Studio monitors

Single nearfield/desktop monitor

Review: With the A3X monitor, ADAM present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldn't be constricted. The A3X monitor combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies and a guarantee for crystal clear music reproduction.

A 4.5" (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. 2 built-in 25W amplifiers powers each of the drivers directly.

A very handy and exclusive technology found in the 2 smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A3X monitors in such a manner as to allow the user the option to control the overall stereo volume of the system from either speaker's gain control. This makes the A3X monitor a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A3X monitor sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

With the A3X monitor, ADAM present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldn't be constricted. The A3X monitor combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies and a guarantee for crystal clear music reproduction.

A 4.5" (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. 2 built-in 25W amplifiers powers each of the drivers directly.

A very handy and exclusive technology found in the 2 smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A3X monitors in such a manner as to allow the user the option to control the overall stereo volume of the system from either speaker's gain control. This makes the A3X monitor a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A3X monitor sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: With the A3X monitor, ADAM present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldn't be constricted. The A3X monitor combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies and a guarantee for crystal clear music reproduction.

A 4.5" (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. 2 built-in 25W amplifiers powers each of the drivers directly.

A very handy and exclusive technology found in the 2 smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A3X monitors in such a manner as to allow the user the option to control the overall stereo volume of the system from either speaker's gain control. This makes the A3X monitor a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A3X monitor sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: With the A3X monitor, ADAM present their smallest monitor to date, making it perfectly suited for all environments where space is limited but sound shouldn't be constricted. The A3X monitor combines a tiny footprint with the much acclaimed ADAM sound quality by using the X-ART tweeter for the higher frequencies and a guarantee for crystal clear music reproduction.

A 4.5" (basket) driver handles the lower registers. The diaphragm is made from carbon fiber, a material that is very light but very stiff and therefore capable of delivering colouring-free sound. 2 built-in 25W amplifiers powers each of the drivers directly.

A very handy and exclusive technology found in the 2 smaller AX monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A3X monitors in such a manner as to allow the user the option to control the overall stereo volume of the system from either speaker's gain control. This makes the A3X monitor a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A3X monitor sports dual ports for surprisingly low frequency response down to 60Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

2 way active studio monitor in glossy white, exclusive to Juno

Review: This glossy white edition of the ADAM A5 is exclusively available at Juno.

The ADAM A5 is the smaller brother of the A7, probably the best known of all the ADAM monitors. The A5 uses the same ADAM proprietary transducer technology (ART) and the same woofer consisting of a sandwich construction of carbon fiber and Rohacellr, only reduced in size to 5 .5 inch. The outstanding sound quality in combination with the small size, the glossy white finish and the Stereolinkr make the A5 a truly unique loudspeaker with an almost unlimited range of applications.

Amplifiers and controls: Two built-in 25 Watt amplifiers power the drivers directly. The front of the A5 sports dual ports for surprising low frequency response down to 55Hz, metal grills for durability, as well as power and gain controls. The rear panel includes balanced (XLR) jacks, unbalanced (RCA) jacks, and a host of EQ controls to tailor the sound to suit room acoustics or personal taste.

Stereolink: The A5 employs a new development by ADAM called Stereolink. This new technology connects two A5 speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5 a natural for "mixer-less" desktop applications where overall system volume needs to be adjusted often and from a single control.

Review: This glossy white edition of the ADAM A5 is exclusively available at Juno.

The ADAM A5 is the smaller brother of the A7, probably the best known of all the ADAM monitors. The A5 uses the same ADAM proprietary transducer technology (ART) and the same woofer consisting of a sandwich construction of carbon fiber and Rohacellr, only reduced in size to 5 .5 inch. The outstanding sound quality in combination with the small size, the glossy white finish and the Stereolinkr make the A5 a truly unique loudspeaker with an almost unlimited range of applications.

Amplifiers and controls: Two built-in 25 Watt amplifiers power the drivers directly. The front of the A5 sports dual ports for surprising low frequency response down to 55Hz, metal grills for durability, as well as power and gain controls. The rear panel includes balanced (XLR) jacks, unbalanced (RCA) jacks, and a host of EQ controls to tailor the sound to suit room acoustics or personal taste.

Stereolink: The A5 employs a new development by ADAM called Stereolink. This new technology connects two A5 speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5 a natural for "mixer-less" desktop applications where overall system volume needs to be adjusted often and from a single control.

Single nearfield/desktop monitor

Review: The small Adam A5 monitor managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one of the best small monitors and a great choice for the small studio. The similar dimensions and name could make one believe that the Adam A5X monitor is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

The Adam A5X monitor features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5" Midwoofer reproduces the frequencies below 2.5 kHz. The diaphragm is made from carbon fiber/rohacell/glass fiber. This composite material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

A very handy and exclusive feature found in the 2 smaller A5X monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A5X monitor sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: The small Adam A5 monitor managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one of the best small monitors and a great choice for the small studio. The similar dimensions and name could make one believe that the Adam A5X monitor is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

The Adam A5X monitor features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5" Midwoofer reproduces the frequencies below 2.5 kHz. The diaphragm is made from carbon fiber/rohacell/glass fiber. This composite material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

A very handy and exclusive feature found in the 2 smaller A5X monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A5X monitor sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: The small Adam A5 monitor managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one of the best small monitors and a great choice for the small studio. The similar dimensions and name could make one believe that the Adam A5X monitor is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

The Adam A5X monitor features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5" Midwoofer reproduces the frequencies below 2.5 kHz. The diaphragm is made from carbon fiber/rohacell/glass fiber. This composite material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

A very handy and exclusive feature found in the 2 smaller A5X monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A5X monitor sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: The small Adam A5 monitor managed to make itself a big name in both professional environments as well as in computer or desktop applications. A wealth of truly outstanding reviews and many awards helped to establish this speaker as one of the best small monitors and a great choice for the small studio. The similar dimensions and name could make one believe that the Adam A5X monitor is nothing more than a new version of the A5. A quick listening however leaves no doubt that the A5X is much more than that.

