Audio & MIDI interfaces

USB audio interface with recording software

Review: The Audiogram series has been carefully designed to make setting up your computer based recording environment an absolute breeze.

Coming as a complete kit, Audiogram3 bundles together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. It will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device.

Setup is as easy as installing the bundled music production application, Cubase AI, on your computer and connecting the audio interface using the USB cable provided! Then you're ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into Cubase AI.

With a focus on simplicity and ease of use, the Audiogram3 delivers a compact audio interface complete with both a mono and stereo input channel. Providing maximum flexibility for recording, the mono input channel features a combo type connector that can be set for microphone or line level input, while the stereo channel has both phone and RCA connectors. Of course, as this interface is USB bus-powered, it needs no external power supply and is an ideal solution for mobile applications.

Also supporting microphone level input, the mono channel features a microphone preamp offering excellent audio quality. And should you want to connect a condenser microphone for higher quality recordings, this channel can even be phantom powered. Regardless of what type of microphone you choose, the professional mixer technologies integrated into this preamp will deliver perfect recordings every time.

With one touch of the mic/inst select button, you can set the sensitivity of the Audiogram3 mono channel for direct connection of either microphones or instruments. When set to instrument level sensitivity, for example, you can directly record electric guitars, basses, and many other devices. And all audio recorded using either of the mic/inst settings can then be processed to give professional sounding results using Cubase AI's built in effects.

USB audio interface with recording software

Review: The Audiogram series has been carefully designed to make setting up your computer based recording environment an absolute breeze.

Coming as a complete kit, the Audiogram 6 bundles together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device.

Setup is as easy as installing the bundled music production application, Cubase AI, on your computer and connecting the audio interface using the USB cable provided! Then you're ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into Cubase AI.

With the Audiogram6, you get a powerful mixer type audio interface with two mono input channels and two stereo input channels. Each of the two mono channels features combo type connectors for direct connection of a wide range of sound input devices. Input sensitivity can easily be changed with a push of the mic/inst select buttons.

Complete with high quality microphone preamps on its two mono input channels, one of which can even supply 48-V phantom power to accommodate condenser microphones .

The 1 knob compressors on the Audiogram 6 are super simple, and can easily be adjusted for smoother and more balanced recordings. Particularly when recording acoustic guitar, electric bass, and vocals, this intuitive feature will make your recordings much more stable and professional sounding.

Using the pan button, you can instantly turn the two mono input channels into a fully panned stereo channel and vice versa. In fact, this stereo coupling feature also allows your interface to function beautifully as a simple mixer with three stereo input channels!

Powered via USB, the Audiogram 6 requires no external power supply. As long as your computer is powered up and connected via the bundled USB cable, the interface will be fully functional, making it ideal for mobile situations or when few power sockets are available.

MIDI interface for iOS Devices

Review: Expand your mobile music world with i-MX1 and connect any MIDI product to any Core MIDI compatible iOS app(s).

i-MX1 is a MIDI interface cable which enables your iPad / iPhone to be connected to any MIDI instrument, without any complicated setup. Simply connect i-MX1 between iPad / iPhone and a MIDI instrument such as synthesizer, electronic drum kit, digital piano before launching the app(s) from your iPad / iPhone. You can play and control the app(s) sound using the real interface of instrument.

There are also dedicated applications for Yamaha synthesizers which will expand the functions of your instrument. All the applications from Yamaha will increase the joy of playing instruments by combining the unique interface of your iPad / iPhone.

Requires iOS 4.2 or later.

USB bus-powered virtual surround sound USB audio adapter with stereo microphone, 1 input (USB) x 8 outputs (7.1 surround), PC & Mac compatible

Review: The Audio Advantage Roadie USB audio adapter (or USB sound card) is the perfect audio upgrade for your PC or laptop. The Roadie easily plugs into any USB port, instantly adding 5.1/ 7.1 channel surround sound and an amazing array of features, all in a package that fits in the palm of your hand. Whether you're playing PC games, watching DVD movies, using voice applications, listening to music or even recording your own, the Audio Advantage Roadie can handle it all.

Conveniently connect to the USB port of your PC or laptop: easy to install and use, just plug your headphones into the Audio Advantage Roadie and plug the cable into a USB port and you've instantly got better quality PC or laptop audio. Connect to your home theatre, S/PDIF output allows pass-through of Dolby Digital and DTS DVD formats for pure digital quality surround sound on A/V receivers or digital speakers. S/PDIF input records from digital audio gear with no loss in audio quality.

The Roadie's unique design provides everything you need for connecting your laptop or desktop to a wide variety of audio devices; including digital and analog inputs and outputs, stereo headphones output, built-in stereo microphones and support for surround-sound headphones.

An easy to use all-in-one interface to broadcast live audio and live video sources on the internet

Review: The PBS-4 is an easy to use all-in-one solution to broadcast live audio and live video sources on the internet.

Multiple audio and video sources can be mixed together, and instantly streamed online towards a world wide audience. The USB output feeds the mixed audio and video to your computer and streams your content to any live streaming service including Ustream, Justin.tv, Livestream and more.

The PBS-4 is compact, travel friendly, and features a wide range of connections for your audio and video sources. The simple interface and the quick setup features make the PBS-4 ideal for musical performances, live bands, DJs with video mixes, corporate events, seminars, e-learning, video game tutorials, church events, wedding parties, home TV studios, web radios and for any content you want to share live online.

The PBS-4 can also be used together with an audio and video capture software, to record your live content.

http://www.youtube.com/watch?v=MVBGju4kU5I

Mic & guitar interface for iPad/iPhone/iPod Touch

Review: The Tascam iXZ iPhone Audio Interface turns your iPhone, iPad or iPod Touch into a recording studio.

To turn an iPhone into a portable practice, songwriting or live recording rig, it's tough to beat the Tascam iXZ. Plug in a microphone, guitar or bass to interact with the latest guitar amp, sampling, recording and DJ apps.

The Tascam iXZ provides phantom power for condenser microphones. An input setting sets the gain and there's a headphone output to monitor from your iOS device.

