Synthesizers

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Review: It's the Voyager with all the sonic quality one would expect plus a finish that rivals its sound.

Played by the likes of Jesse Carmichael of Maroon5 and Printz Board of the Black Eyed Peas. The Electric Blue Voyager is housed in a fractal blue solid ash cabinet with a fractal blue finish and the electric blue backlit front panel. At first it looks black but as 1 draws near the fractal blue flecks pop out in an eye catching display. Combine this with the stunning look of the electric blue back lit panel, new blue LEDs and some new killer patches and you have an instrument you will be proud to play for a lifetime.

The Minimoog Voyager Electric Blue features 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses and much much more.

www.youtube.com/watch?v=YuSLpmA92ww

Analogue pin-matrix synthesizer

Review: From UK manufacturer Analogue Solutions came the Vostok, a portable modular synthesizer that provides plenty of basic functions for producing and manipulating audio, as well as a few esoteric capabilities. Most notable are its matrix panel for patch programming and its suitcaselike box. Both are reminiscent of the classic EMS Synthi A that was highly regarded in the 1970s. Analogue Solutions stress that the Vostok is not a Synth A clone but is, rather, a configuration of modern electronics that borrows some of EMS's most practical design ideas.

The Vostok's modules include 2 x analog oscillators, a digital wavetable oscillator, a noise generator, 2 x filters, a voltage-controlled amplifier, 2 x ADSR generators, 2 x LFOs, a mixer, a ring modulator, and an 8-step analog sequencer. A built-in MIDI-to-control-voltage converter interfaces the Vostok with modern sequencers and other MIDI gear. With the exception of the MIDI circuitry and the wavetable oscillator, all the Vostok's circuits are completely analog.

http://www.youtube.com/watch?feature=player_embedded&v=4aplfKqRnLc

Portable keyboard synthesizer, with Hammer Action piano keys

Review: The Nord Electro 4 HP uses incredibly portable weighted hammer action piano keys, making it perfect for both electric and acoustic piano, and you may have guessed it, but the Electro 4 isn't just great for piano sounds but can also produce a range of awesome organ sounds.

The Electro 4 HP features a new B3 tonewheel organ engine with improved click modelling, Farisa and Vox, and includes new Rotary Speaker Simulation & Drive. The Farfisa and Vox models are just as impressive as the B3, simulating the behavior and unique response of the original instruments.

All of the sounds features in the Nord Electro 4 HP have been recorded using Nord's state-of-the-art sampling techniques to capture the extraordinary nuances and unique characters of the source instruments.

The entire Nord Piano Library is included on DVDs and new additions can be downloaded free on the Nord Piano Library page. Replacing the sounds is simply a matter of dragging and dropping files in the Nord Sound Manager for Mac and Windows.

All Nord instruments have dedicated knobs and buttons for all vital functions to keep the interface simple and easy to use during a performance. Functions only accessible through menus are printed on the panel for easy overview.

A polyphonic 61 key digital/analog hybrid synthesizer

Review: The Poly Evolver Keyboard is DSI's flagship synthesizer, a nearly-knob-per-function knockout that sounds unlike any other synth out thereiexcept another Evolver, of course! Don't like a high-end hardware synth that requires wading through endless menus to program? Not an issue with the Poly Evolver's 78 knobsi60 of them potentiometersiand 58 buttons, incuding a keypad for direct access of programs.

An analog/digital hybrid, the 4-voice Poly Evolver features four oscillators per voiceitwo analog and two digitaliin a unique stereo voice architecture with a real Curtis analog low-pass filter per channel. The digital processing does not simply add effects at the end of the signal chain, but is tightly integrated with the analog electronics for tuned feedback, distortion, bit crushing, and synced delays. It can also process external audio and has separate stereo outputs for each voice.

The Poly Evolver is capable of producing sounds ranging from classic analog to more brash and edgy digital sounds. It is also multitimbral, with the ability to play up to 4 parts simultaneously through separate stereo outputs. And it can process external audio.

The Poly Evolver is not a generic slab workstation. If you're looking for realistic pianos and strings, keep looking. But if you want a truly unique, inspirational, real instrument, look no further.

73-key keyboard synthesizer, piano & organ

Review: The new Nord Electro 4 x series feature everything from the award winning Electro 3 series, adding the acclaimed new Nord C2D tone wheel engine and 122 x rotary speaker simulation, USB MIDI and more.

The Nord Electro 4 features the B3 tone wheel organ engine from Nord flagship organ Nord C2D and includes a redesigned Key Click simulation as well as the Rotary Speaker simulation of a vintage 122 x unit with a great new overdrive. The percussion model has been improved to offer increased control over the percussion levels when playing near-legato. Naturally, the vibrato and chorus scanners have been carefully modeled to be just as alive as the tone wheels.

The Farfisa and Vox models are just as impressive as the B3, simulating the behavior and unique response of the original instruments. The Farfisa Compact Deluxe, considered by many to be the mother of transistor organs, involves routing matrixes and complex filter combinations that offer a tailored sound with massive energy and high-end.

The Vox Continental's brute design brings you a more hollow tone, but with a very intense character. Both these transistor organs have their own unique, irreplaceable personalities. Combine them with any of the Amp simulations, add some distortion, adjust the EQ and they will definitely get you through any organ gig with flying colors.

The Nord Electro 4D is fitted with physical drawbars of the same type as on our flagship organ, the Nord C2D, perfect for actively shaping the sound on the fly.

The Nord Electro 4 SW73 & HP organ section is identical in features but sports our Digital LED Drawbars.

The organ can be split, for compact dual manual action and its even possible to assign the lower manual to a second MIDI keyboard. Inputs for a Swell pedal and Rotary Speaker control are also available.

The Nord Electro 4 comes loaded with a selection of amazing sounds from the Nord Piano Library, Nord's specialized library for Grand, Upright and Electrical Pianos, Clavinet and Harpsichords.

All the sounds have been recorded using Nord's state-of-the-art sampling techniques to capture the extraordinary nuances and unique characters of the source instruments and covers everything from brilliant, factory new Grand Pianos to detuned upright bar pianos with tons of charm.

The entire Nord Piano Library is included on DVDs and new additions can be downloaded free on the Nord Piano Library page. Replacing the sounds is simply a matter of dragging and dropping files in the Nord Sound Manager for Mac and Windows.

The Long Release feature is suitable for legato playing styles and the String Resonance (Gen 1) feature on Grand and Upright Pianos can be turned off when desired.

185 MB of the Electro 4D memory is dedicated to Nord Piano Library sounds.

The Nord Electro 4 series support the Nord Sample Library, giving you access to our exclusively licensed Mellotron and Chamberlin sounds and a wide selection of quality sounds from leading sample producers. See the Nord Sample Library section to learn more and listen to the more than 1000 the sounds currently available! The Nord Sample library is updated on a regular basis and all new additions can be downloaded for free!

The included Nord Sample Editor makes it possible to add any sound you want to your Electro 4. The Sample Editor can use audio files in the .wav format and has great tools to assist you in getting the results you want. Mapping several samples across the keyboard or creating seamless loops has never been easier.

The Nord Electro 4D has 68 MB of memory dedicated to the Nord Sample Library. Our efficient, lossless compression algorithm makes it's possible for us to fit samples up to three times the size compared to standard linear sample players.

