Synthesizers

4 x AAA battery/USB bus-powered 25-key piano keyboard MIDI controller for iPhone & iPod Touch

Review: The SynthStation25 transforms iPhone or iPod touch into a portable music production studio for mobile music creation. This MIDI keyboard controller gives your handheld device a 2-octave set of piano keys and professional audio outputs, and it works with the Akai Professional SynthStation app. The SynthStation25 is powerful enough for professional musicians, yet virtually anyone can use is to easily create music.

This 25-key synth keyboard features a built-in dock for iPhone or iPod touch. The SynthStation25 gives you two octaves of velocity-sensitive, synth-action keys, pitch and modulation wheels, and octave up and down and sound-bank buttons. The SynthStation25 has a stereo pair of RCA line outputs and a headphone output for connection to recording and sound reinforcement systems.

You can use the SynthStation25 with Akai's SynthStation Studio app as well as virtually any MIDI music software on your computer or with MIDI hardware devices such as sound modules, samplers, and MPCs using its USB/MIDI output. Available exclusively through the Apple App Store, the SynthStation gives you three powerful synthesizers for creating and modifying sonic textures used for melodies, chords, and bass lines. Built around Akai Professional's history in synthesis and drawing on the MINIAK synth, the SynthStation Studio app sounds great and offers wide-ranging sonic flexibility with its virtual analog synthesis.

B-STOCK: Box is tatty and has been opened but product itself is in good working order

Review: *** B-STOCK: Box is tatty and has been opened but product itself is in good working order ***

Analogue Solutions are proud to announce availability of Leipzig-S, the latest addition to its lengthening line of critically-acclaimed, quality-crafted boutique designs from founder Tom Carpenter in the true spirit of vintage analogue synthesisers befitting the true analogue synth enthusiast.

Evolving from its namesake Leipzig (rack-mounting) and Leipzig-k (keyboard-endowed) analogue monosynth predecessors, the rack-mountable/tabletop Leipzig-S literally goes several steps further by incorporating an in-built eight-step analogue sequencer that can be used to produce simple melodic lines as well as acting as a modulation source to affect the filter cutoff (or to create additional effects, depending on other control settings). VCO1, VCO2, and the VCF are all available as sequencer destinations; seemingly simple, yet favourably flexible, the step sequencer can be creatively controlled (clocked) by multiple sources, at audio frequencies (using VCO2 as a clock source), or using the output of the sequencer itself as an audio source to be played via MIDI while the eight step controls then alter the waveform/tonal content, for example, such are the adventurous advantages of packaging an analogue step sequencer with a true analogue monosynth.

The entire design is traditional early-eighties analogue (voice and modulation) circuitry, comprised entirely of discrete components and op-amps (bar, of course, the digital sequencer controller and MIDI-CV interfacing); since the Leipzig-S is a strictly no-memory affair, all controls are not quantised, resulting in an authentically vintage sound, replete with musically desirable quirks and subtle artifacts (much in the same way that, say, a valve amp or vinyl record adds sonic character), unlike some other modern analogue synths that arguably sound almost as perfect as DSP analogue modelling.

With electronic percussion having influenced the choice of routings, the Leipzig-S boasts a huge range of modulation possibilities to facilitate creating the widest possible range of sounds, including deep basses, sound effects, analogue loops and (obviously) electronic drum sounds. With this, his latest design, true analogue synth enthusiast Tom Carpenter is confident that he has achieved a modern analogue synth that truly does sound vintage.

http://www.youtube.com/watch?v=XoSy0J1K03g&feature=related

8-step analogue sequencer

Review: The Station Q is like half an Oberkorn sequencer. It is identical to Oberkorn, except that it is 8 step instead of 16, and does not have the MIDI features. The Station Q is the perfect companion to the Station X/Y mini-modular combo.

http://www.youtube.com/watch?v=ev-OzE0tkMs

Hardware controller & software synthesizer

Review: The Arturia Analog Experience The Factory uses the same quick and easy-to-use software as Analog Factory with a dedicated keyboard that gives you access to the very best of Arturia's signature sounds. And, with the pre-assigned knobs and faders all these sounds are ready to be tweaked in realtime, right out of the box. You can put your mouse away and enjoy the same experience traditional hardware synths offer.

The Arturia Analog Experience The Factory comes with a premium controller featuring a 32 key velocity-sensitive keyboard and multiple knobs and faders, putting all these sounds right at the player's fingertips. And now with aftertouch integrated The Factory offers a maximum amount of musical expression. This compact and high quality controller in a sturdy aluminum case can obviously serve as a MIDI controller. Linked to an accessible virtual synth it makes The Factory the ideal solution for the modern musician who's always on the go.

www.youtube.com/watch?v=z8dz_xXxAI0

Hybrid synthesizer with MIDI keyboard controller & software

Review: The Laboratory 49 is Arturia's professional grade version of the analog experience series. Featuring a top-notch 49-key MIDI keyboard controller and the Laboratory version of Arturia's analog software, the Laboratory 49 synthesizer includes the same preset-based collection of Arturia's best analog sounds, with the possibility to edit the patches in depth and a new layering mode turning analog factory into a small workstation.

The 49-key keyboard controller is made for performance and maximum expression, with a breath control input and aftertouch in addition to a set of knobs and faders, as well as full connectivity on the back panel. This premium controller gives the fullest access to Arturia's analog laboratory software, its pre-assigned controls make it the perfect solution for plug and play sound creation. In addition, the keyboard can be easily used in any other software context. The Laboratory software is Arturia's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

Review: The Player 25 is the smallest, most lightweight and simple version of the series. It features a compact MIDI keyboard controller and light version of Analog Factory software. This makes for a very easy-to-use and affordable package, including the very best of Arturia's signature sounds and a dedicated quality keyboard perfect for the mobile musician. The rugged and lightweight keyboard make the controller a must for travel, while maintaining the profile of a high-end metal and wood controller that can be used with any other software. The Player software, offering 1000 sounds, is an ideal way to get the most out of Arturia's TAE based synths without getting into the details and complications of sound design.

Packed full of Arturia's hottest analog sounds made by their international team, this software gives a full spectrum review of 7 of Arturia's best analog emulating software synths. If you need a high-end, portable 25-key MIDI keyboard and a compilation of Artunia's best analog sounds then Analog Experience, The Player is for you.

Review: The Bit Blob is designed by Dr. Bleep and The Loud Objects (Kunal Gupta and Tristan Perich). By connecting the pins together, you are able to explore a huge range of evolving drones and noise loops.

Mini-synthesizer (built).

Handmade analog & digital controlled synthesizer with light

Handmade analog & digital controlled synthesizer with light

Keyboard synthesizer

Review: The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

B-STOCK: Box has been opened but product itself is new and in perfect working order

Review: *** B-STOCK: Box has been opened but product itself is new and in perfect working order ***

The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

Performance synthesizer ideal for live performance

Review: The Casio XW-P1 Performance Synthesizer is ideal for live performance in any situation, being light-weight and slim-line with the ability to run off dry-cell batteries.

The XW-P1 has a wide selection of presets including Solo Synthesizer, Hex Layer, Drawbar Organ tones, and a wealth of PCM and Synth waveforms. Performance setups can be pre-defined for quick access and sounds can be layered and split across four keyzones. On-board phrase and step sequencers can create instant beats and phrases, and the arpeggiator gives instant melodic movement to any sound.

