DJ Equipment

OP1 Strap Loop + 4 M6 covers

Review: Strap Loops for back of OP-1. Use with shoulder strap for added portability. Includes four color M6 covers. Plastic.

OP1 USB cable

Review: The Teenage Engineering custom OP-1 pro USB cable. For charging and file transfer.

Solid aluminium bullet-shaped adapter for playing 7" records

Review: A stylish, aerodynamic, bullet shaped spindle 45 adapter for all those quick fire DJs.

Classic aluminium cone-shaped adapter for playing 7" records

Review: A stylish, classicly designed spindle adapter for playing 7" records

Solid aluminium metal diamond-shaped adapter for playing 7" records

Review: The world's no.1 spindle adapter range made for use with all turntable brands.

Aluminium dome-shaped adapter for playing 7" records

Solid crafted heavyweight alumnium 7" spindle adapter

Review: 7 x steps of solid crafted heavyweight alumnium, easy to grip and flip 7" records, discover a seventh wonder of the music world.

Original superior turntable adapter

Review: Here is the world's no.1 spindle adapter range made for use with all turntable brands.

This stylish, triangle shaped spindle adapter is indispensible for any DJ and vinyl lover.

Review: From Mukatsuku Records this unique and bespoke 45rpm shaped adapter in brushed stainless steel fits any standard 7mm diameter spindle. Comes with Mukatsuku sticker + Mukatsuku button badge

Pack of 30 record insets

Pack of 18 snap-in record adapters in different colours

Review: Pack of 18 snap-in 45 RPM record adapters by Factory Road.

UK based company Factory Road have come up with a great redesign of the classic 45rpm apapters for all those vinyl junkies out there.

Made in England from recycled plastic, available in various colours, and has extra fat teeth for great grip.

Pack of 2 adapters

Review: From the creative labs @ Get On Down, they proudly present the world's first ever glow-in-the-dark 45 adapter cones.

The cone shape of the adapters allow for ease of placement of your 45's on the platter of your turntable.

Activate the glowing feature by charging the adapters under a light source for a few minutes prior to use. The cones will glow green for an extended period of time under normal use. The phosphorescent properties of the cones will also glow brightly under black lights in a club setting.

http://www.youtube.com/watch?feature=player_embedded&v=lmUDcYmdNBw

Stainless brushed steel 45 RPM turntable adapter for 7" + sticker

Review: Bespoke carbon steel patterned turntable 45 rpm adapter for spinning dinked 7 inch records fits all standard 7mm diameter turntable spindles

45 RPM spindle turntable adapter for 7"

Review: Exclusive to Juno the Mukatsuku bespoke carbon steel patterned turntable 45 rpm adapter for spinning dinked 7 inch records is covered in a light black powder paint finish & fits all standard 7mm diameter turntable spindles

Blue, cone-shaped, plastic 45 adapter

Review: Blue plastic spindle adapter center for playing 45 RPM 7" records.

Cone-shaped plastic spindle 45 adapter

Review: This funky red 7" adapter is absolutely a must-have accessory for all DJs.

Black, cone-shaped, plastic

Green, cone-shaped, plastic

Red, cone-shaped, aluminium

Spindle adapter center for playing 45 RPM records

Review: Stainless steel spindle adapter center for playing 45 RPM records.

Yellow, cone-shaped, plastic

Gold, cone-shaped, aluminium

Review: The gold version of the spindle adapter center for playing 45 RPM records.

Aluminium classic-shaped 45 RPM adapter for SL-1200/1210MK2/M3D/MK5G turntables

Review: The Technics flat silver classic-shaped 45 RPM adapter is for 7" records. It can be used with SL-1200/1200MK2/M3D/MK5G tunrtables.

Analogue monosynth keyboard with analogue sequencer

Review: Analogue Solutions are proud to announce availability of Leipzig-S, the latest addition to its lengthening line of critically-acclaimed, quality-crafted boutique designs from founder Tom Carpenter in the true spirit of vintage analogue synthesisers befitting the true analogue synth enthusiast.

Evolving from its namesake Leipzig (rack-mounting) and Leipzig-k (keyboard-endowed) analogue monosynth predecessors, the rack-mountable/tabletop Leipzig-S literally goes several steps further by incorporating an in-built eight-step analogue sequencer that can be used to produce simple melodic lines as well as acting as a modulation source to affect the filter cutoff (or to create additional effects, depending on other control settings). VCO1, VCO2, and the VCF are all available as sequencer destinations; seemingly simple, yet favourably flexible, the step sequencer can be creatively controlled (clocked) by multiple sources, at audio frequencies (using VCO2 as a clock source), or using the output of the sequencer itself as an audio source to be played via MIDI while the eight step controls then alter the waveform/tonal content, for example, such are the adventurous advantages of packaging an analogue step sequencer with a true analogue monosynth.

