Synthesizers

Analogue ribbon portable synthesizer with delay effects

Review: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=CNXOI1AIjKo&sns=tw

Portable 4-part analog synthesizer & analog rhythm & step sequencer

Review: Korg take up the analog banner with the amazing Monotribe Analogue Ribbon Station, which is a new form of synthesizer that packs an amazing array of features and technology into its compact body.

Korg's Monotribe synthesizer shares the Korg analog DNA, yet quickly delves deeper into the rich, organic and often chaotic world of analog synthesis. Additionally Monotribe synthesizer brings together intuitive ease of use and a 3-part discrete analog rhythm section, plus the proven appeal of electribe-style sequencing. Complete with built-in speakers and battery power, the Monotribe is self-contained, highly portable and able to deliver your ideas with style and personality.

The Korg Monotribe Analogue Ribbon Station brings responsive realtime control to analog groove making.

http://www.youtube.com/watch?v=LuqJfAWkN2c&feature=player_embedded

Analogue synthesizer with dual oscillator

Review: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Mini-synthesizer (built)

Review: The Nebulophone is an Arduino-based synth with a stylus keyboard, featuring eight waveforms, five adjustable LFO modes, six arpeggios, a programmable sequencer, three-speed portamento and more.


www.youtube.com/watch?v=ClCq0bTlCPA

4 voice analog synthesizer with state-of-the-art digital controls

Review: The Analog Four is the best of 2 worlds. The power of analog synthesis is enhanced with precise Elektron sequencing for a machine par excellence. This is an analog synthesizer for the modern age.

The Analog Four is a 4 voice analog synthesizer. Analog oscillators and filters ensure the most organic sounds imaginable and the Elektron step sequencer caters for the innovative sound control. With sequencer features like parameter locks and variable length per track, intricate the Analog Four compositions can be created quickly and efficiently. Add the completely new and incredibly well-crafted effects to the mix and experience the next chapter in analog sounds. It just sounds right.

Not only a splendid sound making device, the Analog Four can also make other gear sing. Thanks to the CV/gate and DIN sync outputs, legacy analog gear can be controlled in great detail. Sequencer features like arpeggiators and parameter locks will breathe new life in old equipment and make any modular synthesizer rig truly come alive.

Live performance features are aplenty. The special performance mode gives direct access to user-defined parameters and direct pattern change makes it possible to change patterns at any sequencer step. The arpeggiator can be instantly toggled on or off for swirling melody lines. Improvising when playing live has never been this easy. The Analog Four was born for the stage.

http://www.youtube.com/watch?feature=player_embedded&v=IKNnXh_wY3U

Reproduction of one of the most sought after and classic mono synthesizers to date

Review: The Bass Bot is an analog, monophonic synthesizer and sequencer, an incredible reproduction of one of the most sought-after analog synths ever. The sound is authentic not because of good sampling or modeling, but because it uses identical circuitry: classic transistor-based circuit design, using 21st century technology.

The sequencer uses classic step-entry programming, and stores up to 224 editable patterns, as well as 224 bot-generated preset (non-editable) patterns. The Bass Bot holds 7 songs of up to 127 bars, with everything stored in onboard flash memory, which means it will stay there when you turn the unit off.

The TT-303 is indispensible for acid and techno house music, great for hip-hop, and just a whole lot of fun! Fatboy Slim says "Everybody Needs a 303!": here is your chance to get one.

Review: The Tetra is Dave Smith Instruments' next-generation analog poly synth. It takes the award-winning sound and features of Mopho, multiplies them by 4 and packs them in a box less than half an inch larger.

The Tetra has multiple personalities. It is a 4-voice, analog poly synth, a sort of mini Prophet. It's a 4-part, multitimbral synth with separate outputs, essentially 4 Mophos in one very compact box.

Physically, the Tetra is similar to Mopho, with 4 assignable parameter controls per program and a row of controls dedicated to the most commonly used performance parameters. All of the parameters can be accessed from the front panel and the Tetra is fully programmable. A free, downloadable editor is available for Mac OS and Windows to facilitate more comprehensive tweaking.

Most of the rotary controls are detented encoders, but Cutoff and Resonance are potentiometers, allowing full sweeps with a single turn. The Push It button is a manual trigger to play notes and latch sequences on without the need for a MIDI controller.

Audio is output in mono, stereo or per voice, via the four audio output jacks. There is also a headphone out. MIDI communication is by standard MIDI in and out jacks or USB. Poly Chain Out is a special, dedicated MIDI output to chain multiple instruments for increased polyphony.

The voice architecture is based on the Prophet '08, but with the addition of a sub-octave generator for each oscillator and a fully programmable feedback loop for each voice. That breaks down to 2 DCOs, a resonant low-pass filter, 3 DADSR envelope generators, four LFOS, deep modulation routing, an arpeggiator and a 16 x 4 analog-style step sequencer per voice. Feedback is capable of producing effects ranging from mild distortion to fairly extreme harmonic instability. (That's a good thing.) The possibilities are nearly endless. And the audio signal path is 100 analog.

In program mode, the Tetra is a 4-voice, polyphonic synthesizer with four banks of 128 programs. As with the Prophet '08, each program contains two layersieach layer is essentially a separate patchithat can be used to create keyboard splits or stacked sounds. Banks 1 and 2 are the Prophet '08 factory programs; banks 3 and 4 are a combination of Mopho and new programs.

In combo mode, a different program can be assigned to each of the 4 voices. Combos can be used for mammoth unison patches or for triggering up to 4 different 16 x 4 sequencesieach with its own programisimultaneously. Combos can also be used to create modular-style polyphonic patches, where each voice plays a different program, with a slight variation on the same sound or even a drastically different sound.

In multi mode, the Tetra becomes a multitimbral sound module capable of playing four monophonic parts on four MIDI channels, with separate outputs for each voice. Coupled with a MIDI sequencer and DAW, the Tetra can play complex arrangements or analog drum parts with each part individually processed and recorded to its own track.

Up to 4 Tetras can be poly chained for 8, 12, or 16 voices total. When used with a Prophet '08, up to 2 Tetras can be poly chained for a maximum of sixteen voices. In addition, the Prophet's front panel controls map directly to almost all of Tetra's parameters, so the Prophet acts as a programmer and control surface. And a Mopho can be connected to Tetra's Poly Chain Out for five-voice operation.

Analog ribbon synthesizer

Review: Korg are no newcomer to the joys of analog synthesis. Back in the 1970s, Korg astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer.

Powered by 2 alkaline AAA batteries, the compact monotron can be held in one hand. Although small enough to easily carry with you, the amazing monotron is packed with KORG's legendary analog technology, generating thick and powerful sounds. Concentrating on the most important sound parameters, the controls have been streamlined as much as possible. The panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.

Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide. Used in a band, you can expand your possibilities by harmonizing with another instrument U or taking center stage for a monotron solo.

The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. Since each knob directly applies a specific change to the sound, the process of sound creation is intuitive, and instantly understandable. Simple is best. Gone are the deep lists of presets and parameters typical of today's synthesizers. Instead, the monotron encourages exploration and experimentation. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis, making it an ideal choice for someone who is new to synthesizers, or for musicians who wants to expand their sonic palette.

The monotron uses the same highly acclaimed VCF circuit as KORG's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Just as on the original MS-20, the monotron's filter can be patched into, allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a Kaossilator, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

You can switch the LFO to control either the oscillator pitch or the filter cutoff frequency. Both LFO Rate and LFO Intensity knobs are provided. As you turn the LFO Rate knob U featuring an embedded LED U the speed of the modulation effect and the speed of the blinking LED will change in tandem. Turning this knob can add another level of impact to your live performances.

A miniature speaker is built into the monotron. Along with the battery operation and compact size, this feature allows you to enjoy the monotron anywhere, at any time. The ultimate in compactness, this system brings you new possibilities for performance. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.

Moog analog bass synthesizer

Review: The Minitaur is a compact analog bass synthesizer that features a classic one knob per function layout. It is the first instrument in the Taurus family that does not have foot pedals.

The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. Moog are really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments, says Cyril Lance, Chief Engineer of Moog Music.

The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. The Taurus opened up so many possibilities for me, it also opened up a whole way of looking at what I do, says Geddy Lee, of the multi-platinum band Rush.

In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush and The Dave Matthews Band.

Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, the renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.

http://www.youtube.com/watch?v=TvG-yyjLDbs

Analog synthesizer

Review: The Arturia MiniBrute is a revolutionary new analog synthesizer. Featuring a pure analog signal path and a host of unique features, it sets a new standard for what a hardware synthesizer should be.

Its 100% analog audio signal path features a VCO wave mixer, the classic Steiner-Parker multimode filter, as well as numerous analog innovations such as the Metalizer, Ultrasaw, and the Brute Factor. Boasting a complete MIDI, CV and USB connectivity, the MiniBrute is right at home with your computer or your vintage synths, making it the ideal companion to deliver a pure analog blast anywhere you go.

http://www.youtube.com/watch?v=T7O946lG7Ik

Review: The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots (potentiometers); rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

Mini electronic synthesizer in green aluminum case with 7 sound modes

Review: Green aluminum case + extra sound.

The Pocket Piano GR is the same great instrument as the regular Pocket Piano with an added special mode. In addition to the 6 sound modes of the standard piano, the GR has a 7th mode: a monophonic 4-oscillator beating synthesizer with glide. 7 modes total:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator
Mono glider.

http://www.youtube.com/watch?v=njz6QG61ER0&feature=player_embedded

Tabletop synthesizer module with rack-mount hardware

Review: The Prophet '08 synthesizer module is a tabletop knobby module with all of the features and controls of the Prophet '08 Keyboard (minus the keyboard, of course) in an even more compact enclosure. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet '08 is capable of reproducing the familiar sounds of its legendary predecessors. But modern features like a greatly expanded modulation matrix and additional modulation sourcesilike three envelopes and 4 LFOs per voiceitake it way beyond the vintage gear and make this a worthy and unique addition to the Prophet family tree.

Features include a gated 16 x 4 step sequencer, arpeggiator, split or stacked key modes with separate stereo outputs per layer, and rack ears for optional rack-mounting. The Prophet '08 module can also be used as an expander to increase the polyphony of another Prophet '08ikeyboard or moduleito 16 voices.

A monophonic stand-alone synthesizer with USB and MIDI interface

Review: The Dark Energy II is a monophonic stand-alone synthesizer with USB and MIDI interface. The sound generation and all modulation sources are 100% analog, only the USB/MIDI interface contains digital components. The Dark Energy is built into a rugged black metal case with wooden side plates. High quality potentiometers with metal shafts are used and each potentiometer, except the filter mode control, is fixed to the case (no wobbly shafts and knobs). The distance between the controls is a bit wider compared to A-100 modules and knobs with vintage look are used.

VCO:

Sawtooth based VCO core
Manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
Range switch -1 / 0 / +1 octave
FM (frequency modulation) control with modulation source switch (LFO1 / off / ADSR)
Manual pulsewidth control for rectangle waveform
PWM control with modulation source switch (LFO2 / off / ADSR)
Waveform switch (sawtooth / off / clipped/inverted sawtooth)
The sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW)
External CV input for VCO frequency (1V/octave)
External CV input for external PWM of the rectangle
Internal CV input for frequency (1V/octave) connected to the CV1 output of the built-in USB/Midi interface
Because of the pure analog circuit and the temperature control it may take up to 30 minutes until the VCO is in tune.

VCF:

12dB multimode filter with lowpass, notch, highpass and bandpass
Mode control for continuous transition from lowpass via notch to highpass and along to bandpass
Manual frequency control
Tracking switch half - off - full (internally connected to the external frequency CV input of the VCO, i.e. the VCF tracks to the VCO if the switch is set to half or full position)
Exponential frequency modulation control (XFM) with modulation source switch (LFO2 / off / ADSR), the XFM control has polarizer function, i.e. the modulation source (LFO2 or ADSR) selected by the Source switch may affect the filter frequency in a positive (right half of the control range) or negative way (left half of the control range)
Manual resonance control (up to self oscillation)
External audio input (this signal is added to the VCO signal)
External CV input for filter frequency
1V/octave tracking for usage of the VCF as a sine wave oscillator over a few octaves (not as precise as the VCO and not temperature compensated, but much better than most of the other filters)

VCA:

Manual amplitude control (initial gain)
AM (amplitude modulation) control with modulation source switch (LFO1 / off / ADSR)
External CV input for VCA amplitude
Exponential scale.

LFO1 and LFO2:

Manual frequency control
Waveform switch (triangle / off / rectangle)
Range switch (low, audio, medium)
LED display (dual green/red color for positive/negative share of the signal)
The LFO1 signal is available as an additional socket (to use the LFO1 signal for external modules)
An internal jumper can be used to select between the LFO1 signal or the inverted LFO1 signal.