SMF data or audio data saved on an SD card can be played back while playing the keyboard, and MIDI devices, microphones, audio players, and other equipment can be connected using the various input and outputs. The Casio XW-P1 can also accommodate external sound modules and portable audio equipment that be placed on the designated rubber holding space for a convenient live setup.

http://www.youtube.com/watch?v=fLrWoS0JXGs

Simple synthesizer with a single oscillator analogue with LFO

Review: The machine essentially consists of a single oscillator analogue synth with LFO, all controlled by 2 x switches, 1 x button and 4 x knobs.

The controls consist of:

Trigger switch & button: The top switch selects between a constantly running siren, and only having the siren running when you press the red trigger button. In either case, whenever the siren is running the top ultra bright blue LED lights up.

LFO depth: This is the top left knob. Unsurprisingly it controls the depth of the siren LFO

LFO speed: This is the bottom left knob. The LFO can run fast enough to produce audio frequencies for some bizarre throbbing tones.

Siren pitch: The top right knob controls the pitch of the siren from the bass heavy bottom to ear splitting top end. With the LFO depth set to zero this knob will control the pitch of the steady oscillator tone.

Alteration knob & switch: The lower switch turns the alteration knob on and off, this knob performs various functions. When the alteration knob is engaged and fully anti-clockwise the LFO depth knob then controls the LFO waveform shape, smoothly morphing from a squarewave to the normal triangle wave. As the alteration knob turned clockwise the LFO triangle waveform slowly morphs into a kind of curved ramp shape. The alteration knob also subtly adjusts the speed and depth of the LFO depending on the settings of the other knobs. With some practice this control can produce a very wide range of siren sounds.

The machine also features an ultra bright blue LED that flashes in time with the LFO sweep and round the back there is a 1/4" jack output with an output volume knob. The machine runs on an external 9V power supply which is not included but just about any halfway decent supply will do.

http://www.youtube.com/watch?v=mWVGojo4JoU&feature=player_embedded

Review: The Dave Smith Instruments Keyboard Monophonic Synthesiser is the latest addition to the Evolver family.

The voice architecture is identical to its siblings, but it sports a 3-octave keyboard, pitch and mod wheels and enough knobs and switches to put a smile on the face of even the most jaded tweaker.

Review: The Dave Smith Instruments Keyboard Monophonic Synthesiser is the latest addition to the Evolver family.

The voice architecture is identical to its siblings, but it sports a 3-octave keyboard, pitch and mod wheels and enough knobs and switches to put a smile on the face of even the most jaded tweaker.



This good quality 5-position X frame keyboard stand is manufactured from metal with a non reflective black finish and has a maximum load of 22kg.

The New Jersey Sound 5 Position X Frame Keyboard Stand features

Colour: black
Dimensions: 1150mm (height)
Weight: 3.7kg
Max load (kg): 22
Height adjustment (mm): 300-1150.

monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Desktop Synthesiser Module is a compact and affordable but powerful monophonic analog synth.

The voice architecture is identical to the single voice of the Prophet '08, but with a couple of unique twists to distinguish it from its award-winning sibling. They've have added 2 sub-octave generators, one per oscillator, for additional girth and crushing basses. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filter for feedback effects that can range from subtle distortion to extreme skronk.

The push it button is a manual trigger that lets you play a specific note or latch notes and sequences on. It can also step through a sequence to play short melodic lines without a keyboard. Of course, the Mopho can also be used with a MIDI controller or external sequencer.

The Mopho is fully programmable and all the parameters can be tweaked from the front panel. The 4 assignable parameters controls are assignable per program for optimum performance control. A free editor is available for Mac OS and Windows to facilitate programming. (If you already have a Prophet '08, most of the Mopho's parameters can be controlled from the Prophet's front panel via MIDI).

The Mopho is perfect for people who want to learn the inputs and outputs of real analog synthesis without spending a bundle, DJs looking to add some old school sonic spice to their setups and musicians who will appreciate a great-sounding, very portable mono synth.

monophonic analog synthesizer + FREE case

Review: The Dave Smith Instruments Mopho Desktop Synthesiser Module is a compact and affordable but powerful monophonic analog synth.

The voice architecture is identical to the single voice of the Prophet '08, but with a couple of unique twists to distinguish it from its award-winning sibling. They've have added 2 sub-octave generators, one per oscillator, for additional girth and crushing basses. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filter for feedback effects that can range from subtle distortion to extreme skronk.

The push it button is a manual trigger that lets you play a specific note or latch notes and sequences on. It can also step through a sequence to play short melodic lines without a keyboard. Of course, the Mopho can also be used with a MIDI controller or external sequencer.

The Mopho is fully programmable and all the parameters can be tweaked from the front panel. The 4 assignable parameters controls are assignable per program for optimum performance control. A free editor is available for Mac OS and Windows to facilitate programming. (If you already have a Prophet '08, most of the Mopho's parameters can be controlled from the Prophet's front panel via MIDI).

The Mopho is perfect for people who want to learn the inputs and outputs of real analog synthesis without spending a bundle, DJs looking to add some old school sonic spice to their setups and musicians who will appreciate a great-sounding, very portable mono synth.

The bundle comes with the Dave Smith Instruments Mopho & Tetra Desktop Synthesizer Case.

The Dave Smith Instruments case is a high quality case fitted to both the Mopho and Tetra modules. This moulded case is made from durable, black neoprene with a heavy-duty zipper and plush, padded interior. The top has extra space and plenty of padding to help protect the front panel controls.

Give your Mopho or Tetra the protection it deserves.

Keyboard version of the Mopho monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Keyboard synthesizer is a much requested keyboard version of the popular Mopho monophonic analog synthesizer. This offers the same compact, affordable and powerful functions as its brother but with more knobs, switches and of course, a 32-note weighted keyboard.

The voice architecture of the Mopho is identical to a single voice of the Prophet '08, but with a couple of unique twists. DSI have added 2 sub-octave generators, one per oscillator for additional girth and crushing bass. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filtered for feedback effects that range from subtle distortion to extreme skronk.

The DSI Mopho is fully programmable and all parameters can be tweaked from the front panel making this version a lot easier than its little brother. You can also expand the voicing of the Mopho by combining it with the Tetra synthesiser, giving you 5-voices at your disposal. The Mopho is perfect for people who want to learn analog synthesis without spending a fortune.

Tabletop synthesizer module with rack-mount hardware

Review: The Prophet '08 synthesizer module is a tabletop knobby module with all of the features and controls of the Prophet '08 Keyboard (minus the keyboard, of course) in an even more compact enclosure. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet '08 is capable of reproducing the familiar sounds of its legendary predecessors. But modern features like a greatly expanded modulation matrix and additional modulation sourcesilike three envelopes and 4 LFOs per voiceitake it way beyond the vintage gear and make this a worthy and unique addition to the Prophet family tree.

Features include a gated 16 x 4 step sequencer, arpeggiator, split or stacked key modes with separate stereo outputs per layer, and rack ears for optional rack-mounting. The Prophet '08 module can also be used as an expander to increase the polyphony of another Prophet '08ikeyboard or moduleito 16 voices.

Review: The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots (potentiometers); rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

Review: The Tetra is Dave Smith Instruments' next-generation analog poly synth. It takes the award-winning sound and features of Mopho, multiplies them by 4 and packs them in a box less than half an inch larger.