The entire design is traditional early-eighties analogue (voice and modulation) circuitry, comprised entirely of discrete components and op-amps (bar, of course, the digital sequencer controller and MIDI-CV interfacing); since the Leipzig-S is a strictly no-memory affair, all controls are not quantised, resulting in an authentically vintage sound, replete with musically desirable quirks and subtle artifacts (much in the same way that, say, a valve amp or vinyl record adds sonic character), unlike some other modern analogue synths that arguably sound almost as perfect as DSP analogue modelling.

With electronic percussion having influenced the choice of routings, the Leipzig-S boasts a huge range of modulation possibilities to facilitate creating the widest possible range of sounds, including deep basses, sound effects, analogue loops and (obviously) electronic drum sounds. With this, his latest design, true analogue synth enthusiast Tom Carpenter is confident that he has achieved a modern analogue synth that truly does sound vintage.

The SK is almost identical to the S. But with the addition of a MIDI controller keyboard.

Multi-channel analogue sequencer offers 16 steps

Review: The Oberkorn is a fully fledged professional analogue sequencer providing plenty of control outputs and inputs and with some unique creative features never before seen. Whilst most new analogue sequencers only offer a limiting 8 steps, the Oberkorn offers the all important 16 steps. It is a multi-channel true analogue sequencer with some remarkable features.

8-step analogue sequencer

Review: The Station Q is like half an Oberkorn sequencer. It is identical to Oberkorn, except that it is 8 step instead of 16, and does not have the MIDI features. The Station Q is the perfect companion to the Station X/Y mini-modular combo.

http://www.youtube.com/watch?v=ev-OzE0tkMs

Mini-modular synthesizer

Review: The Station X is a compact mini-modular synthesiser. It contains all the essential ingredients to form complete synth patches.

Think of it as a mini Red Square or Tereshkova. In fact, a mini Red Square is a good analogy. If has the same filter and similar key features (though Red Square is 2 VCO).

The Station X is ideal for beginners who want to dip their toes into the world of modular synths, the travelling producer who wants to take a true analogue modular synth around to different sessions, or home musician who perhaps is limited for space.

The Station-X comes with 5 x splitter leads, so you can feed a signal (source) to 2 x destinations. This is like having 5 x mini-multiple modules built in.

Module means no case or power provided, so it is a bare module that will fit into your own modular synth case (doepfer, concussor or other eurorack. Requires 6 free power sockets). The module will not work on it's own. You must provide it with power.

http://www.youtube.com/watch?feature=player_embedded&v=NHy8qHoFzAc

Keyboard version of the Telemark (SEM modular keyboard)

Review: The Telemark provides exactly the same features as the Semblance, but with the addition of modular synth patch points. This in effect turns it into a semi-modular design and means it can be interfaced to other modules and synths very easily.

The Telemark is a sturdily made white metal wedge, populated on the left side of the panel by lots of knobs and a few LEDs. The right side is devoted to a series of 1/8" sockets designed to provide access to core points in the synth's signal path. The back panel has a small socket for the supplied external PSU, MIDI input/thru, as well as 1/4" jack sockets for the main audio output and 2 external audio inputs.

The Telemark is an easy-to-use and fine-sounding synth, which is capable of a wide range of sounds. It uses the patch panel to add another dimension and offers some great options for processing external audio as well as transforming the internal palette. The MIDI spec gives the Telemark the ability to respond to both note on/off and velocity information for VCA and VCF sections. The patch panel allows you to route these elsewhere should you need to and a MIDI controller can be assigned to modulation duties should you wish.

The Telemark is a Oberheim SEM inspired synth like the Anyware Tinysizer, the Semtex XL and the Analogue Solutions Semblance are.

The Telemark-K is similar to original SEM but with Sample and hold, LFO square wave, noise, extra inputs, many more signal modulation options via rotary switches.

www.youtube.com/watch?v=uRf8y74ektM

Analogue synthesizer

Review: Analogue Solutions manufacture the real deal when it comes to analogue synths.

