pair of mics or instruments with the MicTube Duo preamplifier. Ideal for any recording or live setup, the Mictube Duo features an easy-to-use control layout and one of the most classic sounding, lowest-noise vacuum tubes: the legendary 12AX7. Aside from the tube, the Mictube Duo features a minimized circuit path, so it preserves the essence of the signal coming from the microphone faithfully.

The Mictube raises the level of any mic up to line level, adding as much or as little of the tube's signature sound as you like. You'll find a -20 dB pad switch for mics with hotter outputs or louder sound sources. Phase reverse switches help you optimize multi-mic setups, and 80 Hz high-pass filters help cut bass, handling, and wind noise. And of course, the Mictube Duo provides +48 volt phantom power for condenser microphones.

In additional to standard 3-pin XLR jacks for microphones, the Mictube Duo also gives you 1/4", high-impedance DI jacks for plugging in guitars and basses. Separate Gain and Drive (vintage) controls allow you to dial in the perfect blend of level and tone, and a LED meter trees are perfect for keeping an eye on levels. Professional XLR and 1/4" outputs complete the professional package.

http://www.youtube.com/watch?v=j5EA1eB0JO8

Single-channel tube microphone preamplifier

Review: Add warm, vintage tone to any mic or instrument with the Mictube Solo preamplifier. Ideal for any recording or live setup, the Mictube Solo features an easy-to-use control layout and one of the most classic sounding, lowest-noise vacuum tubes, the legendary 12AX7. Aside from the tube, the Mictube Solo features a minimized circuit path, so it preserves the essence of the signal coming from the microphone faithfully.

The MicTube raises the level of any mic up to line level, adding as much or as little of the tube's signature sound as you like. 2 knobs and 4 buttons are all you need to optimize the Mictube Solo for virtually any setting. You'll find a -20 dB pad switch for mics with hotter outputs or louder sound sources. A phase reverse switch helps you optimize multi-mic setups, and the Mictube Solo provides +48 volt phantom power for any condenser microphone.

In additional to a standard 3-pin XLR jack for microphones, the Mictube Solo also gives you a 1/4", high-impedance DI jack for in plugging guitars and basses. Separate Gain and Drive (vintage) controls allow you to dial in the perfect blend of level and tone, and a vintage-style VU meter is perfect for keeping an eye on things. Professional XLR and 1/4" outputs complete the professional package.

http://www.youtube.com/watch?v=TF7LeDwympk

Gold-sputtered large-diaphragm studio condenser microphone

Review: The cardioid-diaphragm B-1 microphone is a home recording enthusiast's dream come true. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy.

Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-1 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its 1.0" capsule, it captures sound with incredible realism and sensitivity. It boasts a wide frequency response from 20Hz to 20 kHz, enhanced by a pronounced presence boost. With its excellent transducer and gold-plated XLR output, the B-1 truly delivers on the promise of noise-free transmission. The B-1 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-1 is built to be your go-to condenser mic for years to come. Its tough, nickel-plated brass body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its foam-padded, aluminum carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=7zY7kwJeGaU

Gold-sputtered large dual-diaphragm studio condenser microphone

Review: The condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is that they contain active circuitry that requires phantom power (+48V DC) for operation. You can power them from any phantom power equipped Behringer XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.

The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. Thanks to its pressure gradient transducer and shock-mounted 1.0" gold-sputtered dual-diaphragm capsule, the B-2 delivers an open, transparent sound with excellent transient response. It boasts a frequency response from 20Hz to 20 kHz with just a slight boost in the presence range. It has 2 selectable pickup patterns: omni for capturing sound in all directions; and cardioid for picking up your source signal while rejecting off-axis sound. With its excellent transducer and gold-plated XLR output, the B-2 is very neutral sounding and truly delivers on the promise of noise-free transmission.

The B-2 also gives you a switchable -10dB attenuator to capture high-volume signal sources without distorting, as well as a low-cut filter to eliminate infrasonics caused by floor rumble and other turbulence.

The B-2 is built to be your go-to condenser mic for years to come. Its tough, nickel-plate brass body can withstand all the rigors of those late-night recording marathons. And with its aluminum foam-padded carrying case, it travels in safety and style. We also included a heavy-duty suspension mount and windscreen.

This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials.

www.youtube.com/watch?v=EJuz9-bs1UU

Dynamic cardioid vocal microphone

Review: Few things are more essential to recording or live performance than dynamic microphones. The Behringer XM8500 microphone has the crucial features and durability to come through for your sound again and again.