You can also use the Tascam iXZ for guitar practice, songwriting, rehearsal recording, Sound Effects collecting and many more.

USB bus-powered USB 2.0 audio interface

Review: Tascam's US-100 audio interface breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer. Additionally the compact aluminum construction withstands the hazards of the road, studio or dorm room.

The US-100 interface records in stereo at CD-quality 48 kHz/16bit resolution and includes a free copy of Audacity software to get you started. An XLR or 1/4" microphone input is provided as well as unbalanced stereo line inputs and outputs.

Step up to Tascam quality without breaking the bank with this US-100 interface.

USB audio interface with mixing functionality

Review: The US-125M is an USB audio interface with mixer functionality. It combines a mic, instrument and line source with a computer audio signal and it feeds the mix to your computer via USB. The US-125M provides up to 16bit/48 KHz audio resolution and is ideal for broadcasting (live streaming) over the internet.

The Tascam US-125M features 4 inputs with dedicated level controls: a microphone input (balanced XLR/TRS on rear or unbalanced mini jack on front) with switchable limiter and signal/overload indicator, a guitar input (standard phone jack), a stereo line input (RCA) and a stereo audio input from computer via USB.
This USB-powered device is housed in a solid aluminum case, and can also be used as a simple stand-alone mixer.

http://www.youtube.com/watch?v=0i0QGy4vXrw

Review: The most popular Tascam 4-channel USB audio interface has been updated with better audio specs and a fresh new look for the US-144mkII interface.

The US-144mkII interface starts with 2 great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. A pair of S/PDIF digital inputs/outputs are also included, for a total of 4 inputs and outputs at up to 96 kHz/24bit audio quality.

The US-144mkII interface connects to Mac or Windows computers using USB 2.0 and the unit is powered over the USB cable. Zero-latency monitoring is available for recording without the delay going to a computer and back. MIDI input and output jacks allow connection of synths and drum machines. Connect the US-144mkII interface to monitors through the line output or use headphones with the front-mounted stereo 1/4" jack. Separate controls for line and headphone outputs mean you don't need to switch off monitors to work in headphones.

The US-144mkII makes a perfect portable interface with metal components and solid construction built for the road.

The US-144mkII comes with a copy of Cubase LE4 from Steinberg. This full-featured recording software captures up to 48 tracks of audio with another 64 MIDI tracks. You can edit your tracks to perfection using a variety of modes and tools. Automated mixing is included to create the perfect master. Cubase LE4 supports VST effect and instrument plug-ins, which an assortment included with the application.

For great-sounding tracks in your computer, trust Tascam's 30 years of recording experience with this US-144mkII interface.

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

The most popular Tascam 4-channel USB audio interface has been updated with better audio specs and a fresh new look for the US-144mkII interface.

The US-144mkII interface starts with 2 great-quality XLR microphone preamps with phantom power for condenser microphones. There's also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. A pair of S/PDIF digital inputs/outputs are also included, for a total of 4 inputs and outputs at up to 96 kHz/24bit audio quality.

The US-144mkII interface connects to Mac or Windows computers using USB 2.0 and the unit is powered over the USB cable. Zero-latency monitoring is available for recording without the delay going to a computer and back. MIDI input and output jacks allow connection of synths and drum machines. Connect the US-144mkII interface to monitors through the line output or use headphones with the front-mounted stereo 1/4" jack. Separate controls for line and headphone outputs mean you don't need to switch off monitors to work in headphones.

The US-144mkII makes a perfect portable interface with metal components and solid construction built for the road.

The US-144mkII comes with a copy of Cubase LE4 from Steinberg. This full-featured recording software captures up to 48 tracks of audio with another 64 MIDI tracks. You can edit your tracks to perfection using a variety of modes and tools. Automated mixing is included to create the perfect master. Cubase LE4 supports VST effect and instrument plug-ins, which an assortment included with the application.

For great-sounding tracks in your computer, trust Tascam's 30 years of recording experience with this US-144mkII interface.

16 inputs/4 outputs audio/MIDI interface

Review: The US-1800 audio interface from Tascam offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features 8 XLR microphone inputs with phantom power and 60dB of clean gain. 6 balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.

Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.

If you want the most inputs into your computer for the minimum amount of cash, the Tascam's US-1800 is the only choice.

http://www.youtube.com/watch?v=P_bvUMAd05Q

B-STOCK: Box opened. There are some very minor marks and scratches on the interface casing but otherwise product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened. There are some very minor marks and scratches on the interface casing but otherwise product is in excellent condition and in perfect working order ***

The US-1800 audio interface from Tascam offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features 8 XLR microphone inputs with phantom power and 60dB of clean gain. 6 balanced line inputs are also provided, as well as stereo S/PDIF digital and MIDI in and out.

Included with the US-1800 is Cubase LE5, the latest workstation software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects.

If you want the most inputs into your computer for the minimum amount of cash, the Tascam's US-1800 is the only choice.

http://www.youtube.com/watch?v=P_bvUMAd05Q

2-input/4-output mobile interface

Review: Tascam US-200 interface is a 2 input/4 output USB 2.0 audio/MIDI interface for Mac and Windows computers, housed in a lightweight and portable chassis. Audio can be recorded at up to 96 kHz/24bit resolution. 2 high-quality XLR microphone inputs provide phantom power for condenser microphones. 4 unbalanced RCA outputs are available on the rear panel, as well as a MIDI input and output for synths and drum machines.

A direct monitoring path is available on the US-200 interface, for monitoring without the delay of going through computer software. The US-200 is bus-powered, which means no additional power supply is required.

A copy of cubase LE5 (the latest version of Steinberg's 48-track workstation software) is included. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-200 interface supports most Mac and Windows software such as logic pro, live, nuendo, digital performer, fruity loops and pro tools 9.

Whether you're just starting out or simply need a great-sounding portable interface, check out the Tascam US-200.