The Adam A5X monitor features the proprietary X-ART tweeter. The very data of this technology shows that it is at the forefront of what tweeters can accomplish. Numerous listening tests have confirmed this.

A 5.5" Midwoofer reproduces the frequencies below 2.5 kHz. The diaphragm is made from carbon fiber/rohacell/glass fiber. This composite material with minimum weight and maximum rigidity prevents break up resonances, resulting in an outstanding dynamic behaviour and impeccable sound characteristics.

A very handy and exclusive feature found in the 2 smaller A5X monitors is the Stereolink. This is accomplished by a pair of additional RCA connections that allow for a bypass of the second stereo channel to the other speaker. This new technology connects 2 A5X speakers in such a manner as to allow the user the option to control the overall stereo volume of the system from either speakers gain control. This makes the A5X a natural for mixer-less desktop applications where overall system volume needs to be adjusted easily.

The front of the A5X monitor sports dual ports for surprisingly low frequency response down to 50Hz. The front panel also has power and gain controls. The rear panel includes a tweeter gain control as well as balanced (XLR) jacks and unbalanced (RCA) jacks, allowing for greater connection flexibility. There are also 2 M6 (6mm) metric screw threads for stand/wall mounting.

Review: With the A7X monitor, Adam Audio proudly presents the evolution of a legend. The first aspect that distinguishes the old from the new model is the X-ART tweeter. The X stands for eXtended frequency response and thus for one of the features of the accelerating ribbon technology that has been drastically improved: the frequency response. It now extends all the way up to 50 kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (-/+ 4 dB) and 2 shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Single nearfield monitor

Review: With the A7X monitor, Adam Audio proudly presents the evolution of a legend. The first aspect that distinguishes the old from the new model is the X-ART tweeter. The X stands for eXtended frequency response and thus for one of the features of the accelerating ribbon technology that has been drastically improved: the frequency response. It now extends all the way up to 50 kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (-/+ 4 dB) and 2 shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

7" active nearfield monitor

Review: The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over 3 dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world's largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The X stands for eXtended frequency response and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a gain for the high frequencies (+/- 4dB) and 2 x shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Review: The predecessor to the A7X, the A7, became the most famous of all ADAM monitors in a very short time. Not only has it been reviewed over 3 dozen times with outstanding results, it has also received numerous awards. The A7 quickly gained mass appeal, praised in many of the world's largest internet forums. Still today, the A7 are the reference monitors in many smaller studios.

With the A7X, ADAM Audio proudly presents the evolution of a legend. It takes everything that made the A7 such an outstanding speaker to a new level.

The first aspect that distinguishes the old from the new model is the X-ART tweeter. The X stands for extended frequency response and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel are several additional controls: a tweeter gain control, (+/- 4dB) and 2 shelving filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

Single nearfield/midfield monitor

Review: With its power and radiation characteristics, the brand new Adam A8X monitor is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X monitor is equipped with the X-ART tweeter and a large (8.5") midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter.

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (-/+ 4dB) and 2 shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

www.youtube.com/watch?v=vJS3Unhp4vY

Review: With its power and radiation characteristics, the brand new Adam A8X monitor is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X monitor is equipped with the X-ART tweeter and a large (8.5") midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter.

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (-/+ 4dB) and 2 shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

www.youtube.com/watch?v=vJS3Unhp4vY

Review: With its power and radiation characteristics, the brand new Adam A8X monitor is suitable for both nearfield and midfield monitoring. With a price/performance ratio that could hardly be better, this monitor is a perfect entry into these monitoring fields.

The A8X monitor is equipped with the X-ART tweeter and a large (8.5") midwoofer, a combination that adds both a very deep and yet very tight bass response to the unsurpassed reproduction qualities of the ADAM proprietary tweeter.

Like the other AX-Series models, the upper corners of the A8X are slanted to minimize reflections. The very large double bass reflex tubes on the front have been specifically designed to perfectly match the midwoofer with its large voice coil.

With a 50W A/B amplifier for the tweeter and a 150W PWM amplifier for the midwoofer, the A8X has power in abundance and is the brawny monitor of the AX-Series.

On the rear panel are several controls: a gain for the high frequencies (-/+ 4dB) and 2 shelf filters for the high and low frequencies. There are both XLR (balanced) and RCA (unbalanced) connectors on the rear panel of the speaker, which allow the A8X to be used in almost any application.

www.youtube.com/watch?v=vJS3Unhp4vY

Small near-field monitor designed for listening environments with somewhat limited space

Review: The ADAM F5 is the entry level version of the new ADAM F series studio monitors, designed for smaller listening environments, but despite its size is still capable of delivering deep and tight low frequencies.

The F5 features a redesigned version of ADAM's acclaimed ART ribbon tweeter to reproduce high frequencies with the airiness, clarity, and detail ADAM is famous for. ART tweeters have a high efficiency (approximately 92 dB/W/m), a perfectly linear impedance, an equally perfect phase response, excellent directivity characteristics and a superb power handling capacity.

The 5" woofer is made from carbon and paper and has a 25mm voice coil, designed to seamlessly integrate with the tweeter's performance. Several controls on the rear panel let you adjust the Adam F5 monitor to the listening environment, these include 2 room EQs for both the high (>5 kHz) and the low (<300Hz) frequencies, as well as a dedicated volume knob.