Dynamic mics have several advantages that make them ideal for live vocal applications and for recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feedback. The XM8500's cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound.

The XM8500 provides an amazing frequency response of 50Hz to 15 kHz and includes a 2-stage pop filter to minimize breath and pop noises. And with its tough metal construction and sturdy steel windscreen, you can count on it to come through after countless gigs and studio applications. We've even included a rugged hard case with a mic clip and stand adapter.

Single channel professional handheld & headset wireless microphone set

Review: The Intimidation iTrans-V3 set is a superior quality VHF microphone with a true diversity receiver. This gives improved performance and keeps drop outs in the RF link to a minimal. The iTrans-V3 set uses SMT technology producing a durable and reliable unit.

The Intimidation iTrans-V3 set includes handheld, bodypack, headset and lavalier. It is suitable for DJs, performers, stage and conference.

UHF wireless PLL system with multi-channel receiver and built-in ACT system

Review: The Kam KWM1900 HS is perfect for Aerobics instructors as there is no wires what so ever. The KWM 1900 HS sits nicely on your head even when you are jumping around or running and the sound quality is also extremely good.

It features:

Receiver:
Uses future proof frequencies
UHF 863.00 - 865.00 MHz frequency band
Auto frequency scanning
SMT technology
Preset 16 channel PLL system
Frequency stabilisation: < i30ppm
Dynamic range: > 100dB
Total harmonic distortion: < 0.5%
Frequency response: 40Hz-15KHz i3dB
Ideal working distance is up to 30 metres
Power consumption: 100mA
Signal to noise ratio: > 100dB
Image & spurious rejection: > 80dB
Border upon channel rejection: > 80dB
Receiving sensitivity: 5dBuV (SINAD=30dB)
De-emphasis: 50us

Headset microphone:
Carrier frequency: UHF863-865MHz
Frequency stabilization: <+/-30ppm
Dynamic range: >90dB
Total harmonic distortion: <0.5%
Audio output level: 400mV
Frequency response: 40Hz-15KHz +/-3dB


http://www.youtube.com/watch?v=-2cb8LyWUEA&feature=player_embedded

Single VHF wireless microphone system

Review: The KAM KWM6 pack is a single VHF microphone system, it is ideal for MCs or Karaoke, with a range of 50m.

Review: DJs need performance in a microhpone and the Numark WM200 delivers. With a steel mesh capsule and die-cast alloy body, this microphone is built to endure the rigors of multiple gigs, without sacrificing vocal clarity.

Adaptor converts 3/8" thread to 5/8" thread

Review: The QTX Sound Spring Loaded Microphone Holder is a plastic mic holder with spring-loaded jaws and a 3/8" to 5/8" thread adaptor. It is suitable for most microphones with a maximum body diameter of 30mm.

Unidirectional, mini electret condenser microphone supplied with windshield and removable tie-clip with a thin, flexible lead

Review: Unidirectional, mini electret condenser microphone, supplied with windshield and removable tie-clip with a thin, flexible lead which can be easily hidden.

Variable pattern dual 1" condenser valve microphone

Review: The Rode K2 is the result of designing and building 1000's of valve microphones.

The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of Rode's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.

Live performance dynamic microphone

Review: With rock-solid build quality and a high-power neodymium capsule, the Rode M1 live dynamic microphone is designed to provide the very best performance night after night, while taking all the abuse expected of a microphone with the rock 'n' roll credentials of Rode.

The M1's ergonomically designed all-metal body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

Featuring a warm response that is never muddy or undefined, the M1's smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

Renowned as one of the industry's best live vocal microphones, the M1 is an equally strong performer on guitar amplifiers as well as kick drum, snare drum, toms and percussion.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1 live performance dynamic microphone is covered by Rode Microphones' lifetime warranty, providing peace of mind that your microphone is covered for many years to come.

Live performance dynamic microphone with lockable switch

Review: Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

Live performance dynamic microphone with lockable switch + FREE microphone stand

Review: Featuring rock-solid build quality and a high-power neodymium capsule, the M1-S switchable live dynamic microphone is designed to provide the very best performance on vocals, guitars, drums and as a presentation microphone.

Featuring a warm response that is never muddy or undefined, the M1-S' smooth character and defined clarity offer incredible performance as a live vocal microphone. A tightly controlled cardioid polar pattern minimises spill and feedback.

The ergonomically designed all-metal M1-S body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being weighty or heavy, and handling noise is all but eliminated by the microphone's internal design.

The addition of an on/off switch adds versatility for artists, engineers and presenters that prefer control while on stage. A flush-mounted lock ensures the microphone cannot be accidentally switched.