Multi-channel USB audio interface with 16 inputs and 4 outputs packed into only one rackspace

Review: Tascam's premiere multi-channel interface is the US-2000, a 16 in/4 out USB interface that fits in only one rackspace. The US-2000 has 8 XLR mic inputs with phantom power, enough to record a large band or drumset. An additional six balanced 1/4" line inputs are provided for synths, amp modelers and effects processors. Stereo S/PDIF digital inputs and outputs bring the total to 16 inputs that can be recorded simultaneously.

The US-2000 transmits your instruments at up to 96kHz/24bit audio quality over a high-speed USB 2.0 connection to your computer. To keep track of all of your inputs and outputs, the US-2000 has a meter bridge made up of 100 LEDs. Connections are hidden on the rear panel, except for a pair of combo jacks on the front for easy access.

Included with the US-2000 is a copy of Cubase LE5 from Steinberg. This full-featured recording software captures up to 48 tracks of audio with another 64 MIDI tracks. You can edit your tracks to perfection using a variety of modes and tools. Automated mixing is included to create the perfect master. The Cubase LE5 supports VST effect and instrument plug-ins, which an assortment included with the application. Tascam's copy of Cubase LE5 can record 16 channels at a time so you can take advantage of all the inputs on the US-2000.

Tascam's high-quality audio interface takes advantage of the latest USB technology to provide such high channel count over USB 2.0. Step up to the ultimate in compact, great sounding interfacing with the US-2000.

http://www.youtube.com/watch?v=sCqRmwoh6Mw

USB 2.0 audio interface with on-board DSP mixer and up to 96 kHz recording

Review: To ensure superior sound, Tascam organized months of tests and trials to design the HDDA mic pre-amplifier. Manufactured with a discrete structure and select premium parts, the HDDA pre-amp achieves wider frequency response (10Hz to 68kHz), low S/N ratio, low noise and low THD+N.

In the process of creating music, many engineers have started utilizing high-resolution formats while recording to ensure the best quality sounds. The US-322 and the US-366 are suited perfectly for these high-quality minded recordings.

The US-322 is designed with 2 XLR inputs with +48V phantom power and 2 TRS inputs. Having both options for condenser mics and line level inputs ensures you are getting the best possible sound and lowest-noise when recording. In addition, input 1 can connect any high-impedance equipment directly, like a guitar.

The multi-track mode is ideal for music creation. This mode delivers independent monitor-mixing from a send-level like an inline-console to a PC. In addition, this mode delivers monaural-monitoring.

The stereo-mix mode makes podcast recording or broadcasting convenient and easy. An output audio signal from any PC can relay that signal back to the PC again via your DSP mixer. Any BGM from a PC can mix your voice by microphone then the mixed sound will transfer back to the PC again.

The US-322 is designed with on-board effects such as compressor, 3-band EQ and Reverb, all located on-board the DSP. While recording, you can use the input effects for any input signal and the reverb effect on any monitoring signal at the same time.

USB 2.0 audio interface with on-board DSP mixer and up to 96/192 kHz recording

Review: The Tascam US-366 is a USB 2.0 audio interface featuring Tascam's HDDA (High Definition Discrete Architecture) microphone pre-amplifiers, with up to 192 kHz/24bit recording and a built-in DSP mixer with on-board effects. It comes with a copy of Cubase LE, making it a complete recording package. To ensure superior sound quality, Tascam organised months of tests and trials to design the HDDA mic pre-amplifier.

In the process of creating music, many engineers have started utilizing high-resolution formats while recording to ensure the best quality sounds. The US-322 and the US-366 are suited perfectly for these high-quality minded recordings (Included CUBASE LE can not record by 192kHz).

The US-366 is designed with 2 XLR with +48V phantom power and 2 TRS inputs. Having both options for condenser mics and line level inputs ensures you are getting the best possible sound and lowest-noise when recording. In addition, Input 1 can connect any high-impedance equipment directly, like a guitar.

6-input/4-output USB 2.0 audio/MIDI interface

Review: The Tascam US-600 6-in/4-out USB 2.0 audio/MIDI interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four high-definition XLR microphone inputs include phantom power for detailed recording with condenser microphones. All channels can be passed to your computer with 96 kHz/24bit audio resolution.

Each input on the US-600 interface uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level switch for direct recording of guitar or bass and a direct monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 interface includes a pair of unbalanced outputs, MIDI input and output and a stereo S/PDIF digital input and output.

A copy of Cubase LE5 is included. Cubase LE5 is the latest version of Steinberg's 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-600 interface supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops and Pro Tools 9.

Perfect for laptop musicians, the Tascam US-600 audio/MIDI interface makes multi-microphone computer recording portable and affordable.

B-STOCK: Box opened. There are some light superficial scratches on the casing but otherwise product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened. There are some light superficial scratches on the casing but otherwise product is in excellent condition and in perfect working order ***

The Tascam US-600 6-in/4-out USB 2.0 audio/MIDI interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four high-definition XLR microphone inputs include phantom power for detailed recording with condenser microphones. All channels can be passed to your computer with 96 kHz/24bit audio resolution.

Each input on the US-600 interface uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level switch for direct recording of guitar or bass and a direct monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 interface includes a pair of unbalanced outputs, MIDI input and output and a stereo S/PDIF digital input and output.

A copy of Cubase LE5 is included. Cubase LE5 is the latest version of Steinberg's 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-600 interface supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops and Pro Tools 9.

Perfect for laptop musicians, the Tascam US-600 audio/MIDI interface makes multi-microphone computer recording portable and affordable.

Review: For hobby musicians, guitarists, singers or electronic music producers as well as for all audio affine tasks, the Steinberg CI1 USB studio, together with Sequel LE and WaveLab LE, offers the ultimate entry-level recording, editing and producing system solution. The CI1, Sequel LE and WaveLab LE provide a host of tools to meet the individual demand of each and every user with outstanding audio quality, massive features, all at a mind-blowing price.

Adding to the new CI line of audio interfaces, the CI1 USB-powered studio is a straight-forward audio interface without frills and fuss. Housing 2 microphone inputs with balanced XLR/TRS combo connectors, high-quality microphone preamps and onboard phantom power, the CI1 allows you to use just about any microphone. And with the dedicated high-impedance switch on the first input channel you can jack your electric guitar or bass directly into the CI1.

