Synthesizers

Analogue monosynth keyboard with analogue sequencer

Review: Analogue Solutions are proud to announce availability of Leipzig-S, the latest addition to its lengthening line of critically-acclaimed, quality-crafted boutique designs from founder Tom Carpenter in the true spirit of vintage analogue synthesisers befitting the true analogue synth enthusiast.

Evolving from its namesake Leipzig (rack-mounting) and Leipzig-k (keyboard-endowed) analogue monosynth predecessors, the rack-mountable/tabletop Leipzig-S literally goes several steps further by incorporating an in-built eight-step analogue sequencer that can be used to produce simple melodic lines as well as acting as a modulation source to affect the filter cutoff (or to create additional effects, depending on other control settings). VCO1, VCO2, and the VCF are all available as sequencer destinations; seemingly simple, yet favourably flexible, the step sequencer can be creatively controlled (clocked) by multiple sources, at audio frequencies (using VCO2 as a clock source), or using the output of the sequencer itself as an audio source to be played via MIDI while the eight step controls then alter the waveform/tonal content, for example, such are the adventurous advantages of packaging an analogue step sequencer with a true analogue monosynth.

The entire design is traditional early-eighties analogue (voice and modulation) circuitry, comprised entirely of discrete components and op-amps (bar, of course, the digital sequencer controller and MIDI-CV interfacing); since the Leipzig-S is a strictly no-memory affair, all controls are not quantised, resulting in an authentically vintage sound, replete with musically desirable quirks and subtle artifacts (much in the same way that, say, a valve amp or vinyl record adds sonic character), unlike some other modern analogue synths that arguably sound almost as perfect as DSP analogue modelling.

With electronic percussion having influenced the choice of routings, the Leipzig-S boasts a huge range of modulation possibilities to facilitate creating the widest possible range of sounds, including deep basses, sound effects, analogue loops and (obviously) electronic drum sounds. With this, his latest design, true analogue synth enthusiast Tom Carpenter is confident that he has achieved a modern analogue synth that truly does sound vintage.

The SK is almost identical to the S. But with the addition of a MIDI controller keyboard.

Multi-channel analogue sequencer offers 16 steps

Review: The Oberkorn is a fully fledged professional analogue sequencer providing plenty of control outputs and inputs and with some unique creative features never before seen. Whilst most new analogue sequencers only offer a limiting 8 steps, the Oberkorn offers the all important 16 steps. It is a multi-channel true analogue sequencer with some remarkable features.

8-step analogue sequencer

Review: The Station Q is like half an Oberkorn sequencer. It is identical to Oberkorn, except that it is 8 step instead of 16, and does not have the MIDI features. The Station Q is the perfect companion to the Station X/Y mini-modular combo.

http://www.youtube.com/watch?v=ev-OzE0tkMs

Mini-modular synthesizer

Review: The Station X is a compact mini-modular synthesiser. It contains all the essential ingredients to form complete synth patches.

Think of it as a mini Red Square or Tereshkova. In fact, a mini Red Square is a good analogy. If has the same filter and similar key features (though Red Square is 2 VCO).

The Station X is ideal for beginners who want to dip their toes into the world of modular synths, the travelling producer who wants to take a true analogue modular synth around to different sessions, or home musician who perhaps is limited for space.

The Station-X comes with 5 x splitter leads, so you can feed a signal (source) to 2 x destinations. This is like having 5 x mini-multiple modules built in.

Module means no case or power provided, so it is a bare module that will fit into your own modular synth case (doepfer, concussor or other eurorack. Requires 6 free power sockets). The module will not work on it's own. You must provide it with power.

http://www.youtube.com/watch?feature=player_embedded&v=NHy8qHoFzAc

Keyboard version of the Telemark (SEM modular keyboard)

Review: The Telemark provides exactly the same features as the Semblance, but with the addition of modular synth patch points. This in effect turns it into a semi-modular design and means it can be interfaced to other modules and synths very easily.

The Telemark is a sturdily made white metal wedge, populated on the left side of the panel by lots of knobs and a few LEDs. The right side is devoted to a series of 1/8" sockets designed to provide access to core points in the synth's signal path. The back panel has a small socket for the supplied external PSU, MIDI input/thru, as well as 1/4" jack sockets for the main audio output and 2 external audio inputs.

The Telemark is an easy-to-use and fine-sounding synth, which is capable of a wide range of sounds. It uses the patch panel to add another dimension and offers some great options for processing external audio as well as transforming the internal palette. The MIDI spec gives the Telemark the ability to respond to both note on/off and velocity information for VCA and VCF sections. The patch panel allows you to route these elsewhere should you need to and a MIDI controller can be assigned to modulation duties should you wish.

The Telemark is a Oberheim SEM inspired synth like the Anyware Tinysizer, the Semtex XL and the Analogue Solutions Semblance are.

The Telemark-K is similar to original SEM but with Sample and hold, LFO square wave, noise, extra inputs, many more signal modulation options via rotary switches.

www.youtube.com/watch?v=uRf8y74ektM

Analogue synthesizer

Review: Analogue Solutions manufacture the real deal when it comes to analogue synths.