The Tetra has multiple personalities. It is a 4-voice, analog poly synth, a sort of mini Prophet. It's a 4-part, multitimbral synth with separate outputs, essentially 4 Mophos in one very compact box.

Physically, the Tetra is similar to Mopho, with 4 assignable parameter controls per program and a row of controls dedicated to the most commonly used performance parameters. All of the parameters can be accessed from the front panel and the Tetra is fully programmable. A free, downloadable editor is available for Mac OS and Windows to facilitate more comprehensive tweaking.

Most of the rotary controls are detented encoders, but Cutoff and Resonance are potentiometers, allowing full sweeps with a single turn. The Push It button is a manual trigger to play notes and latch sequences on without the need for a MIDI controller.

Audio is output in mono, stereo or per voice, via the four audio output jacks. There is also a headphone out. MIDI communication is by standard MIDI in and out jacks or USB. Poly Chain Out is a special, dedicated MIDI output to chain multiple instruments for increased polyphony.

The voice architecture is based on the Prophet '08, but with the addition of a sub-octave generator for each oscillator and a fully programmable feedback loop for each voice. That breaks down to 2 DCOs, a resonant low-pass filter, 3 DADSR envelope generators, four LFOS, deep modulation routing, an arpeggiator and a 16 x 4 analog-style step sequencer per voice. Feedback is capable of producing effects ranging from mild distortion to fairly extreme harmonic instability. (That's a good thing.) The possibilities are nearly endless. And the audio signal path is 100 analog.

In program mode, the Tetra is a 4-voice, polyphonic synthesizer with four banks of 128 programs. As with the Prophet '08, each program contains two layersieach layer is essentially a separate patchithat can be used to create keyboard splits or stacked sounds. Banks 1 and 2 are the Prophet '08 factory programs; banks 3 and 4 are a combination of Mopho and new programs.

In combo mode, a different program can be assigned to each of the 4 voices. Combos can be used for mammoth unison patches or for triggering up to 4 different 16 x 4 sequencesieach with its own programisimultaneously. Combos can also be used to create modular-style polyphonic patches, where each voice plays a different program, with a slight variation on the same sound or even a drastically different sound.

In multi mode, the Tetra becomes a multitimbral sound module capable of playing four monophonic parts on four MIDI channels, with separate outputs for each voice. Coupled with a MIDI sequencer and DAW, the Tetra can play complex arrangements or analog drum parts with each part individually processed and recorded to its own track.

Up to 4 Tetras can be poly chained for 8, 12, or 16 voices total. When used with a Prophet '08, up to 2 Tetras can be poly chained for a maximum of sixteen voices. In addition, the Prophet's front panel controls map directly to almost all of Tetra's parameters, so the Prophet acts as a programmer and control surface. And a Mopho can be connected to Tetra's Poly Chain Out for five-voice operation.

A 4-voice, analog poly synth + FREE case

Review: The Tetra is Dave Smith Instruments' next-generation analog poly synth. It takes the award-winning sound and features of Mopho, multiplies them by 4 and packs them in a box less than half an inch larger.

The Tetra has multiple personalities. It is a 4-voice, analog poly synth, a sort of mini Prophet. It's a 4-part, multitimbral synth with separate outputs, essentially 4 Mophos in one very compact box.

Physically, the Tetra is similar to Mopho, with 4 assignable parameter controls per program and a row of controls dedicated to the most commonly used performance parameters. All of the parameters can be accessed from the front panel and the Tetra is fully programmable. A free, downloadable editor is available for Mac OS and Windows to facilitate more comprehensive tweaking.

Most of the rotary controls are detented encoders, but Cutoff and Resonance are potentiometers, allowing full sweeps with a single turn. The Push It button is a manual trigger to play notes and latch sequences on without the need for a MIDI controller.

Audio is output in mono, stereo or per voice, via the four audio output jacks. There is also a headphone out. MIDI communication is by standard MIDI in and out jacks or USB. Poly Chain Out is a special, dedicated MIDI output to chain multiple instruments for increased polyphony.

The voice architecture is based on the Prophet '08, but with the addition of a sub-octave generator for each oscillator and a fully programmable feedback loop for each voice. That breaks down to 2 DCOs, a resonant low-pass filter, 3 DADSR envelope generators, four LFOS, deep modulation routing, an arpeggiator and a 16 x 4 analog-style step sequencer per voice. Feedback is capable of producing effects ranging from mild distortion to fairly extreme harmonic instability. (That's a good thing.) The possibilities are nearly endless. And the audio signal path is 100 analog.

In program mode, the Tetra is a 4-voice, polyphonic synthesizer with four banks of 128 programs. As with the Prophet '08, each program contains two layersieach layer is essentially a separate patchithat can be used to create keyboard splits or stacked sounds. Banks 1 and 2 are the Prophet '08 factory programs; banks 3 and 4 are a combination of Mopho and new programs.

In combo mode, a different program can be assigned to each of the 4 voices. Combos can be used for mammoth unison patches or for triggering up to 4 different 16 x 4 sequencesieach with its own programisimultaneously. Combos can also be used to create modular-style polyphonic patches, where each voice plays a different program, with a slight variation on the same sound or even a drastically different sound.

In multi mode, the Tetra becomes a multitimbral sound module capable of playing four monophonic parts on four MIDI channels, with separate outputs for each voice. Coupled with a MIDI sequencer and DAW, the Tetra can play complex arrangements or analog drum parts with each part individually processed and recorded to its own track.

Up to 4 Tetras can be poly chained for 8, 12, or 16 voices total. When used with a Prophet '08, up to 2 Tetras can be poly chained for a maximum of sixteen voices. In addition, the Prophet's front panel controls map directly to almost all of Tetra's parameters, so the Prophet acts as a programmer and control surface. And a Mopho can be connected to Tetra's Poly Chain Out for five-voice operation.

This bundle comes with the Dave Smith Instruments Mopho & Tetra Desktop Synthesizer Case.

The Dave Smith Instruments case is a high quality case fitted to both the Mopho and Tetra modules. This moulded case is made from durable, black neoprene with a heavy-duty zipper and plush, padded interior. The top has extra space and plenty of padding to help protect the front panel controls.

Give your Mopho or Tetra the protection it deserves.

100% analog monophonic synthesizer with USB & MIDI interface

MIDI/USB analog sequencer with red LEDs

Review: Dark Time is an 2x8 step analog sequencer with CV/Gate, USB and MIDI interface. It is intended as an add-on for the Dark Energy but may be used in combination with other MIDI, USB or CV/Gate equipment too.

6-track multiple synthesis and effects sequencer + FREE 6 x Chord TRS jack plug leads

Review: The Monomachine SFX-60+ MKII is the ultimate sound generator. 5 different synthesis methods plus sequencing make it the mixed martial artist of synthesizers.

Each of the 6 Monomachine tracks is loaded with sound shaping devices. At your command is a tape style delay, a resonant multi mode filter, a sample rate reducer, a distortion effect, an arpeggiator and no less than 3 LFOs -per track. The sound palette is limitless.

Despite the depth of the Monomachine it is very easy to use. Every parameter is close at hand and no confusing menus are in your way. Everything is laid out in a logical and usable manner. This is particularly useful when you perform live and don't want to press the wrong buttons.

A special MIDI mode gives you control of six dedicated MIDI tracks. Use the versatile arpeggiators and all the other special sequencer features to take MIDI sequencing to the next level. The Monomachine is a given centre piece in any studio.