The Telemetry is a mini version of the company's Vostok synth, and offers some great features including pure analogue voice circuitry (of course), mini-pin matrix patch panel to eliminate the use of patch cables, MIDI in for sequencer or keyboard control, white noise, and an X/Y non-sprung joystick. There's even on-board MIDI-CV conversion with pitch, auxiliary CV outputs, and gate.

www.youtube.com/watch?v=rvo5x5G4YJg

Analogue pin-matrix synthesizer

Review: From UK manufacturer Analogue Solutions came the Vostok, a portable modular synthesizer that provides plenty of basic functions for producing and manipulating audio, as well as a few esoteric capabilities. Most notable are its matrix panel for patch programming and its suitcaselike box. Both are reminiscent of the classic EMS Synthi A that was highly regarded in the 1970s. Analogue Solutions stress that the Vostok is not a Synth A clone but is, rather, a configuration of modern electronics that borrows some of EMS's most practical design ideas.

The Vostok's modules include 2 x analog oscillators, a digital wavetable oscillator, a noise generator, 2 x filters, a voltage-controlled amplifier, 2 x ADSR generators, 2 x LFOs, a mixer, a ring modulator, and an 8-step analog sequencer. A built-in MIDI-to-control-voltage converter interfaces the Vostok with modern sequencers and other MIDI gear. With the exception of the MIDI circuitry and the wavetable oscillator, all the Vostok's circuits are completely analog.

http://www.youtube.com/watch?feature=player_embedded&v=4aplfKqRnLc

Hybrid synthesizer with MIDI keyboard controller & software

Review: The Laboratory 49 is Arturia's professional grade version of the analog experience series. Featuring a top-notch 49-key MIDI keyboard controller and the Laboratory version of Arturia's analog software, the Laboratory 49 synthesizer includes the same preset-based collection of Arturia's best analog sounds, with the possibility to edit the patches in depth and a new layering mode turning analog factory into a small workstation.

The 49-key keyboard controller is made for performance and maximum expression, with a breath control input and aftertouch in addition to a set of knobs and faders, as well as full connectivity on the back panel. This premium controller gives the fullest access to Arturia's analog laboratory software, its pre-assigned controls make it the perfect solution for plug and play sound creation. In addition, the keyboard can be easily used in any other software context. The Laboratory software is Arturia's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

A unique hybrid 61-key synthesizer and MIDI controller

Review: The Analog Experience The Laboratory 61 is a 61-note MIDI keyboard with velocity and aftertouch-sensitive keys that is designed to easily integrate into any studio and stage environment.

Packaged with the Analog Laboratory software, it also offers straight-forward control over 3500 of the world's finest analog sounds. Browse sounds, tweak them, split your keyboard and launch loops. The 61-key controller offers unparalleled hands-on experience over the TAE synthesizer presets. Its plug-and-play connectivity and assignable controllers make it the ideal MIDI keyboard to control third party software or MIDI hardware devices.

The Laboratory keyboard can be easily used in any other software context. The Laboratory software is Arturia Analog's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

http://www.youtube.com/watch?v=aJcHTG9YKaI&feature=pyv

Review: The Player 25 is the smallest, most lightweight and simple version of the series. It features a compact MIDI keyboard controller and light version of Analog Factory software. This makes for a very easy-to-use and affordable package, including the very best of Arturia's signature sounds and a dedicated quality keyboard perfect for the mobile musician. The rugged and lightweight keyboard make the controller a must for travel, while maintaining the profile of a high-end metal and wood controller that can be used with any other software. The Player software, offering 1000 sounds, is an ideal way to get the most out of Arturia's TAE based synths without getting into the details and complications of sound design.

Packed full of Arturia's hottest analog sounds made by their international team, this software gives a full spectrum review of 7 of Arturia's best analog emulating software synths. If you need a high-end, portable 25-key MIDI keyboard and a compilation of Artunia's best analog sounds then Analog Experience, The Player is for you.

Analog synthesizer

Review: The Arturia MiniBrute is a revolutionary new analog synthesizer. Featuring a pure analog signal path and a host of unique features, it sets a new standard for what a hardware synthesizer should be.

Its 100% analog audio signal path features a VCO wave mixer, the classic Steiner-Parker multimode filter, as well as numerous analog innovations such as the Metalizer, Ultrasaw, and the Brute Factor. Boasting a complete MIDI, CV and USB connectivity, the MiniBrute is right at home with your computer or your vintage synths, making it the ideal companion to deliver a pure analog blast anywhere you go.

http://www.youtube.com/watch?v=T7O946lG7Ik

Desktop synthesizer

Review: The Koe desktop is based on the Koe synth voice module and the Koneko midi to CV module in a laser cut clear acrylic case plus a power source.