The Telemetry is a mini version of the company's Vostok synth, and offers some great features including pure analogue voice circuitry (of course), mini-pin matrix patch panel to eliminate the use of patch cables, MIDI in for sequencer or keyboard control, white noise, and an X/Y non-sprung joystick. There's even on-board MIDI-CV conversion with pitch, auxiliary CV outputs, and gate.

www.youtube.com/watch?v=rvo5x5G4YJg

Analogue pin-matrix synthesizer

Review: From UK manufacturer Analogue Solutions came the Vostok, a portable modular synthesizer that provides plenty of basic functions for producing and manipulating audio, as well as a few esoteric capabilities. Most notable are its matrix panel for patch programming and its suitcaselike box. Both are reminiscent of the classic EMS Synthi A that was highly regarded in the 1970s. Analogue Solutions stress that the Vostok is not a Synth A clone but is, rather, a configuration of modern electronics that borrows some of EMS's most practical design ideas.

The Vostok's modules include 2 x analog oscillators, a digital wavetable oscillator, a noise generator, 2 x filters, a voltage-controlled amplifier, 2 x ADSR generators, 2 x LFOs, a mixer, a ring modulator, and an 8-step analog sequencer. A built-in MIDI-to-control-voltage converter interfaces the Vostok with modern sequencers and other MIDI gear. With the exception of the MIDI circuitry and the wavetable oscillator, all the Vostok's circuits are completely analog.

http://www.youtube.com/watch?feature=player_embedded&v=4aplfKqRnLc

Hybrid synthesizer with MIDI keyboard controller & software

Review: The Laboratory 49 is Arturia's professional grade version of the analog experience series. Featuring a top-notch 49-key MIDI keyboard controller and the Laboratory version of Arturia's analog software, the Laboratory 49 synthesizer includes the same preset-based collection of Arturia's best analog sounds, with the possibility to edit the patches in depth and a new layering mode turning analog factory into a small workstation.

The 49-key keyboard controller is made for performance and maximum expression, with a breath control input and aftertouch in addition to a set of knobs and faders, as well as full connectivity on the back panel. This premium controller gives the fullest access to Arturia's analog laboratory software, its pre-assigned controls make it the perfect solution for plug and play sound creation. In addition, the keyboard can be easily used in any other software context. The Laboratory software is Arturia's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

A unique hybrid 61-key synthesizer and MIDI controller

Review: The Analog Experience The Laboratory 61 is a 61-note MIDI keyboard with velocity and aftertouch-sensitive keys that is designed to easily integrate into any studio and stage environment.

Packaged with the Analog Laboratory software, it also offers straight-forward control over 3500 of the world's finest analog sounds. Browse sounds, tweak them, split your keyboard and launch loops. The 61-key controller offers unparalleled hands-on experience over the TAE synthesizer presets. Its plug-and-play connectivity and assignable controllers make it the ideal MIDI keyboard to control third party software or MIDI hardware devices.

The Laboratory keyboard can be easily used in any other software context. The Laboratory software is Arturia Analog's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

http://www.youtube.com/watch?v=aJcHTG9YKaI&feature=pyv

Review: The Player 25 is the smallest, most lightweight and simple version of the series. It features a compact MIDI keyboard controller and light version of Analog Factory software. This makes for a very easy-to-use and affordable package, including the very best of Arturia's signature sounds and a dedicated quality keyboard perfect for the mobile musician. The rugged and lightweight keyboard make the controller a must for travel, while maintaining the profile of a high-end metal and wood controller that can be used with any other software. The Player software, offering 1000 sounds, is an ideal way to get the most out of Arturia's TAE based synths without getting into the details and complications of sound design.

Packed full of Arturia's hottest analog sounds made by their international team, this software gives a full spectrum review of 7 of Arturia's best analog emulating software synths. If you need a high-end, portable 25-key MIDI keyboard and a compilation of Artunia's best analog sounds then Analog Experience, The Player is for you.

Desktop synthesizer

Review: The Koe desktop is based on the Koe synth voice module and the Koneko midi to CV module in a laser cut clear acrylic case plus a power source.

This is the Koe module, it is japanese for voice because it is a complete synth voice in just one affordable module, if you are new to the modular world or if you want to add an extra voice to your sistem, this is for you.

http://www.youtube.com/watch?feature=player_embedded&v=DQzMWNT0vks
http://www.youtube.com/watch?feature=player_embedded&v=TLMTcD57bDs
http://www.youtube.com/watch?v=EfnhzAtH6cY&feature=player_embedded

Mini-synthesizer (built)

Review: The Nebulophone is an Arduino-based synth with a stylus keyboard, featuring eight waveforms, five adjustable LFO modes, six arpeggios, a programmable sequencer, three-speed portamento and more.


www.youtube.com/watch?v=ClCq0bTlCPA

Review: The Pico Paso is a stepped tone noise noise synth designed by Dr. Bleep for Handmade Music Austin.