You can upload your own customized waveforms and use them in the Monomachine environment. This, plus the ability to treat sound incoming through the two external inputs using the special FX machines, makes the Monomachine a sound designer's dream come true.

The Monomachine SFX-60+ MKII comes equipped with a +Drive by default. With a +Drive there is no risk of running out of storage space. Over 16'000 patterns, 16'000 kits and 8'000 waveforms can be internally stored.

http://www.youtube.com/watch?v=k_aa11NfkRw

The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Cable diameter: 6mm
Conductors: 2 x 20 strand, 0.1mm pure copper
Connectors: 2 x 6.3mm stereo (TRS) jack plug

High specification single synth MIDI to CV converter

Music production station remains instruments for dance and electronic music

Review: Refreshed and reborn with up-to-date patterns and convenient SD card data storage, the Electribe MX remain indispensable instruments for dance and electronic music, and are loved by creative artists around the world.

Marrying modern technology with the warm, fat sound of vacuum tubes, the Electribe MX pumps up your sound creation possibilities.

The Electribe series of Dance Tools defined a new standard in unique sound possibilities married to intuitive, knob-based interfaces. Thousands of forward-thinking musicians, DJ's and producers used them to create exciting and groundbreaking music.

The Electribe MX features a powerful new MMT (Multi Modelling Technology) sound engine, an even more versatile effect section, a ribbon controlled arpeggiator that can continually generate new phrases, and a polished interface to stimulate your creativity and meet your musical needs in any situation. The oscillator section provides standard analog synthesizer waveforms and techniques such as sync, cross modulation and ring modulation. New modeling types include Chord, which lets you vary the pitches to produce a chord from a single note, Unison which generates thick sound by stacking and detuning the pitch of as many as 6 oscillators, and Waveshape which allows you to mix two oscillators and then modify the result to create a complex waveform. There are a total of 16 types to choose from.

The Electribe is esteemed for the way in which carefully selected filter and modulation parameters allow you to drastically shape tonal character of your sound. In addition to four multi-mode filters, capable of radically transforming the oscillators' sound, there's a drive parameter that generates the distinctive distortion of analog circuitry to create powerful analog synth sounds. Used in conjunction with other tonal elements, BPF+ (Band Pass Filter Plus) with adjustable peaking, combinations of modulation from the LFO/EG, etc. the Electribe MX delivers plenty of sound-creation potential. PCM sample data is also provided as a sound generation system. With76 types of synth PCM sounds and 207 types of drum PCM samples, you start creating rhythms immediately.

http://www.youtube.com/watch?v=MNAozsyLJRQ

Dynamic phrase synthesizer

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

Review: The next innovation in the highly acclaimed line of Korg DJ tools has arrived. The Korg Kaossilator Dynamic Phrase synthesizer is a portable synthesizer delivering maximum flexibility in an ultra-compact body, with battery operation that allows you to jam anywhere.

The Kaossilator Dynamic Phrase synthesiser is a pocket sized instrument that packs Korg's world renowned synth sound along with innovative performance features into an ultra-compact unit. Anyone can instantly play musical phrases by simply tapping or sliding their finger across the Kaossilator's touch pad, no previous skills required.

The Kaossilator is a portable, travel friendly device that runs on batteries, so you can have fun creating music anywhere your life takes you, with seemingly endless possibilities.

The Kaossilator is a new instrument that liberates synthesizer sounds from the keyboard. It gives keyboardists, guitarists and DJs a convenient way to add fresh new elements to a band performance or to a DJ set, while allowing untrained musical enthusiasts to enjoy an entirely new level of musical involvement and expression.

The Kaossilator comes packed with one hundred powerful sound programs that combine Korg's legendary modeling synthesizer engine with the effects from the Kaoss PAD series, perfect for any musical genre. The horizontal axis is assigned to note/pitch, while the vertical axis is assigned to parameters such as: cutoff, feedback, or modulation depth, giving you a wide range of performance possibilities. In addition to classic synthesizer sounds like leads, basses and sound effects, there are sounds that faithfully simulate piano, guitar, and trumpet as well as looped and one-shot drum sounds, making the Kaossilator a never-ending source of inspiration to stimulate your creativity.

Review: The next innovation in the highly acclaimed line of Korg DJ tools has arrived. The Korg Kaossilator Dynamic Phrase synthesizer is a portable synthesizer delivering maximum flexibility in an ultra-compact body, with battery operation that allows you to jam anywhere.

The Kaossilator Dynamic Phrase synthesiser is a pocket sized instrument that packs Korg's world renowned synth sound along with innovative performance features into an ultra-compact unit. Anyone can instantly play musical phrases by simply tapping or sliding their finger across the Kaossilator's touch pad, no previous skills required.

The Kaossilator is a portable, travel friendly device that runs on batteries, so you can have fun creating music anywhere your life takes you, with seemingly endless possibilities.

The Kaossilator is a new instrument that liberates synthesizer sounds from the keyboard. It gives keyboardists, guitarists and DJs a convenient way to add fresh new elements to a band performance or to a DJ set, while allowing untrained musical enthusiasts to enjoy an entirely new level of musical involvement and expression.

The Kaossilator comes packed with one hundred powerful sound programs that combine Korg's legendary modeling synthesizer engine with the effects from the Kaoss PAD series, perfect for any musical genre. The horizontal axis is assigned to note/pitch, while the vertical axis is assigned to parameters such as: cutoff, feedback, or modulation depth, giving you a wide range of performance possibilities. In addition to classic synthesizer sounds like leads, basses and sound effects, there are sounds that faithfully simulate piano, guitar, and trumpet as well as looped and one-shot drum sounds, making the Kaossilator a never-ending source of inspiration to stimulate your creativity.

This bundle comes with the Korg Mini KP/K01 Bag (black).

The Korg Mini KP/K01 bag is suitable for Kaossilator, mini-KP and Pandora PX5D.

61-key model keyboard synthesizer

Review: The Korg M50 is a brilliant new synthesizer distilling the sonic essence and functionality of the M3 series into a seriously portable and affordable new instrument.

Korg's over 20 years of design expertise in workstations has enabled Korg to make the M50 the perfect writing and performing keyboard for all musicians. The M50 is packed with the latest sounds and functionality that Korg have developed in their many years of producing synthesizers and music workstations.

It features a light-weight compact design that makes it ideal for live performance, band practice, and especially easy transportation. The 88-note M50-88 uses the grand piano feeling RH3 keyboard, making it an ideal choice for a stage piano.

The M50 uses Korg's latest EDS (Enhanced Definition Synthesis) sound generation system, the technology used on the M3, delivering exactly the same stunning sounds and effects. Each voice contains a powerful oscillator section that can use up to 8 stereo multisamples per voice (2 oscillators, each with 4-stage velocity switching/crossfading/layering), as well as up to 4 filters (2 filters each with four modes and four routings), 2 amps, 5 LFOs, and 5 EGs.

The abundant 256 MB of ROM (when calculated as 16-bit linear) provides a total of 1077 multisamples (including 7 stereo multisamples) sampled at 48kHz as well as 1609 drum samples (including 116 stereo drum samples). These PCM sources were sampled using the best recording equipment and edited with expert care to deliver an incredible palette to create sounds with.

The filter section lets you use 2 filters for each oscillator. These filter types include low pass, high pass, band pass, and band reject modes, and they can be routed individually, in series or in parallel, and even includes a superb 24 dB mode.