ADSR:

Manual controls for Attack, Decay, Sustain, Release
Range switch (long, short, medium)
Blue LED display
ADSR signal is available as an additional socket (to use the ADSR signal for external modules)
External Gate input (normalled via switching contact of the socket to the Gate output of the built-in USB/Midi interface)

USB/MIDI-interface:

MIDI channel and reference note are adjusted by means of a learn button and LED at the rear panel. The interface generates the gate signal that controls the envelope generator and 3 x analog control voltages: CV1 is used to control the pitch of the VCO, CV2 the VCF frequency (free assignable Midi controller) and CV3 is available as an additional socket at the rear panel (controlled by volume/velocity). It can be patched e.g. to the VCA control input.

The 3 x CVs and the gate signal are also available at the rear panel as jack sockets cascading of several units via internal MIDI O/I connection, because of shortage of space the unit has no MIDI output socket available this connection has to be established internally, for this the metal case has a hole on both sides so that the MIDI O/I connection can be made via this hole provided that both units are mounted to one another, the MIDI output has thru function with one exception: the signal does not include the MIDI note messages that have been processed already, consequently polyphonic cascading (all daisy-chained Dark Energies on the same MIDI channel) or monophonic cascading (different MIDI channels) is possible, it's possible to connect only the first unit to USB and pass on the MIDI data via the internal MIDI link to other devices.

Portable synthesizer

Review: The OP-1 Portable Synthesizer from Teenage Engineering is a high-end portable synthesizer, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether your in a home, project or professional studio, the OP-1 delivers power and performance everytime.

The OP1 from Teenage Engineering grabs your attention, with it's simplistic layout and colour coded interface. Also the OP1 is a portable, compact, hand-held synthesizer. The power of the OP-1 lies in the features; 8 built-in synthesizer engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4 channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16 hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

http://www.youtube.com/watch?v=gqVpRgnBIc8

Monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Desktop Synthesiser Module is a compact and affordable but powerful monophonic analog synth.

The voice architecture is identical to the single voice of the Prophet '08, but with a couple of unique twists to distinguish it from its award-winning sibling. They've have added 2 sub-octave generators, one per oscillator, for additional girth and crushing basses. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filter for feedback effects that can range from subtle distortion to extreme skronk.

The push it button is a manual trigger that lets you play a specific note or latch notes and sequences on. It can also step through a sequence to play short melodic lines without a keyboard. Of course, the Mopho can also be used with a MIDI controller or external sequencer.

The Mopho is fully programmable and all the parameters can be tweaked from the front panel. The 4 assignable parameters controls are assignable per program for optimum performance control. A free editor is available for Mac OS and Windows to facilitate programming. (If you already have a Prophet '08, most of the Mopho's parameters can be controlled from the Prophet's front panel via MIDI).

The Mopho is perfect for people who want to learn the inputs and outputs of real analog synthesis without spending a bundle, DJs looking to add some old school sonic spice to their setups and musicians who will appreciate a great-sounding, very portable mono synth.

32-step step sequencer (240V only)

Review: MFB's step-sequencer Urzwerg Pro is the extended version of the Urzwerg. This advanced version has been inspired by feature requests and suggestions of many users to ensure better flexibility than ever. Most prominently, the URZWERG PRO now offers output of MIDI-notes and -controllers as well as 32 x individual step LEDs to keep track of the sequences' status.

THe Urzwerg Pro offers 32 x steps that can either be used for 2 x sequences with up to 16 x steps each or with 4 x sequences with up to 8 x steps each. You may control up to 4 x synthesizers or CV-controllable parameters in an analogue modular system simultaneously. Using the MIDI-output allows to address 4 x separate synthesizers or multitimbral parts in a single synthesizer. In addition, you may play your MIDI-synth with 2, 3 or voices polyphony. When playing it duo-phonically, the 2 x remaining tracks can be used to control velocity and mod-wheel-data (MIDI-CC 01). Using it with 3 x polyphonic voices, still allows for velocity control.

In 4 x 8 mode, the Urzwerg Pro can control up to 4 x individual Nanozwerg synths using CV/gate. As another example, you can also control and individually modulate pitch, pulse width, filter-cutoff and LFO-speed in MFB's Kraftzwerg. Finally, using the Urzwerg Pro in combination with a modular synthesizer-system will allow for even more versatile options. The Urzwerg Pro's gate- and CV-inputs are fully compatible to all common eurorack-format modular systems.

The use of MIDI allows similar applications as using CV/gate connections but will add further functionality. Sounds can be played polyphonically with up to 4 x voices. Using the Urzwerg Pro duo-phonically or as dual-monophonic, you can use the remaining 2 x MIDI-controllers to output velocity and mod-wheel-data in parallel with the first 2 x tracks. In a CV/gate-based synthesizer, all parameters with CV-input can be addressed directly. On the contrary, MIDI-control through Urzwerg Pro always also depends on the routing-options of the connected instrument.

The Urzwerg Pro was designed for intuitive operation. All functions feature designated controls for editing while the sequencer is running. For best overview, the Urzwerg Pro now features LEDs per step. These LEDs do not only visualize the sequence current position but also the skip-buttons' status. While setting the MIDI-channel and the operating modes, these LEDs also function as a display.

When using the Urzwerg Pro on stage, you can set, edit and remove steps live. In addition, you can also modify the sequences' directions and their individual lengths. As a new feature, the Urzwerg Pro features a random-function to playback a row's steps at random. Another novelty is the auto-glide-function. Here, as in the TB-303, glide will only become active with tied notes.

The Urzwerg Pro allows setting of independent gate-lengths, ranges and glides for rows 1/2 and 3/4. Range defines the CV-range for the step-knobs between 1-10V. For pitch control, the range up to 5V can be quantized. Here, we have added four different scalings to chose from: semitones, whole tones, pentatonic, hexatonic.

All 4 x rows feature skip-buttons per step to activate/deactivate gate-triggers for these positions. Alternatively, the skip-buttons can also deactivate the CV-step-control. To add more liveliness, Urzwerg also offers two optimized shuffle-modes.

The Urzwerg Pro provides 4 x gate- and CV-outputs to control compatible analogue synthesizers and modular systems. Start-I/O and Clock-I/O allow the URZWERG PRO to be synchronized to and sync other analogue sequencers. The additional CV-Clock-input allows for dynamic tempo-control, e.g. using an external LFO or a CV-controller. To sync Urzwerg Pro via MIDI, the unit can send and receive start/stop-commands as well as MIDI-clock. In addition, it is possible to transpose sequences and address individual steps using a MIDI-keyboard or DAW.

MFB's Urzwerg Pro has the following dimensions: 350 x 180 x 60mm. An external power supply is included.

Mini electronic synthesizer with 4 waveform & 6 modes

Review: The Pocket Piano is a mini electronic synthesizer with a big sound. The synthesizer features 6 unique modes:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator

The Pocket Piano is housed in a sturdy aluminum and hardwood case and also includes a built-in speaker, a 1/4" output jack, and wooden keys made for a refined touch. It can be powered both by a 9V battery or a 9V DC Power Supply (not included).