2 triangle wave oscillators can be combined or used separately. A wave shaper and square wave LFO are used to increase the aural possibilties.

http://www.youtube.com/watch?v=j3Y7Ouj3Iss

Handmade analog & digital controlled synthesizer with light

Handmade analog & digital controlled synthesizer with light

Keyboard synthesizer

Review: The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

*** B-STOCK: Box opened but product is new & unused ***

Review: The Casio XW-G1 Groove Synthesizer keyboard is designed with today's DJ in mind, incorporating step and phrase synthesizers, hands-on control and a sample looper.

The Casio XW-G1 can create and play back a variety of rhythm patterns and musical phrases, all in a single unit. Users can enjoy playing an all-in-one instrument that enables control of cool sounds via sets of nine sliders, 16 Step Sequencer buttons and four assignable knobs arranged on the left side of the top panel.

Rhythmic patterns can be sequenced end-to-end to create entire songs and grooves and then be manipulated in real time with the set of 16 buttons. The phrase sequencer lets users create and play back musical phrases that spice up DJ performances, and up to 100 musical phrases can be spontaneously played on the keyboard and be stored in memory as user phrases.

The sample looper in the Casio XW-G1 digitally records any sound and this can be overdubbed to build up complete grooves with ease. Sampled sounds that are saved as user tones can be played in keyboard performances and looped to create original on-the-fly music. 420 preset tones including Solo Synthesizer and PCM tones can be quickly accessed in keyboard performances and the arpeggiator can automatically spice up melodies just by pressing keys.

http://www.youtube.com/watch?v=FILSSI0QItg

Performance synthesizer ideal for live performance

Review: The Casio XW-P1 Performance Synthesizer is ideal for live performance in any situation, being light-weight and slim-line with the ability to run off dry-cell batteries.

The XW-P1 has a wide selection of presets including Solo Synthesizer, Hex Layer, Drawbar Organ tones, and a wealth of PCM and Synth waveforms. Performance setups can be pre-defined for quick access and sounds can be layered and split across four keyzones. On-board phrase and step sequencers can create instant beats and phrases, and the arpeggiator gives instant melodic movement to any sound.

SMF data or audio data saved on an SD card can be played back while playing the keyboard, and MIDI devices, microphones, audio players, and other equipment can be connected using the various input and outputs. The Casio XW-P1 can also accommodate external sound modules and portable audio equipment that be placed on the designated rubber holding space for a convenient live setup.

http://www.youtube.com/watch?v=fLrWoS0JXGs

Bass machine with built-in sequencer and full MIDI capabilities

Review: The Bolsa Bass is the new bass machine from Critter & Guitari. It has a built-in sequencer, full MIDI capabilities, and these 6 x modes:

Circle ramp
Sawtooth ramp
Analog style
Filter envelop
FM pad
Bass delay.

The entire keyboard may be tuned over a 1 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining 2 left knobs depend on what mode is selected. The synthesizer modes provide elemental monophonic bass sounds, great for all kinds of musical scenarios. From classic filter sweeps to simple and pure tones, lush FM, and even a stretchy tuned delay which makes great string like drones.

The built-in sequencer lets you quickly create bass lines with the touch of a button. With MIDI in and out you can synchronize your sequences with other devices. The Bolsa Bass also sends and receives note messages so you can use it as a sound module or simple controller.

Mini electronic synthesizer in green aluminum case with 7 sound modes

Review: Green aluminum case + extra sound.

The Pocket Piano GR is the same great instrument as the regular Pocket Piano with an added special mode. In addition to the 6 sound modes of the standard piano, the GR has a 7th mode: a monophonic 4-oscillator beating synthesizer with glide. 7 modes total:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator
Mono glider.

http://www.youtube.com/watch?v=njz6QG61ER0&feature=player_embedded

Mini electronic synthesizer with 4 waveform & 6 modes

Review: The Pocket Piano is a mini electronic synthesizer with a big sound. The synthesizer features 6 unique modes:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator

The Pocket Piano is housed in a sturdy aluminum and hardwood case and also includes a built-in speaker, a 1/4" output jack, and wooden keys made for a refined touch. It can be powered both by a 9V battery or a 9V DC Power Supply (not included).

When you change modes with the right-most wooden button, a color LED above that button indicates what mode is selected with a different color for each mode. The entire keyboard may be tuned over a 2 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining two left knobs depend on what mode is selected, and are described below. There is also a button that selects waveform (sine, square, triangle, sawtooth) in the first four modes, and shifts the keyboard an octave higher in the last two modes.

http://vimeo.com/14598032

Reproduction of one of the most sought after and classic mono synthesizers to date

Review: The Bass Bot is an analog, monophonic synthesizer and sequencer, an incredible reproduction of one of the most sought-after analog synths ever. The sound is authentic not because of good sampling or modeling, but because it uses identical circuitry: classic transistor-based circuit design, using 21st century technology.