The amp section provides a driver circuit that can bring a harder edge to your sound, and a low boost to add big bottom when needed.

An advanced key tracking generator can be used to adjust filter and amp behavior according to ranges of the keyboard, giving sounds a level of nuanced control across the whole range of the keyboard.

The EG (Envelope Generators) produce time-variant change from the beginning to the end of the sound, and allow you to tweak the curve at each stage (attack, decay, slope, release) in eleven steps, and unprecedented amount of control. This enables the M50 to create simulations of acoustic sounds where the tone and volume undergo complex time-variant changes, as well as highly detailed re-creations of vintage synthesizer sounds. There are 18 LFO waveforms available for you to select from. These can be further shaped to produce the perfect modulation by adjusting parameters such as the waveform starting phase and amplitude shift.

The AMS (Alternate Modulation Source) function gives you a wealth of modulation possibilities; with a total of fifty modulation sources, you can be sure to find what you need, or use the AMS mixer to apply multiple modulation sources to a single parameter, or even process the modulation source itself to obtain precise control over your sound design.

There's an independent 3-band EQ available for each program, the drum track, and each of the sixteen timbres/tracks, so you can make separate and detailed tonal adjustments to achieve the perfect mix without having to use effects. The effect section which adds the final coloration and space to the overall sound contains 5 insert effects, 2 master effects, and 1 total effect. In addition to delay and reverb, you can use modulation-type effects such as chorus, phaser, and flanger, dynamic-type effects such as a compressor and limiter, and amp modeling effects driven by Korg's proprietary REMS modeling technology, giving you a total of 170 high-quality effects. There are also 2 common LFOs that can be used between different modulation effects. For example you can use a single LFO to synchronize the phaser and flanger used by different timbres. The effect dynamic modulation function (Dmod) gives you precise and wide-ranging realtime control over tonal changes and effects.

The M50 contains 608 programs, 384 combinations each consisting of up to sixteen programs, and 32 drum kits used as oscillators for drum programs. From real acoustic instrument to vintages synths and imaginative textures the M50 delivers the wide range of great sounds you expect from a Korg keyboard.

For the all-important piano sounds, 3-stage velocity-switched stereo samples are programmed in conjunction with samples of the damper resonance, producing the most natural sound ever heard from a synthesizer. There are also mono piano programs for use on stage, as well as programs using the waveform memory of the classic Korg SG-1 Sampling Grand, which is still acclaimed by artists around the world.

www.youtube.com/watch?v=vCQERgKyMrs

61-key model keyboard synthesizer + FREE bag

Review: The Korg M50 is a brilliant new synthesizer distilling the sonic essence and functionality of the M3 series into a seriously portable and affordable new instrument.

Korg's over 20 years of design expertise in workstations has enabled Korg to make the M50 the perfect writing and performing keyboard for all musicians. The M50 is packed with the latest sounds and functionality that Korg have developed in their many years of producing synthesizers and music workstations.

It features a light-weight compact design that makes it ideal for live performance, band practice, and especially easy transportation. The 88-note M50-88 uses the grand piano feeling RH3 keyboard, making it an ideal choice for a stage piano.

The M50 uses Korg's latest EDS (Enhanced Definition Synthesis) sound generation system, the technology used on the M3, delivering exactly the same stunning sounds and effects. Each voice contains a powerful oscillator section that can use up to 8 stereo multisamples per voice (2 oscillators, each with 4-stage velocity switching/crossfading/layering), as well as up to 4 filters (2 filters each with four modes and four routings), 2 amps, 5 LFOs, and 5 EGs.

The abundant 256 MB of ROM (when calculated as 16-bit linear) provides a total of 1077 multisamples (including 7 stereo multisamples) sampled at 48kHz as well as 1609 drum samples (including 116 stereo drum samples). These PCM sources were sampled using the best recording equipment and edited with expert care to deliver an incredible palette to create sounds with.

The filter section lets you use 2 filters for each oscillator. These filter types include low pass, high pass, band pass, and band reject modes, and they can be routed individually, in series or in parallel, and even includes a superb 24 dB mode.

The amp section provides a driver circuit that can bring a harder edge to your sound, and a low boost to add big bottom when needed.

An advanced key tracking generator can be used to adjust filter and amp behavior according to ranges of the keyboard, giving sounds a level of nuanced control across the whole range of the keyboard.

The EG (Envelope Generators) produce time-variant change from the beginning to the end of the sound, and allow you to tweak the curve at each stage (attack, decay, slope, release) in eleven steps, and unprecedented amount of control. This enables the M50 to create simulations of acoustic sounds where the tone and volume undergo complex time-variant changes, as well as highly detailed re-creations of vintage synthesizer sounds. There are 18 LFO waveforms available for you to select from. These can be further shaped to produce the perfect modulation by adjusting parameters such as the waveform starting phase and amplitude shift.

The AMS (Alternate Modulation Source) function gives you a wealth of modulation possibilities; with a total of fifty modulation sources, you can be sure to find what you need, or use the AMS mixer to apply multiple modulation sources to a single parameter, or even process the modulation source itself to obtain precise control over your sound design.

There's an independent 3-band EQ available for each program, the drum track, and each of the sixteen timbres/tracks, so you can make separate and detailed tonal adjustments to achieve the perfect mix without having to use effects. The effect section which adds the final coloration and space to the overall sound contains 5 insert effects, 2 master effects, and 1 total effect. In addition to delay and reverb, you can use modulation-type effects such as chorus, phaser, and flanger, dynamic-type effects such as a compressor and limiter, and amp modeling effects driven by Korg's proprietary REMS modeling technology, giving you a total of 170 high-quality effects. There are also 2 common LFOs that can be used between different modulation effects. For example you can use a single LFO to synchronize the phaser and flanger used by different timbres. The effect dynamic modulation function (Dmod) gives you precise and wide-ranging realtime control over tonal changes and effects.

The M50 contains 608 programs, 384 combinations each consisting of up to sixteen programs, and 32 drum kits used as oscillators for drum programs. From real acoustic instrument to vintages synths and imaginative textures the M50 delivers the wide range of great sounds you expect from a Korg keyboard.

For the all-important piano sounds, 3-stage velocity-switched stereo samples are programmed in conjunction with samples of the damper resonance, producing the most natural sound ever heard from a synthesizer. There are also mono piano programs for use on stage, as well as programs using the waveform memory of the classic Korg SG-1 Sampling Grand, which is still acclaimed by artists around the world.

www.youtube.com/watch?v=vCQERgKyMrs

The Korg M50 Gig Bag is designed specifically for the 61 note version of the Korg M50. Includes a front pocket for accessories.

Review: State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure U all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

www.youtube.com/watch?v=OV_TxlJDDts

Review: State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure U all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

The MicroKORG comes with Korg Messenger Bag. It is a fantastic solution for transporting or storing your Korg equipment. It is made with a water resistant material with a nylon shoulder strap and zipped opening and is compatible with microSAMPLER, microKORG, microKORG-XL, AX3000G/B and microKONTROL devices.

www.youtube.com/watch?v=OV_TxlJDDts

Review: The original microKORG is loved and used daily by musicians around the world U from keyboardists to guitarists U enabling everyone to experience the enjoyment of a great synthesizer. Now an advanced microKORG is available; a synthesizer that lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body.