When you change modes with the right-most wooden button, a color LED above that button indicates what mode is selected with a different color for each mode. The entire keyboard may be tuned over a 2 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining two left knobs depend on what mode is selected, and are described below. There is also a button that selects waveform (sine, square, triangle, sawtooth) in the first four modes, and shifts the keyboard an octave higher in the last two modes.

http://vimeo.com/14598032

Keyboard version of the Mopho monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Keyboard synthesizer is a much requested keyboard version of the popular Mopho monophonic analog synthesizer. This offers the same compact, affordable and powerful functions as its brother but with more knobs, switches and of course, a 32-note weighted keyboard.

The voice architecture of the Mopho is identical to a single voice of the Prophet '08, but with a couple of unique twists. DSI have added 2 sub-octave generators, one per oscillator for additional girth and crushing bass. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filtered for feedback effects that range from subtle distortion to extreme skronk.

The DSI Mopho is fully programmable and all parameters can be tweaked from the front panel making this version a lot easier than its little brother. You can also expand the voicing of the Mopho by combining it with the Tetra synthesiser, giving you 5-voices at your disposal. The Mopho is perfect for people who want to learn analog synthesis without spending a fortune.

44-note 4-voice analog keyboard synthesizer

Review: The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads.

Each of the Mopho x4's 4 voices is composed of 2 analog oscillators, 2 sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, 3 x 5-stage envelope generators, 4 x LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations.

FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. The Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic.

The Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.

The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.

Expand the Mopho x4's polyphony using it's poly chain port. The Mopho, the Tetra, and the Prophet '08 can all be connected to the x4 to increase its voice count. You can poly chain up to 3 x Tetras with the Mopho x4 to create a 16 voice analog super synth.

Designed and manufactured in San Francisco, the Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.

http://www.youtube.com/watch?v=zbYeGztwiLg

Review: Size doesn't always matter, despite its compact dimensions, the Nanozwerg is a full-featured monophonic analogue synthesizer. With VCO, an additional sub-oscillator and its 12 dB-slope-multimodefilter, the Nanozwerg offers multiple bass- and lead-sounds. In addition, the Nanozwerg offers a noise-generator and also works as an effects-processor using its external audio-input.

The analogue VCO generates 4 waveform shapes: triangle, saw tooth, rectangle and needle-impulse. The base pitch can be switched over a 4-octave-range, while fine-tune can be specified within a range of one octave. The sub-oscillator with 2 mixable octave settings completes the Nanozwerg's sound foundation. The noise generator can alternatively replace the sub-oscillator to create non-harmonic sounds. Finally, a glide-control can be used to tie notes with portamento.

The state-variable multimode-filter runs with 12 dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Cutoff can be modulated manually, by LFO and by the ADSR-envelope simultaneously. In addition, pitch-dependent cutoff-frequency can be achieved using the key follow function. Finally, LFO modulation can be replaced by the VCO output signal.

The LFO offers 4 waveform shapes including sample & hold as well as a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope. Besides the cutoff-frequency, the LFO can also modulate the pitch or the VCO rectangle's pulse width.

The ADSR-envelope allows modulation of the filter's cutoff-frequency and the VCA-output, with positive or negative excursion. Selectively, the VCA can also be opened by a gate-trigger to free the envelope for exclusive filter use.

For integration into a modular system or use with an analogue sequencer, NANOZWERG offers several control inputs. There is CV/Gate for pitch control and note length as well as CV-inputs for cutoff-control, the VCA and LFO speed. The LFO also offers CV-output.

The audio-input allows signals to be fed into the VCF and VCA. NANOZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter's cutoff frequency.

Bass machine with built-in sequencer and full MIDI capabilities

Review: The Bolsa Bass is the new bass machine from Critter & Guitari. It has a built-in sequencer, full MIDI capabilities, and these 6 x modes:

Circle ramp
Sawtooth ramp
Analog style
Filter envelop
FM pad
Bass delay.

The entire keyboard may be tuned over a 1 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining 2 left knobs depend on what mode is selected. The synthesizer modes provide elemental monophonic bass sounds, great for all kinds of musical scenarios. From classic filter sweeps to simple and pure tones, lush FM, and even a stretchy tuned delay which makes great string like drones.

The built-in sequencer lets you quickly create bass lines with the touch of a button. With MIDI in and out you can synchronize your sequences with other devices. The Bolsa Bass also sends and receives note messages so you can use it as a sound module or simple controller.

Review: The original desktop Evolver is a compact monophonic synthesizer that packs an amazing amount of sonic power into a small package. It features two analog oscillators and two digital oscillators utilizing the waves from the legendary Prophet VS. Classic Curtis analog lowpass filters and real analog VCAs round out the analog section. But what really sets the Evolver apart from the rest of the pack is the way in which analog and digital are integrated. The LFOs, step sequencer, and three separate delays can all be synced for massive, rhythmic, time-based effects in stereo.

Dynamic phrase synthesizer

Review: Introduced in 2007, the Kaossilator has won high acclaim as the original gadget instrument and gave rise to the Kaossilator Pro and iKaossilator for iPhone. Now say hello to the impressive Kaossilator 2.

Boasting a powered-up sound generator, the Kaossilator 2 delivers synth and drum sounds spanning a wide range of genres, plus dramatically expanded loop recording. The Kaossilator 2 is packed with capabilities that can be enjoyed alone on or together with other people. Use 2 loops to create DJ-like mixes. Use the internal mic to record guitar, vocal, or other audio source, just as with a looper effect. The Organic Electroluminescent (OEL) display provides superb visibility. Add to that a touch slider for ease of use, microSD card data saving, plus a built-in speaker and mic. All of these features reflect the enhancements incorporated into the sleek and exciting the Kaossilator 2.

http://www.youtube.com/watch?v=FmQeP3y1F2w

Pocket-sized dynamic phrase synthesizer

Review: The Kaossilator 2, the pocket-sized dynamic phrase synthesizer that's known for providing a world of rich sounds and effects plus loop recording, is now available in a limited edition pearl white finish. Stand out from the crowd with this unique finish that's only available for a limited time.

The Korg Kaossilator 2 Dynamic Phrase Synthesizer takes all of the best features from the original Kaossilator, the worlds first gadget instrument, and updates, expands and adds loads more. The Kaosillator 2 is a flexible synth that anyone can play and get great results (whether they be a pianist, DJ or anyone in fact). This must-have gadget offers incredible musical power, hours of fun, and amazing effect sounds with amazing ease. With external source audio recording and dual looping it is possible to do an entire gig with nothing but a Kaossilator and your voice. There is even a biult-in speaker, so you can experiment with this powerful Kaossilator anywhere.