The sequencer uses classic step-entry programming, and stores up to 224 editable patterns, as well as 224 bot-generated preset (non-editable) patterns. The Bass Bot holds 7 songs of up to 127 bars, with everything stored in onboard flash memory, which means it will stay there when you turn the unit off.

The TT-303 is indispensible for acid and techno house music, great for hip-hop, and just a whole lot of fun! Fatboy Slim says "Everybody Needs a 303!": here is your chance to get one.

Review: The original desktop Evolver is a compact monophonic synthesizer that packs an amazing amount of sonic power into a small package. It features two analog oscillators and two digital oscillators utilizing the waves from the legendary Prophet VS. Classic Curtis analog lowpass filters and real analog VCAs round out the analog section. But what really sets the Evolver apart from the rest of the pack is the way in which analog and digital are integrated. The LFOs, step sequencer, and three separate delays can all be synced for massive, rhythmic, time-based effects in stereo.

Monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Desktop Synthesiser Module is a compact and affordable but powerful monophonic analog synth.

The voice architecture is identical to the single voice of the Prophet '08, but with a couple of unique twists to distinguish it from its award-winning sibling. They've have added 2 sub-octave generators, one per oscillator, for additional girth and crushing basses. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filter for feedback effects that can range from subtle distortion to extreme skronk.

The push it button is a manual trigger that lets you play a specific note or latch notes and sequences on. It can also step through a sequence to play short melodic lines without a keyboard. Of course, the Mopho can also be used with a MIDI controller or external sequencer.

The Mopho is fully programmable and all the parameters can be tweaked from the front panel. The 4 assignable parameters controls are assignable per program for optimum performance control. A free editor is available for Mac OS and Windows to facilitate programming. (If you already have a Prophet '08, most of the Mopho's parameters can be controlled from the Prophet's front panel via MIDI).

The Mopho is perfect for people who want to learn the inputs and outputs of real analog synthesis without spending a bundle, DJs looking to add some old school sonic spice to their setups and musicians who will appreciate a great-sounding, very portable mono synth.

Keyboard version of the Mopho monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Keyboard synthesizer is a much requested keyboard version of the popular Mopho monophonic analog synthesizer. This offers the same compact, affordable and powerful functions as its brother but with more knobs, switches and of course, a 32-note weighted keyboard.

The voice architecture of the Mopho is identical to a single voice of the Prophet '08, but with a couple of unique twists. DSI have added 2 sub-octave generators, one per oscillator for additional girth and crushing bass. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filtered for feedback effects that range from subtle distortion to extreme skronk.

The DSI Mopho is fully programmable and all parameters can be tweaked from the front panel making this version a lot easier than its little brother. You can also expand the voicing of the Mopho by combining it with the Tetra synthesiser, giving you 5-voices at your disposal. The Mopho is perfect for people who want to learn analog synthesis without spending a fortune.

44-note 4-voice analog keyboard synthesizer

Review: The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads.

Each of the Mopho x4's 4 voices is composed of 2 analog oscillators, 2 sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, 3 x 5-stage envelope generators, 4 x LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations.

FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. The Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic.

The Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.

The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.

Expand the Mopho x4's polyphony using it's poly chain port. The Mopho, the Tetra, and the Prophet '08 can all be connected to the x4 to increase its voice count. You can poly chain up to 3 x Tetras with the Mopho x4 to create a 16 voice analog super synth.

Designed and manufactured in San Francisco, the Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.

http://www.youtube.com/watch?v=zbYeGztwiLg

A polyphonic 61 key digital/analog hybrid synthesizer

Review: The Poly Evolver Keyboard is DSI's flagship synthesizer, a nearly-knob-per-function knockout that sounds unlike any other synth out thereiexcept another Evolver, of course! Don't like a high-end hardware synth that requires wading through endless menus to program? Not an issue with the Poly Evolver's 78 knobsi60 of them potentiometersiand 58 buttons, incuding a keypad for direct access of programs.

An analog/digital hybrid, the 4-voice Poly Evolver features four oscillators per voiceitwo analog and two digitaliin a unique stereo voice architecture with a real Curtis analog low-pass filter per channel. The digital processing does not simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics for tuned feedback, distortion, bit crushing, and synced delays. It can also process external audio and has separate stereo outputs for each voice.

The Poly Evolver is capable of producing sounds ranging from classic analog to more brash and edgy digital sounds. It is also multitimbral, with the ability to play up to 4 parts simultaneously through separate stereo outputs. And it can process external audio.

The Poly Evolver is not a generic slab workstation. If you're looking for realistic pianos and strings, keep looking. But if you want a truly unique, inspirational, real instrument, look no further.

Tabletop synthesizer module with rack-mount hardware

Review: The Prophet '08 synthesizer module is a tabletop knobby module with all of the features and controls of the Prophet '08 Keyboard (minus the keyboard, of course) in an even more compact enclosure. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet '08 is capable of reproducing the familiar sounds of its legendary predecessors. But modern features like a greatly expanded modulation matrix and additional modulation sourcesilike three envelopes and 4 LFOs per voiceitake it way beyond the vintage gear and make this a worthy and unique addition to the Prophet family tree.