The Electro 4 SW73 & HP feature 128 MB of memory for the Nord Sample Library.

The Nord Electro 4 Effect section features great, tweakable effects for instantly adding some dirt, glimmer or atmosphere to your sound.

The Amp/Speaker simulation now features the same Vintage 122 Rotary Speaker simulations as found in our flagship organ, Nord C2D. Also, there's a flexible Stereo Delay effect with Tap-Tempo and Ping-Pong mode.

49-note analog synthesizer

Review: The Nord Wave gives you traditional analog sounds that interact and coexist with pretty much anything you want; by combining analog, FM synthesis, wavetable and sampled waveforms, you can use literally any standard audio file as a sound source. It is a great sample player and analog synthesizer, and so much more!

The introduction of sample players in the mid eighties created a gap in the world of synthesizers, a gap that 20 years later only has grown wider. The Nord Wave closes that gap, and brings the user replaceable samples to life again by integrating them in a virtual analog environment. Does the better of 2 worlds sound too pretentious for you? Wait until you have heard the Wave.

The Nord Wave 49-note analog synthesizer brings the user replaceable samples to life again by integrating them in a virtual analog environment.

With the Nord Wave 49, Nord have teamed up with several sample creators, such as Kirk Hunter Studios, Precisionsound and Sonic Reality and licensed some of the very best samples available.

The Nord Wave features compression algorithm, which allows on average, 2 to 3 times data compression of any samples you want to download to the Nord Wave, without any loss of quality.

Flash memory also means that samples are instantly available, meaning fast load times even for complex programs. No hard drive or other type of media is needed for storing samples when you shut down the Wave; once the unit has powered up you have direct access to all the samples at the turn of a knob.

www.youtube.com/watch?v=zthgF8SNmfU
http://www.youtube.com/watch?v=6xiBCY6K8HY

Review: The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots (potentiometers); rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

B-STOCK: Box opened. There is a small mark on the rear panel but otherwise product is in excellent condition and in perfect working order

Review: *** B-STOCK: Box opened. There is a small mark on the rear panel but otherwise product is in excellent condition and in perfect working order ***

The Dave Smith Instruments Prophet '08 Pot Edition 8-voice analog synthesizer offers an alternative with 38 of the 52 front panel parameters controlled by pots; rotary encoders are still used for the remainder of the controls.

The Dave Smith Instruments Prophet '08 Pot Edition is exactly the same as the non-pot version. The difference is strictly in the controls themselves. Encoders are endless, they have no minimum or maximum limit. The advantage to that is that when you edit a preset parameter, the change begins at the preset value and increases or decreases, depending upon the direction turned.

Pots typically have about 270- of travel and have definite limits. The advantage to that is that you know, by feel, where the minimum and maximum limits are and you can sweep through the entire value range in less than one full turn.

The Prophet '08 PE features 3 edit modes for the pots: Relative, Passthru, and Jump. In relative mode, the value change is relative to the preset value. In passthru mode, turning the pot has no effect until after the edited value equals the preset value (that is, until the edited value passes through the stored value). Jump mode uses an absolute value based upon the position of the pot when edited; turn a pot and the value jumps immediately from the stored value to the edited value.

Monophonic analog synthesizer with CV outputs, arpeggiator and MIDI/ USB connectivity

Review: Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable voltage controlled oscillators, a voltage controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.

Additionally, the Stage II boasts great new features including MIDI over USB, MIDI Clock Sync, an arpeggiator, tap tempo and a stylish new black finish.

The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig, from full-on analog, to a laptop/ softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.

The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.

Analogue monosynth keyboard with analogue sequencer

Review: Analogue Solutions are proud to announce availability of Leipzig-S, the latest addition to its lengthening line of critically-acclaimed, quality-crafted boutique designs from founder Tom Carpenter in the true spirit of vintage analogue synthesisers befitting the true analogue synth enthusiast.

Evolving from its namesake Leipzig (rack-mounting) and Leipzig-k (keyboard-endowed) analogue monosynth predecessors, the rack-mountable/tabletop Leipzig-S literally goes several steps further by incorporating an in-built eight-step analogue sequencer that can be used to produce simple melodic lines as well as acting as a modulation source to affect the filter cutoff (or to create additional effects, depending on other control settings). VCO1, VCO2, and the VCF are all available as sequencer destinations; seemingly simple, yet favourably flexible, the step sequencer can be creatively controlled (clocked) by multiple sources, at audio frequencies (using VCO2 as a clock source), or using the output of the sequencer itself as an audio source to be played via MIDI while the eight step controls then alter the waveform/tonal content, for example, such are the adventurous advantages of packaging an analogue step sequencer with a true analogue monosynth.

The entire design is traditional early-eighties analogue (voice and modulation) circuitry, comprised entirely of discrete components and op-amps (bar, of course, the digital sequencer controller and MIDI-CV interfacing); since the Leipzig-S is a strictly no-memory affair, all controls are not quantised, resulting in an authentically vintage sound, replete with musically desirable quirks and subtle artifacts (much in the same way that, say, a valve amp or vinyl record adds sonic character), unlike some other modern analogue synths that arguably sound almost as perfect as DSP analogue modelling.

With electronic percussion having influenced the choice of routings, the Leipzig-S boasts a huge range of modulation possibilities to facilitate creating the widest possible range of sounds, including deep basses, sound effects, analogue loops and (obviously) electronic drum sounds. With this, his latest design, true analogue synth enthusiast Tom Carpenter is confident that he has achieved a modern analogue synth that truly does sound vintage.

The SK is almost identical to the S. But with the addition of a MIDI controller keyboard.

Keyboard version of the Telemark (SEM modular keyboard)

Review: The Telemark provides exactly the same features as the Semblance, but with the addition of modular synth patch points. This in effect turns it into a semi-modular design and means it can be interfaced to other modules and synths very easily.

The Telemark is a sturdily made white metal wedge, populated on the left side of the panel by lots of knobs and a few LEDs. The right side is devoted to a series of 1/8" sockets designed to provide access to core points in the synth's signal path. The back panel has a small socket for the supplied external PSU, MIDI input/thru, as well as 1/4" jack sockets for the main audio output and 2 external audio inputs.

The Telemark is an easy-to-use and fine-sounding synth, which is capable of a wide range of sounds. It uses the patch panel to add another dimension and offers some great options for processing external audio as well as transforming the internal palette. The MIDI spec gives the Telemark the ability to respond to both note on/off and velocity information for VCA and VCF sections. The patch panel allows you to route these elsewhere should you need to and a MIDI controller can be assigned to modulation duties should you wish.

The Telemark is a Oberheim SEM inspired synth like the Anyware Tinysizer, the Semtex XL and the Analogue Solutions Semblance are.

The Telemark-K is similar to original SEM but with Sample and hold, LFO square wave, noise, extra inputs, many more signal modulation options via rotary switches.

www.youtube.com/watch?v=uRf8y74ektM

Synthesizer with CV/gare inputs

Review: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Analogue synthesizer

Review: Analogue Solutions manufacture the real deal when it comes to analogue synths.