There are 150 built-in sounds, which cover all styles of dance and eletronica. Using the Korg Kaossilator 2 you can create 2 separate loops and mix them simultaneously, record external sources (i.e. guitar, vocals, etc.), do unlimited overdubs with loops and even control fades/paramaters/crossfades with the touch sensitive value control. You can also plug external sources into the mic input. The built-in gate arpeggiator lets you control time and swing top play musical, rhythmic passages.

There are lots of great features to augment your performance. The drums are produced with a PCM sound engine in the Korg Kaossilator 2 for added realism, which gives a bigger sound and offers greater versatility than the original Kaossilator. Also, you can make sure you always sound in tune with scale key and note range functions, which help you to avoid any clashes by limiting the notes available across the pad to ones that will work with your music.

The microSD/SDHC card slot lets you salve loops and record your performances, so you can record anywhere and then distribute your results, or put them into computer music software to add to your production projects.

On top of all this you can use batteries, so you are completely free to use the Korg Kaossilator 2 anywhere. You can easily see the screen with its high-visibility OEL display. All you need is a finger and you can use strokes, taps and rub movements to produce countless combinations of sounds that can inject a bit of an improvisational/impulsive/unpredictable edge to your music.

Studio & live synthesizer

Review: The MiniNova is a compact, super-cool studio and live synth with the same sound engine as its big brother; the UltraNova. It comes with 256 x incredible onboard sounds that you can tweak with five knobs, or totally warp with 8 x animate buttons. It has up to 18 x voices with as many as five synth effects on each sound.

The MiniNova also has an onboard VocalTune effect as well as a classic vocoder so you can recreate iconic vocal sounds from hip hop, urban and electronic music.

Mini synthesizer

Review: With the Rocket, Waldorf introduce a new mini synthesizer that boasts a feature set uncommon in its class. With its advanced oscillator section, this small black cube can generate sharp edged leads, gargantuan basses and vast synthesizer soundscapes, that can resound as an 8-voice chord if desired.

The logical layout of the user interface and the choice of available parameters bear witness to the ample experience Waldorf have creating exclusive sound generators. As a result of its heritage all functions that essentially define a synth sound are available for immediate manipulation.

Every knob movement changes the sound directly and with immediate results. The characteristic analog Waldorf multi-mode filter (low/ band/ high pass) can also self oscillate. The integrated boost function intensifies the sound with sheer wickedness. Besides being used for modulation duties, the LFO also contains a flexible arpeggiator that can be synchronized to the outside world using MIDI.

The Rocket is an ideal sound design machine, which in combination with its extremely attractive price, will appeal to any sound designer or musician interested in quality sounds. It works as a stand-alone instrument or in any imaginable music production environment. But its most important feature is of course its sound: a real Waldorf synthesizer, powerful, direct and with a lot of love for the details. Naturally the Rocket is completely designed and built in Germany.

http://www.youtube.com/watch?feature=player_embedded&v=4L_27GHFbjI

Review: The Pico Paso is a stepped tone noise noise synth designed by Dr. Bleep for Handmade Music Austin.

2 triangle wave oscillators can be combined or used separately. A wave shaper and square wave LFO are used to increase the aural possibilties.

http://www.youtube.com/watch?v=j3Y7Ouj3Iss

19" version of the x0xb0x without sequencer

Review: The Mode Machines x0x-Rack features the synth section of the open x0xb0x, without sequencer.

What's in the box

Power supply
Manual German
Manual English.

http://www.youtube.com/watch?feature=player_embedded&v=HGYFunHUy-g

Analogue synthesizer with a VCO designed in the tradition of MS-20 and TB-303

Review: The Domino is a discrete analogue synthesizer with a VCO in the tradition of MS20 and TB303. The VCO, filter & VCA are transistor made. This transistor architecture gives the Domino a unique raw sound. Rich and raw at the same time, no need of external effects to give life to the sound. The VCO offers a mix between sawtooth and square. Pulsewidth can be modulated by the LFO. The filter is a low-pass 24dB resonant filter. The analogue envelope range is from 1ms to 10s with attack, decay, sustain/release. The LFO has 8 different waveforms. On waveform 8, the modulation wheel can replace the LFO. MIDI CC 8 to 16 can transform the LFO in a sequencer to modulate pitch, pulsewidth, filter cutoff. The VCA can be modulated by a gate or by an envelope. In the legato mode, playing notes will generate glide between 2 notes. The glide time can be edited via MIDI CC. Additional features like a 8 steps sequencer, an arpeggiator and an accent recognition capability turns the Domino into a powerful tool.

http://www.youtube.com/watch?v=RX9_nDjOV5s

Keyboard synthesizer

Review: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

4-voice analogue synthesizer

Review: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

49-note keyboard synthesizer

Review: Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

Analogue monosynth keyboard with analogue sequencer

Review: Analogue Solutions are proud to announce availability of Leipzig-S, the latest addition to its lengthening line of critically-acclaimed, quality-crafted boutique designs from founder Tom Carpenter in the true spirit of vintage analogue synthesisers befitting the true analogue synth enthusiast.

Evolving from its namesake Leipzig (rack-mounting) and Leipzig-k (keyboard-endowed) analogue monosynth predecessors, the rack-mountable/tabletop Leipzig-S literally goes several steps further by incorporating an in-built eight-step analogue sequencer that can be used to produce simple melodic lines as well as acting as a modulation source to affect the filter cutoff (or to create additional effects, depending on other control settings). VCO1, VCO2, and the VCF are all available as sequencer destinations; seemingly simple, yet favourably flexible, the step sequencer can be creatively controlled (clocked) by multiple sources, at audio frequencies (using VCO2 as a clock source), or using the output of the sequencer itself as an audio source to be played via MIDI while the eight step controls then alter the waveform/tonal content, for example, such are the adventurous advantages of packaging an analogue step sequencer with a true analogue monosynth.

The entire design is traditional early-eighties analogue (voice and modulation) circuitry, comprised entirely of discrete components and op-amps (bar, of course, the digital sequencer controller and MIDI-CV interfacing); since the Leipzig-S is a strictly no-memory affair, all controls are not quantised, resulting in an authentically vintage sound, replete with musically desirable quirks and subtle artifacts (much in the same way that, say, a valve amp or vinyl record adds sonic character), unlike some other modern analogue synths that arguably sound almost as perfect as DSP analogue modelling.