Features include a gated 16 x 4 step sequencer, arpeggiator, split or stacked key modes with separate stereo outputs per layer, and rack ears for optional rack-mounting. The Prophet '08 module can also be used as an expander to increase the polyphony of another Prophet '08ikeyboard or moduleito 16 voices.

Review: The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots (potentiometers); rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

B-STOCK: Box opened. There is a small mark on the rear panel but otherwise product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened. There is a small mark on the rear panel but otherwise product is in excellent condition and in perfect working order ***

The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots; rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

Review: The Tetra is Dave Smith Instruments' next-generation analog poly synth. It takes the award-winning sound and features of Mopho, multiplies them by 4 and packs them in a box less than half an inch larger.

The Tetra has multiple personalities. It is a 4-voice, analog poly synth, a sort of mini Prophet. It's a 4-part, multitimbral synth with separate outputs, essentially 4 Mophos in one very compact box.

Physically, the Tetra is similar to Mopho, with 4 assignable parameter controls per program and a row of controls dedicated to the most commonly used performance parameters. All of the parameters can be accessed from the front panel and the Tetra is fully programmable. A free, downloadable editor is available for Mac OS and Windows to facilitate more comprehensive tweaking.

Most of the rotary controls are detented encoders, but Cutoff and Resonance are potentiometers, allowing full sweeps with a single turn. The Push It button is a manual trigger to play notes and latch sequences on without the need for a MIDI controller.

Audio is output in mono, stereo or per voice, via the four audio output jacks. There is also a headphone out. MIDI communication is by standard MIDI in and out jacks or USB. Poly Chain Out is a special, dedicated MIDI output to chain multiple instruments for increased polyphony.

The voice architecture is based on the Prophet '08, but with the addition of a sub-octave generator for each oscillator and a fully programmable feedback loop for each voice. That breaks down to 2 DCOs, a resonant low-pass filter, 3 DADSR envelope generators, four LFOS, deep modulation routing, an arpeggiator and a 16 x 4 analog-style step sequencer per voice. Feedback is capable of producing effects ranging from mild distortion to fairly extreme harmonic instability. (That's a good thing.) The possibilities are nearly endless. And the audio signal path is 100 analog.

In program mode, the Tetra is a 4-voice, polyphonic synthesizer with four banks of 128 programs. As with the Prophet '08, each program contains two layersieach layer is essentially a separate patchithat can be used to create keyboard splits or stacked sounds. Banks 1 and 2 are the Prophet '08 factory programs; banks 3 and 4 are a combination of Mopho and new programs.

In combo mode, a different program can be assigned to each of the 4 voices. Combos can be used for mammoth unison patches or for triggering up to 4 different 16 x 4 sequencesieach with its own programisimultaneously. Combos can also be used to create modular-style polyphonic patches, where each voice plays a different program, with a slight variation on the same sound or even a drastically different sound.

In multi mode, the Tetra becomes a multitimbral sound module capable of playing four monophonic parts on four MIDI channels, with separate outputs for each voice. Coupled with a MIDI sequencer and DAW, the Tetra can play complex arrangements or analog drum parts with each part individually processed and recorded to its own track.

Up to 4 Tetras can be poly chained for 8, 12, or 16 voices total. When used with a Prophet '08, up to 2 Tetras can be poly chained for a maximum of sixteen voices. In addition, the Prophet's front panel controls map directly to almost all of Tetra's parameters, so the Prophet acts as a programmer and control surface. And a Mopho can be connected to Tetra's Poly Chain Out for five-voice operation.

A monophonic stand-alone synthesizer with USB and MIDI interface

Review: The Dark Energy II is a monophonic stand-alone synthesizer with USB and MIDI interface. The sound generation and all modulation sources are 100% analog, only the USB/MIDI interface contains digital components. The Dark Energy is built into a rugged black metal case with wooden side plates. High quality potentiometers with metal shafts are used and each potentiometer, except the filter mode control, is fixed to the case (no wobbly shafts and knobs). The distance between the controls is a bit wider compared to A-100 modules and knobs with vintage look are used.

VCO:

Sawtooth based VCO core
Manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
Range switch -1 / 0 / +1 octave
FM (frequency modulation) control with modulation source switch (LFO1 / off / ADSR)
Manual pulsewidth control for rectangle waveform
PWM control with modulation source switch (LFO2 / off / ADSR)
Waveform switch (sawtooth / off / clipped/inverted sawtooth)
The sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW)
External CV input for VCO frequency (1V/octave)
External CV input for external PWM of the rectangle
Internal CV input for frequency (1V/octave) connected to the CV1 output of the built-in USB/Midi interface
Because of the pure analog circuit and the temperature control it may take up to 30 minutes until the VCO is in tune.