The CI1 interface comes with a great software bundle. The Sequel LE is designed for first-time computer music aficionados looking to record their music with ease while WaveLab LE boasts audio editing, mastering and full internet audio publishing features. All this makes CI1 your very own mobile recording studio.

www.youtube.com/watch?v=AwT5NwB5O_E

USB bus-powered 2-input/2-output audio interface & Cubase controller with 24bit resolution & 48 kHz sampling rate, PC & MAC compatible

Review: The Steinberg CI2 is a USB-powered audio interface and controller with advanced integration features. Together, the CI2 and the Cubase AI 5 present a complete recording system; providing a plug-and-play solution for recording and editing vocals and instruments with a computer in next to no time. With 24bit resolution and a sampling rate of 48kHz, the CI2 offers a professional digital audio recording standard that lets you record the music in studio quality.

Hardware meets software by combining the best of two worlds with the CI2 Advanced Integration USB studio and Cubase AI 5, the dedicated version of Cubase 5. As the name implies, the CI2 houses 2 major functions. There's the 2-channel XLR combo interface, equipped with 2 sophisticated microphone preamps and phantom power; one Hi-Z for direct guitar input and a footswitch connector for interactive recording. This is seconded by the controller section featuring the innovative AI knob that provides intuitive control due to seamless integration into Cubase. You now have all the tools in a single box to help you with whatever recording and production project you may have in mind.

USB audio interface, including software Cubase AI and Wavelab LE

Review: Hardware most skillfully meets software by combining the best of 2 worlds with the CI2+ advanced integration USB studio and Cubase Essential 5, the dedicated version of Cubase 5. As the name implies, the CI2+ houses 2 major functions. There's the 2-channel XLR combo interface equipped with 2 sophisticated microphone preamps and phantom power, 1 x Hi-Z for direct guitar input and a footswitch connector for interactive recording. This is seconded by the controller section featuring the innovative AI knob that provides intuitive control due to seamless integration into cubase. You now have all the tools in a single box to help you with whatever recording and production project you may have in mind.

The CI2+ audio interface comes with a footswitch connector enabling hands-free recording in Cubase Essential 5. Here you have the choice between 14 different amp and 10 speaker cabinet emulations thanks to the AmpSimulator.

The AI knob of the CI2+ controls all Cubase mixing parameters plus VST3 and VST2 plug-ins. The AI knob on the CI2+ is a push encoder that enables new enhanced functionality.

www.youtube.com/watch?v=AWS5jKCS3zE

MIDI converter & Hi-Z USB audio interface

Review: The Sonuus i2M Musicport is the new way to connect your musical instruments to your computer.

It combines a high-impedance audio interface that won't suck the tone from your instrument, with very fast, low-latency, monophonic MIDI conversion that doesn't require special pickups to be mounted onto your instrument.

Designed particularly for guitar and bass, the Sonuus i2M Musicport works with most musical instruments including the human voice. Now you can record great-sounding tracks and play synthesizers and samplers how you have always wanted to by using your favourite instrument.

Please note the i2M does not generate synth sounds or process audio on its own. It is an audio/audio to MIDI USB interface that's designed to be used with a sequencer/DAW.

www.youtube.com/watch?v=Tho3t7UC_Ec
www.youtube.com/watch?v=kknfLNLYlZQ

Portable USB 2.0 interface with 10 inputs & 10 outputs

Review: With 10 inputs & 10 outputs, 8 VS preamps and superb 24 bit/192 kHz audio quality, the Roland UA-1010 Octa-Capture interface sets a new standard in portable USB 2.0 audio interfaces.

Designed for high-level audio production, the Roland UA-1010 combines premium components, Roland-quality engineering and proprietary preamp and streaming technology. With its compact design and pristine audio quality, the Octa-Capture interface is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the input/output capability of the V-Studio 700 and V-Studio 100.

Brimming with quality and performance that punches above its size and price, the Roland Octa-Capture interface is the next-generation audio interface.

USB audio interface with 2 audio inputs, 2 audio outputs & 2 headphone outputs

Review: Delivering flexible features in a compact, affordable package, the Duo-Capture MK2 USB Audio Interface is ideal for mobile audio production with your laptop or iPad. It's equipped with 2 audio inputs and 2 audio outputs, plus dual headphone outs that are perfect for side-by-side musician/engineer sessions. Ultra-stable, low-latency drivers offer premium performance, while a versatile selection of I/O formats accommodate a variety of gear. With its unique, slimline design and stable operation, the Duo-Capture MK2 is the perfect audio interface for recording musicians on the go.

Audio interfaces need to be fast and Roland's audio technology virtually eliminates latency. In music production systems, latency is usually described as the delay between you playing a sound and hearing it: it's measured in milliseconds so the lower the number, the better. The Duo-Capture's latency is among the lowest around, well under the time where latency is noticeable. You also get versatile connections that can accommodate a variety of musical equipment such as guitars, keyboards and microphones.

As it's designed to be simple, the Duo-Captire MK2 has just the right number of buttons and knobs to get the job done, perfect if you're just starting out. More seasoned producers will appreciate a robust, no-frills interface with low-latency speeds. You can also connect to an iPad via Apple's iPad camera connection kit and start using the large number of music-making apps for iOS.

The Duo-Capture MK2 has 2 audio inputs and 2 audio outputs, plus 2 headphone outputs so the musician and engineer can listen to the same session side by side. The jack input accepts a mic or any electronic musical instrument as well as guitars/basses when switched to Hi-Z mode.

http://www.youtube.com/watch?v=PzNhy4SwA0Q
www.youtube.com/watch?v=XfUUpYOxzpw

Versatile audio I/O for Mac and PC

Review: Two is the magic number for the Duo-Capture USB audio interface. It's equipped with 2 audio inputs and 2 audio outputs. The dual headphone outs are perfect for side-by-side musician/engineer sessions, with no additional mixing hardware required.