The microKORG has continued to be a best-seller since its arrival five years ago, and remains enormously popular today. This latest model boasts Korg's powerful RADIAS/R3 derived MMT Multi Modeling Technology, as well as a powered-up vocoder. The updated ROM includes PCM data for recreating in-demand vintage keyboards such as piano, electric piano, and clav. Externally, the microKORG XL boasts a completely new vintage design with a textured black body and industrial silver panel. The interface has also been enhanced, making it easier than ever to use. Sound selection is controlled by two large dials; three smaller knobs allow the main parameters to be easily selected. The newly-developed mini-keyboard is firm and responsive for even greater playability. And best of all, it's battery-powered so you can take it anywhere and still enjoy serious sound. For beginners, advanced musicians and sound designers, this is a synthesizer that will stimulate your musical creativity.

Korg's MMT engine provides a compendium of Korg's various modeling technologies, offering a robust range of sounds U including great analog re-creations. Korg's famed MMT is the same high-fidelity synthesis that powers our RADIAS, R3, and ElecTribe MX, optimized to provide the microKORG XL with phenomenal performance. The microKORG XL uses two MMT oscillators to generate powerful sounds. Oscillator 1 (OSC1) provides not only the standard waveforms you expect from an analog synthesizer, but a total of seven types of oscillator algorithms, including formant waveforms such as human voice, noise, and PCM/DWGS waveforms such as vintage keyboards and strings. Cross-modulation, unison, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Oscillator 2 (OSC2) can be used for modulation (sync or ring) in conjunction with the first oscillator, making it easy to create complex and powerful sounds.

Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching simulates the patching capability of Korg's classic MS series, and the arpeggiator can run six types of patterns, all adding up to a high degree of creative freedom. There's also an external audio input jack, so you can process external audio material from a sampler or other source device. In the full-edit mode you have unlimited access to all of the microKORG XL's synthesis parameters.

Using a microphone, the microKORG XL's amazing vocoder allows you to add vocal characteristics to any sound, creating everything from "talk-box" filtering, pseudo choirs, talking instruments and vintage Sci-Fi robots. You can also use another instrument U such as a drum machine U to add rhythmic dexterity to your synth tracks. Our unique Formant Hold allows you to freeze the vocal input for continuous vocoder effects. In addition to simulating the classic vocoder sounds of the past, the microKORG XL also allows you to shift the filter frequencies (Formant Shift function) and adjust the level and pan of each of the sixteen bands, greatly altering the tonal character. This allows you to easily create fascinating textures and sounds that go far beyond traditional vocoding. A gooseneck microphone is included, so you can immediately start using these superb vocoder functions.

Keyboard sampler

Review: The Korg microSAMPLER is a keyboard sampler that lets you enjoy easy-to-use full-featured sampling, a loop sequencer, and internal effects; all with an intuitive interface that's designed for realtime performance. Korg's unique sampling method allows you to record, edit and map as you sample, directly from the keyboard.

The microSAMPLER is designed for performance. In addition to triggering samples as on a conventional pad-type sampler, you can also play the samples at different pitches in a musical fashion, and even resample the result. The controllers you need for an exciting performance are laid out on the panel for intuitive operation. The status of the samples assigned to each key (and the item being edited) is indicated by the lit state of the LEDs running along the top of the keyboard, ensuring excellent visibility even on stage. Both line input and mic input are provided to allow a broad range of input sources including electronic musical instruments, CD, and voice. A gooseneck microphone is included so you can sample on the go. To make it easy to sample from your portable audio player, a convenient caddy is located beside the mic jack.

The microSAMPLER can run on batteries, so you can perform on the go, or capture samples anywhere. In addition, there's a resampling function that lets you play existing layered samples processed by an effect and played by the loop sequencer, and capture it all as a new sample. Since you can even sample while playing, the sampling process itself can become part of your expressive performance.

The MicroSAMPLER features 5 sampling methods to suit your needs. When sampling, you can select One Shot, Gate, or Loop methods; this greatly enhances the realtime character of your performance. In addition, you can use 2 completely new sampling methods Key Gate and Auto Next to sample more efficiently and creatively than ever.

One Shot sampling for single hits: this mode is for creating samples that do not require a note-off, such as drums and orchestra hits.
Gate sampling for keyboard performance: this mode is best for creating instrument sounds that will be played back at different pitches on the keyboard.
Loop sampling for recording grooves and phrases: this mode is ideal for sampling looped phrases such as drums or vocals.
Key Gate sampling is best for grabbing multiple samples from the same source: with Key Gate you can take multiple samples from the same source or phrase and assign them to different keys as the source plays. The individual keys assign the sample and enable recording all at the same time. This intuitive method of sampling, editing and mapping in a single step is fun, intuitive and fast. Auto Next sampling for automatically capturing phrases as multiple samples: for grabbing a groove as separate samples on individual keys, choose the Auto Next mode and use Tap Tempo to match the BPM of the source material.

The microSAMPLER will automatically divide the sample equally across multiple keys. Each key can be set to capture anything from a 64th note to a full 2 measures. This method lets you automatically perform the same type of sampling as Key Gate.

The microSAMPLER hosts a solid complement of top-end sampling features such as 16-voice polyphony, reverse playback, editing operations such as Normalize and Truncate, and a Time Stretch feature that lets you change the tempo without affecting the pitch. Selectable sample rates of 48 kHz, 24 kHz, 12 kHz down to 6 kHz let you sample at rates beyond CD clarity or add in that Lo-Fi vintage vibe. And yet the microSAMPLER is also designed to be easy to operate. Each bank contains 36 samples (a maximum of approximately 160 seconds of recording time for monaural samples at a 48 kHz sampling rate) and sixteen patterns of sequence data; the microSAMPLER lets you store eight such banks in internal memory. The pattern sequencer uses an overdub operating style that lets you continually layer your performances. You can switch between patterns during playback for seamless performances. Up to 16 patterns (16000 notes per pattern or a maximum 64000) can be stored in each bank. 21 effect algorithms produce powerful sonic transformations: developed for Korg's KAOSS PAD series, the effect engine serves up a great selection of effects, so important when editing samples. The twenty-one effects include not only traditional delay and chorus, but also ring modulator and grain shifter, and even a Looper that's derived from the Loop Recording feature of the KAOSSILATOR Dynamic Phrase Synthesizer.

Portable 4-part analog synthesizer & analog rhythm & step sequencer

Analog ribbon synthesizer

Analogue synthesizer with dual oscillator

Review: Designed for the gigging musician, the Korg PS60 performance synth delivers premium sounds and professional effects in an easy-to-use performance package.

In designing the Korg PS60, the needs of the on-stage musician remained front and center. Offering dedicated controls, an ample backlit display, and remarkable ease of use, the PS60 is a refreshing change. The intuitive, realtime controls, even the sounds themselves, were created with the performer in mind, and have been optimized for the unique challenges and immediacy of playing live. Lightweight, stylish and portable, the PS60 travels comfortably from home, to rehearsal, to center stage.

The PS60 delivers 440 sounds, with room for plenty more. The sounds are organized into six categories, piano, electric piano, organ, strings, brass and synth, each with dedicated controls making it easy to find just the right sound.

Using 49 MB of 48 kHz samples, the PS60 allows up to eight stereo multisamples to be used per voice. The EDS-i sound engine (Enhanced Definition Synthesis integrated) provides up to 4 filters, 2 amps, 5 LFOs, and 5 EGs, delivering a rich array of stage-ready programs that will both complement and stand out in your band's performance.