VCF:

12dB multimode filter with lowpass, notch, highpass and bandpass
Mode control for continuous transition from lowpass via notch to highpass and along to bandpass
Manual frequency control
Tracking switch half - off - full (internally connected to the external frequency CV input of the VCO, i.e. the VCF tracks to the VCO if the switch is set to half or full position)
Exponential frequency modulation control (XFM) with modulation source switch (LFO2 / off / ADSR), the XFM control has polarizer function, i.e. the modulation source (LFO2 or ADSR) selected by the Source switch may affect the filter frequency in a positive (right half of the control range) or negative way (left half of the control range)
Manual resonance control (up to self oscillation)
External audio input (this signal is added to the VCO signal)
External CV input for filter frequency
1V/octave tracking for usage of the VCF as a sine wave oscillator over a few octaves (not as precise as the VCO and not temperature compensated, but much better than most of the other filters)

VCA:

Manual amplitude control (initial gain)
AM (amplitude modulation) control with modulation source switch (LFO1 / off / ADSR)
External CV input for VCA amplitude
Exponential scale.

LFO1 and LFO2:

Manual frequency control
Waveform switch (triangle / off / rectangle)
Range switch (low, audio, medium)
LED display (dual green/red color for positive/negative share of the signal)
The LFO1 signal is available as an additional socket (to use the LFO1 signal for external modules)
An internal jumper can be used to select between the LFO1 signal or the inverted LFO1 signal.

ADSR:

Manual controls for Attack, Decay, Sustain, Release
Range switch (long, short, medium)
Blue LED display
ADSR signal is available as an additional socket (to use the ADSR signal for external modules)
External Gate input (normalled via switching contact of the socket to the Gate output of the built-in USB/Midi interface)

USB/MIDI-interface:

MIDI channel and reference note are adjusted by means of a learn button and LED at the rear panel. The interface generates the gate signal that controls the envelope generator and 3 x analog control voltages: CV1 is used to control the pitch of the VCO, CV2 the VCF frequency (free assignable Midi controller) and CV3 is available as an additional socket at the rear panel (controlled by volume/velocity). It can be patched e.g. to the VCA control input.

The 3 x CVs and the gate signal are also available at the rear panel as jack sockets cascading of several units via internal MIDI O/I connection, because of shortage of space the unit has no MIDI output socket available this connection has to be established internally, for this the metal case has a hole on both sides so that the MIDI O/I connection can be made via this hole provided that both units are mounted to one another, the MIDI output has thru function with one exception: the signal does not include the MIDI note messages that have been processed already, consequently polyphonic cascading (all daisy-chained Dark Energies on the same MIDI channel) or monophonic cascading (different MIDI channels) is possible, it's possible to connect only the first unit to USB and pass on the MIDI data via the internal MIDI link to other devices.

4 voice analog synthesizer with state-of-the-art digital controls

Review: The Analog Four is the best of 2 worlds. The power of analog synthesis is enhanced with precise Elektron sequencing for a machine par excellence. This is an analog synthesizer for the modern age.

The Analog Four is a 4 voice analog synthesizer. Analog oscillators and filters ensure the most organic sounds imaginable and the Elektron step sequencer caters for the innovative sound control. With sequencer features like parameter locks and variable length per track, intricate the Analog Four compositions can be created quickly and efficiently. Add the completely new and incredibly well-crafted effects to the mix and experience the next chapter in analog sounds. It just sounds right.

Not only a splendid sound making device, the Analog Four can also make other gear sing. Thanks to the CV/gate and DIN sync outputs, legacy analog gear can be controlled in great detail. Sequencer features like arpeggiators and parameter locks will breathe new life in old equipment and make any modular synthesizer rig truly come alive.

Live performance features are aplenty. The special performance mode gives direct access to user-defined parameters and direct pattern change makes it possible to change patterns at any sequencer step. The arpeggiator can be instantly toggled on or off for swirling melody lines. Improvising when playing live has never been this easy. The Analog Four was born for the stage.

http://www.youtube.com/watch?feature=player_embedded&v=IKNnXh_wY3U

Analogue bassline synthesizer

Review: The Magma is an analogue bassline synthesizer inspired by classical synths from the 1980s. It offers the possibility to mix 4 x different waveforms (saw, square, sub, noise). The 24dB low-pass filter is also inspired from classical filters from the 80s.

To this particular sound of the 80s, Eowave added a touch of modernity with modern controls and parameters saving features. The 16 x steps sequencer has 4 x rows: 1 for the notes and 3 x freely assignable to a parameter of your choice that enables to create living sequences with sonorities like Vince Clark or Yann Hammer.

Analogue duophonic ribbon synthesizer, compatible with the computer environment with a USB I/O, MIDI I/O and 4 CV outputs

Review: Eowave's new analogue duophonic ribbon synthesizer.

Eowave are rethinking instruments from the past with smart sensor technology. The result is a new innovative instrument with real analogue oscillators, a duophonic ribbon, 100% compatible with the computer environment with a USB I/O, MIDI I/O and 4 CV out.