The Duo-Capture boasts ultra-stable, low-latency drivers for both Mac and PC platforms, and provides a versatile selection of I/O formats to accommodate a variety of gear. With its unique, slimline design and stable performance, it's the perfect audio interface for recording musicians on the go.

USB audio interface with 2 x VS preamps

Review: Housed in a compact, road-tough metal case, the new Duo-Capture EX is perfect for both home recording and mobile production. The rugged USB audio interface is outfitted with a pair of VS preamps, which feature the same professional components used in Roland's high-end digital mixers. 2x combo XLR/TRS inputs are provided, including a Hi-Z input for connecting a guitar or bass directly. The 3-way power supply offers the ultimate in operational convenience, allowing you to power the unit from the computer's USB bus, batteries, or an optional AC adapter. Powerful and flexible, it is compatible with Windows, Mac OS X, and iOS.

The Duo-Capture EX boasts 2 premium-grade, digitally controlled VS mic preamps made from the same high-grade components as those found in Roland's V-Studio 700 and M-400 digital mixers. 2x XLR/TRS combo inputs are provided for the preamps, plus independent phantom power for each channel.

One of its key behind-the-scenes features is its low-noise, wide-ranging power supply. Designed to deliver a clean, balanced input and output, it provides a reliable foundation for any professional audio application or environment. When powered by the computer's USB bus, the Duo-Capture EX internally regenerates the incoming power, ensuring the ideal voltage for optimal sound quality and efficiency in mobile environments.

The Duo-Capture EX is equipped with 2 x XLR/TRS inputs (with phantom-power support for condenser microphones), plus a Hi-Z input switch for direct connection of an electric guitar or bass. The Duo-Capture EX is compatible with all major computer platforms, including WDM/Asio (Windows), Core Audio (Mac), and even iOS for the iPad.

Perfect for traveling musicians, the interface is compact and solidly housed in an aluminum case. It easily fits in a backpack, and weighs just one pound (440g). For the ultimate in mobile convenience, it can be powered via your computer's USB bus, 2 x AA batteries, or an AC adapter (sold separately). Its premium preamps and low-noise design enable pro-quality results anywhere you record, indoors or out.

Turn your iPad into a professional recording device by connecting it to the Duo-Capture EX. Connect the Duo-Capture EX to your iPad via Apple's Camera Connection Kit. Batteries or AC power is required when using the Duo-Capture EX with an iPad. You cannot charge your iPad using the Duo-Capture EX. Record vocals, guitar, keyboard, or other instruments with superb quality through the Duo-Capture EX into the iPad using your favorite iOS apps. Additionally, it can also function as a USB-MIDI interface to control iOS apps with electronic instruments such as MIDI keyboards, V-Drums, etc.

1-input/1-output MIDI interface with FPT processing

Review: Compact, convenient, and fast, the affordable UM-One mk2 boasts high-performance FPT processing for low latency and tight timing. The bus-powered MIDI interface is compatible with Macs and PCs, and now with the iPad as well via the Apple Camera Connection Kit.

Wired remote control designed for direct access to the most frequently used actions and commands

Review: This wired Advanced Remote Control (ARC) has been designed for direct access to the most frequently used actions and commands required in a studio's daily work. Its extremely flexible configuration through TotalMix FX will simplify the workflow and greatly increase the usability of the RME interface in any real world situation.

The Advanced Remote Control (ARC) can be used with all Fireface UCX. It can also be used with all Fireface UFX with a serial number 23241707 (built after June 2011) or higher. Upcoming interfaces that feature an Advanced Remote Control connector will also be compatible. Users that own a Fireface UFX with a serial number below 23241707 have to send their UFX to their distributor as it requires a hardware modification to be fully compatible to the Advanced Remote Control.

The ARC consists of a solid metal case with a main encoder dial, 2 x push buttons and 6 x LED-equipped buttons. The Remote Control connects to the main interface via a 5m cable and a special connector on the back of both units.

Available commands/actions (examples):

Main volume
Global mute
Global solo
Mute group 1 to 4
Solo group 1 to 4
Fader group 1 to 4
Link main AB
Speaker B select
DIM (main out)
Mute (main out)
Mute FX (main out)
Mono (main out)
External input
Reverb
Echo
Cue phones 1 to 4
Snapshot 1 to 8
Mic gains
Inst. gains
Volume phones.

Several functions can be activated at the same time. Example: button A is set to cue phones 1. That means the phones submix is heard via the main output (the studio monitors). Now to be able to also change the volume of the phones submix itself, set button B to volume phones 1. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.

In stand-alone mode of Fireface UCX and UFX there is no TotalMix FX on the host computer. Therefore the settings for the ARC are no longer available. Instead a fixed set of functions is activated:

Turn encoder: main out volume
Push on encoder: dim for main out
Recall button: recall function for main out
Prog: no function
Buttons A to F: load Setup 1 to 6.

22-channel bus-powered USB high speed audio/MIDI interface

Review: *** PLEASE NOTE: THIS IS NOT AVAILABLE FOR SALE INTO MAINLAND EUROPE ***

The RME Babyface Silver Edition is a bus-powered audio interface that is equipped with the latest 192 kHz AD and DA converters, 2 reference class microphone preamps, and all of it housed in an attractively shaped compact enclosure. Additionally, RME's SteadyClock technology ensures digital conversion of the highest reference quality.

Both digitally controlled preamps provide individually switchable 48V phantom power and gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB. Exceptional EIN performance even at low amplification settings and extremely low THD+N values let these preamps surpass those of other devices. All level settings are 100% recallable by the setup software and can be easily adjusted.

The optical Toslink input and output function either as ADAT I/O with SMUX support, or S/PDIF I/O for all sessions up to 192 kHz. In combination with an ADAT converter, the RME Babyface can provide 10 analog input & 12 output channels. The additional headphone output, driven from a dedicated DA converter delivers the full 192 kHz sonic experience and is available both directly on the unit and also on the breakout cable.

With 1 main control knob and 2 single buttons, the elegant Babyface acts as a perfectly designed direct desktop control for all typical studio tasks, volume control, reference volume store and recall, volume dim, input selection/switching and input gain control. The LED bars serve as both level meter and gain meters, visually supporting the precise control of all inputs, outputs and headphone levels.