Any of 63 effects, including dynamics-type effects and amp modeling powered by Korg's proprietary REMS technology, can be assigned to individual sounds using one of the 5 insert effects. In addition, 2 master effects can be applied to the overall sound: a modulation-style effect offering 4 effect types; and a reverb/delay effect also with 4 effect types. A dedicated three-band EQ adds the final touch to your sound.

2 footpedal jacks are provided for use with a damper pedal, footswitch or footpedal, offering hands-free control. When playing organ sounds, an additional dedicated button can switch between fast/slow speeds of the rotary speaker simulator.

The stand-alone PS60 Editor allows you to edit sounds in greater detail than is possible from the PS60 itself. Viewing multiple parameters and graphical cues on your computer's screen makes it easy to create full fledged sounds in any category.

The PS60 Plug-In Editor offers all the same features and lets you use your PS60 as a plug-in synth from within any VST, Audio Units, or RTAS format DAW software system. As a librarian program, the software lets you build up an enormous stash of sounds that you've created on your computer.

www.youtube.com/watch?v=hg7wgMhkiIE

Review: The Korg R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with 2-timbre/8-voice performance power.

The Korg R3 is a powerful yet compact synthesizer with sounds, form and features that will attract all manner of musicians and producers.

The Korg R3 is a full-fledged synthesizer that provides an easy and affordable way to enjoy sophisticated synthesis and advanced sound creation. In a compact and light-weight body, it packs 37 full-size, velocity sensing keys, along with 2-timbre/8-voice performance power.

The sound generator section of the Korg R3 uses the same acclaimed MMT (Multiple Modeling Technology) used by the RADIAS, delivering thick, gutsy and crisp analog sounds. With quality that will satisfy both professionals and beginners, the Korg R3 is a great choice for adding synth sounds on stage or in music production.

The Korg R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.

The Korg R3's powerful vocoder function lets you use your voice to add a distinctive tonal character to the sound of the oscillator, creating speaking tones. The vocoder consists of sixteen filter bands, and can replicate the classic vocoder sounds of the past, as well as letting you dramatically transform the timbral character by adjusting the level and pan of each frequency band to create absolutely original vocoder sounds. The Korg R3 comes with an XLR-connector gooseneck microphone, so you can start enjoying this superb vocoder functionality right away.

The Korg R3 has 2 external audio input jacks. By selecting an external audio source as an oscillator, you can filter the external audio source, or apply effects to it using the full range of processing potential available for the internal waveforms. This is a great way to create unique and original sounds, for processing audio loops from a computer and even playing another instrument through the Korg R3.

You can connect the Korg R3 to your computer via its USB connector, and use the included stand-alone editor/librarian software to conveniently edit the sounds, using the enhanced graphics that the computer provides. You can edit, create, save, and store programs to the Korg R3 or to your computer. Sounds you edit or create using the editor/librarian software can be used in realtime on the Korg R3 itself.

Compact, portable 61-key synthesizer

Review: The X50 music synthesizer is packed with Korg's distinctive and world-renown sounds, designed for easy and intuitive operation, and with an ultra-light and compact design that's ideal for the active musician.

The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine used on the world-famous Triton series. It gives you pro-quality sounds in an ultra-compact body. This music synthdelivers unbeatable convenience and enjoyment for live performance and song production.

The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound programs, as well as 384 combinations that let you use up to 8 programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg's TR line of music workstations so you can share sounds and songs with Korg users around the world.

An arpeggiator lets you play a variety of phrases using just one finger, and the X50 provides 2 polyphonic arpeggiators! For example, in combination mode you can use the 2 arpeggiators to play drums and bass while you play chords and melody, giving you amazing power for live performances. In addition to basic preset arpeggio patterns, the X50 also provides an additional 251 patterns containing various phrases. Of course, you can also create your own original patterns and store them in internal memory.

Finding the right sound quickly when you have so many to choose from can be a problem on some systems, but not with Korg's. The X50 organizes its vast array of sounds into sixteen categories, and provides a category select function that makes it quick and easy to choose the sound you need from the category you specify. There's also an audition riff function that provides one-touch audition of each sound. 4 knobs can be used to quickly adjust sounds, effects and arp settings, and the clickpoint cursor makes the X50 a pleasure to use and play.

The X50 mobile synthesizer packs professional-quality sounds and a wide range of functions into an amazingly light and compact body. Even with a 61-note keyboard that gives you plenty of room to perform, the X50 boasts an ultra-light weight of only 4.5kg, about the same as an electric guitar. The compact design ensures that it can fit into the smallest home studio workspace, and thanks to its cool side handles the X50 is easy to take along wherever you go.

In a first for its class, the X50 music synthesizer features individual outputs, allowing professional setups in which the sounds of specific parts are sent to their own outputs. This can be very useful in situations such as recording when you may want to EQ and process each sound separately, and for surround-sound applications.

The X50 music synthesizer also provides a USB connector that lets you establish MIDI connections with your computer using a single cable - no interface needed. A powerful Multi mode give you 16 parts to create music with, with the full complement of effects and other settings to make complete songs using only the X50 and your computer. 128 multis can be saved and recalled, with 16 preloaded covering many common music styles and genres.

It also comes with an editor/librarian software that makes it easy to create and organize sounds using your computer. Two versions are provided: a traditional stand-alone application and an innovative plug-in version (VST, AU, and RTAS formats supported) that can run within your DAW and MIDI sequencing software. Both versions are colorful, graphic-rich, and provide a wonderful interface for working with the X50 music synthesizer in all its modes.

http://www.youtube.com/watch?v=IHQwK5Y8XAQ

12-voice 49-key full-size synth-action keyboard with built-in USB audio interface

Review: The M-Audio Venom 49-key synthesizer combines the character of classic analog synthesizer with modern digital processing to deliver an aggressive and infectious new sound.

Whet your appetite with the included presets, sink your teeth into creating original sounds from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads and more with a full-size keyboard designed to satisfy serious players. You can even use M-Audio Venom as an audio interface with Pro Tools M-Powered (version 8 or higher) and other music software forming a powerful production machine to take your music in dangerous new directions.

www.youtube.com/watch?v=uMPcvlwUug8

Review: The MFB Kraftzwerg is the semi-modular version of MFB's Synth-II. It trades off memory locations and MIDI-control for 37 patch connectors which allow breaking and modifying of the internal routing. Put single Kraftzwerg components under analog sequencer control or let the whole unit interact with your existing modular synthesizer system. 'Kraftzwerg' works as a stand-alone synthesizer without the need to patch any cable. The classic formation of VCO-VCF-VCA is pre-wired internally, complete with essential modulations. Therefore, you can play the Kraftzwerg just like any other synthesizer using its MIDI-input. In addition, it may integrate into a full analog environment using control voltages and benefit, unlike MIDI, from infinite continuous parameter resolution.

The MFB Kraftzwerg offers a complete set for powerful and versatile synthesis: 3 VCOs with hard-sync, 24-dB-lowpass-filter with resonance, noise generator, ring-modulator, 2 envelope-generators, 2 LFOs and VCA. Technically and soundwise the MFB Kraftzwerg is identical to MFB's euro-rack-modules. However, this comes in a compact format which is easy to take with you and faster in use. Your ideal analog partner on stage.

Review: Although the Megazwerg and its many useful functions are meant to serve as an expansion to MFB's Kraftzwerg or any analogue modular-system, the Megazwerg also serves as an independent full-featured synthesizer. Its ten sections can be used individually or combined.