This is the Koe module, it is japanese for voice because it is a complete synth voice in just one affordable module, if you are new to the modular world or if you want to add an extra voice to your sistem, this is for you.

http://www.youtube.com/watch?feature=player_embedded&v=DQzMWNT0vks
http://www.youtube.com/watch?feature=player_embedded&v=TLMTcD57bDs
http://www.youtube.com/watch?v=EfnhzAtH6cY&feature=player_embedded

Mini-synthesizer (built)

Review: The Nebulophone is an Arduino-based synth with a stylus keyboard, featuring eight waveforms, five adjustable LFO modes, six arpeggios, a programmable sequencer, three-speed portamento and more.


www.youtube.com/watch?v=ClCq0bTlCPA

Review: The Pico Paso is a stepped tone noise noise synth designed by Dr. Bleep for Handmade Music Austin.

2 triangle wave oscillators can be combined or used separately. A wave shaper and square wave LFO are used to increase the aural possibilties.

http://www.youtube.com/watch?v=j3Y7Ouj3Iss

Handmade analog & digital controlled synthesizer with light

Handmade analog & digital controlled synthesizer with light

Keyboard synthesizer

Review: The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

*** B-STOCK: Box opened but product is new & unused ***

Review: The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

Performance synthesizer ideal for live performance

Review: The Casio XW-P1 Performance Synthesizer is ideal for live performance in any situation, being light-weight and slim-line with the ability to run off dry-cell batteries.

The XW-P1 has a wide selection of presets including Solo Synthesizer, Hex Layer, Drawbar Organ tones, and a wealth of PCM and Synth waveforms. Performance setups can be pre-defined for quick access and sounds can be layered and split across four keyzones. On-board phrase and step sequencers can create instant beats and phrases, and the arpeggiator gives instant melodic movement to any sound.

SMF data or audio data saved on an SD card can be played back while playing the keyboard, and MIDI devices, microphones, audio players, and other equipment can be connected using the various input and outputs. The Casio XW-P1 can also accommodate external sound modules and portable audio equipment that be placed on the designated rubber holding space for a convenient live setup.

http://www.youtube.com/watch?v=fLrWoS0JXGs

Bass machine with built-in sequencer and full MIDI capabilities

Review: The Bolsa Bass is the new bass machine from Critter & Guitari. It has a built-in sequencer, full MIDI capabilities, and these 6 x modes:

Circle ramp
Sawtooth ramp
Analog style
Filter envelop
FM pad
Bass delay.

The entire keyboard may be tuned over a 1 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining 2 left knobs depend on what mode is selected. The synthesizer modes provide elemental monophonic bass sounds, great for all kinds of musical scenarios. From classic filter sweeps to simple and pure tones, lush FM, and even a stretchy tuned delay which makes great string like drones.

The built-in sequencer lets you quickly create bass lines with the touch of a button. With MIDI in and out you can synchronize your sequences with other devices. The Bolsa Bass also sends and receives note messages so you can use it as a sound module or simple controller.

Mini electronic synthesizer in green aluminum case with 7 sound modes

Review: Green aluminum case + extra sound.

The Pocket Piano GR is the same great instrument as the regular Pocket Piano with an added special mode. In addition to the 6 sound modes of the standard piano, the GR has a 7th mode: a monophonic 4-oscillator beating synthesizer with glide. 7 modes total:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator
Mono glider.

http://www.youtube.com/watch?v=njz6QG61ER0&feature=player_embedded

Mini electronic synthesizer with 6 sound modes and MIDI capabilities

Review: The Pocket Piano MIDI has all the functionality of a Critter & Guitari Pocket Piano synthesizer, now with MIDI capabilities. It can interact with many other MIDI devices: drum machines, sequencers, computers, synthesizers, and other Pocket Piano MIDIs. It is both a sound module and a controller, sending and receiving MIDI note messages, and MIDI clock signals.

In addition to its intuitive interface, maple keys, built-in speaker, and aluminum and wood enclosure, it features the same 6 unique synth modes found on the original Pocket Piano:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator.

As a controller, the Pocket Piano MIDI sends out key presses as note messages, useful for triggering other synthesizers, samplers, or software. As a sound module the Pocket Piano MIDI responds to all 88 notes of a full size piano, so you are not limited to the 16 key range of the Pocket Piano. Using a full size controller, you can take advantage of the Pocket Pianos unique sounds and arpeggiators over a much larger range. Larger range = more fun.