The unit is powered via the USB 2.0 bus, which also delivers ultra-low latency. This turns the interface into the perfect partner for mobile recording of live performances, composing sessions in a park or coffee shop, or just about anywhere a notebook computer can be used. The integrated MIDI I/O completes the list of features and turns the Babyface into a creative audio system of universal usability.

56-channel 24bit/192 kHz FireWire audio/MIDI interface

Review: The RME Fireface 800 interface is the world's most powerful FireWire audio interface ever. Up to 56 record/playback channels and 192 kHz sample rate, the true FireWire 800 sums up to an unsurpassed high-end, high performance and high speed FireWire audio interface.

The RME Fireface 800 interface combines the fastest FireWire technology with Analog technology, microphone technology, TotalMix technology and years of experience in programming of efficient and reliable drivers. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface and a high power headphone output with signal-to-noise ratios of 119 dBA.

The RME Fireface 800 is equipped with SteadyClock, RME's unique sync and clock technology. With this, the device becomes a sync reference for the whole studio. The SteadyClock refreshes clock signals, removes jitter and takes permanent care of optimal conversion quality, thus guarantees a sensational sound quality, completely independent from the reference clock's quality. It allows the RME Fireface 800 to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio at most often used sample rates. Additionally, 2 faders can be used to set the sample rate freely.

The RME Fireface 800 uses RME's own FireWire techology, heavily optimized for audio purposes. Lowest overhead, special hardware adaptations and a new low latency buffer concept enable a performance and compatibility at latencies of only one millisecond.

The RME Fireface 800 has a second port for hub functionality, bi-lingual mode and an additional port. Several Fireface 800 interfaces can be used in parallel and at the same time on 1 FireWire port without any problem.

36-channel 192 kHz USB2.0 high speed audio interface

Review: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.

Hybrid 36-channel USB & FireWire audio interface

Review: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded

60-channel, 192 kHz, FireWire audio interface with USB recording

Review: The RME Fireface UFX interface is the new flagship of RME's audio interfaces. It features 60 channels of audio, digitally controlled high-end preamps, reference class converters and full 192 kHz operation.

The RME Fireface UFX inferface has Ultra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. It also comes with active jitter suppression, professional reference level support and advanced stand-alone functionality, RME's unique DigiCheck metering and analysis toolbox.

TotalMix FX is the new digital high-end mixer and signal router, driven by 2 powerful DSP with integrated EQ, dynamics and reverb/echo effects up to 192 kHz plus a built-in monitoring control.

The full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus and complete control of all key features.

RME's new Fireface flagship UFX is a highly integrated pro audio solution, a full-blown studio packed in a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set.

Review: The RME Fireface UFX interface is the new flagship of RME's audio interfaces. It features 60 channels of audio, digitally controlled high-end preamps, reference class converters and full 192 kHz operation.

The RME Fireface UFX inferface has Ultra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. It also comes with active jitter suppression, professional reference level support and advanced stand-alone functionality, RME's unique DigiCheck metering and analysis toolbox.

TotalMix FX is the new digital high-end mixer and signal router, driven by 2 powerful DSP with integrated EQ, dynamics and reverb/echo effects up to 192 kHz plus a built-in monitoring control.

The full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus and complete control of all key features.

RME's new Fireface flagship UFX is a highly integrated pro audio solution, a full-blown studio packed in a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set.

10-input/12-output portable USB 2.0 high-end audio interface

Review: The RME Ladyface portable USB audio interface gives you 10-input/12-output channels and can record up to 192 kHz. The Ladyface is light and compact, yet full of RME technology that makes it a professional audio interface.

The Ladyface from RME features 2 x analogue inputs, 4 x analogue outputs, ADAT I/O or SPDIF I/O optical and MIDI I/O for full studio integration. The Ladyface also includes TotalMix FX which allows you to add EQ, Reverb and Echo to your recordings from your DAW.

The Ladyface uses RME's Hammerfall USB audio core from the Fireface UC, another marvel in low latency audio interfaces, and will give you outstanding performance and top sound in an ultra-portable, nicely designed and attractively shaped enclosure.

Both digitally controlled preamps provide individually switchable 48V phantom power. A gain of up to 60 dB, adjustable in steps of 3 dB over a range of 51 dB, exceptional EIN performance even at low amplification settings and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.

Review: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.

USB audio interface, comes with a full-LE version of PCDJ DJ software and a sample pack of Loop Masters

Review: The process of filing your irreplaceable vinyl collection just became a piece of cake. By plugging a turntable into the Reloop iPhono 2 USB audio interface, and then connecting this to a computer (PC or Mac), precious vinyl rarities can now be recorded digitally in crystal clear CD quality thanks to the high-quality digital drivers. It goes without saying that any other audio sources, such as tape decks or Minidisc players can also be connected to the interface for recording.

Why not hook up a mixer to the Reloop iPhono 2 and record your entire DJ set to your computer? The mix can then be instantly uploaded to share with others online, or could just as easily be burnt to a CD for physical distribution, the possibilities are endless. The Reloop iPhono 2 even comes with a full copy of PCDJ DJ LE software and a sample pack from Loop Masters.

Get digital. Get the Reloop iPhono2.

USB bus-powered audio interface with 4 inputs/4 outputs, PC & Intel Mac compatible

Review: With this small but powerful interface, Reloop present one of the smallest DJ soundcards that can be found on the market, with an outstanding 24bit sound quality.

Special Hi-gain outputs allow an extremely pounding club sound catering for lowest latencies while spinning, which is granted by the USB 2.0 ASIO/CORE driver technology.

Thanks to the elaborate connecting possibilities, the Reloop Play offers 2 play modes. On the one hand there is the external mixer mode, with it, it is possible routing 2 separate stereo channels to an external mixer. This mode will be appreciated by all professional Traktor users; the second mode is called the controller mode. In this case a master ouptut is routed to the sound system and it is possible to connect headphones directly to the interface, this mode is especially appropriate for laptop DJs without further hardware.