For additional security the M1-S features an XLR lock that can be used to fix the microphone to the cable.

The microphone and steel mesh head are presented in an attractive and durable satin black finish.

The Rode M1-S live performance dynamic microphone with lockable switch is covered by Rode Microphones' industry leading 10 year warranty.

A metal professional standard floor microphone stand with boom arm that is adjustable for height, angle and extension. The product features tripod style foldaway legs and has a remarkable stability when in use. The Boom arm extends 760mm.

The bundle comes with the black New Jersey Sound Microphone Stand.

The New Jersey Sound Microphone Stand features:

Colour: black
Dimensions (mm): 930 x 330
Weight (kg): 2.5
Height adjustment (mm): 930-1570.

Live performance condenser microphone

Review: The Rode M2 is a rugged live performance condenser microphone designed to provide a full frequency response and premium performance.

Featuring a tailored-for-stage super-cardioid polar pattern and an internally shock mounted 1/2" condenser capsule, the M2 provides a high quality alternative to dynamic microphones for live performance. The addition of an on/off switch adds versatility for artists that prefer greater control over their sound, while a lock ensures that the microphone cannot be accidentally switched.

The Rode M2 live performance condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

Live performance multi-powered condenser microphone

Ultra versatile 1" microphone with ultra low 6 dBA self-noise

Review: With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the Rode NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio.

Voiced for application versatility, the NT1000 has been hailed by many as the ultimate drum over-head and grand piano mic selection. The NT1000 is also equally at home as a first call vocal mic. With its Australian made 1" HF-2 capsule incorporating internal shock mounting, the NT1000 boasts a 134 dB dynamic range, and 140 dBA SPL capabilities and a 20-20000Hz frequency response.

http://www.youtube.com/watch?v=fGkZnXX4g3A

Matched pair of NT1-A 1" cardioid condenser microphones

Review: The Rode NT1-A 1" cardioid condenser microphone has become an industry standard, delivering the warmth, extended dynamic range, clarity and high SPL capability typically only featured on some of the most expensive microphones.

This pair of NT1-A microphones has been acoustically matched to be within +/- 1/2 dB sensitivity, and is an ideal stereo microphone solution for recording choirs, drum overheads and other X/Y and spaced pair stereo recording applications.

The NT1-A-MP (matched pair set) also features professional accessories for both microphones, including 2 shock mounts and 2 x 20 inches microphone cables. Also included is a matched pair certificate, detailing the microphones' serial numbers and certifying them as being acoustically matched.

The Rode NT1-A acoustically matched pair of large diaphragm 1" cardioid condenser microphones is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=5zByhzmhbe8

A Rode NT1-A microphone + Shockmount SM6 with intergrated Pop-Filter + 6m XLR cable + bag + a Tutorial DVD Studio Secrets from Peter Freedman

Sutdio condenser microphone with dual 5 uM diaphragm and seamlessly variable polar patterns

Review: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas

Microphone with variable polar patterns, pads and filters, comes with skockmount, pop filter and cable

Review: The NT2-A carries on the tradition forged by the now legendary Rode NT2. A professional large capsule (1") studio microphone incorporating 3-position pick-up patterns, PAD and high pass filter switches conveniently located on the mic body.

At the heart of the NT2-A is the Australian designed and manufactured HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. These features provide the flexibility and superlative audio characteristics that make the NT2-A one of the most versatile condenser mics available.

http://www.youtube.com/watch?v=DCtdnmFxFJs

Studio and location multi-powered 3/4" condenser microphone

Review: Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this Rode is at home anywhere.

Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference.

The NT3 incorporates a rugged welded and heat-treated mesh head and all metal body.

Stereo condenser microphone with 2 x cardioid capsules mounted at 90 degree, ideal for location recording

Review: The Rode NT4 stereo microphone offers a perfect X/Y stereo array without the need for matched pair microphones and complex stereo bars and equipment.

Combining a matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The Rode NT4 X/Y stereo condenser microphone is covered by Rode Microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=JpcK52yPreY

A pencil style condenser microphone with low noise specs

Review: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comesupplied in a custom carry case with windshields and mounts.

Pair of small-diaphragm cardioid-condenser microphones

Review: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

Low-noise microphone with 1/2" gold sputtered true condenser transducer

Review: The NT55 utilises the 1/2" gold sputtered true condenser transducer used in the internationally renowned Rode NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.