The Telemetry is a mini version of the company's Vostok synth, and offers some great features including pure analogue voice circuitry (of course), mini-pin matrix patch panel to eliminate the use of patch cables, MIDI in for sequencer or keyboard control, white noise, and an X/Y non-sprung joystick. There's even on-board MIDI-CV conversion with pitch, auxiliary CV outputs, and gate.

www.youtube.com/watch?v=rvo5x5G4YJg

Tabletop synthesizer module with rack-mount hardware

Review: The Prophet '08 synthesizer module is a tabletop knobby module with all of the features and controls of the Prophet '08 Keyboard (minus the keyboard, of course) in an even more compact enclosure. With real analog oscillators, famed Curtis low-pass filters, and analog VCAs, the Prophet '08 is capable of reproducing the familiar sounds of its legendary predecessors. But modern features like a greatly expanded modulation matrix and additional modulation sourcesilike three envelopes and 4 LFOs per voiceitake it way beyond the vintage gear and make this a worthy and unique addition to the Prophet family tree.

Features include a gated 16 x 4 step sequencer, arpeggiator, split or stacked key modes with separate stereo outputs per layer, and rack ears for optional rack-mounting. The Prophet '08 module can also be used as an expander to increase the polyphony of another Prophet '08ikeyboard or moduleito 16 voices.

Monophonic analog synthesizer

Review: Moog Music are proud to introduce the Little Phatty Stage II; the newest member of the Little Phatty family. Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100 analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller. The Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish. The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig; from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator. The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock. The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.

Review: Moog Music is proud to introduce the Little Phatty Stage II; the newest member of the Little Phatty family. Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100 analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller. The Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish. The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig; from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.

MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator. The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock. The distinctive new black finish is a real eye-catcher that emphasizes the unique new nature of the Little Phatty Stage II.

4-voice analogue synthesizer

Review: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Analogue duophonic ribbon synthesizer, compatible with the computer environment with a USB I/O, MIDI I/O and 4 CV outputs

Review: Eowave's new analogue duophonic ribbon synthesizer.

Eowave are rethinking instruments from the past with smart sensor technology. The result is a new innovative instrument with real analogue oscillators, a duophonic ribbon, 100% compatible with the computer environment with a USB I/O, MIDI I/O and 4 CV out.

Sensor technology now enables to recreate controls like ribbons with a new accuracy and a new duophonic process. The ribbon enables to play glissando like on a Theremin, les Ondes Martenots or a Trautonium. The addition of 1 x oscillator takes all its dimension with the new duophonic ribbon which extends the instrument sonorities spectral to play simple chords, but also enables numberless modulations, e.g. FM of one oscillator on the second one.

The Persephone markII has 2 x analogue oscillators with a waveform from triangle to saw, going from 1Hz to more than 20000Hz. An analogue resonant 12dB low-pass filter inspired from the filters from the 70s-80s enables to shape the sound. With its entire analogue audio signal path, the Persephone markII can generate notes with a continuous variable range up to 10 x octaves to create deep and resonant cello tones on the lowest notes to ultrasonic frequencies on the highest pitches. An optical modulation key will transmit the slightest vibration for expressive modulations.

16 x routing presets enable to select different routing architectures between the sound parameters and the 7 controls available (ribbon pressure, ribbon position1 & 2, key, pedals 1 & 2, LFO) for 8 destinations (lo pitch, hi pitch, filter, VCA lo, VCA hi, filter mod1, filter mod2 and VCA). 8 x presets are fixed and 8 are editable users presets configurable thru a free software. Users routing presets will be stored in the Persephone2 internal memory. This new section significantly increases the instrument control and modulation possibilities.

The A/D conversion is made with Eowave ESS DSP. This process assures a 12 bits resolution (4096 values) conversion for an accurate musical gesture. It's 100% MIDI compatible and uses USB full speed 12 MB/s. This makes the Persephone2 compatible with all MIDI compatible softwares whilst the latency is reduced at less than 1.5ms.

With a complete I/O section featuring 4 x CV outputs, 2 x pedals inputs, MIDI in & out, audio out, USB (MIDI), the Persephone markII can be turned into a powerful and unique controller to control most of your analogue or digital synths.

http://www.youtube.com/watch?feature=player_embedded&v=ROdMInjMtm0
http://www.youtube.com/watch?feature=player_embedded&v=3YkS9vAcvDc
http://www.youtube.com/watch?feature=player_embedded&v=vW9ayttFvy4

61 key analogue modelling synthesizer

Review: Ready for live performance.

The KingKorg is the full-fledged analog modeling synthesizer you've been waiting for. It carries on the design philosophy of classic Korg analog synthesizers. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, the KingKorg is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name, the KingKorg.

A feature unique to the KingKorg is the new XMT (Xpanded Modelling Technology) modelling sound engine that simplifies the overall operation of the synth whilst still being able to produce a wide variety of incredible sounding tones. The KingKorg provides pre-set algorithms that contain combinations of familiar oscillator sounds such as sawtooth, square and noise as well as numerous PCM/DWGS algorithms to sculpt unique and personal sounds.

Korg have also included powerful and diverse modelling filters based on classic synthesizers from the '70s and '80s that allow unique sound shaping, as well as a faithful recreation of Korg's own MS20 analogue synthesizer. Being analogue modelled, the filters closely mimic behaviour such as self-oscillation and distortion for aggressive leads and basses.

The KingKorg also features 3 master effects slots, each with a choice of 6 effects. Firstly there is Pre FX which includes distortions and amp simulators; Mod FX for classic choruses and phasers; and Rev/ Delay with effects such as hall reverb and modulation delay. Alongside these there are control knobs to fine tune the effect.

Korg have also included a vocoder section with an on-board microphone input, to get those Daft Punk robot voice sounds as well as the creative freedom to use a voice as the basis for new tonal creations. The KingKorg also has Formant Shift to modify the character as well as Formant Hold which freezes a vowel sound to be played back across the keys.

Perhaps one of the more striking features is the intuitive new panel layout that makes it so easy to use, with a dedicated display for the oscillator clearly showing the current algorithm. There is also a function for selecting sounds by type such as Analog or PCM, and plenty of knobs spaciously laid out that give immediate hands on control of the most important parameters, making production and performance a more tactile experience.

https://www.youtube.com/watch?feature=player_embedded&v=ItKQ8ydMTIc

44-note 4-voice analog keyboard synthesizer

Review: The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads.

Each of the Mopho x4's 4 voices is composed of 2 analog oscillators, 2 sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, 3 x 5-stage envelope generators, 4 x LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations.

FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. The Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic.

The Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.

The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.

Expand the Mopho x4's polyphony using it's poly chain port. The Mopho, the Tetra, and the Prophet '08 can all be connected to the x4 to increase its voice count. You can poly chain up to 3 x Tetras with the Mopho x4 to create a 16 voice analog super synth.

Designed and manufactured in San Francisco, the Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.

http://www.youtube.com/watch?v=zbYeGztwiLg

49-note virtual analog synthesizer

Review: The Nord Lead 2X features all the characteristics of its popular predecessors, and incorporates many new features as well.

The Clavia Nord Lead 2X virtual analog synth continues the tradition of Nord's unique method of sound generation. Mathematical simulations of the signals generated by analog oscillators are the basis for the incredible sound that speaks for itself. People know Nord by its sound, and the Nord Lead 2X gives you that certain quality that is unmistakable!