Both stereo channels' volume can be comfortably adjusted via separate controllers. The signal status LEDs allow a visual monitoring so that everything remains in view and under control.

Small, professional and always present: Plug and Play.

www.youtube.com/watch?v=cYRnZbMi_jU

USB 2-in/2-out audio interface + Propellerheads Reason software

Review: This is the music production package that has everything you need to create anything you want.

The Propellerheads Balance USB 2-in/2-out audio interface has been designed to work in harmony with Propellerheads Reason software. With Reason Essentials included, the Balance interface was made for musicians in home studios and for personal projects.

The Balance from Propellerheads features separate volume controls for monitors and headphones. The Balance Interface has 8-input connections for instruments, mics and devices, so you are ready to record straight away. The included Reason Essentials packs in all the recording editing, effects, instruments and mixing tools needed to create great sounding tracks.

The Balance's class compliant drivers on the Mac and ASIO/WMD driver for Windows ensure hassle free installation and compatibility with all applications from iTunes to ProTools. Integration with Propellerhead products goes further.

The Hardware buttons on Balance USB interface bring up a large meter/tuner in Reason and can also enable clip safe, Propellerhead's new recording technology that with one click heals clipped recorded audio. Musicians no longer have to worry about losing a great recording because gain levels were too high, and can stay focused on creating your music.

Sounds is as good as it looks. Works is as great as it feels. Propellerhead have taken care of all the tedious stuff i calibration, setup, the works. You can concentrate on having fun instead: making music. With two channels of pristine audio recording, and with inputs for all your gear, your instruments are always connected and you are always ready to record.

The Balance is perfectly integrated with Reason and Reason Essentials. With Clip Safe you'll never lose a good take to distortion again. Big Meter lets you tune your guitar and set the levels from across the room. Use it with our software, other pro audio apps, or even iTunes - Balance works with everything.

The Reason Essentials packs all the recording, editing, effects, instruments and mixing tools you need to sound great. With its generous sound bank and familiar creative flow, it's the software that lets you focus on the music and finish that song. Need more? Upgrade to Reason for even more instruments, sounds and effects.

http://www.youtube.com/watch?v=od_0DEppnXc&feature=player_embedded

Advanced 2 x 2 USB 2.0 recording system

Review: The PreSonuc AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox 22VSL interface provides reverb and delays effects and the same Fat Channel compression, limiting, semi-parametric EQ and high-pass filter, as the PreSonus StudioLive 16.0.2 digital mixer, all with inaudible latency. Now you can monitor and record with or without real-time effects.

Bus-powered, compact, and rugged, the AudioBox 22VSL offers 2 convenient front-panel mic/instrument combo inputs with global phantom power and provides 2 line-level outputs. It sports the same high-headroom Class A XMAX preamps as the StudioLive mixers and has 24bit/96 kHz converters with 114 dB dynamic range for clear, clean audio. And it also boasts PreSonus' legendary 150 mW headphone output, which is loud enough to explode the oysters in a Po-Boy sandwich.

When PreSonus tell you that they made the AudioBox 22VSL rugged, they're not fooling. It employs the same heavy-duty steel case and drove over with a full-size truck before using it to make a very nice recording. Now that's what PreSonus call roadworthy. This mighty mite fits in just a third of a rackspace and can be screw-mounted to a standard rack tray (not included).

The AudioBox22VSL enables you to easily manage the processing and mixing from your Mac or Windows PC and provides editor/librarian functions, making it simple to create and use a library of presets. To get you started, PreSonus've included the same library of more than 50 Fat Channel presets that comes with StudioLive mixers. These presets were created by professional musicians and engineers and let you instantly set up dynamics processing and EQ for vocals, guitar, and much more.

Seamlessly integrated with the included Studio One Artist DAW and VSL, the AudioBox 22VSL interface works with virtually all Mac and Windows audio-recording software. Unlike most things nowadays, it's very easy on your budget. So get the next-generation USB 2.0 interface that gives you real-time, low-latency effects; rock-solid construction; and high-end audio for low-end prices: AudioBox 22VSL.

Recording bundle including Audiobox, Studio One Artist, M7 condenser mic, HD7 headphones & 3m mic cable

Review: The PreSonus AudioBox USB interface is bundled with PreSonus Studio One Artist, Presonus' groundbreaking music creation program and over 4 GB of virtual instruments, plug-ins, loops and samples to get you started making music immediately.

Why settle for a toy interface when you can own PreSonus quality? Perfect for musicians and podcasters, the 2-channel AudioBox USB interface boasts high-performance microphone preamplifiers and professional-quality, 24bit converters. Powered by your computer, it is compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.

No other entry-level recording and production software is this easy to use, yet is capable of creating studio-quality output. The Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers features not normally found in entry-level DAWs.

USB bus-powered audio interface with 2 inputs/2 outputs & digital S/PDIF I/O, PC & Mac compatible

Review: Compact and lightweight, the Phonic Digitrack digital recording audio interface is an inexpensive way to get high-quality digital audio recordings in an extremely portable computer interface. The Digitrack accepts digital input through S/PDIF, or analog input through stereo RCA jacks. Plug the USB cable into your computer and you instantly get high-quality digital audio without the sound degradation resulting from digital-to-analog conversion.

Use the Digitrack to record, or to playback audio from your computer through your home stereo. Digital and analog outputs deliver great sound and give you a variety of options of where you route the audio. The headphone jack lets you monitor the input and output. Or, use the headphone jack to listen to your computer and get better quality sound by avoiding computer grounding noise. Best of all, the Phonic Digitrack is extremely portable. It gets power from the computer through the USB cable so you don't have to carry around a bulky power adaptor.

USB bus-powered interface with 1 input/4 outputs & ASIO drivers, PC & Mac compatible

Review: The DJ iO interface is a compact, portable audio interface expressly designed for DJs, mobile music producers and other musicians who work with computers. You'll find DJ iO to be a convenient missing link in your setup because it connects easily with a standard USB cable to the computer and supplies extremely high-quality, 24bit audio to output systems. The DJ iO has stereo outputs for a main sound system, a secondary or monitoring system and headphones, as well as a microphone input with a hardware volume control. The audio interface comes with premium ASIO drivers, which enable you to easily optimize your system's audio performance.