The NT55 circuit incorporates a three position variable pad with 0 dB, -10 dB or 20 dB attenuation, and a thereposition variable high-pass filter that enables you to step from a flat response to 75 or 150Hz high pass filter.

The NT55 comes with 2 different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.

The NT55 is intended for film, television, broadcast, live performance, theatre, surround and environmental recording applications or wherever your imagination takes you. This is a very compact, flexible and high quality condenser microphone and is built to last.

Lightweight 1/2" diaphragm condenser microphone with detachable capsule

Review: The Rode NT6 compact microphone is specifically designed for difficult mounting applications where the highest quality audio is required. Although clearly relevant to instrument miking, the NT6 is extremely well suited to any situation where an unobtrusive but powerful microphone is required.

Featuring a 1/2" cardioid condenser capsule, the NT6 capsule head measures 45mm (1.8") in length and weighs only 42gm (1.5oz). An all-metal, multi-position mounting ring provides 180 degree of vertical rotation, while the microphone head is connected to the body via a custom 3m (10') shielded Kevlarr reinforced cable.

The microphone body incorporates both a high-pass filter and pad setting. The high-pass filter can be introduced to cut vibration, rumble and undesired sounds sources under 80Hz, while the pad offers a -10 dB level attenuation, useful when recording louder sound sources.

The NT6's small form factor make it an ideal small diaphragm cardioid microphone for use in the mid-side (M/S) stereo array, in combination with a figure-8 large diaphragm microphone such as the NT2-A, NT2000 or K2.

The Rode NT6 compact condenser microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=9IFuW-32x8E

Multi-powered condenser shotgun microphone

Review: The Rode NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the NTG2 native 20-20000Hz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional DeadCat furry is recommended for outdoor applications.

The Rode NTG2 shotgun microphone is covered by Rode Microphones' industry leading 10 year warranty.

www.youtube.com/watch?v=pUVvzytDpTQ

Class-A tube microphone with ultra low noise

Review: The Rode NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.

The heart of the NTK is the Australian designed and manufactured HF-2 capsule. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components and lay-out. The result is an ultra-wide dynamic range, very low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

The Rode NTK's gold plated membrane is housed in an internally shock-mounted capsule, with a satin nickel finished body and heat-treated steel mesh head. A dedicated power supply unit is included as standard, along with a 10m multicore cable and RM2 standmount.

http://www.youtube.com/watch?v=oZ2gAE51vtM

Professional quality microphone, designed for live vocal performance

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

Professional quality microphone, designed for live vocal performance + FREE microphone stand

Review: The Rode S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio quality audio while on stage without compromising on mobility, versatility or durability.

At the heart of the S1 is a super-cardioid 1/2" true condenser capsule tuned to virtually eliminate feedback in on stage performance. The combination of sophisticated internal shock mounting and a built in high-pass filter dramatically reduces undesirable low frequency background noise and handling noise.

Multiple layers of acoustically optimised steel mesh in the microphone head filters breath, wind and plosive noises without affecting the microphone sensitivity or frequency response.

The S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

The Rode S1 live condenser vocal microphone is covered by Rode microphones' industry leading 10 year warranty.

http://www.youtube.com/watch?v=NkZlMLXAGok

The bundle comes with the New Jersey Sound Microphone Stand (black). It is a metal professional standard floor microphone stand with boom arm that is adjustable for height, angle and extension. The product features tripod style foldaway legs and has a remarkable stability when in use. The Boom arm extends 760mm.

The New Jersey Sound Microphone Stand features:

Colour: black
Dimensions (mm): 930 x 330
Weight (kg): 2.5
Height adjustment (mm): 930-1570.

Directional on-camera microphone

Stereo on-camera microphone

Review: The new Stereo VideoMic Pro from Rode provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around a matched pair of high sensitivity 1/2"cardioid condenser capsules in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The Stereo VideoMic Pro builds on the feature set of the VideoMic Pro, with an ergonomic form factor perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The integrated shock mounting system provides superior isolation from vibration and mechanical noise that can otherwise degrade the recording quality. Additionally the lightweight yet robust multi-strand cable provides excellent acoustic decoupling from the camera and offers significantly lower noise transference than traditional audio cable.

The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference.

A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events.

The Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

www.youtube.com/watch?v=cRmHjeic0O8

Review: The 565 microphone is a dual-impedance, unidirectional dynamic microphone with a strong wire-mesh spherical front grille that contains a highly effective wind and pop filter.

Shure Beta 56A snare + tom drum microphone

Review: The Shure Beta 56A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.

A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds.

Review: The Shure Beta 57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources and minimum off axis tone coloration.

Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.