The in your face sound of the Nord Lead 2X has been enhanced with 24bit D/A converters. The preset memory houses 7 x 99 factory programs, 3 x 100 factory performances, and 7 x 10 percussion kits. Additionally, the user banks give you room to store your own sounds, 3 x 99 Programs, 3 x 100 performances, and 3 x 10 percussion kits. The polyphony has been upgraded to 20 voices as well.

Sporting 20 voices of polyphony, the Nord Lead 2X is perfect for layered pads, screaming leads, and thick booming basses. The keyboard can be split, and two sounds can be layered on either side of the split point. You can have four simultaneous programs playing at once, and with a movable split point, the possibilities are captivating.

The Nord Lead 2X is 4-part multitimbral, and these four parts are used together in the Performance Mode. The Nord Lead 2X also has 4 assignable outputs, so each performance voice can be routed to its own analog output.

http://www.youtube.com/watch?v=lFWTgvItQmc

6-track multiple synthesis and effects sequencer

Review: The Monomachine SFX-60+ MKII is the ultimate sound generator. 5 different synthesis methods plus sequencing make it the mixed martial artist of synthesizers.

Each of the 6 Monomachine tracks is loaded with sound shaping devices. At your command is a tape style delay, a resonant multi mode filter, a sample rate reducer, a distortion effect, an arpeggiator and no less than 3 LFO's -per track. The sound palette is limitless.

Despite the depth of the Monomachine it is very easy to use. Every parameter is close at hand and no confusing menus are in your way. Everything is laid out in a logical and usable manner. This is particularly useful when you perform live and don't want to press the wrong buttons.

A special MIDI mode gives you control of six dedicated MIDI tracks. Use the versatile arpeggiators and all the other special sequencer features to take MIDI sequencing to the next level. The Monomachine is a given centre piece in any studio.

You can upload your own customized waveforms and use them in the Monomachine environment. This, plus the ability to treat sound incoming through the two external inputs using the special FX machines, makes the Monomachine a sound designer's dream come true.

The Monomachine SFX-60+ MKII comes equipped with a +Drive by default. With a +Drive there is no risk of running out of storage space. Over 16'000 patterns, 16'000 kits and 8'000 waveforms can be internally stored.

http://www.youtube.com/watch?v=k_aa11NfkRw

4 voice analog synthesizer with state-of-the-art digital controls

Review: The Analog Four is the best of 2 worlds. The power of analog synthesis is enhanced with precise Elektron sequencing for a machine par excellence. This is an analog synthesizer for the modern age.

The Analog Four is a 4 voice analog synthesizer. Analog oscillators and filters ensure the most organic sounds imaginable and the Elektron step sequencer caters for the innovative sound control. With sequencer features like parameter locks and variable length per track, intricate the Analog Four compositions can be created quickly and efficiently. Add the completely new and incredibly well-crafted effects to the mix and experience the next chapter in analog sounds. It just sounds right.

Not only a splendid sound making device, the Analog Four can also make other gear sing. Thanks to the CV/gate and DIN sync outputs, legacy analog gear can be controlled in great detail. Sequencer features like arpeggiators and parameter locks will breathe new life in old equipment and make any modular synthesizer rig truly come alive.

Live performance features are aplenty. The special performance mode gives direct access to user-defined parameters and direct pattern change makes it possible to change patterns at any sequencer step. The arpeggiator can be instantly toggled on or off for swirling melody lines. Improvising when playing live has never been this easy. The Analog Four was born for the stage.

http://www.youtube.com/watch?feature=player_embedded&v=IKNnXh_wY3U

61 Key semi weighted keyboard synthesizer including Cubase AI music production software

Review: For the past decade the MOTIF has been the de facto industry standard in music production synthesizers for both live performance and studio use. Combining MOTIF technology with new USB computer integration technology, the MOX series is the most powerful, mobile and affordable Yamaha music workstation ever. They are destined to bring MOTIF music production power to a whole new generation of players.

MOX has the exact same 1,270 sounds as the acclaimed MOTIF XS covering a wide variety of music styles. Starting with the Yamaha's acclaimed Concert Grand Piano CFIII grand piano sound; all the acoustic instrument sounds (strings, brass, guitar, bass, drums and more) that made the MOTIF XS so popular are included.

You can combine multiple Voices together (up to 4 parts) and play them on one MIDI channel in performance mode, allowing you to play dynamic layered sounds or play solos along with drums and bass backing tracks. With the interactive arp engine, even playing simple chords or just one finger gives you complete musical performances to spark your creativity. The MOX has 256 preset performances in a wide variety of music style including Rock, World, Hip Hop Jazz, etc.

Category search mode makes it fast and intuitive get to your ideal instrument. 16 different instrument categories with sub-categories make it quick to get the sound you need.

MOX has a wide variety of effects for both the internal keyboard sounds and for use with the A/D inputs including a Vocoder for vocal formant controlled synth sounds. With the MOX, the high-quality effects found in our industry-standard digital recording consoles are at your fingertips

MOX features a built-in sequencer which lets you produce high-quality music productions without the need for a computer or any other external devices. The sequencer features both real-time recording, which records your performance data as you play it, and Step recording, which is suitable for recording precise phrases or other difficult passages.

A single USB cable lets you integrate both Audio and MIDI with your MAC or PC computer. MOX has a built-in 4-in 2-out USB audio interface so you can record MOX's internal sound directly to your MAC or PC. Two dedicated audio inputs can be used to recording guitars and vocals into your computer. Compatible with all the major DAWs including Cubase, you can digitally record the sounds of the MOX and anything connected to the stereo analog inputs directly to your favorite DAW.

The MOX comes bundled with a 48 track version of Steinberg's Cubase AI software, Prologue, Steinberg's VA soft synth for vintage analog synth sounds and a new Yamaha Organ YC-3B "Clonewheel" organ emulation VST.

The MOX6 features a newly developed, 61 key, semi-weighted keyboard. The keyboard has been designed and adjusted so that you easily and expressively play the rich variety of sounds of the instrument.

Shoulder synthesizer and midi controller

Review: It's time to escape the keyboard rig and rock the stage. The stylish AX-Synth represents Roland's new generation of remote keyboards, but for the first time, this one has a sound generator onboard. It's self-contained and equipped with powerful, solo-oriented sounds from Roland's latest, greatest synths.

The AX-Synth has everything you need to steal the show. Unlike most remote synths of yesteryear, the AX-Synth is self-contained and loaded with hundreds of Roland's greatest sounds. External MIDI devices are not required. Everything is built-in and ready to rock.

The AX-Synth is packed with cool controllers for expressive live performance. Glide your fingers over the Ribbon Controller for ultra-smooth pitch bends. A Modulation Bar and dedicated control knobs are also provided for real-time sound shaping. Wave your hand over the invisible D Beam for attention-getting effects.

While being completely self-contained, it's also capable of driving external instruments via MIDI. Plug into a MIDI device, and enjoy an unlimited world of sounds and textures, all controllable from the AX-Synth.

The AX-Synth has a vault of great solo sounds onboard, but if you want to customize your sounds, you can download the dedicated PC software editor/librarian application. The AX-Synth's USB/MIDI connector makes communication to and from your computer fast and convenient.