With electronic percussion having influenced the choice of routings, the Leipzig-S boasts a huge range of modulation possibilities to facilitate creating the widest possible range of sounds, including deep basses, sound effects, analogue loops and (obviously) electronic drum sounds. With this, his latest design, true analogue synth enthusiast Tom Carpenter is confident that he has achieved a modern analogue synth that truly does sound vintage.

The SK is almost identical to the S. But with the addition of a MIDI controller keyboard.

Review: State-of-the-art analog modeling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favorites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure U all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

www.youtube.com/watch?v=OV_TxlJDDts

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

The microKORG is now available in two limited-edition special-colour premium editions microKORG-BKBK (Black & Black). Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG-BKBK. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The full black model with its understated yet elegant presence.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

A polyphonic 61 key digital/analog hybrid synthesizer

Review: The Poly Evolver Keyboard is DSI's flagship synthesizer, a nearly-knob-per-function knockout that sounds unlike any other synth out thereiexcept another Evolver, of course! Don't like a high-end hardware synth that requires wading through endless menus to program? Not an issue with the Poly Evolver's 78 knobsi60 of them potentiometersiand 58 buttons, incuding a keypad for direct access of programs.

An analog/digital hybrid, the 4-voice Poly Evolver features four oscillators per voiceitwo analog and two digitaliin a unique stereo voice architecture with a real Curtis analog low-pass filter per channel. The digital processing does not simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics for tuned feedback, distortion, bit crushing, and synced delays. It can also process external audio and has separate stereo outputs for each voice.

The Poly Evolver is capable of producing sounds ranging from classic analog to more brash and edgy digital sounds. It is also multitimbral, with the ability to play up to 4 parts simultaneously through separate stereo outputs. And it can process external audio.

The Poly Evolver is not a generic slab workstation. If you're looking for realistic pianos and strings, keep looking. But if you want a truly unique, inspirational, real instrument, look no further.

Synthesizer with new SED filter

Review: The Dominion X is MFB's latest synthesizer. It combines analogue synthesis, programmability and modular patching. With advanced circuits, increased functionality and a new design, the Dominion X is the first of MFB's next generation musical instruments.

The Dominion X offers 3 x oscillators for maximum flexibility. Each waveform can be varied in symmetry. Besides altering the pulse width of a rectangle, you may also continuously turn a saw tooth into a triangle and a triangle into a sine. All oscillators also offer ring modulation. In addition, VCO 2 and VCO 3 can be synced to VCO1. Finally, VCO3 can modulate the frequency of VCO 1 and VCO 2. The analogue oscillator circuit is processor-controlled for stable tuning. To complete the available sound sources, noise or an external audio input can be added to the VCOs in the Dominion X's mixer section.

The filter offers 6 x operation modes. Available are 3 x low pass variations with 12, 18 and 24 dB/oct. slopes. Also available are high pass-, band pass and a notch filter with slopes of 12 dB/oct. respectively 6 dB/oct. Variable filter modulations are possible via an invertible envelope, keyboard tracking, LFO, VCO, different MIDI controllers as well as by the use o the CV-input.

The 2 x ADSR-type envelops are internally routed to the VCF- and VCA-sections. In addition, envelope 1 can also modulate the VCO section. LFOs 1 and 2 offer six waveform shapes including sample & hold. They may be switched to one-shot-modes to emulation simple envelopes. A third sine-LFO works in combination with a keyboard's modulation wheel and can dynamically address the VCO, VCF and VCA sections.

Modulations are assigned by the use of selector switches, located at the destinations. This allows easily setting and re-routing internal modulation paths, ideally for your live-performance.

To integrate external modulators, control- and audio sources, the Dominion X offers 9 x inputs. Therefore, oscillators, filter, VCA, CV/gate and mixer can be easily combined with other analogue synthesizers such as MFB's Megazwerg, analogue sequencers such as MFB's Urzwerg Pro or modular synthesizer systems.

An additional selector switch allows assignment of velocity for up to eleven modulation destinations.

The Dominion X offers 128 x programmable patches for your personal sound creations. To support sound programming without an attached keyboard, different demo sequences are available. To use the Dominion X as a filter box for external audio sources, the VCA can be opened permanently. Finally, there is an insert available to integrate an effect or distortion unit into the signal path.

The Dominion X has the following dimensions: 330mm x 170mm x 60mm. An external power supply is included.

The new SED filter design contains 2 x different types of filters. Once is the 12 dB MFB multifilter with 12 dB lowpass and 12 dB highpass, bandpass und notch. Sound can be described as clean and powerful with steady catchy resonance behaviour. The second is new SED filter with 24/12 dB lowpass. This single ended discrete (transistors) filter can be driven into clippng zone, especially the 12 dB variant. The 24 dB lowpass can be sound almost clean when you drive the vco mixer below half of possible value.

Handmade analog & digital controlled synthesizer with light

49-note analog synthesizer

Review: The Nord Wave gives you traditional analog sounds that interact and coexist with pretty much anything you want; by combining analog, FM synthesis, wavetable and sampled waveforms, you can use literally any standard audio file as a sound source. It is a great sample player and analog synthesizer, and so much more!

The introduction of sample players in the mid eighties created a gap in the world of synthesizers, a gap that 20 years later only has grown wider. The Nord Wave closes that gap, and brings the user replaceable samples to life again by integrating them in a virtual analog environment. Does the better of 2 worlds sound too pretentious for you? Wait until you have heard the Wave.

The Nord Wave 49-note analog synthesizer brings the user replaceable samples to life again by integrating them in a virtual analog environment.

With the Nord Wave 49, Nord have teamed up with several sample creators, such as Kirk Hunter Studios, Precisionsound and Sonic Reality and licensed some of the very best samples available.

The Nord Wave features compression algorithm, which allows on average, 2 to 3 times data compression of any samples you want to download to the Nord Wave, without any loss of quality.

Flash memory also means that samples are instantly available, meaning fast load times even for complex programs. No hard drive or other type of media is needed for storing samples when you shut down the Wave; once the unit has powered up you have direct access to all the samples at the turn of a knob.

www.youtube.com/watch?v=zthgF8SNmfU
http://www.youtube.com/watch?v=6xiBCY6K8HY

Korg microKORG 10th anniversary limited edition

Review: Celebrating the 10th anniversary of the microKORG.

Korg's microKORG virtual analog synthesizer has gathered an enormous following among both professionals and amateurs since it appeared in 2002, and continues to be actively used around the world even today, maintaining the same high standard for the past decade. In 2007, Korg celebrated the 5th anniversary of the microKORG's creation by releasing the microKORG BK. The reversed keys drew a great deal of attention being reminiscent of the reverse model of the classic Korg POLY-800, and also due to its limited availability.