DJs and other performers employ DJ iO interface in a wide variety of setups, most commonly involving music-mixing software and a hardware controller such as Total Control, Stealth Control or MixMeister Control. Other performers including CD DJs and non-musician computer users can also appreciate DJ iO's convenience and portability.

You can use DJ iO interface with Mac OS X, Windows XP, or Vista. Both 32 and 64bit Windows are compatible. The USB device is bus-powered so no additional power supply is needed. Optionally, you can wall-power DJ iO with a six-volt AC adapter, which is sold separately. DJ iO delivers extremely low-latency audio performance for real-time playback accuracy at a choice of CD-quality 44.1 kHz or premium 88.2 kHz sample rates.

The DJ iO interface is compact and rugged enough to live in your gig bag. It has RCA stereo outputs and a headphone output so you can cue and output your main mix simultaneously. The DJ iO also has a 1/4" mic input so you can be the life of the party.

6-channel premium audio interface

Review: The Native Instruments Komplete Audio 6 interface is a premium-quality 6-channel audio interface. It provides everything you need to record, play and perform music, with 4 analog inputs/outputs, digital input/output, MIDI and low-latency performance, all in a sleek, rugged metal casing. The 2 mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine and transparent sound. Upgrade your setup with Komplete Audio 6, because it sounds better.

The Komplete Audio 6 package also includes Komplete Elements, with over 1000 sounds and effects, plus software for recording, sequencing and DJing.

The Komplete Audio 6 interface lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using Maschine or Komplete instruments and effects, you're armed with an array of sounds in the highest-possible audio fidelity. The Komplete Audio 6 gives you the hardware to match.

The Komplete Audio 6 has designed in-house by Native Instruments. From the custom, streamline circuit design, through the hand-picked components to the analog volume knob on top of the uni, every part of the interface is designed to preserve signal clarity.

2-channel DJ audio interface + FREE Traktor Pro 2 DJ software

Review: The Traktor Audio 2 interface is the smallest USB DJ soundcard in the world, yet packs enough punch to rock the world's biggest clubs.

With 2 high-gain stereo outputs and an ultra-compact format, the Traktor Audio 2 interface provides all you need for spinning tracks from your computer, so prepare your sets and mixes on the plane or the train and enjoy maximum flexibility when playing out.

You can either output both channels individually via 1/4" jacks to your DJ mixer using the supplied adapter cable, or mix internally in Traktor using 1 output to monitor your headphone mix and use the other as your master out. With the pocket-sized Traktor Audio 2 interface, you're ready to rock the clubs and after parties instantly, it doesn't get more portable than this.

96kHz expandable PCI audio interface

Review: This box contains everything you need to turn your computer into a powerful 24bit/96 kHz digital audio workstation. The 2408mk3 interface provides 8 channels of pristine 96 kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O, the most ever offered in a single rack space audio interface. Connect up to 4 interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96 kHz.

The 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size.

For the computer-based studio, the included PCI-424 card features CueMix DSP, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer.

With 24 channels of digital I/O, the 2408mk3 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96 kHz. And here's another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracyiwithout a dedicated synchronizer.

The 2408mk3 also provides cross-platform compatibility for Mac and Windows with all of your favorite audio software and host-based effects. Or you can use the included AudioDesk workstation software for Mac OS X, with 24bit recording/editing and 32bit mixing/processing/mastering.

www.motu.com/products/motuaudio/828mk3

*** B-STOCK: Box opened but product is new & unused ***

Review: This box contains everything you need to turn your computer into a powerful 24bit/96 kHz digital audio workstation. The 2408mk3 interface provides 8 channels of pristine 96 kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O, the most ever offered in a single rack space audio interface. Connect up to 4 interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96 kHz.

The 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size.

For the computer-based studio, the included PCI-424 card features CueMix DSP, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer.

With 24 channels of digital I/O, the 2408mk3 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96 kHz. And here's another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracyiwithout a dedicated synchronizer.

The 2408mk3 also provides cross-platform compatibility for Mac and Windows with all of your favorite audio software and host-based effects. Or you can use the included AudioDesk workstation software for Mac OS X, with 24bit recording/editing and 32bit mixing/processing/mastering.

www.motu.com/products/motuaudio/828mk3

FireWire/USB 2.0 audio/MIDI interface with on-board effects and mixing

Review: As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 10 channels of pristine 192 kHz analog recording and playback, combined with 16 channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.

The 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.

Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer, with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3's signal overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or harsh artifacts.

Analyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram waterfall display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.

After programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.

The 828mk3 provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32bit mixing/processing/mastering.

Hybrid firewire USB 2.0 audio interface with onboard effects and mixing

Review: The MOTU 896mk3 audio interface delivers advanced design, high-end performance, superb sound and universal hybrid FireWire/USB 2.0 connectivity to your Mac or Windows computer.

As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 8 channels of pristine 24bit/192 kHz analog recording and playback, combined with 16 channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outputs on XLRs and 2 front panel headphone outputs. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer, with no latency and no processor strain on your computer.

Apply hardware DSP-driven effects processing to inputs, outputs and busses independent of your host computer. Add classic reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between 2 forms of compression: a conventional compressor and the leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

*** B-STOCK: Box opened but product is new & unused ***

Review: The MOTU 896mk3 audio interface delivers advanced design, high-end performance, superb sound and universal hybrid FireWire/USB 2.0 connectivity to your Mac or Windows computer.

As a hybrid audio interface, the 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 8 channels of pristine 24bit/192 kHz analog recording and playback, combined with 16 channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.

As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outputs on XLRs and 2 front panel headphone outputs. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer, with no latency and no processor strain on your computer.

Apply hardware DSP-driven effects processing to inputs, outputs and busses independent of your host computer. Add classic reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between 2 forms of compression: a conventional compressor and the leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.