Synthesizer with new SED filter

Review: The Dominion X is MFB's latest synthesizer. It combines analogue synthesis, programmability and modular patching. With advanced circuits, increased functionality and a new design, the Dominion X is the first of MFB's next generation musical instruments.

The Dominion X offers 3 x oscillators for maximum flexibility. Each waveform can be varied in symmetry. Besides altering the pulse width of a rectangle, you may also continuously turn a saw tooth into a triangle and a triangle into a sine. All oscillators also offer ring modulation. In addition, VCO 2 and VCO 3 can be synced to VCO1. Finally, VCO3 can modulate the frequency of VCO 1 and VCO 2. The analogue oscillator circuit is processor-controlled for stable tuning. To complete the available sound sources, noise or an external audio input can be added to the VCOs in the Dominion X's mixer section.

The filter offers 6 x operation modes. Available are 3 x low pass variations with 12, 18 and 24 dB/oct. slopes. Also available are high pass-, band pass and a notch filter with slopes of 12 dB/oct. respectively 6 dB/oct. Variable filter modulations are possible via an invertible envelope, keyboard tracking, LFO, VCO, different MIDI controllers as well as by the use o the CV-input.

The 2 x ADSR-type envelops are internally routed to the VCF- and VCA-sections. In addition, envelope 1 can also modulate the VCO section. LFOs 1 and 2 offer six waveform shapes including sample & hold. They may be switched to one-shot-modes to emulation simple envelopes. A third sine-LFO works in combination with a keyboard's modulation wheel and can dynamically address the VCO, VCF and VCA sections.

Modulations are assigned by the use of selector switches, located at the destinations. This allows easily setting and re-routing internal modulation paths, ideally for your live-performance.

To integrate external modulators, control- and audio sources, the Dominion X offers 9 x inputs. Therefore, oscillators, filter, VCA, CV/gate and mixer can be easily combined with other analogue synthesizers such as MFB's Megazwerg, analogue sequencers such as MFB's Urzwerg Pro or modular synthesizer systems.

An additional selector switch allows assignment of velocity for up to eleven modulation destinations.

The Dominion X offers 128 x programmable patches for your personal sound creations. To support sound programming without an attached keyboard, different demo sequences are available. To use the Dominion X as a filter box for external audio sources, the VCA can be opened permanently. Finally, there is an insert available to integrate an effect or distortion unit into the signal path.

The Dominion X has the following dimensions: 330mm x 170mm x 60mm. An external power supply is included.

The new SED filter design contains 2 x different types of filters. Once is the 12 dB MFB multifilter with 12 dB lowpass and 12 dB highpass, bandpass und notch. Sound can be described as clean and powerful with steady catchy resonance behaviour. The second is new SED filter with 24/12 dB lowpass. This single ended discrete (transistors) filter can be driven into clippng zone, especially the 12 dB variant. The 24 dB lowpass can be sound almost clean when you drive the vco mixer below half of possible value.

Single voice analog synthesizer module

Review: Introducing the Moog Slim Phatty Analogue synthesiser, an incredibly powerful single voice analogue synth that is the long-awaited follow up to the Little Phatty keyboard. With jaw dropping bottom-end capabilities, lots of dirty sounds and an intuitive interface, the Slim Phatty is a powerful tool for both studio and live performance. Delivering a classic analogue Moog sound, the Slim Phatty is a valuable production device for shaping external MIDI, whether you want to sweeten your favourite audio sound with an analogue filter or warp it out of recognition with a powerful oscillator.

The layout of the Moog is very intuitive and simple - each knob and button is given its own space on the interface. There are four rotary pots dedicated to the Moog's modulator, oscillator, filter and envelope generator. The parameter value of each pot is indicated by a LED that makes playing in a darkened environment possible (useful when using the Slim Phatty in a live environment). There are four performance setups which enable you to create programme chains for live use. The Slim Phatty comes equipped with all the necessary inputs for processing external audio sources and the Moog can be operated with any MIDI controller. It is also possible for the Moog to work as a standalone device and musical notes can be produced by the Moog meaning it is not necessary to possess a MIDI device. The Silm Phatty also comes with a noise function whereby noise can be fed through the synthesiser. Lots of great tools are included with the Moog including an arpeggiator for even more possiblities.

One of the great aspects of using the Slim Phatty is the untamed nature of its analogue signal - because it is a real analogue synth you have to interact with it in a different way to a digital synth. The idea with the Slim Phatty is to build layers of noise from the ground up and the focus is on raw sound. The Moog is great for playing around with and its convenient size (not to mention solid metal build) makes it an ideal voice expander for your existing gear.

Portable synthesizer

Review: The OP-1 Portable Synthesizer from Teenage Engineering is a high-end portable synthesizer, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether your in a home, project or professional studio, the OP-1 delivers power and performance everytime.

The OP1 from Teenage Engineering grabs your attention, with it's simplistic layout and colour coded interface. Also the OP1 is a portable, compact, hand-held synthesizer. The power of the OP-1 lies in the features; 8 built-in synthesizer engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4 channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16 hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

http://www.youtube.com/watch?v=gqVpRgnBIc8

Multi-channel analogue sequencer offers 16 steps

Review: The Oberkorn is a fully fledged professional analogue sequencer providing plenty of control outputs and inputs and with some unique creative features never before seen. Whilst most new analogue sequencers only offer a limiting 8 steps, the Oberkorn offers the all important 16 steps. It is a multi-channel true analogue sequencer with some remarkable features.

Analogue synthesizer

Review: The Dominion X is MFB's latest synthesizer. It combines analogue synthesis, programmability and modular patching. With advanced circuits, increased functionality and a new design, the Dominion X is the first of MFB's next generation musical instruments.

The Dominion X offers 3 oscillators for maximum flexibility. Each waveform can be varied in symmetry. Besides altering the pulse width of a rectangle, you may also continuously turn a saw tooth into a triangle and a triangle into a sine. All oscillators also offer ring modulation. In addition, VCO 2 and VCO 3 can be synced to VCO1. Finally, VCO3 can modulate the frequency of VCO 1 and VCO 2. The analogue oscillator circuit is processor-controlled for stable tuning. To complete the available sound sources, noise or an external audio input can be added to the VCOs in the Dominion X's mixer section.

The filter offers six operation modes. Available are three low pass variations with 12, 18 and 24 dB/oct. slopes. Also available are high pass-, band pass and a notch filter with slopes of 12 dB/oct. respectively 6 dB/oct. Variable filter modulations are possible via an invertible envelope, keyboard tracking, LFO, VCO, different MIDI controllers as well as by the use o the CV-input.

The 2 ADSR-type envelops are internally routed to the VCF- and VCA-sections. In addition, envelope 1 can also modulate the VCO section. LFOs 1 and 2 offer 6 waveform shapes including sample & hold. They may be switched to one-shot-modes to emulation simple envelopes. A third sine-LFO works in combination with a keyboard's modulation wheel and can dynamically address the VCO, VCF and VCA sections.

Modulations are assigned by the use of selector switches, located at the destinations. This allows easily setting and re-routing internal modulation paths, ideally for your live-performance.

To integrate external modulators, control- and audio sources, the Dominion X offers nine inputs. Therefore, oscillators, filter, VCA, CV/Gate and mixer can be easily combined with other analogue synthesizers, analogue sequencers or modular synthesizer systems.