The oscillator offers triangle, saw tooth and rectangle waveform shapes. Its pitch can be set over an octave range using a trim-pot. Pitch is controlled by its CV-input using sequencers or keyboards. The output is prewired to the Y-input of the ring modulator, which is built analogue unlike the unit found in Kraftzwerg. The ring modulator may also be used with two external signals.

The state-variable multimode-filter runs with 12 dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Both, cutoff and resonance can be modulated using dedicated CV-inputs. In addition, a pitch-dependent cutoff-frequency control can be achieved using the key follow function. Key follow is prewired to key-CV respectively MIDI-pitch.

The envelope generator offers Attack, Hold, Decay, Sustain and Release stages. Besides its normal mode, the first three stages can also be looped with an active gate-signal, and then followed by the release stage. This section also contains a VCA that serves as CV-controllable audio-output for MEGAZWERG. The envelope is prewired to the CV-input of the VCA.

The onboard 12bit-digital-delay does not only create echo-effects. Its read-out-speed can be varied over a 2-octave-range manually or by CV. In addition, there is a freeze function that sets the effect signal to last endlessly. Send and return jacks are provided to insert any module into the delay's feedback-path, just like a filter or a ring modulator.

The modulation-sequencer serves to create simple, adjustable rhythmic modulations of 2, 3 or 4 steps in length. Each step has a dedicated control to set the according control voltage. The sequence tempo can be adjusted with the sequence or follow the clock-input.

The dual Glide section offers two independent delay/lag units with different characteristics. You may use these to smooth the steps of the modulation-sequence or create portamento glides.

Two attenuators are available in the Dual-Attenuator-Section. In excess of limiting audio- and control-signals, these units can also serve as CV-sources. With the input not being patched, the output sends a fixed control voltage of up to 8V. This can be used to increase the maximum speed of Kraftzwerg's LFO or set the VCO-pulse width to a constant value.

The mixer section offers three inputs, where only inputs 1 and 2 are variable in gain.

2 multiples allow doubling or tripling CV- or audio-signals. Essential, where one LFO needs to modular two or three targets.

The signal-path VCO-VCF-VCA as well as envelope control over the VCA is internally prewired, so that Megazwerg can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by the Megazwerg itself or any compatible external device.

32-step step sequencer

Review: The MFB Urzwerg Pro step-sequencer has been inspired by feature requests and suggestions of many users to ensure better flexibility than ever. Most prominently, it offers output of MIDI-notes and MIDI-controllers as well as 32 individual step LEDs to keep track of the sequences status.

The MFB Urzwerg Pro offers 32 steps that can either be used for 2 sequences with up to 16 steps each or with 4 sequences with up to 8 steps each. You may control up to 4 synthesizers or CV-controllable parameters in an analogue modular system simultaneously. Using the MIDI-output allows to address 4 separate synthesizers or multitimbral parts in a single synthesizer. In addition, you may play your MIDI-synth with 2, 3 or voices polyphony. When playing it duo-phonically, the 2 remaining tracks can be used to control velocity and mod-wheel-data (MIDI-CC 01). Using it with 3 polyphonic voices still allows for velocity control.

In 4 x 8 mode, the MFB Urzwerg Pro can control up to 4 individual Nanozwerg synths using CV/Gate. As another example, you can also control and individually modulate pitch, pulse width, filter-cutoff and LFO-speed in MFB's Kraftzwerg. Finally, using Urzwerg Pro in combination with a modular synthesizer-system will allow for even more versatile options. The Urzwerg Pros Gate/CV inputs are fully compatible to all common eurorack-format modular systems.

The use of MIDI allows similar applications as using CV/Gate connections but will add further functionality. Sounds can be played polyphonically with up to 4 voices. Using Urzwerg Pro duo-phonically or as dual-monophonic, you can use the remaining 2 MIDI-controllers to output velocity and mod-wheel-data in parallel with the first 2 tracks. In a CV/Gate-based synthesizer, all parameters with CV input can be addressed directly. On the contrary, MIDI-control through Urzwerg Pro always also depends on the routing-options of the connected instrument.

The MFB Urzwerg Pro was designed for intuitive operation. All functions feature designated controls for editing while the sequencer is running. For best overview, the Urzwerg Pro features LEDs per step. These LEDs do not only visualize the sequence current position but also the skip-buttons' status. While setting the MIDI-channel and the operating modes, these LEDs also function as a display.

When using the MFB Urzwerg Pro on stage, you can set, edit and remove steps live. In addition, you can also modify the sequences' directions and their individual lengths. As a new feature, the Urzwerg Pro has a random-function to playback a row's steps at random. Another novelty is the auto-glide-function.

Furthermore, the MFB Urzwerg Pro allows setting of independent gate-lengths, ranges and glides for rows 1/2 and 3/4. Range defines the CV-range for the step-knobs between 1-10V. For pitch control, the range up to 5V can be quantized. MFB have added 4 different scalings to choose from: semitones, whole tones, pentatonic and hexatonic.

All 4 rows feature skip-buttons per step to activate/deactivate gate-triggers for these positions. Alternatively, the skip-buttons can also deactivate the CV-step-control. To add more liveliness, the Urzwerg Pro also offers 2 optimized shuffle-modes.

The MFB Urzwerg Pro provides 4 Gate & CV outputs to control compatible analogue synthesizers and modular systems. Start-I/O and Clock-I/O allow Urzwerg Pro to be synchronized to and sync other analogue sequencers. The additional CV-Clock input allows for dynamic tempo-control, e.g. using an external LFO or a CV-controller. To sync Urzwerg Pro via MIDI, the unit can send and receive start/stop-commands as well as MIDI-clock. In addition, it is possible to transpose sequences and address individual steps using a MIDI-keyboard or DAW.

TB-303 Clone with red LEDs

Review: Original Clone of the famous Roland TB-303 but with additional features such as MIDI and USB. We build these machines by hand in Germany.

The x0xbox (spoken: Socksbox) is an original concept from MIT students, who set their goal to produce a real 303 clone, which had to be 100 like the original. They took a 303 apart and by using "reverse engineering" and passion they managed to recreate a true clone , also by using much of the original circuitry and original parts. For those parts, which are not available any more, they technically found a way around this problem by using alternative parts and design but with the same features. Weeks and weeks were used to source the original parts worldwide and good alteratives were sourced. The x0xbox does not only copy all electronic circuits of the 303, furthermore it also uses all critical and necessary components of the original Bassline, such as matched pairs of the 2SC2291, the LA4140 op amp and 2SC536F transistors.

The difference of a well made x0xb0x and a Roland TB-303 is probably the same difference as from a TB-303 and another TB-303.

Fully assembled theremin in ash cabinet, can also be used as a stand-alone CV controller

Review: The Etherwave Plus has all the great features and tone of Moog's standard Etherwave theremin.

The Etherwave Plus makes it an ideal controller and performance instrument.

The CV outputs control signals are proportional to the pitch and volume of the Theremin's audio signal. Connect to the pitch and volume CV inputs of a Little Phatty, Voyager or other analog synthesizer for a completely new way to play your synth. These CV signals are not limited to pitch and volume control. Route them to any CV destination and create a new world of expression. Control anything from the cutoff frequency of a Moog Ladder Filter or the LFO Amount on a Moogerfooger Ring Modulator to the stereo panning on a Minimoog Voyager.

http://www.youtube.com/watch?v=IGBBQ1rsy0o