The Adam F5 brings you the essence of Adam speakers at a new, lower price point.

www.youtube.com/watch?v=mjthIjRVwtE

Review: The ADAM F5 is the entry level version of the new ADAM F series studio monitors, designed for smaller listening environments, but despite its size is still capable of delivering deep and tight low frequencies.

The F5 features a redesigned version of ADAM's acclaimed ART ribbon tweeter to reproduce high frequencies with the airiness, clarity, and detail ADAM is famous for. ART tweeters have a high efficiency (approximately 92 dB/W/m), a perfectly linear impedance, an equally perfect phase response, excellent directivity characteristics and a superb power handling capacity.

The 5" woofer is made from carbon and paper and has a 25mm voice coil, designed to seamlessly integrate with the tweeter's performance. Several controls on the rear panel let you adjust the Adam F5 monitor to the listening environment, these include 2 room EQs for both the high (>5 kHz) and the low (<300Hz) frequencies, as well as a dedicated volume knob.

The Adam F5 brings you the essence of Adam speakers at a new, lower price point.

www.youtube.com/watch?v=mjthIjRVwtE

Near-field monitor designed for listening environments with somewhat limited space

Review: The ADAM F7 has been designed to offer ADAM quality at a more affordable price. The F7 shares characteristics with their renowned A7X, but sports a redesigned ART tweeter and woofer. Although cheaper, it sacrifices nothing in quality and offers an excellent monitoring experience.

The F7 features ADAM Audio's proprietary Accelerating Ribbon Technology, the most famous of all ADAM inventions, assuring the utmost clarity of the high frequencies. The 7" carbon/paper-midwoofer comes with a 37mm voice coil. It has been designed to perfectly complement the ART tweeter and offers a crisp, deep bass response and along with focused mid-range clarity. The F7 also offers several controls to adjust the monitors to the environment, all of which located on the rear panel: 2 room EQ's for both the high (>5 kHz) and the low (<300 Hz) frequencies as well as a volume knob.

The ADAM F7 brings you the essence of ADAM speakers at a new, lower price point.

http://www.youtube.com/watch?v=RL7UB63u-mA

Review: The ADAM F7 has been designed to offer ADAM quality at a more affordable price. The F7 shares characteristics with their renowned A7X, but sports a redesigned ART tweeter and woofer. Although cheaper, it sacrifices nothing in quality and offers an excellent monitoring experience.

The F7 features ADAM Audio's proprietary Accelerating Ribbon Technology, the most famous of all ADAM inventions, assuring the utmost clarity of the high frequencies. The 7" carbon/paper-midwoofer comes with a 37mm voice coil. It has been designed to perfectly complement the ART tweeter and offers a crisp, deep bass response and along with focused mid-range clarity. The F7 also offers several controls to adjust the monitors to the environment, all of which located on the rear panel: 2 room EQ's for both the high (>5 kHz) and the low (<300 Hz) frequencies as well as a volume knob.

The ADAM F7 brings you the essence of ADAM speakers at a new, lower price point.

http://www.youtube.com/watch?v=RL7UB63u-mA

Studio monitors

Review: The Akai RPM8 reference production studio monitor is specifically designed for use with MPC music production workstations and production controllers. The RPM8 studio monitors are 2-way, active, bi-amplified, nearfield loudspeakers made for producers, recording engineers, remix artists, DJs and other musicians.

The 2-way monitors each feature an 8" woven-kevlar low-frequency driver with 80W RMS of continuous amplification for robust, full bass all the way down to 39 Hz. The monitors' high-frequency system consists of a 1" silk-dome tweeter with 40W RMS of continuous amplification, mounted on a custom, functionally optimized waveguide for excellent control of directivity and reduction of unwanted early reflections. The RPM8 studio monitors contain active, fourth-order crossovers for outstanding separation and optimal power management. Their cabinet is constructed of industry-standard MDF for low resonance and is dually ported on the front baffle for bass extension in any setting, including soffit-mounted installations.

The bi-amplification, ported cabinet design and overall acoustical efficiency combine to produce a speaker that can deliver up to powerful 113 dB SPL and with accurate frequency response from 39Hz to 20 kHz. The RPM8 monitors feature a bicolor LED clip indicator, which assists in avoiding damage to your system. You can connect professional studio systems to the RPM8's combination XLR-balanced 14" TRS inputs for compatibility with a wide variety of source equipment.

www.youtube.com/watch?v=jqyF2fwHX5s

Review: The Akai RPM8 reference production studio monitor is specifically designed for use with MPC music production workstations and production controllers. The RPM8 studio monitors are 2-way, active, bi-amplified, nearfield loudspeakers made for producers, recording engineers, remix artists, DJs and other musicians.

The 2-way monitors each feature an 8" woven-kevlar low-frequency driver with 80W RMS of continuous amplification for robust, full bass all the way down to 39 Hz. The monitors' high-frequency system consists of a 1" silk-dome tweeter with 40W RMS of continuous amplification, mounted on a custom, functionally optimized waveguide for excellent control of directivity and reduction of unwanted early reflections. The RPM8 studio monitors contain active, fourth-order crossovers for outstanding separation and optimal power management. Their cabinet is constructed of industry-standard MDF for low resonance and is dually ported on the front baffle for bass extension in any setting, including soffit-mounted installations.

The bi-amplification, ported cabinet design and overall acoustical efficiency combine to produce a speaker that can deliver up to powerful 113 dB SPL and with accurate frequency response from 39Hz to 20 kHz. The RPM8 monitors feature a bicolor LED clip indicator, which assists in avoiding damage to your system. You can connect professional studio systems to the RPM8's combination XLR-balanced 14" TRS inputs for compatibility with a wide variety of source equipment.

www.youtube.com/watch?v=jqyF2fwHX5s

Professtional USB desktop audio speaker system

Review: Alesis deliver pro-grade USB speaker performance to the computer desktop. The M1 Active 320 USB speakers enable you to play audio from your computer and record audio coming into the speaker to your computer. Simply plug in the USB cable to your computer, no special drivers required.