An additional selector switch allows assignment of velocity for up to eleven modulation destinations.

The Dominion X offers 128 programmable patches for your personal sound creations. To support sound programming without an attached keyboard, different demo sequences are available. To use the Dominion X as a filter box for external audio sources, the VCA can be opened permanently. Finally, there is an insert available to integrate an effect or distortion unit into the signal path.

Furthermore, the Dominion X has the dimensions: 330mm x 170mm x 60mm. An external power supply is included.

8-bit desktop synthesizer

Review: The SID is an 8bit desktop synthesizer with a double personality. Its simplistic layout and ease of use deliver pleasure at the first touch and its familiar step sequencer will have you programming patterns and beats in no time. 3 expression knobs control the key features of each patch for instant results.

However, don't let its simplicity fool you. The supplied SID Studio software enables you to tweak every parameter under the hood. Draw and design your patches with instant feedback from the SID. Also check out the Nerd-Panel, a powerful interactive blueprint which enables you to address the chip one pin at a time, also a great educational tool.

Review: The Tetra is Dave Smith Instruments' next-generation analog poly synth. It takes the award-winning sound and features of Mopho, multiplies them by 4 and packs them in a box less than half an inch larger.

The Tetra has multiple personalities. It is a 4-voice, analog poly synth, a sort of mini Prophet. It's a 4-part, multitimbral synth with separate outputs, essentially 4 Mophos in one very compact box.

Physically, the Tetra is similar to Mopho, with 4 assignable parameter controls per program and a row of controls dedicated to the most commonly used performance parameters. All of the parameters can be accessed from the front panel and the Tetra is fully programmable. A free, downloadable editor is available for Mac OS and Windows to facilitate more comprehensive tweaking.

Most of the rotary controls are detented encoders, but Cutoff and Resonance are potentiometers, allowing full sweeps with a single turn. The Push It button is a manual trigger to play notes and latch sequences on without the need for a MIDI controller.

Audio is output in mono, stereo or per voice, via the four audio output jacks. There is also a headphone out. MIDI communication is by standard MIDI in and out jacks or USB. Poly Chain Out is a special, dedicated MIDI output to chain multiple instruments for increased polyphony.

The voice architecture is based on the Prophet '08, but with the addition of a sub-octave generator for each oscillator and a fully programmable feedback loop for each voice. That breaks down to 2 DCOs, a resonant low-pass filter, 3 DADSR envelope generators, four LFOS, deep modulation routing, an arpeggiator and a 16 x 4 analog-style step sequencer per voice. Feedback is capable of producing effects ranging from mild distortion to fairly extreme harmonic instability. (That's a good thing.) The possibilities are nearly endless. And the audio signal path is 100 analog.

In program mode, the Tetra is a 4-voice, polyphonic synthesizer with four banks of 128 programs. As with the Prophet '08, each program contains two layersieach layer is essentially a separate patchithat can be used to create keyboard splits or stacked sounds. Banks 1 and 2 are the Prophet '08 factory programs; banks 3 and 4 are a combination of Mopho and new programs.

In combo mode, a different program can be assigned to each of the 4 voices. Combos can be used for mammoth unison patches or for triggering up to 4 different 16 x 4 sequencesieach with its own programisimultaneously. Combos can also be used to create modular-style polyphonic patches, where each voice plays a different program, with a slight variation on the same sound or even a drastically different sound.

In multi mode, the Tetra becomes a multitimbral sound module capable of playing four monophonic parts on four MIDI channels, with separate outputs for each voice. Coupled with a MIDI sequencer and DAW, the Tetra can play complex arrangements or analog drum parts with each part individually processed and recorded to its own track.

Up to 4 Tetras can be poly chained for 8, 12, or 16 voices total. When used with a Prophet '08, up to 2 Tetras can be poly chained for a maximum of sixteen voices. In addition, the Prophet's front panel controls map directly to almost all of Tetra's parameters, so the Prophet acts as a programmer and control surface. And a Mopho can be connected to Tetra's Poly Chain Out for five-voice operation.

Keyboard version of the Mopho monophonic analog synthesizer

Review: The Dave Smith Instruments Mopho Keyboard synthesizer is a much requested keyboard version of the popular Mopho monophonic analog synthesizer. This offers the same compact, affordable and powerful functions as its brother but with more knobs, switches and of course, a 32-note weighted keyboard.

The voice architecture of the Mopho is identical to a single voice of the Prophet '08, but with a couple of unique twists. DSI have added 2 sub-octave generators, one per oscillator for additional girth and crushing bass. It also has an audio input that lets you process external audio and mix Mopho's own audio output back in pre-filtered for feedback effects that range from subtle distortion to extreme skronk.

The DSI Mopho is fully programmable and all parameters can be tweaked from the front panel making this version a lot easier than its little brother. You can also expand the voicing of the Mopho by combining it with the Tetra synthesiser, giving you 5-voices at your disposal. The Mopho is perfect for people who want to learn analog synthesis without spending a fortune.

61-key professional mobile synthesizer with Sonog Player function

Review: On stage or in the streets, the Juno-Di is a traveling musician's dream. It's lightweight, it can run on batteries, and it's easy to use, yet it performs and sounds like a heavyweight synth. It's packed with a wide variety of top-quality sounds i over 1000 to choose from! It has a friendly direct-access control panel for easy editing and a Song Player for larger-than-life performances. First-timers and pros alike will love this friendly, portable, great-sounding synth.

At the heart of this exciting new synth is a top-of-the-line voice engine that delivers world-class sounds, including grand and electric pianos, lush strings, beautiful guitars, powerful brass, percussion, plus banks of exotic instruments, modern synth sounds, and much more. The sound-bank is so diverse, it can compliment any style of music! And if you want to customize the sounds, the dedicated sound modify knobs on the front panel let you instantly cater each sound to your specifications, even while you're playing. A software editor is also provided if you prefer more advanced editing via PC.

With so many sounds onboard, it could be a daunting task to find what you need. But fear not, the Juno-Di simplifies the process of finding sounds with its dedicated category buttons. If you want a piano, for example, just press the Piano button. You can even assign your most-used sounds to the Favorite buttons for instant access. Editing is easy too. If you want to create layers or splits, dedicated buttons and the large LCD make the process fast and friendly. And don't forget the onboard rhythm patterns, which can be easily adjusted on the fly with a dedicated tempo control. It's a great tool for practice and performance.

The Juno-Di was born to travel. It's strong yet amazingly lightweight (only 5.2kg) making it easy to lift and carry. The battery compatibility lets you play for up to 5 hours without plugging in (uses Ni-MH AA-size rechargeable batteries). When used in conjunction with a battery-powered amp such as Roland's famous Cube Street or Mobile Cube, the Juno-Di can be played and heard anywhere. A battery-life indicator on the front panel ensures that you won't lose power unexpectedly.

More than meets the eye, the Juno-Di lets you plug a microphone into its external input and process your voice through the built-in vocoder. A dedicated reverb is assigned to the input, so you can add lush ambience to your voice without taking away from the main onboard effects. Sing along with your performances and transform your voice in colorful and creative ways, from silky smooth to sci-fi robotic.