Sensor technology now enables to recreate controls like ribbons with a new accuracy and a new duophonic process. The ribbon enables to play glissando like on a Theremin, les Ondes Martenots or a Trautonium. The addition of 1 x oscillator takes all its dimension with the new duophonic ribbon which extends the instrument sonorities spectral to play simple chords, but also enables numberless modulations, e.g. FM of one oscillator on the second one.

The Persephone markII has 2 x analogue oscillators with a waveform from triangle to saw, going from 1Hz to more than 20000Hz. An analogue resonant 12dB low-pass filter inspired from the filters from the 70s-80s enables to shape the sound. With its entire analogue audio signal path, the Persephone markII can generate notes with a continuous variable range up to 10 x octaves to create deep and resonant cello tones on the lowest notes to ultrasonic frequencies on the highest pitches. An optical modulation key will transmit the slightest vibration for expressive modulations.

16 x routing presets enable to select different routing architectures between the sound parameters and the 7 controls available (ribbon pressure, ribbon position1 & 2, key, pedals 1 & 2, LFO) for 8 destinations (lo pitch, hi pitch, filter, VCA lo, VCA hi, filter mod1, filter mod2 and VCA). 8 x presets are fixed and 8 are editable users presets configurable thru a free software. Users routing presets will be stored in the Persephone2 internal memory. This new section significantly increases the instrument control and modulation possibilities.

The A/D conversion is made with Eowave ESS DSP. This process assures a 12 bits resolution (4096 values) conversion for an accurate musical gesture. It's 100% MIDI compatible and uses USB full speed 12 MB/s. This makes the Persephone2 compatible with all MIDI compatible softwares whilst the latency is reduced at less than 1.5ms.

With a complete I/O section featuring 4 x CV outputs, 2 x pedals inputs, MIDI in & out, audio out, USB (MIDI), the Persephone markII can be turned into a powerful and unique controller to control most of your analogue or digital synths.

http://www.youtube.com/watch?feature=player_embedded&v=ROdMInjMtm0
http://www.youtube.com/watch?feature=player_embedded&v=3YkS9vAcvDc
http://www.youtube.com/watch?feature=player_embedded&v=vW9ayttFvy4

Dynamic phrase synthesizer

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

Pocket-sized dynamic phrase synthesizer

Review: The Kaossilator 2, the pocket-sized dynamic phrase synthesizer that's known for providing a world of rich sounds and effects plus loop recording, is now available in a limited edition pearl white finish. Stand out from the crowd with this unique finish that's only available for a limited time.

The Korg Kaossilator 2 Dynamic Phrase Synthesizer takes all of the best features from the original Kaossilator, the worlds first gadget instrument, and updates, expands and adds loads more. The Kaosillator 2 is a flexible synth that anyone can play and get great results (whether they be a pianist, DJ or anyone in fact). This must-have gadget offers incredible musical power, hours of fun, and amazing effect sounds with amazing ease. With external source audio recording and dual looping it is possible to do an entire gig with nothing but a Kaossilator and your voice. There is even a biult-in speaker, so you can experiment with this powerful Kaossilator anywhere.

There are 150 built-in sounds, which cover all styles of dance and eletronica. Using the Korg Kaossilator 2 you can create 2 separate loops and mix them simultaneously, record external sources (i.e. guitar, vocals, etc.), do unlimited overdubs with loops and even control fades/paramaters/crossfades with the touch sensitive value control. You can also plug external sources into the mic input. The built-in gate arpeggiator lets you control time and swing top play musical, rhythmic passages.

There are lots of great features to augment your performance. The drums are produced with a PCM sound engine in the Korg Kaossilator 2 for added realism, which gives a bigger sound and offers greater versatility than the original Kaossilator. Also, you can make sure you always sound in tune with scale key and note range functions, which help you to avoid any clashes by limiting the notes available across the pad to ones that will work with your music.

The microSD/SDHC card slot lets you salve loops and record your performances, so you can record anywhere and then distribute your results, or put them into computer music software to add to your production projects.

On top of all this you can use batteries, so you are completely free to use the Korg Kaossilator 2 anywhere. You can easily see the screen with its high-visibility OEL display. All you need is a finger and you can use strokes, taps and rub movements to produce countless combinations of sounds that can inject a bit of an improvisational/impulsive/unpredictable edge to your music.

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

61 key analogue modelling synthesizer

Review: Ready for live performance.

The KingKorg is the full-fledged analog modeling synthesizer you've been waiting for. It carries on the design philosophy of classic Korg analog synthesizers. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, the KingKorg is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name, the KingKorg.

A feature unique to the KingKorg is the new XMT (Xpanded Modelling Technology) modelling sound engine that simplifies the overall operation of the synth whilst still being able to produce a wide variety of incredible sounding tones. The KingKorg provides pre-set algorithms that contain combinations of familiar oscillator sounds such as sawtooth, square and noise as well as numerous PCM/DWGS algorithms to sculpt unique and personal sounds.