The M1 Active 320USB speakers are not only substantial audio monitors, but also serve as a convenient audio interface. Keyboards, mic pre's, guitar effects, DJ Mixers, or standard CD and tape players can all easily connect directly to the M1Active 320 USB. Record them directly into your computer.

Full range, superb sound quality insures that you get more accurate audio reproduction to check your mixes. A Bass Boost switch helps emphasize bass frequencies.

The Alesis M1 Active 320 USB monitor speakers are great for various room situations where you want to hear more bass emphasis.

Studio monitors

Review: The M1 Active 520 is the third generation of the acclaimed Alesis M1 Active series. The M1 Active 520 offers incredible bass and midrange definition and flat frequency response from its high-precision driver and professionally crafted crossover.

With a bold new look, redesigned driver, bass density control and EQ, this affordable, high-precision active reference monitor delivers superb sonic clarity.

B-STOCK: Box opened but product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened but product is in excellent condition and in perfect working order ***

The M1 Active 520 is the third generation of the acclaimed Alesis M1 Active series. The M1 Active 520 offers incredible bass and midrange definition and flat frequency response from its high-precision driver and professionally crafted crossover.

With a bold new look, redesigned driver, bass density control and EQ, this affordable, high-precision active reference monitor delivers superb sonic clarity.

Pair of studio monitor speakers

Review: The Alesis M1Active 520 USB is a studio monitoring system designed for professional studio use with an internal digital-audio interface. The M1 Active 520 USB' is a pair of active, bi-amplified, 2-way reference monitors that play from 20000Hz all the way down to 56Hz to cover nearly all frequencies audible to human ears. You can take USB digital signal out of your computer via USB and input it to the M1Active 520 USB for low-noise, low-distortion performance. Priced attractively for any studio's budget, the M1 Active 520 USB perform with linearity, clarity, and neutrality typically reserved for monitors that cost much more.

Alesis built the M1 Active 520 USB around their popular 5" polypropylene low-frequency driver for full, smooth response in the low end and the 1" silk dome high-frequency driver for absolute clarity in the highs. Their custom crossover avoids the crucial vocal midrange, ensuring that your mixes sound the way you recorded them. The low-resonance bass reflex cabinet features radiussed edges to reduce edge diffraction and a tuned port for bass extension. A bass boost switch offers low-frequency enhancement to further accommodate for room conditions requiring a little more output in the low end.

When you reach for the convenient front panel volume control you can be confident that the power you need will be there with 'M1 Active 520 USB's bi-amplified design, delivering 30W per speaker. Like the rest of the M1 Active Series, the 520 USB speakers are magnetically shielded, so there's never an issue of placement near computer screen, LCDs, or hard drives. The front-panel stereo 1/4" headphone output mutes the loudspeakers when connected. When you connect headphones the main volume control automatically switches to controlling the headphone output.

The M1 Active 520 USB feature a large, front-panel, bi-color indicator which indicates presence of signal in blue and clipping in red for instant feedback on system status. Professional quality analog input jacks are located on the rear. 2 balanced 1/4" inputs enable engineers to connect a stereo source or 2 mono sources. For convenient recordings simply connect the stereo output of a mixer. You can create complete recordings with no additional audio interface. The speakers are interconnected using a standard XLR cable for secure, professional connection. For worldwide operation, the M1 Active 520 USB features a voltage-switchable power supply. In addition to their capabilities as traditional monitor loudspeakers, the M1 Active 520 USB monitors contain a USB audio interface. Connected audio sources such as mic preamps and instruments can be recorded directly into your computer at 16bit, 44.1 or 48 kHz. Simply plug the USB cable into your computer. No special drivers required. And when it's time to listen back to your mixes, that same USB cable sends 16bit, 44.1 or 48 kHz, stereo audio from computer to your M1 Active 520 USBs. No more complicated interfaces and messy cable tangles.

Bi-amplified active studio reference monitor speakers

Review: The Alesis Monitor One Active MK2 (Pair) Bi-Amplified Studio Reference Monitors have great accuracy and detailed response in a powered system that's truly affordable.

These biamplified reference monitors offer the incredibly accurate response that perfectly translates to every playback system. Each monitors internal active crossover and custom-designed dual amplifiers ensure an extremely consistent performance under a variety of different studio conditions and program material. The result is a broad, extremely flat frequency response, clear imaging with a wide sweet spot, high power handling and detailed high- and mid-frequency response that only a professional powered monitor can deliver.

The Alesis M1 ACTIVE MKII woofer and tweeter were specifically designed for the most linear, low distortion response in powered monitoring applications. Its 6.5" woofer cone is formulated from non-woven carbon fibre. It's a material that has been used for the skins of combat aircraft wings, since it offers high tensile strength and low weight. In fact, carbon fibre is 25 percent lighter than polypropylene (the most common driver material) and hence provides quicker transient response in the low frequency range for superb bass response as well as a vast improvement in the detail of critical upper-mid frequencies.

The Alesis M1 Active MK II's 1" tweeter dome is made of pure silk, which offers a natural response that aids in preventing ear fatigue during long mix sessions. It also features an internal pole piece mounted phasing plug and is ferrofluid cooled to maintain the best balance of transient response to power handling. 2 audiophile-quality amplifiers-a 75W woofer AMP and a 25W tweeter AMP, were developed for the M1 Active MkII, along with 8th order high- and low-pass electronic crossover filters. The crossover point was carefully chosen at a low 1500Hz, and produces an extremely wide dispersion zone as well as low midrange coloration. Also, the special time alignment circuitry that's been added to the tweeter section of this crossover allows the output of frequencies from the high and low drivers to occur in perfect synchronization, avoiding the time smear that's typical in less advanced powered speakers.