But the fun doesn't stop there. The Pocket Piano MIDI also sends and receives MIDI clock, so you can synchronize the Pocket Piano's arpeggiators with your favorite drum machine, sequencer, or computer software. The Pocket Piano MIDI passes all received clock messages to its output, allowing you to chain many Pocket Pianos together to create an orchestra of Pocket Pianos.

The Critter & Guitari Pocket Piano MIDI is powered by one 9V battery or a 9V DC power supply.

http://www.youtube.com/watch?v=8igJF6mdHRw&feature=player_embedded

Mini electronic synthesizer with 4 waveform & 6 modes

Review: The Pocket Piano is a mini electronic synthesizer with a big sound. The synthesizer features 6 unique modes:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator

The Pocket Piano is housed in a sturdy aluminum and hardwood case and also includes a built-in speaker, a 1/4" output jack, and wooden keys made for a refined touch. It can be powered both by a 9V battery or a 9V DC Power Supply (not included).

When you change modes with the right-most wooden button, a color LED above that button indicates what mode is selected with a different color for each mode. The entire keyboard may be tuned over a 2 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining two left knobs depend on what mode is selected, and are described below. There is also a button that selects waveform (sine, square, triangle, sawtooth) in the first four modes, and shifts the keyboard an octave higher in the last two modes.

http://vimeo.com/14598032

Video synthesizer produces colorful oscilloscope style patterns on a TV or projector

Review: The new and improved video synthesizer produces colorful oscilloscope style patterns on a television or projector. It reacts to audio input and works particularly well with simple bassy tones.

The Video Scope has 2 knobs. One knob controls the input gain, and the other knob selects the display mode. There are now 4 modes: line, color shifter, trapezoid, and randomizer. The randomizer function randomly selects one of the other 3 modes at an adjustable rate. This is useful for hands free operation, and keeps the display always changing.

The video below demonstrates some of the possible patterns (this is an older video, so only the first 2 modes are being used). The sound in the video is the same sound that is feeding into the device to generate the patterns. Since it responds to an audio signal, the sky is the limit with the different kinds of patterns you can get.

www.youtube.com/watch?v=g-n2KJKK94w
www.youtube.com/watch?v=wFiok0tGp7E

Reproduction of one of the most sought after and classic mono synthesizers to date

Review: The Bass Bot is an analog, monophonic synthesizer and sequencer, an incredible reproduction of one of the most sought-after analog synths ever. The sound is authentic not because of good sampling or modeling, but because it uses identical circuitry: classic transistor-based circuit design, using 21st century technology.

The sequencer uses classic step-entry programming, and stores up to 224 editable patterns, as well as 224 bot-generated preset (non-editable) patterns. The Bass Bot holds 7 songs of up to 127 bars, with everything stored in onboard flash memory, which means it will stay there when you turn the unit off.

The TT-303 is indispensible for acid and techno house music, great for hip-hop, and just a whole lot of fun! Fatboy Slim says "Everybody Needs a 303!": here is your chance to get one.

Review: The original desktop Evolver is a compact monophonic synthesizer that packs an amazing amount of sonic power into a small package. It features two analog oscillators and two digital oscillators utilizing the waves from the legendary Prophet VS. Classic Curtis analog lowpass filters and real analog VCAs round out the analog section. But what really sets the Evolver apart from the rest of the pack is the way in which analog and digital are integrated. The LFOs, step sequencer, and three separate delays can all be synced for massive, rhythmic, time-based effects in stereo.

Monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Desktop Synthesiser Module is a compact and affordable but powerful monophonic analog synth.

The voice architecture is identical to the single voice of the Prophet '08, but with a couple of unique twists to distinguish it from its award-winning sibling. They've have added 2 sub-octave generators, one per oscillator, for additional girth and crushing basses. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filter for feedback effects that can range from subtle distortion to extreme skronk.

The push it button is a manual trigger that lets you play a specific note or latch notes and sequences on. It can also step through a sequence to play short melodic lines without a keyboard. Of course, the Mopho can also be used with a MIDI controller or external sequencer.

The Mopho is fully programmable and all the parameters can be tweaked from the front panel. The 4 assignable parameters controls are assignable per program for optimum performance control. A free editor is available for Mac OS and Windows to facilitate programming. (If you already have a Prophet '08, most of the Mopho's parameters can be controlled from the Prophet's front panel via MIDI).

The Mopho is perfect for people who want to learn the inputs and outputs of real analog synthesis without spending a bundle, DJs looking to add some old school sonic spice to their setups and musicians who will appreciate a great-sounding, very portable mono synth.