Now in 2012, Korg are releasing a new model that commemorates the 10th anniversary of the microKORG: the microKORG BKRD. For musicians who want to emphasize their personality, this custom colour model is an instant way to stand out from the crowd. The distinctive high contrast of the Black x Red model that's sure to raise the energy level on stage with its black and red reversed keyboard.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings, routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky. Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R), and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock, a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

http://www.youtube.com/watch?v=cXGwVDA7zVE&feature=player_embedded

Lightweight keyboard synthesizer with 37-note keyboard

Review: With its massive sound, hands-on ease, and affordable price, the GAIA SH-01 is a high-performance value with old-school charm. The triple-stacked engine puts potent virtual analog synthesis under your fingertips, yet the control panel is so fun, friendly, and inviting, even first-timers can create great sounds. The signal flow is simple to grasp, with logically arranged knobs, sliders, and buttons. Hands-on control and fat sound make this little powerhouse a joy for music students, songwriters, session players, and live performers of all styles and skill levels.

Sink your teeth into the new triple stacked virtual analogue engine, comprising three complete synths for incredibly thick, powerful sound. Unleash the beef of three oscillators which drive a trio of multimode, resonant filters, multi-shape LFOs, and amplifiers, plus nine envelope generators. It's like having 3 x synthesizers in one. With 64 x polyphonic voices onboard, the GAIA SH-01 makes it possible to play massive sounds without experiencing note drop out.

From the silkiest reverb to the grittiest growl, the SH-01's instantly selectable multi-effects will catapult your sounds into another dimension. You can layer up to 5 x simultaneous effects for dozens of variations. The onboard effects include reverb, distortion, fuzz, bit crash, flanger, phaser, pitch shifter, low boost, and delay with panning and tempo sync. Dedicated control knobs are provided for tweaking the effects in real time.

At less than 10 pounds (approx. 4 kg/9 lbs), the GAIA SH-01 is lightweight, compact, and great for musicians on the go. However, the 37-note keyboard is full-size, so performers can play naturally and comfortably. The synth can be powered via AC or batteries (can be powered by eight rechargeable Ni-MH AA batteries) for the ultimate in portable convenience. A battery-life indicator on the front panel ensures that you won't lose power unexpectedly. When used in conjunction with a battery-powered amp such as Roland's Cube Street, Mobile Cube, BA-330 or KC-110, the GAIA SH-01 can be played and heard anywhere.

The front panel puts every control directly under your fingertips. There are no hidden menus you can just play. And move the knobs and sliders, or wave your hands over the invisible D-beam for dramatic effects. The logically designed front panel shows the signal path from left to right. It helps beginners understand synthesis, while experienced players will love the instant gratification of hands-on control during performance.

Hold a note or chord and let the arpeggiator create musical magic automatically for you. The tempo can be set via tap tempo. In addition, the onboard Phrase Recorder lets you record what you play on the keyboard as well as the movements of the knobs and sliders. The controller data can also be played back independently to complement the notes you play in real time.

Connect directly to a computer (Mac or PC) with one simple USB cable, and stream audio directly to the software of your choice. The SH-01's USB ports can also be used to transmit and receive MIDI data, and to store your patches and phrases (recorded with the Phrase Recorder) to a USB memory stick. For integrating with external devices, the SH-01's EXT input lets you connect external audio sources such as an MP3-player and play along with your favourite songs or backing tracks, making it great for practice and live performance. Manipulate the incoming audio with three Center Cancel modes, which let you eliminate pre-recorded vocals, guitars, or bass.

http://www.roland.co.uk/products/productdetails.aspx?p=1074

Lightweight keyboard synthesizer with 37-note velocity-sensitive keyboard

Review: Who says keyboardists need to hide behind their gear? Liberate yourself and roam free with the AX-09 Keytar Synthesizer.

The AX-09 Keytar is compact, lightweight, and loaded with great sounds, all easily selectable with the onboard category buttons. Plug in a USB stick and add backing tracks to your performances with the Audio Player function, or plug in an MP3/CD player and jam along with your favourite songs. This ultra-light Keytar synth is designed to fit all musicians. It's super easy to use yet it packs a heavyweight musical punch with its stellar sounds and expressive controls.

The AX-09 Keytar is packed with dozens of high quality sounds spanning a wide stylistic range from scorching synth leads to silk-smooth pads. Find the perfect sound quickly with the category buttons, and press the preview button to hear the currently selected sound with a pre-programmed riff. Assign your top 12 x sounds to the favourites bank for instant, one button recall. Volume and reverb level settings can be stored with each Favourite.

Plug into traditional power with an AC adaptor (included) or roam free with batteries. Jam for hours (approximately 4 x hours of continuous use per 8-battery load). with 8 x standard AA batteries installed (Ni-MH AA rechargeable batteries). A battery-strength indicator lets you know when battery power is getting low so you never miss a note onstage.

The built-in audio player feature lets you sound like an entire band. Simply load up a USB stick with your favourite songs in MP3, WAV, or AIFF format, plug it into AX-09's USB port, select the song you want, press Play, and jam along.

Put a personal stamp on your performances with the expressive controllers built into the AX-09. Wave your hands over the invisible D Beam for dramatic effects, and dig your fingers into the modulation bar and touch control to bend, twist, and sculpt each sound you play.

http://www.roland.co.uk/products/productdetails.aspx?p=10261&tab=Downloads

Hybrid synthesizer with MIDI keyboard controller & software

Review: The Laboratory 49 is Arturia's professional grade version of the analog experience series. Featuring a top-notch 49-key MIDI keyboard controller and the Laboratory version of Arturia's analog software, the Laboratory 49 synthesizer includes the same preset-based collection of Arturia's best analog sounds, with the possibility to edit the patches in depth and a new layering mode turning analog factory into a small workstation.

The 49-key keyboard controller is made for performance and maximum expression, with a breath control input and aftertouch in addition to a set of knobs and faders, as well as full connectivity on the back panel. This premium controller gives the fullest access to Arturia's analog laboratory software, its pre-assigned controls make it the perfect solution for plug and play sound creation. In addition, the keyboard can be easily used in any other software context. The Laboratory software is Arturia's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

A unique hybrid 61-key synthesizer and MIDI controller

Review: The Analog Experience The Laboratory 61 is a 61-note MIDI keyboard with velocity and aftertouch-sensitive keys that is designed to easily integrate into any studio and stage environment.

Packaged with the Analog Laboratory software, it also offers straight-forward control over 3500 of the world's finest analog sounds. Browse sounds, tweak them, split your keyboard and launch loops. The 61-key controller offers unparalleled hands-on experience over the TAE synthesizer presets. Its plug-and-play connectivity and assignable controllers make it the ideal MIDI keyboard to control third party software or MIDI hardware devices.