In developing the M1 Active Mk II, the Alesis engineering team discovered that dual font-mounted ports provided the fastest, most coherent and extended low frequency augmentation. Also, the unique offset design of the high frequency driver allows for the flattest frequency and power response in a speaker that offers such wide dispersion. The M1 Active MkII has an attractive mirror-imaged, charcoal- toned cabinet and magnetically-shielded drivers that allow placement in close proximity with computer or video monitors, and offers the added benefit of blending beautifully into your studio's decor without being obtrusive. They may be mounted in either a horizontal or vertical placement to best fit your studio's requirements.

Active portable speaker system with Bluetooth streaming function

Review: The all-in-one TransActive Wireless is a complete, active PA system boasting great portability, making it a great system to take with you. It features a telescopic handle, recessed wheels and a simple, convenient, single-button pairing for instantly streaming audio from any Bluetooth device.

Along with Bluetooth streaming, the TransActive Wireless is capable of accomodating microphones, guitars, keyboards, computers, drum machines and CD or MP3 players, thanks to its variety of inputs. You can also use it to perform, play music, or make your voice heard. This system works with iPad, iPhone, iPod touch, Android devices, Mac, PC and more.

The system features a built-in amplifier which provides plenty of power, low distortion and high efficiency. The large driver brings a solid low end and powerful, crisp highs. The powered speaker projects your performance more than 150 feet.

The TransActive Wireless boasts a convenient built-in rechargeable battery, which can deliver up to 50 hours of cordless amplification. Furthermore, you can plug your TransActive Wireless into an AC outlet. It also features a Cradle with USB charging port for your phone, tablet, or other device.

This speaker system boasts a rugged design to withstand heavy use and portable applications. The standard 35mm socket allows mounting on a speaker stand.

Compact passive monitor speakers with 5.5" driver and 0.5" tweeter

Review: The Behringer 1C-BK two way monitors merge stunningly accurate sound reproduction with neo classic design. They are the ideal choice for fixed installations, such as stereo and surround applications, home recording studios, restaurants, as well as audio and video production suites.

These 100 watt passive two way loudspeakers derive their great sound from their powerful 5.5" cellulose cone woofers and high resolution 0.5" tweeters. The internal crossover provides auto overload tweeter protection, and the high precision components and design ensure absolute phase linearity. The result is full power, ultra linear frequency response ranging from 60Hz all the way up to 23KHz.

Place the 1C-BK in bookshelves, on desktops or hang them from the rafters. You'll find dozens of applications for these great sounding little speakers.

Compact passive monitor speakers with 5.5" driver and 0.5" tweeter

Review: The Behringer 1C-WH two way monitors merge stunningly accurate sound reproduction with neo classic design. They are the ideal choice for fixed installations, such as stereo and surround applications, home recording studios, restaurants, as well as audio and video production suites.

These 100 watt passive two way loudspeakers derive their great sound from their powerful 5.5" cellulose cone woofers and high resolution 0.5" tweeters. The internal crossover provides auto overload tweeter protection, and the high precision components and design ensure absolute phase linearity. The result is full power, ultra linear frequency response ranging from 60Hz all the way up to 23KHz.

Place the 1C-WH in bookshelves, on desktops or hang them from the rafters. You'll find dozens of applications for these great sounding little speakers.

Pair of high-resolution, active 2-way reference studio monitors with 8" Kevlar woofer

Review: The Behringer TRUTH B1031A high-resolution 2-way active reference studio monitors come with a long-throw 8" Kevlar woofers that deliver a very neutral sound with an extremely flat frequency response.

The Behringer Truth B1031A monitors feature servo-balanced XLR / 1/4" TRS jack and unbalanced RCA inputs. The B1031As include built-in Class A/B 100 and 50W amplifiers with enormous power plus separately controlled limiters for low and high frequency overload protection. Tight, deep bass is provided by a long-throw 8" Kevlar woofer, while a ferrofluid-cooled 1" dome tweeter for ultimate sound reproduction.

The B1031A monitors also feature the advanced Behringer wave guide technology and low-distortion active crossover network with 4th order Linkwitz-Riley filters, producing an absolutely linear phase response with excellent sound dispersion and stereo imaging together with an extremely large sweet spot. The B1031As are adjustable to a wide range of acoustic conditions or subwoofer combinations and magnetic shielding allows placement near computer/video monitors.

Pair of high-resolution, active 2-way reference studio monitors

Review: The Behringer TRUTH B2031A monitors are powerful, active 2-way reference studio monitor that deliver very neutral sound with an extremely flat frequency response.

The Behringer TRUTH B2031As come with XLR and 1/4" jack TRS servo balanced inputs that delivers very neutral sound and has an extremely flat frequency response (50Hz - 21 kHz). The B2031A includes built-in 150W and 75W power amps with enormous power reserve plus separately controlled limiters for low and high frequency overload protection. Tight, deep bass is provided by a long-throw 8 3/4" woofer with a special polypropylene diaphragm, while a ferrofluid-cooled HF driver guarantees clear and detailed highs.

The TRUTH B2031As also feature the unique Behringer wave guide and the extremely low-distortion active crossover network with 4th order Linkwitz-Riley filters, producing an absolutely linear phase response with excellent sound dispersion and stereo imaging together with an extremely large sweet spot. The B2031A monitors are adjustable to a wide range of acoustic conditions or subwoofer combinations and magnetic shielding allows placement near computer/video monitors.

www.youtube.com/watch?v=b98X2jjWpNs

Pair of 2-way active ribbon studio reference monitors with Kevlar woofer

Review: The Behringer TRUTH B3030A are the first set of studio monitors from Behringer to feature velocity ribbon tweeters, offering a completely transparent sound. The Behringer TRUTH B3030A feature 75W LF and 35W HF amps and a 6 3/4" LF woofer. The B3030A were designed by engineers to create the most accurate and honest monitors so you could hear and feel exactly what you've recorded.