With its USB Memory port and Song Player function, the Juni-Di enables direct playback and control of backing tracks from a USB key. You can play MP3, WAV, AIFF, and SMF files, and control them from the dedicated buttons on the front panel. Impress your audiences with full-band performances from a single keyboard. Additionally, the Center Cancel feature lets you sing along karaoke-style with audio files in the Song Player for a complete entertainment experience. You can also connect MP3 players directly to the Juno-Di through its external input.

http://www.roland.co.uk/products/productdetails.aspx?p=1022

All in one 61 key music production synthesizer

Review: The Yamaha MX61 is a 61 key music synthesizer which combines Motif XS sounds, USB Audio, MIDI connectivity and advanced DAW & VST controller features at a ground breaking level of affordability.

Containing more than 1000 Voices derived directly from the world famous Yamaha MOTIF XS series. From realistic acoustic sounds like piano, electric piano, strings and drums to complex 8 element synth sounds, the MX61 has all of your favorite Motif XS Voices right at your fingertips. Featuring a new streamlined interface for instant hands on selection of all those great voices, you can even edit and store your own sounds right onboard.

The MX61 comes equipped with VCM effects, which simulate vintage effectors at the circuit level. The sounds of the 70s are brought back to life, through simulating the hard to find vintage sounds of equalizer, flanger, phaser, and wah effects introduced by the keyboard legends of the era.

Performance mode on the Motifs has always been the place to find instant inspiration: You can easily combine two voices to play on the keyboard using the dedicated split and layer buttons each with their own intelligent arpeggiator and a dedicated part for a drum track to create evocative performances that feel like a whole band is playing. The 128 performances on the MX are all user editable, but come programmed with the latest club friendly grooves.

The MX61 doesn't just control software DAWs and VSTs: It's an audio interface as well. Just connect a USB cable to your computer and you can monitor all the sounds from your computer via the headphone output of the MX61 or listen to your DAW tracks by connecting to external studio monitors or PA gear.

As the only hardware synth in its price range to come with a complete suite of music production software tools, the MX61 includes Steinberg Cubase AI. Featuring 48 audio tracks and 64 MIDI tracks, notation and built-in VST effects, with just the MX61 and Cubase AI you can do complete productions.

49-note keyboard synthesizer

Review: Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

Reproduction of one of the most sought after and classic mono synthesizers to date

Review: The Bass Bot is an analog, monophonic synthesizer and sequencer, an incredible reproduction of one of the most sought-after analog synths ever. The sound is authentic not because of good sampling or modeling, but because it uses identical circuitry: classic transistor-based circuit design, using 21st century technology.

The sequencer uses classic step-entry programming, and stores up to 224 editable patterns, as well as 224 bot-generated preset (non-editable) patterns. The Bass Bot holds 7 songs of up to 127 bars, with everything stored in onboard flash memory, which means it will stay there when you turn the unit off.

The TT-303 is indispensible for acid and techno house music, great for hip-hop, and just a whole lot of fun! Fatboy Slim says "Everybody Needs a 303!": here is your chance to get one.

Analogue bassline synthesizer

Review: The Magma is an analogue bassline synthesizer inspired by classical synths from the 1980s. It offers the possibility to mix 4 x different waveforms (saw, square, sub, noise). The 24dB low-pass filter is also inspired from classical filters from the 80s.

To this particular sound of the 80s, Eowave added a touch of modernity with modern controls and parameters saving features. The 16 x steps sequencer has 4 x rows: 1 for the notes and 3 x freely assignable to a parameter of your choice that enables to create living sequences with sonorities like Vince Clark or Yann Hammer.

8-step analogue sequencer

Review: The Station Q is like half an Oberkorn sequencer. It is identical to Oberkorn, except that it is 8 step instead of 16, and does not have the MIDI features. The Station Q is the perfect companion to the Station X/Y mini-modular combo.

http://www.youtube.com/watch?v=ev-OzE0tkMs

Mini-modular synthesizer

Review: The Station X is a compact mini-modular synthesiser. It contains all the essential ingredients to form complete synth patches.

Think of it as a mini Red Square or Tereshkova. In fact, a mini Red Square is a good analogy. If has the same filter and similar key features (though Red Square is 2 VCO).

The Station X is ideal for beginners who want to dip their toes into the world of modular synths, the travelling producer who wants to take a true analogue modular synth around to different sessions, or home musician who perhaps is limited for space.

The Station-X comes with 5 x splitter leads, so you can feed a signal (source) to 2 x destinations. This is like having 5 x mini-multiple modules built in.

Module means no case or power provided, so it is a bare module that will fit into your own modular synth case (doepfer, concussor or other eurorack. Requires 6 free power sockets). The module will not work on it's own. You must provide it with power.

http://www.youtube.com/watch?feature=player_embedded&v=NHy8qHoFzAc

B-STOCK: Box opened. There is a very minor scratch on the underside of the metal casing but otherwise product is in excellent condition and perfect working order

Review: *** B-STOCK: Box opened. There is a very minor scratch on the underside of the metal casing but otherwise product is in excellent condition and perfect working order ***

Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

B-STOCK: Box opened but product is new, unused and in perfect working order

Review: *** B-STOCK: Box opened but product is new, unused and in perfect working order ***

Waldorf is back in the game, with the mighty Blofeld keyboard. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of the Waldorf Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, q, q+, Micro q, Microwave, Microwave ii/xt, or even the flagship Wave. Yes, you've heard it right. The Blofeld is not only capable of producing beautifully warm, organic analogue sounds known from the q synthesizer line, it also sports a wavetable engine like its predecessors with "wave" in their names. This unique synthesis system is based upon the revolutionary ppg Wave synthesizers of the early 80s. So when you listen to the Waldorf Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the ppg era on, and become increasingly popular once more. In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago. The Blofeld has a gorgeous user interface with a huge graphic display giving you precise visual feedback. Seven endless rotaries plus a volume knob all made of steel invite you to explore the depth and power of Blofeld. Simply amazing.

The classic Korg MS20 recreated in miniature size

Review: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Product video - http://www.youtube.com/watch?v=hA-owDEGpac

Compact, portable 61-key synthesizer

Review: The X50 music synthesizer is packed with Korg's distinctive and world-renown sounds, designed for easy and intuitive operation, and with an ultra-light and compact design that's ideal for the active musician.

The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine used on the world-famous Triton series. It gives you pro-quality sounds in an ultra-compact body. This music synthdelivers unbeatable convenience and enjoyment for live performance and song production.

The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound programs, as well as 384 combinations that let you use up to 8 programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg's TR line of music workstations so you can share sounds and songs with Korg users around the world.

An arpeggiator lets you play a variety of phrases using just one finger, and the X50 provides 2 polyphonic arpeggiators! For example, in combination mode you can use the 2 arpeggiators to play drums and bass while you play chords and melody, giving you amazing power for live performances. In addition to basic preset arpeggio patterns, the X50 also provides an additional 251 patterns containing various phrases. Of course, you can also create your own original patterns and store them in internal memory.

Finding the right sound quickly when you have so many to choose from can be a problem on some systems, but not with Korg's. The X50 organizes its vast array of sounds into sixteen categories, and provides a category select function that makes it quick and easy to choose the sound you need from the category you specify. There's also an audition riff function that provides one-touch audition of each sound. 4 knobs can be used to quickly adjust sounds, effects and arp settings, and the clickpoint cursor makes the X50 a pleasure to use and play.