The Laboratory keyboard can be easily used in any other software context. The Laboratory software is Arturia Analog's most advanced version of Analog Factory, giving you a new depth of access to the synth patches so you can really get in and customize the huge library of internationally designed presets. A new project mode allows several sounds to be played at the same time with the addition of an innovative sequence manager.

http://www.youtube.com/watch?v=aJcHTG9YKaI&feature=pyv

Review: The Player 25 is the smallest, most lightweight and simple version of the series. It features a compact MIDI keyboard controller and light version of Analog Factory software. This makes for a very easy-to-use and affordable package, including the very best of Arturia's signature sounds and a dedicated quality keyboard perfect for the mobile musician. The rugged and lightweight keyboard make the controller a must for travel, while maintaining the profile of a high-end metal and wood controller that can be used with any other software. The Player software, offering 1000 sounds, is an ideal way to get the most out of Arturia's TAE based synths without getting into the details and complications of sound design.

Packed full of Arturia's hottest analog sounds made by their international team, this software gives a full spectrum review of 7 of Arturia's best analog emulating software synths. If you need a high-end, portable 25-key MIDI keyboard and a compilation of Artunia's best analog sounds then Analog Experience, The Player is for you.

Portable keyboard synthesizer, with Hammer Action piano keys

Review: The Nord Electro 4 HP uses incredibly portable weighted hammer action piano keys, making it perfect for both electric and acoustic piano, and you may have guessed it, but the Electro 4 isn't just great for piano sounds but can also produce a range of awesome organ sounds.

The Electro 4 HP features a new B3 tonewheel organ engine with improved click modelling, Farisa and Vox, and includes new Rotary Speaker Simulation & Drive. The Farfisa and Vox models are just as impressive as the B3, simulating the behavior and unique response of the original instruments.

All of the sounds features in the Nord Electro 4 HP have been recorded using Nord's state-of-the-art sampling techniques to capture the extraordinary nuances and unique characters of the source instruments.

The entire Nord Piano Library is included on DVDs and new additions can be downloaded free on the Nord Piano Library page. Replacing the sounds is simply a matter of dragging and dropping files in the Nord Sound Manager for Mac and Windows.

All Nord instruments have dedicated knobs and buttons for all vital functions to keep the interface simple and easy to use during a performance. Functions only accessible through menus are printed on the panel for easy overview.

49-note virtual analog synthesizer

Review: The Nord Lead 2X features all the characteristics of its popular predecessors, and incorporates many new features as well.

The Clavia Nord Lead 2X virtual analog synth continues the tradition of Nord's unique method of sound generation. Mathematical simulations of the signals generated by analog oscillators are the basis for the incredible sound that speaks for itself. People know Nord by its sound, and the Nord Lead 2X gives you that certain quality that is unmistakable!

The in your face sound of the Nord Lead 2X has been enhanced with 24bit D/A converters. The preset memory houses 7 x 99 factory programs, 3 x 100 factory performances, and 7 x 10 percussion kits. Additionally, the user banks give you room to store your own sounds, 3 x 99 Programs, 3 x 100 performances, and 3 x 10 percussion kits. The polyphony has been upgraded to 20 voices as well.

Sporting 20 voices of polyphony, the Nord Lead 2X is perfect for layered pads, screaming leads, and thick booming basses. The keyboard can be split, and two sounds can be layered on either side of the split point. You can have four simultaneous programs playing at once, and with a movable split point, the possibilities are captivating.

The Nord Lead 2X is 4-part multitimbral, and these four parts are used together in the Performance Mode. The Nord Lead 2X also has 4 assignable outputs, so each performance voice can be routed to its own analog output.

http://www.youtube.com/watch?v=lFWTgvItQmc

Review: The Synthlab SL-1uses a 100 percent true analog circuitry with subtractive synthesis which is designed in a classic way. This design is not new because it started in the early 70s with the voltage controlled modular systems. The Synthlab uses low pass filter based on the transistor cascade

As the Synthlab SL-1 has a built-in MIDI interface, you will find it easy to integrate into any MIDI studio setup. The Synthlab also has a built-in MIDI-To-CV/Gate interface which can become very handy, when using vintage equipment. The Synthlab is a hand-made true discrete analogue synthesizer built in Germany. Mode Machines have used components from the 70s and 80s but also modern technology. There are no DSPs or such built-in, so the sound is true, pure and very experimental like a small synthesizer laboratory.

The setup of the Synthlab SL-1 is very easy-to-use if you have played around with other analog synthesizers. Every parameter has its own pot for controlling and playing with the modulation and everything can be controlled manually in real-time. The controls of the modules are divided into groups on the frontplate so they can be visually separated for easier use. For basic setup you have 2 VCOs and an external audio input. The selected signal can be routed through the VCF and VCA before it reaches the audio output. For each VCF and VCA you have an own envelope generator. Additionally you have various modulation routing possibilities through the LFOs.

Mini electronic synthesizer with 6 sound modes and MIDI capabilities

Review: The Pocket Piano MIDI has all the functionality of a Critter & Guitari Pocket Piano synthesizer, now with MIDI capabilities. It can interact with many other MIDI devices: drum machines, sequencers, computers, synthesizers, and other Pocket Piano MIDIs. It is both a sound module and a controller, sending and receiving MIDI note messages, and MIDI clock signals.

In addition to its intuitive interface, maple keys, built-in speaker, and aluminum and wood enclosure, it features the same 6 unique synth modes found on the original Pocket Piano:

Vibrato synth
Harmonic sweeper
2-Octave arpeggiator
Octave cascade
Mono FM synth
FM arpeggiator.

As a controller, the Pocket Piano MIDI sends out key presses as note messages, useful for triggering other synthesizers, samplers, or software. As a sound module the Pocket Piano MIDI responds to all 88 notes of a full size piano, so you are not limited to the 16 key range of the Pocket Piano. Using a full size controller, you can take advantage of the Pocket Pianos unique sounds and arpeggiators over a much larger range. Larger range = more fun.

But the fun doesn't stop there. The Pocket Piano MIDI also sends and receives MIDI clock, so you can synchronize the Pocket Piano's arpeggiators with your favorite drum machine, sequencer, or computer software. The Pocket Piano MIDI passes all received clock messages to its output, allowing you to chain many Pocket Pianos together to create an orchestra of Pocket Pianos.

The Critter & Guitari Pocket Piano MIDI is powered by one 9V battery or a 9V DC power supply.

http://www.youtube.com/watch?v=8igJF6mdHRw&feature=player_embedded