For the past 2 years Behringer's acoustic engineers have worked hard on improving the TRUTH B2030A which have become industry standard. They insisted on using the best materials and technology such as ultra-high resolution, 2" velocity ribbon transducers, long-throw woofers with Kevlar cones and deformation-resistant aluminum die-cast chassis.

Behringer also integrated 110W bi-amped technology into the TRUTH B3030-A, so it could boast enormous power reserves when driven hard. To guarantee an ultra-linear frequency response, each monitor is hand-aligned and comes with an individual frequency diagram. But how do they sound? Just listen.

www.youtube.com/watch?v=ZUMxFvf7hMA

Two-way active 16 watt personal monitor system with 1/4" TRS amd RCA inputs for sound cards, keyboards or microphones

Review: Looking for a fast, affordable way to upgrade your computer sound system? Maybe you'd like a great-sounding alternative to the built-in speakers on your portable synth/keyboard? Or, maybe you'd like to turn your computer into your own personal karaoke system. The Behringer MS16 Active Personal Monitor System can tackle these tasks and more, and is the ideal way to upgrade your sound system.

Sporting 4" woofers and 1.5" high-resolution tweeters, the MS16 monitor speakers bring high-quality audio within the reach of anyone with a computer workstation. Two high-powered amplifiers feed a total of 16-Watts of super-clean power to the internal speakers, providing an ultra-wide frequency response from 80 Hz to 20 kHz. Whether you're a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS16 loudspeakers will make them sound much better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.

The MS16 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD, MiniDisk or MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even a 1/4" jack for a dynamic microphone or electric guitar. This adds up to a system that lets you sing or play guitar along with a variety of pre-recorded tracks. And you can wail away to your heart's content in total privacy (at least on the guitar or keyboard), thanks to MS16's powerful headphone jack.

2 x 10W active studio nearfield monitors

Review: Take the next step up from the MS16 and go digital. These extremely compact, 2 x 10W nearfield monitors feature ultra-high resolution 24bit/192 kHz D/A converters. With the MS20, you can connect directly to your digital signal sources and eliminate annoying analog line-loss and hum forever. Whether you connect to your computer sound card, keyboard, or MP3 player, you will enjoy exceptional sound quality with great dynamics. The built-in amplifiers provide lots of headroom, while the powerful woofers and tweeters provide ultra-linear frequency response.

http://www.youtube.com/watch?v=iJzV4mrLCLQ

B-STOCK: Box opened, product in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened, product in excellent condition and in perfect working order ***

The Behringer TRUTH B2030P Ultra-Linear Reference Studio Monitors. Affordable, high-performance passive 2-way studio monitor speakers, ideal for multimedia, home recording studio, audio/video production and surround-sound systems.

The Behringer B2030P (TRUTH B2030P) (Pair) are high-performance passive 2-way studio monitors. Like all members of the Behringer TRUTH family, the B2030P includes the same remarkable features through and through. Its sound is clear and neutral, and the state-of-the-art woofer and tweeter can handle up to 100 Watts of power. The unique BEHRINGER wave guide and the extremely low-distortion crossover network produce an absolutely linear phase response with excellent sound dispersion and stereo imaging. An ultra-linear frequency response from 75 Hz to 21 kHz makes the B2030P ideal not only for conventional stereo mixing but also for integration in multi-channel monitoring systems that include a dedicated subwoofer (from conventional 2+1 systems to 7.1 surround systems). Due to its compact dimensions and magnetic shielding, the TRUTH B2030P can be placed near video monitors, computer displays or digital audio workstations.

www.youtube.com/watch?v=XrgBlNfW1Ig

Stereo monitoring system includes 2 x satellite speakers and 1 x subwoofer

Review: Blue Sky are now a familiar name in the monitoring world, and many of the company's visually distinctive products manage to straddle the home studio and home theatre markets. Their new Exo 2.1 stereo monitoring system uses 2 relatively small satellite speakers and a floor-standing subwoofer to provide full-range coverage, with a desktop remote-control hub providing a means to control the level of the bass and the overall volume. This hub also functions as an input-source connection point, as it includes an iPod input and 3.5mm headphone jack on the front, as well as both XLR/jack combi and phono connectors on the rear. When the headphone jack is used, the speakers are automatically muted.

The Exo 2-way satellite speakers are based around a 3" neodymium concave driver, augmented by a 1" soft-dome neodymium tweeter that sits behind 3 protective bars. The crossover within the satellite is passive and each speaker is powered by its own 35W amplifier, which is housed in the sub so that all the amp and PSU circuitry is situated in one place. Speaker connections are made between the satellites and sub using conventional binding posts, and suitable cables are included with the system. The satellite enclosures are built from three-quarter-inch MDF and feature a textured, black-finish front baffle. They measure just 203mm x 127mm x 127mm and weigh a modest 1.36kg each. Magnetic shielding allows operation close to old-style CRT monitors, and there are inserts to accept an optional omni-mount mounting bracket.

The sealed-box-design subwoofer uses an 8" speaker with a cast-aluminum frame and a 1.5" voice coil. This is mounted in a forward-firing position behind a cloth grille, driven in mono by its dedicated 90W amplifier. The specified frequency response of the sub is 35Hz to 140Hz, 6 dB although the tests were done in anechoic conditions, which extends the response in a typical room down closer to 20Hz. Despite this, the sub is fairly dainty, measuring 330mm x 350mm x 330mm and weighing in at 11.4kg. As with the satellite speakers, the predominant material used in construction is MDF. Four removable spiked feet anchor the box to the floor.