Korg have also included powerful and diverse modelling filters based on classic synthesizers from the '70s and '80s that allow unique sound shaping, as well as a faithful recreation of Korg's own MS20 analogue synthesizer. Being analogue modelled, the filters closely mimic behaviour such as self-oscillation and distortion for aggressive leads and basses.

The KingKorg also features 3 master effects slots, each with a choice of 6 effects. Firstly there is Pre FX which includes distortions and amp simulators; Mod FX for classic choruses and phasers; and Rev/ Delay with effects such as hall reverb and modulation delay. Alongside these there are control knobs to fine tune the effect.

Korg have also included a vocoder section with an on-board microphone input, to get those Daft Punk robot voice sounds as well as the creative freedom to use a voice as the basis for new tonal creations. The KingKorg also has Formant Shift to modify the character as well as Formant Hold which freezes a vowel sound to be played back across the keys.

Perhaps one of the more striking features is the intuitive new panel layout that makes it so easy to use, with a dedicated display for the oscillator clearly showing the current algorithm. There is also a function for selecting sounds by type such as Analog or PCM, and plenty of knobs spaciously laid out that give immediate hands on control of the most important parameters, making production and performance a more tactile experience.

https://www.youtube.com/watch?feature=player_embedded&v=ItKQ8ydMTIc

Review: State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure U all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

www.youtube.com/watch?v=OV_TxlJDDts

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG BKRD. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The distinctive high contrast of the Black x Red model that's sure to raise the energy level on stage with its black and red reversed keyboard.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

The microKORG is now available in two limited-edition special-colour premium editions microKORG-BKBK (Black & Black). Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG-BKBK. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The full black model with its understated yet elegant presence.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

Keyboard synthesizer

Review: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

10th anniversary limited edition Korg microKORG XL+ synthesizer/vocoder in full black

Review: Updated in both its appearance and sounds, the microKORG XL+ is now available in limited-edition colour variations. With its black-based colour scheme, the microKORG XL+-BKBK is the Full Black model that emanates a sense of understated elegance, even when placed on a chaotic live stage. Simply seeing the distinctive contrasting keyboard and body colour of the Black x Red microKORG XL+ BKRD will inspire performances to a higher level.
Which model inspires you?

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Portable 4-part analog synthesizer & analog rhythm & step sequencer

Review: Korg take up the analog banner with the amazing Monotribe Analogue Ribbon Station, which is a new form of synthesizer that packs an amazing array of features and technology into its compact body.

Korg's Monotribe synthesizer shares the Korg analog DNA, yet quickly delves deeper into the rich, organic and often chaotic world of analog synthesis. Additionally Monotribe synthesizer brings together intuitive ease of use and a 3-part discrete analog rhythm section, plus the proven appeal of electribe-style sequencing. Complete with built-in speakers and battery power, the Monotribe is self-contained, highly portable and able to deliver your ideas with style and personality.

The Korg Monotribe Analogue Ribbon Station brings responsive realtime control to analog groove making.

http://www.youtube.com/watch?v=LuqJfAWkN2c&feature=player_embedded

Review: Korg take up the analog banner with the amazing Monotribe Analogue Ribbon Station, which is a new form of synthesizer that packs an amazing array of features and technology into its compact body.

Korg's Monotribe synthesizer shares the Korg analog DNA, yet quickly delves deeper into the rich, organic and often chaotic world of analog synthesis. Additionally Monotribe synthesizer brings together intuitive ease of use and a 3-part discrete analog rhythm section, plus the proven appeal of electribe-style sequencing. Complete with built-in speakers and battery power, the Monotribe is self-contained, highly portable and able to deliver your ideas with style and personality.

The Korg Monotribe Analogue Ribbon Station brings responsive realtime control to analog groove making.

http://www.youtube.com/watch?v=LuqJfAWkN2c&feature=player_embedded

Analog ribbon synthesizer

Review: Korg are no newcomer to the joys of analog synthesis. Back in the 1970s, Korg astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer.

Powered by 2 alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG's legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by harmonizing with another instrument U or taking center stage for a monotron solo.

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presets and parameters typical of today's synthesizers. Instead, the monotron encourages exploration and experimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expand their sonic palette.

The monotron uses the same highly acclaimed VCF circuit as KORG's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Just as on the original MS-20, the monotron's filter can be patched into, allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a Kaossilator, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob U featuring an embedded LED U the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to your live performances.

A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

Review: Korg are no newcomer to the joys of analog synthesis. Back in the 1970s, Korg astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer.

Powered by 2 alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG's legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by harmonizing with another instrument U or taking center stage for a monotron solo.

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presets and parameters typical of today's synthesizers. Instead, the monotron encourages exploration and experimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expand their sonic palette.

The monotron uses the same highly acclaimed VCF circuit as KORG's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Just as on the original MS-20, the monotron's filter can be patched into, allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a Kaossilator, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob U featuring an embedded LED U the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to your live performances.

A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

Analogue ribbon portable synthesizer with delay effects

Review: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=CNXOI1AIjKo&sns=tw

Review: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=CNXOI1AIjKo&sns=tw