The X50 mobile synthesizer packs professional-quality sounds and a wide range of functions into an amazingly light and compact body. Even with a 61-note keyboard that gives you plenty of room to perform, the X50 boasts an ultra-light weight of only 4.5kg, about the same as an electric guitar. The compact design ensures that it can fit into the smallest home studio workspace, and thanks to its cool side handles the X50 is easy to take along wherever you go.

In a first for its class, the X50 music synthesizer features individual outputs, allowing professional setups in which the sounds of specific parts are sent to their own outputs. This can be very useful in situations such as recording when you may want to EQ and process each sound separately, and for surround-sound applications.

The X50 music synthesizer also provides a USB connector that lets you establish MIDI connections with your computer using a single cable - no interface needed. A powerful Multi mode give you 16 parts to create music with, with the full complement of effects and other settings to make complete songs using only the X50 and your computer. 128 multis can be saved and recalled, with 16 preloaded covering many common music styles and genres.

It also comes with an editor/librarian software that makes it easy to create and organize sounds using your computer. Two versions are provided: a traditional stand-alone application and an innovative plug-in version (VST, AU, and RTAS formats supported) that can run within your DAW and MIDI sequencing software. Both versions are colorful, graphic-rich, and provide a wonderful interface for working with the X50 music synthesizer in all its modes.

http://www.youtube.com/watch?v=IHQwK5Y8XAQ

Review: The X50 music synthesizer is packed with Korg's distinctive and world-renown sounds, designed for easy and intuitive operation, and with an ultra-light and compact design that's ideal for the active musician.

The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine used on the world-famous Triton series. It gives you pro-quality sounds in an ultra-compact body. This music synthdelivers unbeatable convenience and enjoyment for live performance and song production.

The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound programs, as well as 384 combinations that let you use up to 8 programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg's TR line of music workstations so you can share sounds and songs with Korg users around the world.

An arpeggiator lets you play a variety of phrases using just one finger, and the X50 provides 2 polyphonic arpeggiators! For example, in combination mode you can use the 2 arpeggiators to play drums and bass while you play chords and melody, giving you amazing power for live performances. In addition to basic preset arpeggio patterns, the X50 also provides an additional 251 patterns containing various phrases. Of course, you can also create your own original patterns and store them in internal memory.

Finding the right sound quickly when you have so many to choose from can be a problem on some systems, but not with Korg's. The X50 organizes its vast array of sounds into sixteen categories, and provides a category select function that makes it quick and easy to choose the sound you need from the category you specify. There's also an audition riff function that provides one-touch audition of each sound. 4 knobs can be used to quickly adjust sounds, effects and arp settings, and the clickpoint cursor makes the X50 a pleasure to use and play.

The X50 mobile synthesizer packs professional-quality sounds and a wide range of functions into an amazingly light and compact body. Even with a 61-note keyboard that gives you plenty of room to perform, the X50 boasts an ultra-light weight of only 4.5kg, about the same as an electric guitar. The compact design ensures that it can fit into the smallest home studio workspace, and thanks to its cool side handles the X50 is easy to take along wherever you go.

In a first for its class, the X50 music synthesizer features individual outputs, allowing professional setups in which the sounds of specific parts are sent to their own outputs. This can be very useful in situations such as recording when you may want to EQ and process each sound separately, and for surround-sound applications.

The X50 music synthesizer also provides a USB connector that lets you establish MIDI connections with your computer using a single cable - no interface needed. A powerful Multi mode give you 16 parts to create music with, with the full complement of effects and other settings to make complete songs using only the X50 and your computer. 128 multis can be saved and recalled, with 16 preloaded covering many common music styles and genres.

It also comes with an editor/librarian software that makes it easy to create and organize sounds using your computer. Two versions are provided: a traditional stand-alone application and an innovative plug-in version (VST, AU, and RTAS formats supported) that can run within your DAW and MIDI sequencing software. Both versions are colorful, graphic-rich, and provide a wonderful interface for working with the X50 music synthesizer in all its modes.

http://www.youtube.com/watch?v=IHQwK5Y8XAQ

Lightweight keyboard synthesizer with 37-note keyboard

Review: With its massive sound, hands-on ease, and affordable price, the GAIA SH-01 is a high-performance value with old-school charm. The triple-stacked engine puts potent virtual analog synthesis under your fingertips, yet the control panel is so fun, friendly, and inviting, even first-timers can create great sounds. The signal flow is simple to grasp, with logically arranged knobs, sliders, and buttons. Hands-on control and fat sound make this little powerhouse a joy for music students, songwriters, session players, and live performers of all styles and skill levels.

Sink your teeth into the new triple stacked virtual analogue engine, comprising three complete synths for incredibly thick, powerful sound. Unleash the beef of three oscillators which drive a trio of multimode, resonant filters, multi-shape LFOs, and amplifiers, plus nine envelope generators. It's like having 3 x synthesizers in one. With 64 x polyphonic voices onboard, the GAIA SH-01 makes it possible to play massive sounds without experiencing note drop out.

From the silkiest reverb to the grittiest growl, the SH-01's instantly selectable multi-effects will catapult your sounds into another dimension. You can layer up to 5 x simultaneous effects for dozens of variations. The onboard effects include reverb, distortion, fuzz, bit crash, flanger, phaser, pitch shifter, low boost, and delay with panning and tempo sync. Dedicated control knobs are provided for tweaking the effects in real time.

At less than 10 pounds (approx. 4 kg/9 lbs), the GAIA SH-01 is lightweight, compact, and great for musicians on the go. However, the 37-note keyboard is full-size, so performers can play naturally and comfortably. The synth can be powered via AC or batteries (can be powered by eight rechargeable Ni-MH AA batteries) for the ultimate in portable convenience. A battery-life indicator on the front panel ensures that you won't lose power unexpectedly. When used in conjunction with a battery-powered amp such as Roland's Cube Street, Mobile Cube, BA-330 or KC-110, the GAIA SH-01 can be played and heard anywhere.

The front panel puts every control directly under your fingertips. There are no hidden menus you can just play. And move the knobs and sliders, or wave your hands over the invisible D-beam for dramatic effects. The logically designed front panel shows the signal path from left to right. It helps beginners understand synthesis, while experienced players will love the instant gratification of hands-on control during performance.

Hold a note or chord and let the arpeggiator create musical magic automatically for you. The tempo can be set via tap tempo. In addition, the onboard Phrase Recorder lets you record what you play on the keyboard as well as the movements of the knobs and sliders. The controller data can also be played back independently to complement the notes you play in real time.

Connect directly to a computer (Mac or PC) with one simple USB cable, and stream audio directly to the software of your choice. The SH-01's USB ports can also be used to transmit and receive MIDI data, and to store your patches and phrases (recorded with the Phrase Recorder) to a USB memory stick. For integrating with external devices, the SH-01's EXT input lets you connect external audio sources such as an MP3-player and play along with your favourite songs or backing tracks, making it great for practice and live performance. Manipulate the incoming audio with three Center Cancel modes, which let you eliminate pre-recorded vocals, guitars, or bass.

http://www.roland.co.uk/products/productdetails.aspx?p=1074