The whole system is controlled from the hub, which links to the sub via a captive mini-DIN cable. Here you'll find the physical connections for the input formats described earlier, as well as the phones output. All the inputs are always active and are effectively mixed, which means you can monitor up to 3 simultaneous sources if you wish. Usefully, the subwoofer level can be independently adjusted from the hub rather than on the sub itself. This arrangement works well, though it would have been more sensible to make the sub adjustment a screwdriver preset (or to feature some other protective mechanism), to prevent it from getting moved accidentally.

Pair of 2-way direct-field active coaxial studio monitors

Review: The new D5's (Direct 5) studio monitors are geared for the recording professional seeking a small (9.75" x 7" x 8.5"), affordable, accurate, well-voiced, reference studio monitor solution. Focused attention was paid to the development details to ensure that they deliver professional sonic performance. These monitors feature an expensive coaxially designed transducer with a 5.25" woofer and a 1" silk tweeter. The frequency response is 53Hz to 20 kHz. A new cutting edge digital amplifier with breakthrough performance was designed specifically for the D5. The internal DSP allows for intricate factory adjustments.

The D5 also has pro features such as balanced XLR and balanced/unbalanced TRS inputs as well as a boundary selection switch to select the appropriate monitor response for their placement (in a corner, in front of a wall, free standing). No plastic front baffle here. The D5 features an all wood cabinet, including a wood front baffle for optimum performance. No simple air releasing cutout on the front baffle or cut-out hole in the back. The D5 features a fully extended 1.75" perfectly tuned front port, providing superior and accurate extended low-end response. And because the port is on the front baffle, the D5's can be positioned close to a wall with no fear of the low-end being choked.

The coaxial transducer design combined with a steep 4th order crossover delivers a detailed mid-range that allows for clarity in that complex 900Hz - 3 kHz range. Guitars, voices, strings, horns, & reverb trails are very clearly and accurately portrayed and any mid-range anomalies that might exist in the source material can be easily determined and addressed. Because of our matched transducer output, mid-range mix elements can be positioned in the stereo field without the fear of being misplaced. The D5's are optimally pre-set and voiced for ideal instrument translation.

The D5 also features Equator's Zero-Point Reference custom designed coaxial Digitally-Controlled Transducers, along with internal DSP to provide a matched output curve for every unit. This allows for accurate no-shift imaging. The DSP allowed pin-point accurate adjusting during the voicing process. The voicing was aided by award-winning recording engineers that referenced their hit mixes for voicing considerations. The final D5 pre-set voicing curve is optimal for mid-range detail. With high-quality components, internal DSP, 100W of power and 103 dB of SPL the D5 deliver a huge bang for a little buck.

It is a well known fact and a matter of physics that sonic reflections off of walls, ceilings and other reflective surfaces, when combined with directly received audio information, will result in a distorted representation of the original audio at any given space.

The farther the listening position from the speakers, the larger the percentage of combined reflective information, the greater the distorted results. Room reflective problems can be relieved through digital software manipulation, as in the Equator Q Series Room Analysis software, or by building a room with non parallel walls and strategically positioned absorption panels or by working in the direct field.

In a normal room, the farther from the speakers, the greater the room effect. Conversely: the closer to the speakers the less the room effect. The direct field monitoring is where the clear majority of the audio information is received directly from the speakers with minimal reflective interference. By working in the direct field, the negative distortion effect caused by the combining of reflected information with direct information is dramatically reduced.

Many speaker systems are designed to deliver their optimum low frequency and high frequency combined audio results when monitoring from a certain distance away from the speakers. In the case of traditional tweeter over woofer designs, that distance would generally be greater than that of a coaxial design where the audio develops and is delivered from a single source.

The D5 works perfectly in the near field or the direct field.

http://www.youtube.com/watch?v=gNPUzg9oYzA&feature=player_embedded

Professional active reference 5" studio monitor

Review: The uniK 05 monitor is the result of extensive development work done in Germany, to provide a professional active reference monitor that defines a new level of quality in this class.

The monitor features a new 5" Kevlar low frequency driver and a custom engineered and powerful high frequency ribbon tweeter with an extraordinary light membrane. This provides a very clear, strong and precise sound image especially in the high frequencies. With less moving mass compared to conventional tweeters, a new level of impulse response with minimized distortion is achieved. The optimized matching mechanical design of the uniK 05 cabinet provides a special and truly unique sound characteristic that makes this monitor an important part of your studio setup instantly.

Review: The uniK 05 monitor is the result of extensive development work done in Germany, to provide a professional active reference monitor that defines a new level of quality in this class.

The monitor features a new 5" Kevlar low frequency driver and a custom engineered and powerful high frequency ribbon tweeter with an extraordinary light membrane. This provides a very clear, strong and precise sound image especially in the high frequencies. With less moving mass compared to conventional tweeters, a new level of impulse response with minimized distortion is achieved. The optimized matching mechanical design of the uniK 05 cabinet provides a special and truly unique sound characteristic that makes this monitor an important part of your studio setup instantly.

Professional active reference 8" studio monitor

Review: The uniK 08 monitor is the result of extensive development work done in Germany, to provide a professional active reference monitor that defines a new level of quality in this class.

The monitor features a new 8" Kevlar low frequency driver and a custom engineered and powerful high frequency ribbon tweeter with an extraordinary light membrane. This provides a very clear, strong and precise sound image especially in the high frequencies. With less moving mass compared to conventional tweeters, a new level of impulse response with minimized distortion is achieved. In combination with the optimized mechanical design of the cabinet, the uniK 08 provides special and truly unique sound characteristics that allow this monitor to satisfy the highest demands in a professional studio environment.

Review: The uniK 08 monitor is the result of extensive development work done in Germany, to provide a professional active reference monitor that defines a new level of quality in this class.

The monitor features a new 8" Kevlar low frequency driver and a custom engineered and powerful high frequency ribbon tweeter with an extraordinary light membrane. This provides a very clear, strong and precise sound image especially in the high frequencies. With less moving mass compared to conventional tweeters, a new level of impulse response with minimized distortion is achieved. In combination with the optimized mechanical design of the cabinet, the uniK 08 provides special and truly unique sound characteristics that allow this monitor to satisfy the highest demands in a professional studio environment.

Active nearfield studio monitor

Review: Event are proud to announce a new generation of clarity, transparency and definition with the release of the 20/20 BAS. This 2-way front ported speaker incorporates a number of fundamental improvements over the original model while remaining true to its tonal character and performance strengths.

Event's engineering team used advanced ideas and technologies in order to achieve performance in keeping with the company design philosophy of high output, low distortion and excellent dynamics.

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

Event are proud to announce a new generation of clarity, transparency and definition with the release of the 20/20 BAS. This 2-way front ported speaker incorporates a number of fundamental improvements over the original model while remaining true to its tonal character and performance strengths.

Event's engineering team used advanced ideas and technologies in order to achieve performance in keeping with the company design philosophy of high output, low distortion and excellent dynamics.

Review: The new Focal CMS 40 monitor targets for broadcast and post-production environments, combines sound neutrality, extended bass frequency, high dynamics and absence of distortion at high sound levels, all in an ultra-compact speaker.

The Focal CMS 40 is the most compact studio monitor of the Focal professional range. Its size/extended bass frequency ratio ensures excellent versatility. This CMS 40 monitor guarantees ultra-realistic voicing, whilst offering optimum acoustic integration. The CMS 40 monitor design allows near-field listening from as little as 16" without compromising sound neutrality or the delicate mid-bass and bass balance. Its compact size, combined with mounting points at the back and under the monitor, makes it easy to install even in the smallest post-production rooms.

The Focal CMS 40 monitor is a perfect tool for post-production and home studios. Even in the biggest and best studios, it proves to be an excellent second monitoring system, which allows engineers to quickly check how the mix translates onto smaller speakers, or for use as a compact 5.1 channel surround system.

Review: The new Focal CMS 40 monitor targets for broadcast and post-production environments, combines sound neutrality, extended bass frequency, high dynamics and absence of distortion at high sound levels, all in an ultra-compact speaker.

The Focal CMS 40 is the most compact studio monitor of the Focal professional range. Its size/extended bass frequency ratio ensures excellent versatility. This CMS 40 monitor guarantees ultra-realistic voicing, whilst offering optimum acoustic integration. The CMS 40 monitor design allows near-field listening from as little as 16" without compromising sound neutrality or the delicate mid-bass and bass balance. Its compact size, combined with mounting points at the back and under the monitor, makes it easy to install even in the smallest post-production rooms.

The Focal CMS 40 monitor is a perfect tool for post-production and home studios. Even in the biggest and best studios, it proves to be an excellent second monitoring system, which allows engineers to quickly check how the mix translates onto smaller speakers, or for use as a compact 5.1 channel surround system.

Professional 2-way bi-amplified studio monitor loudspeaker

Review: The reference standard of the CMS line, the CMS 65 received the 2008 Excellence Award from Pro Audio Review magazine due to its amazing size/price/performance ratio. Its extended response at 45Hz (-3 dB) allows installation without a subwoofer.

The CMS 65 monitors are characterized by treble definition, midrange transparency and adjustable control of the midbass and bass registers. The tonal balance is extremely stable, even at very loud volumes, ensuring accurate reproduction when mixing and mastering.

As a powered unit the Focal CMS 65 features 100W low frequency and 60W high frequency amplifier. Supplied with a decoupling rubber sole, 4 rubber spikes, 2 height-adjustable spikes for installation at the front or rear, and 2 removable grilles to protect the woofer and tweeter.

www.youtube.com/watch?v=bGaFFFdp-z8

Studio monitors

Review: The reference standard of the CMS line, the CMS 65 received the 2008 Excellence Award from Pro Audio Review magazine due to its amazing size/price/performance ratio. Its extended response at 45Hz (-3 dB) allows installation without a subwoofer.

The CMS 65 monitors are characterized by treble definition, midrange transparency and adjustable control of the midbass and bass registers. The tonal balance is extremely stable, even at very loud volumes, ensuring accurate reproduction when mixing and mastering.

As a powered unit, the Focal CMS 65 features 100W low frequency and 60W high frequency amplifier. Supplied with a decoupling rubber sole, 4 rubber spikes, 2 height-adjustable spikes for installation at the front or rear, and 2 removable grilles to protect the woofer and tweeter.

www.youtube.com/watch?v=bGaFFFdp-z8

Active nearfield monitor with 6.5" "W" composite sandwich cone drivers and beryllium inverted dome tweeter

Review: The Solo6 Be monitor will surprise you in the very first minutes you spend with it, partly due to its size/extended bass response (40Hz at -3dB). The 6.5" "W" composite sandwich mid woofer combines neutrality in the midrange, fullness in the midbass register and bass control. Its compactness and the choice of a large front laminar port guarantee easy integration in studios that need a near field monitor without any acoustic compromise. The user settings on the back of the Solo6 Be, combined with its compactness, make it easy to carry and to adjust according to the acoustics of each studio.

Whether you're recording, mixing, or mastering, the Solo6 Be is just the kind of no nonsense, cutting edge reference monitor you're going to want in your studio. True, the Solo6 Be has an amazing bass response for its size (down to 40Hz), not to mention an impressive upper frequency response that reaches beyond human hearing to 40kHz - but this monitor's still much more than just its numbers. It's full. It's clear. It's articulate. And the Solo6 Be is all about ensuring your tracks translate.